Astrology, Horoscope, Planets, Dominant planets, Natal Chart
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Steve Ditko: Astrology and Horoscope

Born:November 2, 1927, 12:00 PM (unknown)
in:Johnstown (PA) (United States)
Sun: 9°17' Scorpio  
Moon:10°10' Aquarius  
Dominants: Scorpio, Aquarius, Pisces
Uranus, Pluto, Jupiter
Water, Fire / Fixed
Chinese Astrology: Fire Cat
Numerology: Birthpath 5
Popularity: 1,737 clicks, 30,274th man, 42,182nd celebrity

If you happen to know the time of birth of Steve Ditko, we would appreciate it very much if you would send us your information including your source, if any. We thank you in advance for contributing to the enhancement of our astrological database. As a token of our gratefulness, we shall be glad to send you for free the astrological portrait (32-36 pages) of this celebrity, if you let us know that you are interested in it.

Celebrities born the same day: Shahrukh Khan, Marie Antoinette, Nelly (rapper), Jean-Luc Reichmann, Marie-Laure de Villepin, Burt Lancaster, K.D. Lang, Samuel Le Bihan, Stefanie Powers, Patrice Chéreau, Warren G. Harding, Luchino Visconti... List of all the celebrities born on November 2.

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Horoscope and chart of Steve Ditko

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Signs: Aries
 
"I am"
March 21 - April 20

1st Fire sign - 1st Cardinal sign (spring equinox) - Masculine

In analogy with Mars, his ruler, and the 1st House

Aries governs the head.

His colour is red, his stone is the heliotrope, his day is Tuesday, and his professions are businessman, policeman, sportsman, surgeon...

If your sign is Aries or your Ascendant is Aries: you are courageous, frank, enthusiastic, dynamic, fast, bold, expansive, warm, impulsive, adventurous, intrepid, warlike, competitive, but also naive, domineering, self-centred, impatient, rash, thoughtless, blundering, childish, quick-tempered, daring or primitive.

Some traditional associations with Aries: Countries: England, France, Germany, Denmark. Cities: Marseille, Florence, Naples, Birmingham, Wroclaw, Leicester, Capua, Verona. Animals: Rams and sheeps. Food: Leeks, hops, onions, shallots, spices. Herbs and aromatics: mustard, capers, Cayenne pepper, chilli peppers. Flowers and plants: thistles, mint, bryonies, honeysuckles. Trees: hawthorns, thorny trees and bushes. Stones, Metals and Salts: diamonds, iron, potassium phosphate.

Signs: Taurus
 
"I have"
April 21 - May 20

1st Earth sign - 1st Fixed sign - Feminine

In analogy with Venus, his ruler, and the 2nd House

Taurus governs the neck and the throat.

Her colour is green or brown, her stone is the emerald, her day is Friday, her professions are cook, artist, estate agent, banker, singer...

If your sign is Taurus or your Ascendant is Taurus: you are faithful, constant, sturdy, patient, tough, persevering, strong, focused, sensual, stable, concrete, realistic, steady, loyal, robust, constructive, tenacious. You need security, but you are also stubborn, rigid, possessive, spiteful, materialistic, fixed or slow.

Some traditional associations with Taurus: Countries: Switzerland, Greek islands, Ireland, Cyprus, Iran. Cities: Dublin, Palermo, Parma, Luzern, Mantua, Leipzig, Saint Louis, Ischia, Capri. Animals: bovines. Food: apples, pears, berries, corn and other cereals, grapes, artichokes, asparagus, beans. Herbs and aromatics: sorrels, spearmint, cloves. Flowers and plants: poppies, roses, digitales, violets, primroses, aquilegia, daisies. Trees: apple trees, pear trees, fig-trees, cypresses, ash trees. Stones, Metals and Salts: copper, calcium and potassium sulphate, emeralds.

Signs: Gemini
 
"I think"
May 21 - June 21

1st Air sign - 1st Mutable sign - Masculine

In analogy with Mercury, his ruler, and the 3rd House

Gemini governs the arms, the lungs and the thorax.

His colour is green or silver, his stone is the crystal, his day is Wednesday, his professions are journalist, lawyer, presenter, dancer, salesman, travel agent, teacher...

If your sign is Gemini or if your Ascendant is Gemini: you are expressive, lively, adaptable, quick-witted, humorous, sparkling, playful, sociable, clever, curious, whimsical, independent, polyvalent, brainy, flexible, ingenious, imaginative, charming, fanciful but also capricious, scattered, moody, shallow, inquisitive, opportunistic, unconcerned, selfish, fragile, ironical or changeable.

Some traditional associations with Gemini: Countries: Belgium, Wales, United-States, Lower Egypt, Sardinia, Armenia. Cities: London, Plymouth, Cardiff, Melbourne, San Francisco, Nuremberg, Bruges, Versailles. Animals: monkeys, butterflies, parrots, budgerigars. Food: dried fruits, chestnuts, ground-level vegetables: peas, broad beans, etc. Herbs and aromatics: aniseed, marjoram, lemon balm, cumin. Flowers and plants: lilies of the valley, lavenders, myrtle, ferns, Venus-hair-ferns, bittersweets. Trees: nut trees such as chestnut trees. Stones, Metals and Salts: agates, mercury, silicas and potashes.

Signs: Cancer
 
"I feel"
June 22 - July 22

1st Water sign - 2nd Cardinal sign (summer solstice) - Feminine

In analogy with the Moon, her ruler, and the 4th House

Cancer governs the stomach and the breast.

Her colour is white or black, her stone is the moonstone, her day is Monday, her professions are catering, the hotel trade, property, antique dealer, archaeologist...

If your sign is Cancer or your Ascendant is Cancer: you are emotional, sentimental, peaceful, imaginative, sensitive, faithful, resistant, protective, vulnerable, generous, romantic, nostalgic, tender, poetic-minded, motherly or fatherly, dreamy, indolent, greedy, devoted but also timorous, unrealistic, evasive, passive, anxious, dependent, stubborn, moody, passive, lazy, touchy, stay-at-home or inaccessible.

Some traditional associations with Cancer: Countries: Holland, Scotland, North and West Africa, New-Zealand, Paraguay, Algeria. Cities: Amsterdam, Manchester, Tokyo, New York, Istanbul, Stockholm, Milan, Venice, Genoa, Cadix, Alger, Tunis, Bern, Magdeburg. Animals: crabs, animals with shells. Food: milk, fishes, watery fruits and vegetables, turnips, white and red cabbages. Herbs and aromatics: tarragon, verbena, saxifrage. Flowers and plants: geraniums, white roses and white flowers in general, water lilies, morning glory, bear's breeches, and lilies. Trees: all trees full of sap. Stones, Metals and Salts: pearls, silver, lime and calcium phosphate.

Signs: Leo
 
"I love"
July 23 - August 22

2nd Fire sign - 2nd Fixed sign - Masculine

In analogy with the Sun, his ruler, and the 5th House

Leo governs the heart and the spine, and the eyes, according to some authors.

His colour is gold or orange, his stone is the diamond, his day is Sunday, his professions are actor, manager, jeweller, fashion and arts, and action (e.g. fireman)...

If your sign is Leo or your Ascendant is Leo: you are proud, determined, strong-willed, loyal, solemn, generous, ambitious, courageous, heroic, conquering, creative, confident, seductive, happy, daring, fiery, majestic, honest, magnanimous, charismatic, responsible, noble, dramatic but also domineering, vain, susceptible, bossy, stubborn, intolerant, self-centred, violent, quick-tempered, nonchalant.

Some traditional associations with Leo: Countries: Italy, Romania, Sicily, Czechoslovakia, Iraq, Lebanon, Southern France. Cities: Rome, Prague, Bombay, Madrid, Philadelphia, Chicago, Los Angeles, Bath, Bristol, Portsmouth, Syracuse, Damas. Animals: lions and felines in general. Food: meat and especially red meat, rice, honey, cereals, grapes, iron-rich vegetables: watercress, spinach etc. Herbs and aromatics: saffron, mint, rosemary, common rue (Ruta graveolens). Flowers and plants: marigolds, sunflowers, celandines, passion flowers. Trees: palm trees, laurel, walnuts, olive trees, lemon and orange trees. Stones, Metals and Salts: gold, rubies, magnesium and sodium phosphate.

Signs: Virgo
 
"I serve"
August 23 - September 22

2nd Earth sign - 2nd Mutable sign - Feminine

In analogy with Mercury, her ruler, and the 6th house

Virgo governs the intestine.

Her colour is green or yellow, her stone is the agate, her day is Wednesday, her professions are accountant, secretary, writer, computer scientist, nurse, doctor...

If your sign is Virgo or your Ascendant is Virgo: you are brainy, perspicacious, attentive to detail and numbers, analytical, serious, competent, scrupulous, sensible, modest, logical, tidy, well-organized, clean, hard-working, provident, honest, faithful, reserved, shy, helpful, a perfectionist, but also narrow-minded, calculating, irritating, petty, anxious, cold, repressed or caustic.

Some traditional associations with Virgo: Countries: Brazil, Greece, Turkey, West Indies, United-States (the same as Gemini), Yugoslavia, Crete, Mesopotamia, Lower Silesia, State of Virginia. Cities: Paris, Boston, Athens, Lyon, Corinthia, Heidelberg, spa towns in general. Animals: dogs, cats and all pets. Food: root vegetables: carrots, celeriac, kohlrabies, potatoes etc... Also dried fruits such as chestnuts. Herbs and aromatics: the same as Gemini whose ruler is Mercury too, lilies of the valley, lavenders, myrtles, ferns, Venus-hair-ferns, bittersweets, clovers. Flowers and plants: small bright-coloured flowers, especially blue and yellow, such as dandelions, buttercups, yellow dead-nettles, buglosses, forget-me-nots ; cardamoms, oak leaves, acorns. Trees: all nut trees, e.g. the hazelnut tree... Stones, Metals and Salts: sards (red agate), mercury, nickel, potassium sulphate and iron phosphate.

Signs: Libra
 
"we are"
September 23 - October 22

2nd Air sign - 3rd Cardinal sign (autumn equinox) - Masculine

In analogy with Venus, his ruler and the 7th House

Libra governs the kidneys and the bladder.

