birth charts with Apollon in Cancer
You will find on these pages astrological charts of thousands of celebrities with Apollon in Cancer.
Just click on the celebrities of your choice to get their interactive natal chart, planetary dominants and excerpts of astrological portrait.
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 | Born: | Saturday, October 30, 1858 | ||
| In: | Stuttgart (Germany) | |||
| Sun: | 6°35' Scorpio | AS: | 14°01' Scorpio | |
| Moon: | 18°35' Leo | MC: | 28°35' Leo | |
| Dominants: | Scorpio, Leo, Taurus Sun, Pluto, Mercury Houses 12, 9, 6 / Water, Fire / Fixed | |||
| Numerology: | Birth Path 8 | |||
| Pageviews: | 102 | |||
Otto Güntter (born 30 October 1858, died 30 March 1949) was a German philologist and the long-serving director of the Schiller National Museum in Marbach. Influenced by Friedrich Theodor Vischer, he studied philosophy and modern philology in Tübingen, later continuing his education in France and England.
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 | Born: | Saturday, November 28, 1829 | ||
| In: | Ham (80) (France) | |||
| Sun: | 5°47' Sagittarius | AS: | 17°57' Scorpio | |
| Moon: | 26°21' Sagittarius | MC: | 5°06' Virgo | |
| Dominants: | Scorpio, Sagittarius, Capricorn Mercury, Pluto, Jupiter Houses 2, 1, 5 / Fire, Water / Fixed | |||
| Numerology: | Birth Path 5 | |||
| Pageviews: | 99 | |||
Jules-Descartes Férat, born on 28 November 1829 in Ham and died on 6 June 1906 in Paris, was a French painter, engraver, and illustrator. Alongside Léon Benett and Édouard Riou, he ranks among the most prominent illustrators of Jules Verne, contributing to nine of his novels.
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 | Born: | Friday, June 10, 1864 | ||
| In: | Aberdeen, Scotland (United Kingdom) | |||
| Sun: | 19°19' Gemini | AS: | 3°09' Pisces | |
| Moon: | 22°13' Leo | MC: | 22°14' Sagittarius | |
| Dominants: | Gemini, Aries, Pisces Sun, Neptune, Uranus Houses 3, 1, 6 / Air, Fire / Mutable | |||
| Numerology: | Birth Path 8 | |||
| Pageviews: | 84 | |||
Sir John Ninian Comper (10 June 1864 – 22 December 1960) was a major Scottish architect of the Gothic Revival. He focused almost exclusively on churches, designing and restoring them along with liturgical furnishings, stained glass, and vestments. He masterfully blended Gothic and Classical styles, a method he called “unity by inclusion.” His use of color, iconography, and liturgical focus made his work distinct and highly revered.