His colour is blue or red (not too bright), his stone is the opal, his day is Friday, his professions are in the beauty, luxury or fashion industry, musician, artistic creator, lawyer, mediator...

If your sign is Libra or your Ascendant is Libra: you are sentimental, charming, polite, refined, loyal, a pacifist, fair, distinguished, light-hearted, romantic, learned, ethereal, nice, well-groomed, a perfectionist, calm, sweet, tolerant, sociable, elegant, considerate, seductive, aesthetic, indulgent, but also hesitant, weak, indecisive, selfish, fragile, fearful, indolent, cool or even insensitive.

Some traditional associations with Libra: Countries: Japan, Canada, Indo-China, South Pacific Islands, Burma, Argentina, Upper Egypt, Tibet. Cities: Lisbon, Vienna, Frankfurt, Leeds, Nottingham, Johannesburg, Antwerp, Fribourg. Animals: lizards and small reptiles. Food: berries, apples, pears, grapes, artichokes, asparagus, beans, spices, corn and other cereals. Herbs and aromatics: mint, Cayenne pepper. Flowers and plants: hydrangea, big roses, blue flowers and those associated with Taurus also ruled by Venus, namely, poppies, digitales, violets, primroses, aquilegia, and daisies. Trees: ash trees, poplars, apple trees, pear trees, fig-trees, cypresses. Stones, Metals and Salts: sapphires, jade, copper, potassium and sodium phosphate.

Signs: Scorpio
 
"we have"
October 23 - November 21

2nd Water sign - 3rd Fixed sign - Feminine

In analogy with Pluto, her ruler with Mars, and the 8th House

Scorpio governs the sexual organs and the anus.

Her colour is black or dark red, her stone is the malachite, her day is Tuesday, her professions are gynaecologist, psychiatrist, detective, the military, army, stockbroker, asset managemer...

If your sign is Scorpio or your Ascendant is Scorpio: you are secretive, powerful, domineering, resistant, intuitive, asserted, charismatic, magnetic, strong-willed, perspicacious, passionate, creative, independent, vigorous, generous, loyal, hard-working, persevering, untameable, possessive, cunning, ambitious, sexual, proud, intense, competitive but also aggressive, destructive, stubborn, anxious, tyrannical, perverse, sadistic, violent, self-centred, complex, jealous.

Some traditional associations with Scorpio: Countries: Morocco, Norway, Algeria, Syria, Korea, Uruguay, Transvaal. Cities: Washington, New Orleans, Valencia, Liverpool, Milwaukee, Fes, Halifax, Hull, Cincinnati. Animals: insects and other invertebrates. Food: the same strong tasting food as for Aries: red meat, garlic, onions, leeks, spices. Herbs and aromatics: aloes, witch hazels, nepeta, mustard, capers, peppers. Flowers and plants: geraniums, rhododendrons, thistles, mint, honeysuckles. Trees: blackthorns, bushes. Stones, Metals and Salts: opals, steel and iron, calcium and sodium sulphate.

Signs: Sagittarius
 
"we think"
November 22 - December 20

3rd Fire sign - 3rd Mutable sign - Masculine

In analogy with Jupiter, his ruler, and the 9th House

Sagittarius governs the thighs and the liver.

His colour is indigo, orange or red, his stone is the carbuncle, his day is Thursday, his professions are explorer, commercial traveller, pilot, philosopher, writer, clergyman...

If your sign is Sagittarius or your Ascendant is Sagittarius: you are charismatic, fiery, energetic, likeable, benevolent, tidy, jovial, optimistic, extraverted, amusing, straightforward, demonstrative, charming, independent, adventurous, straightforward, bold, exuberant, freedom-loving.

Some traditional associations with Sagittarius: Countries: Spain, Australia, Hungary, South Africa, Arabia, Yugoslavia. Cities: Stuttgart, Toledo, Budapest, Cologne, Avignon, Sheffield, Naples, Toronto. Animals: fallow deers, hinds, and all games. Food: grapefruits, raisins, onions, leeks, bulb vegetables. Herbs and aromatics: aniseeds, sage, bilberries, cinnamon, borage, mosses, sage, blueberry, patience, balsam. Flowers and plants: dandelions, carnations, thistles. Trees: mulberry trees, chestnut trees, ash trees, lemon trees, oaks. Stones, Metals and Salts: topaz, tin, silica, potassium chloride.

Signs: Capricorn
 
"we achieve"
December 21 - January 19

3rd Earth sign - 4th Cardinal sign (winter solstice) - Feminine

In analogy with Saturn, her ruler, and the 10th House

Capricorn governs the knees, the bones and the skin.

Her colour is black, or grey, green or brown, her stone is the jade, her day is Saturday, her professions are politician, researcher, jurist, scientist, engineer, administrator...

If your sign is Capricorn or your Ascendant is Capricorn: you are serious, cold, disciplined, patient, focused, thoughtful, ambitious, indomitable, cautious, lucid, persistent, provident, steady, introverted, stern, wilful, hard-working, responsible, persevering, honest, realistic, loyal, reserved, resolute, moralistic, quiet, rigorous, attached and reliable. But you may also be curt, withdrawn, calculating, petty, cruel, unpleasant, ruthless, selfish, dull, rigid, slow or sceptical.

Some traditional associations with Capricorn: Countries: India, Mexico, Afghanistan, Macedonia, Thrace, the Yugoslavian coast, the Orkneys and Shetland Islands, Albania, Bulgaria, Saxony. Cities: Delhi, Oxford, Brussels, Mexico, Port-Saïd, Gent, Constance, Mecklenburg, all the administrative centres of capital cities. Animals: goats, pigs and animals with split hooves. Food: meat, potatoes, barley, beets, spinach, medlars, onions, quinces, flour and starchy food in general. Herbs and aromatics: indian hemp, comfreys, centaureas, hemlocks, henbanes. Flowers and plants: ivies, wild pansies, amaranths, pansies. Trees: pines, willows, flowering ashes, aspens, poplars, alders. Stones, Metals and Salts: turquoises, amethysts, silver, lead, calcium phosphate, calcium fluorine.

Signs: Aquarius
 
"we love"
January 20 - February 18

3rd Air sign - 4th Fixed sign - Masculine

In analogy with Uranus his ruler, with Saturn, and the 11th House

Aquarius governs the ankles and the legs.

His colour is navy blue or indigo, his stone is the sapphire, his day is Saturday, his professions are astrologer, high technologies, scientist, astronaut, psychiatrist, actor, electrician...

If your sign is Aquarius or your Ascendant is Aquarius: you are idealistic, altruistic, detached, independent, original, surprising, gifted, contradictory, innovative, humanistic, likeable, friendly, self-confident, impassive, quiet, intuitive, creative, charitable, elusive, disconcerting, generous, tolerant, paradoxical, and you cannot stand any kind of constraint. But you may also be marginal, resigned, distant, utopian, maladjusted, eccentric and cold.

Some traditional associations with Aquarius: Countries: Russia, Sweden, Poland, Israel, Iran, Abyssinia. Cities: Moscow, Salzburg, Bremen, Hamburg, Saint Petersburg. Animals: long distance big birds such as the albatross. Food: citrus fruits, apples, limes, dried fruits and easily preserved food. Herbs and aromatics: peppers, hot red peppers, star-fruits, and generally herbs that are spicy or with an unusual flavour. Flowers and plants: orchids, dancing ladies, polygonatum. Trees: fruit trees. Stones, Metals and Salts: aquamarines, aluminium, sodium chloride and magnesium phosphate.

Signs: Pisces
 
"we serve"
February 19 - March 20

3rd Water sign - 4th Mutable sign - Feminine

In analogy with Neptune her ruler with Jupiter, and the 12th House

Pisces governs the feet and the blood circulation.

Her colour is green or purple or turquoise blue, her stone is the amethyst, her day is Thursday, her professions are seamanship and and faraway travels, musician, social and emergency worker, doctor, writer and jobs in remote places...

If your sign is Pisces or your Ascendant is Pisces: you are emotional, sensitive, dedicated, adaptable, nice, wild, compassionate, romantic, imaginative, flexible, opportunist, intuitive, impossible to categorized, irrational, seductive, placid, secretive, introverted, pleasant, artistic, and charming. But you may also be indecisive, moody, confused, wavering, lazy, scatterbrained, vulnerable, unpredictable and gullible.

Some traditional associations with Pisces: Countries: Portugal, Scandinavia, small Mediterranean islands, Gobi desert, Sahara. Cities: Jerusalem, Warsaw, Alexandria, Seville, Santiago de Compostela. Animals: fishes, aquatic mammals and all animals living in the water. Food: melons, cucumbers, lettuces, vegemite sugar, pumpkins. Herbs and aromatics: lemon, chicory, limes, mosses. Flowers and plants: water lilies, willows, aquatic plants. Trees: fig-trees, willows, aquatic trees. Stones, Metals and Salts: heliotropes, moonstone, platinum, tin, iron phosphate and potassium sulphate.

Sun 9°17' Scorpio

Sun Aspects
Sun conjunction Mars orb +4°03'
Sun square Moon orb +0°53'
Sun sesqui-quadrate Jupiter orb -0°10'
Sun semi-square Venus orb +0°11'
Sun trine Pluto orb -7°50'
Planets: Sun

The Sun represents vitality, individuality, will-power and creative energy and honours. For a woman, it also represents her father, and later her husband. The Sun is one of the most important symbols in the birth chart, as much as the Ascendant, then the Moon (a bit less for a man), the ruler of the Ascendant and the fast-moving planets.

It's element is fire; it is hot and dry, it governs Leo, is in exaltation in Aries and is in analogy with the heart. It represents the boss, authority, beside the father and the husband ; the age of the Sun goes from 20 years old to about 40, following the Venus age when one is aware of his seductive power.

Temperament : Bilious

Characterology : Emotive, Active, Secondary, passionate type.

Sun in Scorpio

You constantly strive to keep your self-control and to resist external pressures. Your phlegm actually conceals unusual intense emotions. A hidden force that gives you an inclination for struggles, for difficult or extremist causes, inhabits you. You may display a sarcastic and caustic mind, and in the worst cases, you may be destructive. But your resistance abilities prove valuable when the situation goes awry. Scorpio does not mind the sign’s “bad reputation”, moreover, he is proud of it, he claims it and he scoffs at it. Most certainly, he has nothing to do with ordinary mortals. You are very sensitive to power struggles. You try to use your adversary and to combine opposing elements. You resort to scheming and to manipulation. You use a person to hit another and you use the latter to charm a third party. Scorpio is a fine strategist, a born politician. Far from breaking him down, adversity stimulates Scorpio’s creativity. Better than anyone, you can handle crises that imply fighting spirit, subtlety in confrontations and challenge. Your forte? You express your powers to their fullest, you master the art of straightening out endangered situations and you dramatically reverse the interests at stake.

Sun Dominant

If the Sun is part of your natal chart's planetary dominants, in astrology, you are said to be a Solarian: you loathe pettiness and Machiavellian manoeuvre, and you are fond of natural nobleness as well as of direct and honest attitudes. You endeavour to get out of muddled or dark situations as quickly as possible. Your need for transparency may lead you to make cut-and-dried judgments such as yes or no, and black or white. However, your honesty commands your entourage's consideration. At times, you come across as authoritarian. It is true that you never want to be thought of the notable absentee, and that you manage to make people pay attention to you, as well as to your plans and your assessments. To this end, the Solarian sometimes develops a great talent for placing himself under the spotlight without missing a single opportunity to arouse interest. Some other Solarians, although more discreet, still manage to be the focus of any debate, even in situations of exclusion. It is your way of being present even though you are actually not there... More than other people, you appreciate the esteem extended to you. It is useless to cheat with you, since in all areas you consider establishing enduring relationships only with those who love you, admire you, respect you, or express some degree of affection to you. Your will to straighten out your inter-personal relationships is your strength and sometimes, your Achilles' heel. You cannot achieve anything behind the scenes. Therefore, your comportment is marked with heroism, and your stands are devoid of ambiguity, in the sense that your commitments are unfailing, and your rebuffs, final.

Interpretation of the 9° Scorpio symbolic degree

"A man wears a mask and the disguise of Mephistopheles." (Janduz version)

Cheerful, clever, and elusive character. One is highly skilled in simulation and manipulation and keeps one's objectives carefully concealed beneath merry and helpful attitudes. Should the natal chart concur, this degree indicates a brilliant success as a diplomat, an actor, or in any occupation involving the design and manufacturing of costumes.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

If you wish, you can receive immediately in your mailbox your detailed astrological portrait, a nice gift for yourself or for your close friends and relatives, who will deeply appreciate it.

Moon 10°10' Aquarius

Moon Aspects
Sun square Moon orb +0°53'
Moon square Mars orb +4°57'
Moon sextile Saturn orb +3°32'
Moon sesqui-quadrate Venus orb +1°05'
Moon semi-square Jupiter orb -1°03'
Planets: Moon

The Moon represents instinctive reaction, unconscious predestination, everyday mood, sensitivity, emotions, the feminine side of the personality, intuition, imagination. For a man, she represents his mother and later his wife, and his relationship with women in general. For a woman, the Moon is almost as important as the Sun and the Ascendant. Her element is water, she is cold and moist, she rules Cancer, is in exaltation in Taurus and is in analogy with the stomach.

She symbolizes the mother, wife, the crowd, the Moon is associated with birth and childhood. Tradition also matches her with the end of life, after Saturn the old age, it is thus customary to go back to one's place of birth to die: the end of life meets the very beginning.

Temperament : Lymphatic

Characterology : Emotive, non Active and Primary type or Non-Emotive, non Active and Primary, Nervous or Amorphous type.

Moon in Aquarius

On the day and at the time of your birth, the Moon was in the sign of Aquarius. Your manner in your daily life highlights your unconditional confidence in life, whatever happens, in spite of the delusions and ordeals you underwent. You are confident because you are seldom destabilized by unforeseen events and, in a more subtle way, because you are blessed with the optimism of those who know that they always recover. Should your intimate life be upset and your private sphere disrupted, you search for another quietness with renewed serenity, elsewhere, differently… and tomorrow. You expect a lot from the future and this is probably why you accept the present moment as it comes. In the private sphere, you are sociable but independent. Give free rein to your whimsical imagination. You need to reinvent the elements of your life and to be fed with unexpected events. You do not lack ideas for the creation of a better world. Although your hopes may fall within the province of utopia, in many circumstances, you are able to take advantage of your fundamental optimism. Undoubtedly, it is an asset for overcoming setbacks and doubts.

Moon Dominant

If the Moon is part of your natal chart's planetary dominants, in astrology, you are said to be a Lunarian: the driving force behind your actions is mainly the pursuit of well-being and tranquillity. Your sensitive and romantic self lives on those periods of rest during which you let your imagination wander at will. This is your way of finding inspiration and balance. Nothing is allowed to disturb your feeling of fulfilment and security within a harmonious cell, be it a family or a clan. More than other people, the Lunarian is attached to those moments during which one forgets one's worries and lets oneself cast adrift aimlessly, with no other goal than to be lulled into an ambiance, a situation, or a perfect moment. Many people do not understand such absences and their meaning, which is to regain strength. These people readily describe you with such unflattering terms as apathy and nonchalance. Never mind! Some inspirations require surrendering as well as striking a balance derived from alternate action and passivity. Your qualities are expressed to the fullest in situations which demand familiarity and privacy. Your capacities to respect and blend into your environment is at least as valuable as some other people's aggressive dispositions. However, you are well-advised to avoid indolence and renunciation out of laziness or indifference.

Interpretation of the 10° Aquarius symbolic degree

"Two armed cavalrymen ride their horses with poise, while two other compete against one another." (Janduz version)

Self-centred, assertive, and courageous character. One is seldom taken by surprise and always responds efficiently to unexpected events, especially in order to protect one's self-interests. Nevertheless, one must be careful not to display arrogance because conceited and scornful manners provoke violent conflicts, more often than not. Efforts to consider and respect other people's stands must be made. At this condition, one can be successful in equitation, the military, polemics, and in all occupations requiring strong argumentative skills.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

If you wish, you can receive immediately in your mailbox your detailed astrological portrait, a nice gift for yourself or for your close friends and relatives, who will deeply appreciate it.

Mercury 24°39' Я Scorpio

Mercury Aspects
Mercury trine Jupiter orb -0°32'
Mercury sextile Venus orb +0°34'
Mercury trine Uranus orb +5°23'
Mercury square Neptune orb -4°17'
Mercury trine Pluto orb +7°32'
Planets: Mercury

Mercury represents communication, logical and rational mind, intellectual skills. Earth is its element, it is cold and dry, and it rules Virgo and Gemini, is in exaltation in Virgo and is in analogy with the arms, hands, nervous system.

It represents tradesmen, lawyers, messengers; the age of Mercury goes from 8 or10 years old to about 15..

Temperament : Nervous

Characterology : Emotive, non Active and Primary type or Non-Emotive, Active and Primary, Nervous or Sanguine type.

Mercury in Scorpio

Mercury describes your relationships, your communication skills and the way you relate to the external world. However, other astrological elements also influence these areas. The sign your Mercury occupies is significant only if Mercury is part of your planetary dominantes. In your chart, Mercury is in Scorpio. Your mind is curt, critical and controversial. You readily question the basis of your knowledge and you need to understand the hidden meaning of all information as well as the stakes underlying human relationships. Nothing is simple. You may be cynical or provocative when you want to find the true nature of the persons around you. Communication means understanding the inner mechanisms of a personality, even if it implies hounding your interlocutor into a corner. Love or hatred, never mind! The only important thing is to never remain indifferent.

Mercury Dominant

If Mercury is part of your natal chart's planetary dominants, in astrology, you are said to be a Mercurian: the tradition points out the importance of communication. From idle but enriching chatters to observation gift, such a dominant endows you with a wide range of expression. Human beings have one thousand facets and one thousand masks they wear according to circumstances and the fortunes of the game of life. You take the role of an observer who is avid for novelties, discoveries, and surprises. Everything catches your attention and becomes an opportunity for new encounters, relationships, and learning. The world amazes you, amuses you sometimes, and stimulates your curiosity. Because the most important thing is to discover, and because you consider that each new situation is packed with potentialities, you try to fill the gaps in your knowledge. Although your open-mindedness may scatter your centres of interest, it also enables you to carefully avoid sticking to only one immutable and rigid view. The slightest sign enables you to perceive the other side of the coin, as well as the infinite complexity of people and of situations. On the human plane, you seek the dialogue and the information without which you know that you are not able to fully grasp the nature of your interlocutor. This keen interest in the Unknown sharpens your inter-relational skills. All these qualities are traditionally associated with Mercury.

Interpretation of the 24° Scorpio symbolic degree

"A man swims in rough seas." (Janduz version)

Generous and courageous character determined to brave any danger in order to help one's fellow creatures out of a difficult situation. Although no gratitude is expressed by the persons rescued, one continues to lend a helping hand to people in need. So much selflessness arouses public esteem and respect. However, one must beware of jealousy, hypocrisy, and slanders.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

If you wish, you can receive immediately in your mailbox your detailed astrological portrait, a nice gift for yourself or for your close friends and relatives, who will deeply appreciate it.

Venus 24°05' Virgo

Venus Aspects
Venus opposite Jupiter orb -0°01'
Mercury sextile Venus orb +0°34'
Venus opposite Uranus orb -5°58'
Sun semi-square Venus orb +0°11'
Moon sesqui-quadrate Venus orb +1°05'
Venus quintile Saturn orb +0°32'
Planets: Venus

Venus represents the way one loves, relationships, sharing, affectivity, seductive ability. For men, she also corresponds to the kind of woman he's attracted to (but not especially in marriage which is more symbolized by the Moon, Venus is the lover and not the wife). Her element is the Air, she is moist, rules Taurus and Libra, is in exaltation in Pisces and is in analogy with the kidneys, the venous system, the bladder, the neck.

She represents the artists, tradesmen, occupations linked to beauty and charm; the age of Venus goes from 15 to about 25 years old.

Temperament : Sanguine and Lymphatic

Characterology : Emotive, non Active and Primary type or Emotive, non Active and Secondary type.

Venus in Virgo

Venus describes your affective life. On the day of your birth, she is found in Virgo. The control of your emotions is essential to you. You need to understand all the aspects of your sentimental life. Therefore, you do not commit your affectivity in tortuous or hazardous paths. This attitude may be interpreted as a form of reserve, of modesty or of shyness. You complicate your amorous relationships for fun… Moderation in all things, even and particularly in love! Appearances are misleading: your behaviour may seem cautious, even shy or timid, however, your affectivity is strong… Your heart is discreet and its impulses are controlled and moderate. You do not want your relationship to run out of your control. Your soul is loyal, you are helpful when necessary and you avoid crises, clashes and tragedies in order to not endanger your couple. You are keen to maintain the balance of your unions. But, as you strive too relentlessly to keep your happiness intact, you may lose it. You do not dare to play the games of passion and of love at first sight. You fear burning feelings. In these conditions, it is important that you do not smother your emotions and you take the risk of experiencing a passionate love. Feelings cannot be calculated and they obey very few laws.

Venus Dominant

If Venus is part of your natal chart's planetary dominants, in astrology, you are said to be a Venusian: you are a sensual and emotional person particularly receptive to the natural likes and dislikes aroused by your contact with people. You are prone to frequent instinctive aversions and true passions which are exclusively driven by the feeling of love. The heart has its reasons which Reason knows nothing of... Your balance is based on the richness of your affective life. Without love, the Venusian is resourceless, lost, and deprived of any reason for living. You have an obvious and strong will to charm and to arouse the attachments without which you cannot properly function. Every area of your life is thus marked by your affectivity. The danger is that you may "be taken in" by charm. In such cases, you would prefer to keep your emotions under better control. Thus, hyper-sensitivity has its own inconveniences. Nevertheless, better than anyone else, you know how to play with feelings and attractions. Although you are sometimes caught in the traps of an over sensitive emotionalism, feelings remain your best assets in many circumstances. There is another aspect to the Venusian dominant. According to the Tradition, this planet rules the Arts, and you are endowed with some degree of artistic dispositions, ranging from good to excellent.

Interpretation of the 24° Virgo symbolic degree

"Two women walk with arms entwined in a beautiful garden and exchange secrets." (Janduz version)

Sociable, pleasant, and warm character. One is at the head of a united and happy family and attracts many sincere friends of both genders who are always willing to provide financial help and wise advice. This degree often indicates a special fraternal link such as for instance two friends married to two siblings.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

If you wish, you can receive immediately in your mailbox your detailed astrological portrait, a nice gift for yourself or for your close friends and relatives, who will deeply appreciate it.

Mars 5°13' Scorpio

Mars Aspects
Sun conjunction Mars orb +4°03'
Moon square Mars orb +4°57'
Mars bi-quintile Uranus orb +0°49'
Mars semi-sextile Saturn orb +1°24'
Planets: Mars

Mars represents the desire for action and physical energy, sexuality, strength. For a woman, Mars corresponds to the kind of man she's attracted to (but not especially in marriage which is rather symbolized by the Sun, Mars is the lover, not the husband). Fire is its element, it is hot and dry, and it rules Aries and Scorpio (along with Pluto), is in exaltation with Capricorn and is in analogy with the muscles and the spleen.

It represents the soldiers, sportsmen, warriors, surgeons, blacksmiths... ; the age of Mars goes from 42 to 50 years old.

Temperament : Bilious

Characterology : Emotive, Active, Primary type. It is a Choleric.

Mars in Scorpio

The planet Mars indicates how you react to life concrete stimulations. It also describes your fighting spirit, your abilities to stand for yourself and to take action. With Mars in Scorpio, you are endowed with a strong survival instinct! You often feel that you are threatened by other people’s will. You are sensitive to power struggles and you are stimulated by difficulties. You are determined to be reckoned with and to have your decisions respected. This configuration allows you to efficiently cope with crises. But it is not advisable for you to stir troubles! It is important that you control your propensity to challenge and to antagonize. You are endowed with a strong vitality and a demanding sexual drive. Your assets? An extraordinary tenacity and unusual recovery powers allow you to overcome obstacles when you are doubtful and willing to give up. You are sensitive to the imperfections of situations and you easily detect hidden obstacles and traps.

Mars Dominant

If Mars is part of your natal chart's planetary dominants, in astrology, you are said to be a Marsian: in your hand-to-hand struggle for life, you demonstrate an acute and active sense of confrontation with the world, with other people, and with your own destiny. You need to take action and to fight for your projects and your desires. You perceive all situations with deep intensity, and you react to the here and now without bothering to step back in order to ensure that events are under your control. You take up challenges with excessive foolhardiness as a consequence of your impulsiveness. However, better than anyone else, you know how to mobilise your resources in case of crisis. You take action whenever it is necessary to do so, and you are present in a timely manner. With Mars, your attitudes are dictated by the realities of the moment, by your emotions, and by everything which proved to have worked in the past. When this dominant is not well integrated, it may bring about an aggressive or impulsive behaviour. Therefore, you must learn to control your hyper-sensitivity and your fits of temper. You are also endowed with Marsian qualities: the fighting spirit and the taste for duel without which one may find oneself overwhelmed by events. When this willpower is well channelled, its precious energy enables to cope with all sorts of contingencies. There are a thousand ways to win, and a thousand challenges to take up with the enthusiasm and the dynamism which make life so worthy. A certain idea of life which is wild, passionate, and in tune with events.

Interpretation of the 5° Scorpio symbolic degree

"A nice and well-maintained garden. An uncultivated field with a donkey kicking." (Janduz version)

The garden symbolises a humble, nice, and conscientious character. Attention to detail and persistence bring about success and notoriety in natural sciences, botany, or horticulture. One may give one's name to a new species of flower or fruit. The donkey warns against stubbornness, laziness, and whimsical behaviour. A strong Mercury in the natal chart offsets the danger of violence and ruin heralded by this degree.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

If you wish, you can receive immediately in your mailbox your detailed astrological portrait, a nice gift for yourself or for your close friends and relatives, who will deeply appreciate it.

Jupiter 24°06' Я Pisces

Jupiter Aspects
Venus opposite Jupiter orb -0°01'
Mercury trine Jupiter orb -0°32'
Jupiter conjunction Uranus orb +5°56'
Sun sesqui-quadrate Jupiter orb -0°10'
Moon semi-square Jupiter orb -1°03'
Jupiter trine Pluto orb -6°59'
Planets: Jupiter

Jupiter represents expansion and power, benevolence, large vision and generosity. Its element is Air, it is hot and moist, and it rules Sagittarius and Pisces (along with Neptune), is in exaltation with Cancer and is in analogy with the hips and endocrinal system.

It represents the governors, magistrates, professors, religious men too; the age of Jupiter goes from 50 to 55 or even 70 years old.

Temperament : Sanguine

Characterology : Emotive, Active, Primary type; it is an extrovert Choleric. Actually the humid version of Mars, inclined to action like him.

Jupiter in Pisces

The planet Jupiter symbolizes expansion, broadness and generosity. Jupiter is associated with the functions of synthesis, enthusiasm and optimism. In your natal chart, his house position is more important than his sign position because, like Saturn, Uranus, Neptune and Pluto, he is a slow planet. Many people born in the same period have Jupiter in the same sign. This is the reason why the sign occupied here is less meaningful than when it is occupied by the so-called fast planets, i.e. the Sun, the Moon, Mercury, Venus and Mars. Therefore, some caution is to be exercised as you read what follows. Jupiter in Pisces increases your natural generosity and your dedication capacity. Your empathy is strong and you are inclined to offer your strength and your enthusiasm to the most deprived people and to give unlimited assistance to others. Your imagination is powerful and your feelings may flare up easily: with your sensitivity on the alert and your unbridled affectivity, you belong to the category of people who intuitively detect other people’s sufferings and most valuable qualities of the heart, as if you were a human radar.

Jupiter Dominant

If Jupiter is part of your natal chart's planetary dominants, in astrology, you are said to be a Jupiterian: because this planet brings about a keen interest in social and professional success, the Tradition considers it to be beneficial. Indeed, you know how to adjust to events and to jump at the chance when it arises. The members of you entourage gladly entrust you with high responsibilities because they are often impressed by your learning skills and your adaptation abilities as you deal with new structures and new languages. What is the secret of your good star? It is your self-confidence which wins public support. Now, what is the secret of your charm? Definitely, enthusiasm, euphoria, and exaltation. Exaggeration also. When this dominant is well integrated, it is a factor of affluence and optimism, and a certain degree of joviality enables you to easily fit into various spheres. It constitutes your main asset to manage your life. However, you must at times curb your desire for integration, lest your sense of opportunity turns into extreme opportunism. Here also, the key to success lies in a correct estimate of everyone's chances and possibilities. Although management is one of your forte, and you can adjust your objectives to current realities better than other people, you lack the hindsight which enables you to avoid short-term vagaries and daily fluctuations. If you strive too much to adapt, you run a risk of betraying yourself. This is the other traditional side of the coin with "The Greater Benefic"!

Interpretation of the 24° Pisces symbolic degree

"A crown at the top of a sword is planted behind a layman who throws stones." (Janduz version)

Noble, clear-sighted, and fair character endowed with excellent strategic skills and unwavering morals. Regardless of one's origins, one is ensured to achieve success in the career chosen, particularly in the military, diplomacy, or a top level government office. One knows how to triumph over the fiercest enmities using a smart strategy, and one resorts to negotiations or sheer might, depending on the necessities of the situation. In spite of crises, struggles, and dangers, this degree promises victory.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

If you wish, you can receive immediately in your mailbox your detailed astrological portrait, a nice gift for yourself or for your close friends and relatives, who will deeply appreciate it.

Saturn 6°38' Sagittarius

Saturn Aspects
Moon sextile Saturn orb +3°32'
Saturn trine Uranus orb -6°34'
Venus quintile Saturn orb +0°32'
Mars semi-sextile Saturn orb +1°24'
Saturn square Neptune orb +7°41'
Planets: Saturn

Saturn represents concentration, effort, perseverance, time, the hard reality, inevitable consequences. Earth is its element, it is cold and dry, and it rules Capricorn and Aquarius (along with Uranus), is in exaltation in Libra and is in analogy with the bones (skeleton) and the skin.

It represents the grandparents, old people, scientists, knowledgeable men, Saturn corresponds to old age; it goes from 70 years old until death.

Temperament : Nervous

Characterology : Non-Emotive, Active and Secondary type or Emotive, non Active and Secondary type or sometimes Non-Emotive, non Active and Secondary type; it is a Phlegmatic, a Sentimental or an Empathic type

Saturn in Sagittarius

The planet Saturn symbolizes contraction, effort, time, limitation and concentration. Saturn eliminates anything that is not authentic, sooner or later. It is impossible to cheat him as he gives an irresistible desire to form a coherent whole with oneself, in responsible and wise ways. He is the great purifier. He represents our limitations but also our truth. In your natal chart, the house position where Saturn is posited is more important than his sign position because, like Jupiter, Uranus, Neptune and Pluto, he is a slow planet. Many people born in the same period have Saturn in the same sign. This is the reason why the sign occupied here is less meaningful than when it is occupied by the so-called fast planets, i.e. the Sun, the Moon, Mercury, Venus and Mars. Therefore, some caution is to be exercised as you read what follows. Saturn in Sagittarius limits your taste for exoticism and for rebellion. On the other hand, he strengthens your sense of responsibilities and your authority. You focus on what is concrete and real and you avoid venturing into unknown territories.

Saturn Dominant

If Saturn is part of your natal chart's planetary dominants, in astrology, you are said to be a Saturnian: you gladly leave to other people the decision to take life as it comes. As far as you are concerned, you prefer to take advantage of your experiences in order to discover, to grow, and to question yourself.

Interpretation of the 6° Sagittarius symbolic degree

"Oxen and goats graze in a pasture under the sun." (Janduz version)

Quiet, contented, and hard-working character. Occupations in the industry of cattle breeding and all agricultural products are very favoured. One is happily married and enjoys a fulfilling family life.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

If you wish, you can receive immediately in your mailbox your detailed astrological portrait, a nice gift for yourself or for your close friends and relatives, who will deeply appreciate it.

Uranus 0°03' Я Aries

Uranus Aspects
Jupiter conjunction Uranus orb +5°56'
Venus opposite Uranus orb -5°58'
Mercury trine Uranus orb +5°23'
Uranus inconjunction Neptune orb -1°06'
Saturn trine Uranus orb -6°34'
Mars bi-quintile Uranus orb +0°49'
Planets: Uranus

Uranus represents individual freedom, originality, independence, marginality, avant guard inspiration, ultra modernism. Fire is its element, it is dry, and it rules Aquarius, is in exaltation with Scorpio and is in analogy with the brain and the nerves.

It represents inventors, odd characters, revolutionaries.

Temperament : Nervous to the extreme

Characterology : Emotive, Active, Secondary type; it is a Passionate type.

Uranus in Aries

The planet Uranus symbolizes originality, independence and cerebral energy bursting suddenly. Uranus triggers the irresistible need for freedom that we have in ourselves. Uranus tends to break the constraints that have become unbearable and gives us the courage and the will to get rid of what has become a burden; when he is well aspected, he also indicates genius. In your natal chart, Uranus’ house position is more important than his sign position because, like Jupiter, Saturn, Neptune and Pluto, he is a slow planet. Many people born in the same period have Uranus in the same sign. This is the reason why the sign occupied here is less meaningful than when it is occupied by the so-called fast planets, i.e. the Sun, the Moon, Mercury, Venus and Mars. Therefore, some caution is to be exercised as you read what follows. The sign positions of Uranus, Neptune and Pluto have a collective meaning. They do not influence your personality, unless they are involved in numerous aspects or when they emphasize a personal point of your natal chart such as your Ascendant’s ruler, an angular planet, i.e. a planet near the Ascendant, the Midheaven, the Nadir or the Descendant. In such cases, the activity of the slow planet is very highlighted. Uranus in Aries increases your dynamism and your charisma but he may give you a self-centered nature through excessive drive and confidence.

Uranus Dominant

If Uranus is part of your natal chart's planetary dominants, in astrology, you are said to be a Uranian: personal values are prevailing. Inner certainties fuel an inflexible will and a desire to call attention on yourself as well as to follow your beliefs through. This planet prompts you to behave with determination, to put forward your own truth, and to start your personal revolution. More than other people, you are willing to keep some degree of autonomy in all circumstances, and you often display an individualistic nature. In order to achieve your ideal of freedom and independence, you may act like a despot as you try to convince and to impose your views, whether smoothly or forcefully. Regardless of the flexibility of your comportment, some situations demand an absolute firmness as well as uncompromising, frank and straightforward attitudes. People may criticise you for your intransigence and say that you are a hardliner. Outsider's opinions don't matter! The most important thing is that you act in all conscience and reach your primary objectives. More than anyone else, you know how to use your willpower and to focus your energy on a precise aim, relentlessly, whatever the consequences might be. In the chapter of qualities, let's mention a definite sense of responsibility, an innovative mind open to techniques and modern ideas, as well as a natural self-discipline which overcomes many an obstacle. Therefore, people are well-advised not to hound you into a corner.

Interpretation of the 0° Aries symbolic degree

"A sturdy man wearing coarse animal skins or fabrics stands firmly on the ground with a cudgel in his hand. He seems prepared to respond to any danger." (Janduz version)

Aggressive, tough, and passionate character well-equipped for facing life struggles. One is able to use physical strength as well as intellectual weapons, according to one's social background. One is mainly interested in life's materialistic aspects and protects efficiently one's rights and assets. Nevertheless, there is a potential danger of loss and/or lawsuit related to inheritance matters. One must be careful not to let temptations, whether sex, gambling, or any other passion, prevail over one's major goals. Indeed, this degree is associated with Hercules, a man who can achieve amazing feats, but who can also fall into the traps of seduction.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

If you wish, you can receive immediately in your mailbox your detailed astrological portrait, a nice gift for yourself or for your close friends and relatives, who will deeply appreciate it.

Neptune 28°56' Leo

Neptune Aspects
Mercury square Neptune orb -4°17'
Uranus inconjunction Neptune orb -1°06'
Saturn square Neptune orb +7°41'
Planets: Neptune

Neptune represents escapism, impressionability, daydreaming, delusions, carelessness, deception or intuition, dishonesty or inspiration, telepathy. Water is its element, it is moist, it rules Pisces, is in exaltation in Cancer, though some authors say it is Leo, and is in analogy with the vegetative system.

It represents dreamers, mediums, magicians, merchants of illusion, drug addicts.

Temperament : rather Lymphatic

Characterology : Emotive, non Active, Primary or Secondary type; it is a Sentimental, or sometimes Amorphous type.

Neptune in Leo

The planet Neptune symbolizes extreme receptivity, intense emotional sharpness, impressionability and inspiration; it is the planet of mediums, mystics and religious faith. In an astrological chart, it indicates dilution, vagueness, understanding one’s environment through emotions and the absence of clear and determined limits and structures. In your natal chart, Neptune’s house position is more important than his sign position because, like Jupiter, Saturn, Uranus and Pluto, he is a slow planet. Many people born in the same period have Neptune in the same sign. This is the reason why the sign occupied here is less meaningful than when it is occupied by the so-called fast planets, i.e. the Sun, the Moon, Mercury, Venus and Mars. Therefore, some caution is to be exercised as you read what follows. The sign positions of Uranus, Neptune and Pluto have a collective meaning. They do not influence your personality, unless they are involved in numerous aspects or when they emphasize a personal point of your natal chart such as your Ascendant’s ruler, an angular planet, i.e. a planet near the Ascendant, the Midheaven, the Nadir or the Descendant. In such cases, the activity of the slow planet is very highlighted. Neptune in Leo endows you with creativity in the fields of arts or literature. Your emotions are noble and idealized.

Neptune Dominant

If Neptune is part of your natal chart's planetary dominants, in astrology, you are said to be a Neptunian: your intuition is highly developed. You are of a contemplative nature, and you are particularly receptive to ambiances, places, and people. You gladly cultivate the art of letting-go, and you allow the natural unfolding of events to construct your world. You follow your inspirations, for better or for worse. At times, you display an extraordinary clairvoyance gift. You seem to be able to read your subconscious like a book, and you track down subtle underlying mechanisms, flaws, or open breaches. This innate intuition might explain the strokes of good luck which the Neptunian is sometimes credited with. However, you may also be the victim of illusions and misleading intuitions. You are an idealist, and you let your deepest aspirations prevail over the realities of the moment. Then, you set off in quest of some quixotic objective, living like a Don Quixote who relentlessly pursues an impossible dream. You have a great talent for psychology and the mysteries of the human soul. Since you instinctively perceive people's intents and motivations, as you swim in the complexity of human nature, you feel in your element. The subtlety of your perceptiveness is the source of both special affections and irrevocable rejections. What is the danger of such a dominant? If it is not offset by other influences in your natal chart, you may not have an iron will. Your trump card is your instinct, which may be developed to the extent that it becomes clairvoyance.

Interpretation of the 28° Leo symbolic degree

"In front of a richly harnessed lion, the angel of the sun hits the ground with the tip of his sword, which spurts out a shower of sparks." (Janduz version)

Independent, courageous, and idealistic character. One pursues noble objectives, and once they are achieved, one remains as generous and honest as before the victory. This degree heralds a remarkably brilliant destiny made of altruistic accomplishments and glory. If in the natal chart, this degree is in conjunction with Mercury, it describes musicians and poets. With the Sun, preferment and privileges. With Saturn, and without supportive aspect from other planets, failure and poverty. With the Part of Fortune, wealth and power.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

If you wish, you can receive immediately in your mailbox your detailed astrological portrait, a nice gift for yourself or for your close friends and relatives, who will deeply appreciate it.

Pluto 17°07' Я Cancer

Pluto Aspects
Jupiter trine Pluto orb -6°59'
Sun trine Pluto orb -7°50'
Mercury trine Pluto orb +7°32'
Planets: Pluto

Pluto represents deep transformations, mutations and eliminations, sexuality and magnetism, power and secrets, destruction with a view to regeneration, the phoenix rising from the ashes. Its element is indefinite; burning (like lava in fusion ?), it rules Scorpio, is in exaltation in Pisces and is in analogy with the sexual organs and excretion.

It represents dictators, sadistic people, violent characters, is instinctive and powerful but also mysterious with hidden strengths.

Temperament : rather Bilious

Characterology : Emotive or non-Emotive, Active, Primary type; it is a Passionate Choleri typec.

Pluto in Cancer

The planet Pluto symbolizes deep disruptions and upheavals, domination and sexual instincts, and the inner power we have in ourselves. Pluto destroys in order to reconstruct and he provokes painful crises that are needed in metamorphosis. Pluto is our deepest instincts’ brutal force. It is the hidden and unconscious violence that can explode in us with incredible intensity before being projected in our actions; in itself, the planet is not negative: the might and the intensity of its energy are beyond the conceivable but it can be funnelled. Pluto is the only possibility we have at our disposal to overcome our inner blocks and to eliminate outgrown situations that have become inextricable. Pluto’s energy is valuable because of its usefulness for the irreversible destruction of what constitutes a problem and not because of its negative side and its perversity. Pluto allows to reconstruct and to regenerate parts of our personality or whole stretches of our life, provided that we manage to funnel his wild energy and to step back. It is impossible to tame this energy, given its essence. However, it is possible to take advantage of it for a precise aim, through a temporary identification of some parts of us with this energy. In such a case, the outcome is our final evolution and even, our transformation. In your natal chart, Pluto’s house position is more important than his sign position because, like Jupiter, Saturn, Uranus and Neptune, Pluto is a slow planet. Many people born in the same period have Pluto in the same sign. This is the reason why the sign occupied here is less meaningful than when it is occupied by the so-called fast planets, i.e. the Sun, the Moon, Mercury, Venus and Mars. Therefore, some caution is to be exercised as you read what follows. The sign positions of Uranus, Neptune and Pluto have a collective meaning. They do not influence your personality and they are not to be really taken into account, unless they are involved in numerous aspects or when they emphasize a personal point of your natal chart such as your Ascendant’s ruler, an angular planet, i.e. a planet near the Ascendant, the Midheaven, the Nadir or the Descendant. In such cases, the activity of the slow planet is very highlighted. Pluto in Cancer may create troubles in your home because your will to control is too strong or because you are exceedingly sensitive.

Pluto Dominant

If Pluto is part of your natal chart's planetary dominants, in astrology, you are said to be a Plutonian: you sometimes feel like a foreigner who does not belong to the world, to its laws, and its concerns. The rules of life in society are not necessarily yours. You are interested in what is unknown and in the subtle laws of a hidden order. So, you take malicious pleasure in ridiculing the patterns you find too simplistic or too rigid. You also revel in underlining the limits of explanations you deem too common. There is something unconventional about the way you are, the way you think, and the way you act. What is your specificity made of? Is it an extraordinary partner? A life off the beaten path? Or do you only distance yourself from conventional morals? In any case, you have the feeling, sometimes quite vague, that you come from nowhere, and that you do not belong to any definite group... In short, it means that you cannot be simplified in order to conform to existing models. The gap between you and ordinary mortals is also an element of your strength. Your deep clear-sightedness, firstly, enables you to put things into perspective and to grant them only the attention they deserve. Your other remarkable asset is your capacity to intervene from behind the scenes, to secretly organise events, and to bring about the desirable outcome without seeming to impose or to dictate anything. However, you must still overcome one of the major difficulties of this dominant, which is to get people to accept your difference and to smoothly fit into your environment.

Interpretation of the 17° Cancer symbolic degree

"A man and two women gamble in a lavishly furnished room decorated with exotic flowers." (Janduz version)

Reckless, extravagant, and coward character. One is unable to manage one's destiny properly because one is only concerned with superficial pleasures and external appearances. The lavish lifestyle one enjoys is beyond one's means and may bring about big financial losses. Should the natal chart concur, there is a danger of poisoning through gas, chemical substances, and narcotics.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

If you wish, you can receive immediately in your mailbox your detailed astrological portrait, a nice gift for yourself or for your close friends and relatives, who will deeply appreciate it.

Chiron 3°28' Я Taurus
Asteroids: Chiron

Chiron is almost renowned and used everywhere. Most astrologers consider it as a kind of "mediator" between Saturn and outer planets. Consequently, Chiron is of Saturn's nature and at the same time is influenced by Uranus, the first slow-moving planet. Astrologically, it symbolizes wisdom, patience and the faculty to reduce others' sufferings: it is said to be the "great healer" of the zodiac. Like all the secondary bodies, it must be in close conjunction with planets or angles in order to fully express its action.

Interpretation of the 3° Taurus symbolic degree

"A lion angered by a piece of burning wood tries to catch it with its paw, while a sort of fury aimlessly cracks a whip." (Janduz version)

Wrathful, demanding, and destructive character. Violence is the cause of many a failure and disappointment in the private and the professional spheres. The family is torn apart by struggles in which rage turned against oneself proves very damaging. This degree sometimes describes an artist or a person who experiences an out of the ordinary situation.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

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Asteroids: Ceres

Ceres, the biggest of the four minor asteroids used besides Chiron, is associated with the mythological goddess of growing plants and harvest and also symbolizes physical constitution, vitality and fertility. She's also known as Demeter, according to the astrologer Zipporah Dobyns, linked to the symbolism of the mother but in a less emotive and more physical way than the Moon. Ceres is thought to be the ruler of Virgo, in exaltation in Gemini, in exile in Pisces and in fall in Sagittarius. Keywords associated with Ceres could be order, practical sense, worry, precision, modesty, method, sobriety, motherhood, fertility, the Earth: a kind of a more cerebral Moon...

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Asteroids: Pallas

Pallas is sometimes used in modern Astrology: she represents intelligence, abstract and global thinking talents. It is usually considered to be a determining element in political strategy.

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Asteroids: Juno

Juno is the asteroid corresponding to the adaptation to the marital partner and to the defence of individual rights; it is thus used in the field of marriage.

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Asteroids: Vesta

Vesta is rarely used and brings the ability to efficiently devote oneself to a cause.

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True North Node 19°26' Я Gemini
North Node

The North Node (True Node here) represents the goals that must be achieved during life, in the karmic sense according to some traditions. Its position in house indicates in what field an effort is necessary in order to evolve. The North Node is often called the Dragon's head, it is usually considered beneficial, a bit like Jupiter with the planets. The Lunar nodes are fictional points and not actual heavenly bodies: they are the intersections of the Moon with the Ecliptic (the path made by the Sun in its orbit as seen from the Earth). The axis of the Lunar nodes moves 19 degrees each year, namely a bit more than three minutes each day.

The South Node is diametrically opposed to the North Node, therefore it faces it (it's not drawn here, it's the same symbol but upside down). It symbolizes what has already been achieved or acquired, in a karmic sense: it's the past from which it's advised to move on in order to progress. The South Node is rather negative, of a Saturnian nature: the experience through suffering.

Interpretation of the 19° Gemini symbolic degree

"In the middle of the night, two men in uniform holding their horse by the bridle walk side by side. Nearby, three snakes crawl away." (Janduz version)

Discreet, shrewd, and clear-sighted character endowed with extra-sensory perception. Wealth and fame can be achieved in the military, sports - especially horse riding - science, or pharmaceutical research, most often thanks to the support of powerful friends. Enmities and plots are easily overcome. However, there is a danger that an outstanding success is followed by a sudden ordeal and disgrace. One must be wary of people with a high-pitched voice because they are most likely to have a slanderous tongue and to master the art of calumny.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

True Lilith 17°30' Я Scorpio
Lilith

Lilith or the Dark Moon (True Lilith here) represents the uncrossable threshold, taboos, the individual's provocative and fascinating side, including on a sexual level. She symbolizes violence and "untameability", the radical and deep-seated refusal to submit. The keywords for Lilith can be sterility, sadism, perversity, castration, sadomasochism, eroticism, orgasm, forbidden fantasies, marginality, cruelty; redemption, illumination, rebelliousness... Lilith's opposite point is called Priapus; it is the Lunar perigee, the position where the Moon is closest to the Earth. It symbolizes man's primitive nature, the horror hidden in our deepest self; masochism, extreme sensuality, impulsiveness, irrationality and excess. Physically speaking, the Dark Moon is the focal point unoccupied by the Earth: it is not a concrete body but a mathematical point.

Interpretation of the 17° Scorpio symbolic degree

"Hidden behind a door, a man watches a woman who is plays with a snake coiled around her arm." (Janduz version)

Bold, sensual, and passionate character. One may become famous in plastic arts through some scandalous controversy, a sensational love affair, or some dangerous occupation. Moral standards are questionable and may lead to prison. However, this degree tremendously favours success.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

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Part of Fortune

The Part of Fortune is an ancient concept, used by Ptolemy and other astrologers before him. Firstly, it has nothing to do with fortune! In modern astrology, it is actually used to enhance a planet or angle when in close conjunction with it: it thus amplifies the meaning associated to the point affected by its presence. It is calculated in the following way:

Part of Fortune = AS + Moon - Sun (it is the Moons position when the Sun rises)

The classical Part of Fortune, of which the calculus method is unchanged whether in a diurnal or nocturnal chart, is usually distinguished from the diurnal/nocturnal Part of Fortune which is calculated by the formula AS + Sun - Moon for a nocturnal chart, and AS + Moon - Sun in a diurnal chart.

We currently use the latter formula for our astrological programmes.

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Ascendant or House I

The First House or Ascendant represents one's behaviour in the eyes of others, and also one's health. It corresponds to the way the individual acts in the world. It is the image of the personality seen by others and the person's visible behaviour expressed outwardly. The 1st House is in analogy with Aries and thus Mars too, and then the Sun. It is an angular house, the most important one with the Midheaven, maybe even more so due to its link with the body and health.

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Midheaven or House X

The Tenth House still called the Midheaven, is the highest point amidst the houses, at the top of the chart, in the South, and relates to destiny in general and career (and not daily work as meant by the Sixth House). The Midheaven represents our achievements and goals in the social sphere, our social position in society, and becomes more and more important as we get older. It is in analogy with Capricorn and Saturn. The Tenth House is the most important angular house along with the Ascendant.

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House I (AC)

The First House or Ascendant represents one's behaviour in the eyes of others and also one's health. It corresponds to the way the individual acts in the world. It is the image of the personality as seen by others and the person's visible behaviour expressed outwardly. The 1st House is in analogy with Aries and thus Mars too and then the Sun. It is an angular house, the most important one with the Midheaven, maybe even more so due to its link with the body and health; the Ascendant is as important as the Sun in a natal chart.

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House II

The Second House is the sphere of material security, the money we earn, our possessions, also in a symbolic meaning (close people etc). It is in analogy with Taurus and Venus. It is a succedent house, quite important.

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House III

The Third House is the sphere of social and intellectual apprenticeship, studies, relationships with close people and surroundings, short trips, light-hearted and quick contacts, correspondences. It is in analogy with Gemini and Mercury. It's a cadent house, less important than the angular and succedent ones.

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House IV (IC)

The Fourth House also called Immum Coeli is the sphere of inner emotions, family, the father, home and roots, but also the home one creates. It's Home Sweet Home, security and cocoon. It is in analogy with Cancer and the Moon. It's an angular and important house.

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House V

The Fifth House is the sphere of pleasures and love affairs (but not commitment or marriage), creations and entertainments, children, arts and game. It is in analogy with Leo and the Sun. It's a succedent and quite important house.

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House VI

The Sixth House is the sphere of apprenticeship and effort in the work environment, daily life, health on a daily basis and not operations or long-term diseases, relationships with co-workers or subordinates, desire for improvement, analysis and detail. It is in analogy with Virgo and Mercury. It is a cadent house, less important than the angular and succedent ones.

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House VII (DS)

The Seventh House also called the Descendant (in front of the Ascendant) is the sphere of partnership, marriage, contracts, relationships with others, the outer world. It is in analogy with Libra and Venus, and Saturn to a lesser extent. It is an angular and important house.

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House VIII

The Eighth House is the sphere of emotional security, the depths of the self, secrets and paranormal, transcendence, sexuality, mysteries, upheavals, surgical operations, others' money (investments, inheritances), crises, transformation after evolution, death. It is in analogy with Scorpio and Pluto, and Mars to a lesser extent. It is a succedent and quite important house.

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House IX

The Ninth House is the sphere of high studies, both physical and mental journeys (philosophy, spirituality), rebelliousness, changes of scenery, desire for dealing with the unknown. It is in analogy with Sagittarius and Jupiter. It is a cadent house, less important than the angular and succedent ones.

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House X (MC)

The Tenth House still called the Midheaven, is the highest point amidst the houses, at the top of the chart, in the South, and relates to destiny in general and career (and not daily work as meant by the Sixth House). The Midheaven represents our achievements and goals in the social sphere, our social position in society, and becomes more and more important as we get older. It is in analogy with Capricorn and Saturn. The Tenth House is the most important angular house along with the Ascendant.

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House XI

The Eleventh House is the sphere of friendship and protection, projects, search for social acceptance and security, collective and humanitarian actions. It is in analogy with Aquarius and Uranus, and Saturn to a lesser extent. It's a succedent and quite important house.

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House XII

The Twelfth House is the sphere of hidden things, enemies, closed or remote places (hospital, prison, convent etc.), ordeals, secrecy, solitude, long-term illnesses but also sincere devotion and genuine compassion. It is in analogy with Pisces and Neptune.


Caption
Légende des aspects
Conjunctions
Opposites and Squares
Trines and Sextiles
Semi-Squares and Sesqui-Quadrates
Semi-Sextiles, Quintiles and Bi-Quintiles
Inconjunctions
 
Display and Calculation Parameters
 
 
 
 
Printing and Sharing Options
 
URL
BBCode
 
 

Biography of Steve Ditko

Stephen J. "Steve" Ditko (born November 2, 1927) is an American comic book artist and writer best known as the artist and co-creator, with Stan Lee, of the Marvel Comics heroes Spider-Man and Doctor Strange.

Ditko studied under Batman artist Jerry Robinson at the Cartoonist and Illustrators School in New York City. He began his professional career in 1953, working in the studio of Joe Simon and Jack Kirby, beginning as an inker and coming under the influence of artist Mort Meskin. During this time, he then began his long association with Charlton Comics, where he did work in the genres of science fiction, horror, and mystery. He also co-created the superhero Captain Atom in 1960.

Ditko then drew for Atlas Comics, the 1950s forerunner of Marvel Comics. He went on to contribute much significant work to Marvel, including co-creating Spider-Man, who would become the company's flagship character. Additionally, he co-created the supernatural hero Doctor Strange and made important contributions to the Hulk and Iron Man. In 1966, after being the exclusive artist on The Amazing Spider-Man and the "Doctor Strange" feature in Strange Tales, Ditko left Marvel for reasons never specified.

Ditko then worked for Charlton and DC Comics, making major contributions, including a revamp of long-running character Blue Beetle, and creating or co-creating the Question, the Creeper, and Hawk and Dove. Ditko also began contributing to small independent publishers, where he created Mr. A, a hero reflecting the influence of Ayn Rand's Objectivism philosophy. Since the 1960s, Ditko has declined most interviews, stating that it is his work he offers readers, and not his personality.

Ditko was inducted into the comics industry's Jack Kirby Hall of Fame in 1990, and into the Will Eisner Award Hall of Fame in 1994.

Early life

Stephen J. Ditko was born in Johnstown, Pennsylvania, the son of first-generation Americans of Slovak descent: Stephen Ditko, an artistically talented master carpenter at a steel mill, and Anna, a homemaker. The second-eldest child in a working-class family, he was preceded by sister Anna Marie and followed in uncertain order by sister Betty and brother Patrick. Inspired by his father's love of newspaper comic strips, particularly Hal Foster's Prince Valiant, Ditko found his interest in comics accelerated by the introduction of superhero Batman in 1940, and by Will Eisner's The Spirit, which appeared in a tabloid-sized comic-book insert in Sunday newspapers.

Good with his hands, Ditko in junior high school was part of a group of students who crafted wooden models of German airplanes to aid civilian World War II aircraft-spotters. Upon graduating from Johnstown High School in 1945, he enlisted in the U.S. Army on October 26, 1945, and did military service in postwar Germany, where he drew comics for an Army newspaper.

Following his discharge, Ditko learned that his idol, Batman artist Jerry Robinson, was teaching at the Cartoonists and Illustrators School (later the School of Visual Arts) in New York City. Moving there in 1950, he enrolled in the art school under the G.I. Bill. Robinson found the young student "a very hard worker who really focused on his drawing" and someone who "could work well with other writers as well as write his own stories and create his own characters", and he helped Ditko acquire a scholarship for the following year. "He was in my class for two years, four or five days a week, five hours a night. It was very intense." Robinson, who invited artists and editors to speak with his class, once brought in Stan Lee, then editor of Marvel Comics' 1950s precursor, Atlas Comics, and, "I think that was when Stan first saw Steve's work."
Career
The Thing #12 (Feb. 1954), Ditko's first published comic-book cover

Ditko began professionally illustrating comic books in early 1953, drawing writer Bruce Hamilton's science-fiction story "Stretching Things" for the Key Publications imprint Stanmor Publications, which sold the story to Ajax/Farrell, where it finally found publication in Fantastic Fears #5 (cover-dated Feb. 1954). Ditko's first published work was his second professional story, the six-page "Paper Romance" in Daring Love #1 (Oct. 1953), published by the Key imprint Gillmor Magazines.

Shortly afterward, Ditko found work at the studio of celebrated writer-artists Joe Simon and Jack Kirby, who had created Captain America and other characters and had instituted numerous industry innovations. Beginning as an inker on backgrounds, Ditko was soon working with and learning from Mort Meskin, an artist whose work he had long admired. "Meskin was fabulous," Ditko once recalled. "I couldn't believe the ease with which he drew: strong compositions, loose pencils, yet complete; detail without clutter. I loved his stuff". Ditko's known assistant work includes aiding inker Meskin on the Jack Kirby pencil work of Harvey Comics' Captain 3-D #1 (Dec. 1953). For his own third published story, Ditko penciled and inked the six-page "A Hole in His Head" in Black Magic vol. 4, #3 (Dec. 1953), published by Simon & Kirby's Crestwood Publications imprint Prize Comics.

Ditko then began a long association with the Derby, Connecticut publisher Charlton Comics, a low-budget division of a company best known for song-lyric magazines. Beginning with the cover of The Thing #12 (Feb. 1954) and the eight-page vampire story "Cinderella" in that issue, Ditko would continue to work intermittently for Charlton until the company's demise in 1986, producing science fiction, horror and mystery stories, as well as co-creating Captain Atom, with writer Joe Gill, in Space Adventures #33 (March 1960). He first went on hiatus from the company, and comics altogether, in mid-1954, when he contracted tuberculosis and returned to his parents' home in Johnstown to recuperate.
Marvel Comics

After he recovered and moved back to New York City in late 1955, Ditko began drawing for Atlas Comics, the 1950s precursor of Marvel Comics, beginning with the four-page "There'll Be Some Changes Made" in Journey into Mystery #33 (April 1956); this debut tale would be reprinted in Marvel's Curse of the Weird #4 (March 1994). Ditko would go on to contribute a large number of stories, many considered classic, to Atlas/Marvel's Strange Tales and the newly launched Amazing Adventures, Strange Worlds, Tales of Suspense and Tales to Astonish, issues of which would typically open with a Kirby-drawn monster story, followed by one or two twist-ending thrillers or sci-fi tales drawn by Don Heck, Paul Reinman, or Joe Sinnott, all capped by an often-surreal, sometimes self-reflexive short by Ditko and writer-editor Stan Lee.

These bagatelles proved so popular that Amazing Adventures was reformatted to feature such stories exclusively beginning with issue #7 (Dec. 1961), when the comic was rechristened Amazing Adult Fantasy — a name intended to reflect its more "sophisticated" nature, as likewise the new tagline "The magazine that respects your intelligence". Lee in 2009 described these "short, five-page filler strips that Steve and I did together", originally "placed in any of our comics that had a few extra pages to fill", as "odd fantasy tales that I'd dream up with O. Henry-type endings." Giving an early example of what would later be known as the "Marvel Method" of writer-artist collaboration, Lee said, "All I had to do was give Steve a one-line description of the plot and he'd be off and running. He'd take those skeleton outlines I had given him and turn them into classic little works of art that ended up being far cooler than I had any right to expect."
Creation of Spider-Man

After Marvel Comics editor-in-chief Stan Lee obtained permission from publisher Martin Goodman to create a new "ordinary teen" superhero named "Spider-Man", Lee originally approached his leading artist, Jack Kirby. Kirby told Lee about his own 1950s character conception, variously called the Silver Spider and Spiderman, in which an orphaned boy finds a magic ring that gives him superpowers. Comics historian Greg Theakston says Lee and Kirby "immediately sat down for a story conference" and Lee afterward directed Kirby to flesh out the character and draw some pages. "A day or two later", Kirby showed Lee the first six pages, and, as Lee recalled, "I hated the way he was doing it. Not that he did it badly — it just wasn't the character I wanted; it was too heroic".

Lee turned to Ditko, who developed a visual motif Lee found satisfactory, although Lee would later replace Ditko's original cover with one penciled by Kirby. Ditko said, "The Spider-Man pages Stan showed me were nothing like the (eventually) published character. In fact, the only drawings of Spider-Man were on the splash and at the end Kirby had the guy leaping at you with a web gun... Anyway, the first five pages took place in the home, and the kid finds a ring and turns into Spider-Man."

Ditko also recalled that, "One of the first things I did was to work up a costume. A vital, visual part of the character. I had to know how he looked ... before I did any breakdowns. For example: A clinging power so he wouldn't have hard shoes or boots, a hidden wrist-shooter versus a web gun and holster, etc. ... I wasn't sure Stan would like the idea of covering the character's face but I did it because it hid an obviously boyish face. It would also add mystery to the character...."

Much earlier, in a rare contemporaneous account, Ditko described his and Lee's contributions in a mail interview with Gary Martin published in Comic Fan #2 (Summer 1965): "Stan Lee thought the name up. I did costume, web gimmick on wrist & spider signal". He added he would continue drawing Spider-Man "f nothing better comes along." That same year, he expressed to the fanzine Voice of Comicdom, regarding a poll of "Best Liked" fan-created comics, "It seems a shame, since comics themselves have so little variety of stories and styles that you would deliberately restrict your own creative efforts to professional comics shallow range. What is 'Best Liked' by most readers is what they are most familiar in seeing and any policy based on readers likes has to end up with a lot of look-a-like strips. You have a great opportunity to show everyone a whole new range of ideas, unlimited types of stories and styles---why FLUB it!"

From 1958 to either 1966 or 1968 (accounts differ), Ditko shared a Manhattan studio at 43rd Street and Eighth Avenue with noted fetish artist Eric Stanton, an art-school classmate. When either artist was under deadline pressure, it was not uncommon for them to pitch in and help the other with his assignment, and the introduction to one book of Stanton's work says, "Eric Stanton drew his pictures in India ink, and they were then hand-coloured by Ditko". In a 1988 interview with Theakston, Stanton recalled that although his contribution to Spider-Man was "almost nil", he and Ditko had "worked on storyboards together and I added a few ideas. But the whole thing was created by Steve on his own... I think I added the business about the webs coming out of his hands".

Spider-Man debuted in Amazing Fantasy #15 (Aug. 1962), the final issue of that science-fiction/fantasy anthology series. When the issue proved to be a top seller, Spider-Man was given his own series, The Amazing Spider-Man.
Doctor Strange and other charactersEarly life
Ditko as a senior in high school, 1945.

Stephen J. Ditko was born in Johnstown, Pennsylvania, the son of first-generation Americans of Slovak descent: Stephen Ditko, an artistically talented master carpenter at a steel mill, and Anna, a homemaker. The second-eldest child in a working-class family, he was preceded by sister Anna Marie and followed in uncertain order by sister Betty and brother Patrick. Inspired by his father's love of newspaper comic strips, particularly Hal Foster's Prince Valiant, Ditko found his interest in comics accelerated by the introduction of superhero Batman in 1940, and by Will Eisner's The Spirit, which appeared in a tabloid-sized comic-book insert in Sunday newspapers.

Good with his hands, Ditko in junior high school was part of a group of students who crafted wooden models of German airplanes to aid civilian World War II aircraft-spotters. Upon graduating from Johnstown High School in 1945, he enlisted in the U.S. Army on October 26, 1945, and did military service in postwar Germany, where he drew comics for an Army newspaper.

Following his discharge, Ditko learned that his idol, Batman artist Jerry Robinson, was teaching at the Cartoonists and Illustrators School (later the School of Visual Arts) in New York City. Moving there in 1950, he enrolled in the art school under the G.I. Bill. Robinson found the young student "a very hard worker who really focused on his drawing" and someone who "could work well with other writers as well as write his own stories and create his own characters", and he helped Ditko acquire a scholarship for the following year. "He was in my class for two years, four or five days a week, five hours a night. It was very intense." Robinson, who invited artists and editors to speak with his class, once brought in Stan Lee, then editor of Marvel Comics' 1950s precursor, Atlas Comics, and, "I think that was when Stan first saw Steve's work."
Career

Ditko began professionally illustrating comic books in early 1953, drawing writer Bruce Hamilton's science-fiction story "Stretching Things" for the Key Publications imprint Stanmor Publications, which sold the story to Ajax/Farrell, where it finally found publication in Fantastic Fears #5 (cover-dated Feb. 1954). Ditko's first published work was his second professional story, the six-page "Paper Romance" in Daring Love #1 (Oct. 1953), published by the Key imprint Gillmor Magazines.

Shortly afterward, Ditko found work at the studio of celebrated writer-artists Joe Simon and Jack Kirby, who had created Captain America and other characters and had instituted numerous industry innovations. Beginning as an inker on backgrounds, Ditko was soon working with and learning from Mort Meskin, an artist whose work he had long admired. "Meskin was fabulous," Ditko once recalled. "I couldn't believe the ease with which he drew: strong compositions, loose pencils, yet complete; detail without clutter. I loved his stuff". Ditko's known assistant work includes aiding inker Meskin on the Jack Kirby pencil work of Harvey Comics' Captain 3-D #1 (Dec. 1953). For his own third published story, Ditko penciled and inked the six-page "A Hole in His Head" in Black Magic vol. 4, #3 (Dec. 1953), published by Simon & Kirby's Crestwood Publications imprint Prize Comics.

Ditko then began a long association with the Derby, Connecticut publisher Charlton Comics, a low-budget division of a company best known for song-lyric magazines. Beginning with the cover of The Thing #12 (Feb. 1954) and the eight-page vampire story "Cinderella" in that issue, Ditko would continue to work intermittently for Charlton until the company's demise in 1986, producing science fiction, horror and mystery stories, as well as co-creating Captain Atom, with writer Joe Gill, in Space Adventures #33 (March 1960). He first went on hiatus from the company, and comics altogether, in mid-1954, when he contracted tuberculosis and returned to his parents' home in Johnstown to recuperate.
Marvel Comics

After he recovered and moved back to New York City in late 1955, Ditko began drawing for Atlas Comics, the 1950s precursor of Marvel Comics, beginning with the four-page "There'll Be Some Changes Made" in Journey into Mystery #33 (April 1956); this debut tale would be reprinted in Marvel's Curse of the Weird #4 (March 1994). Ditko would go on to contribute a large number of stories, many considered classic, to Atlas/Marvel's Strange Tales and the newly launched Amazing Adventures, Strange Worlds, Tales of Suspense and Tales to Astonish, issues of which would typically open with a Kirby-drawn monster story, followed by one or two twist-ending thrillers or sci-fi tales drawn by Don Heck, Paul Reinman, or Joe Sinnott, all capped by an often-surreal, sometimes self-reflexive short by Ditko and writer-editor Stan Lee.

These bagatelles proved so popular that Amazing Adventures was reformatted to feature such stories exclusively beginning with issue #7 (Dec. 1961), when the comic was rechristened Amazing Adult Fantasy — a name intended to reflect its more "sophisticated" nature, as likewise the new tagline "The magazine that respects your intelligence". Lee in 2009 described these "short, five-page filler strips that Steve and I did together", originally "placed in any of our comics that had a few extra pages to fill", as "odd fantasy tales that I'd dream up with O. Henry-type endings." Giving an early example of what would later be known as the "Marvel Method" of writer-artist collaboration, Lee said, "All I had to do was give Steve a one-line description of the plot and he'd be off and running. He'd take those skeleton outlines I had given him and turn them into classic little works of art that ended up being far cooler than I had any right to expect."
Creation of Spider-Man
The Amazing Spider-Man Annual #1 (1964). Cover art by Ditko, featuring a rogue's gallery of supervillains he co-created

After Marvel Comics editor-in-chief Stan Lee obtained permission from publisher Martin Goodman to create a new "ordinary teen" superhero named "Spider-Man", Lee originally approached his leading artist, Jack Kirby. Kirby told Lee about his own 1950s character conception, variously called the Silver Spider and Spiderman, in which an orphaned boy finds a magic ring that gives him superpowers. Comics historian Greg Theakston says Lee and Kirby "immediately sat down for a story conference" and Lee afterward directed Kirby to flesh out the character and draw some pages. "A day or two later", Kirby showed Lee the first six pages, and, as Lee recalled, "I hated the way he was doing it. Not that he did it badly — it just wasn't the character I wanted; it was too heroic".

Lee turned to Ditko, who developed a visual motif Lee found satisfactory, although Lee would later replace Ditko's original cover with one penciled by Kirby. Ditko said, "The Spider-Man pages Stan showed me were nothing like the (eventually) published character. In fact, the only drawings of Spider-Man were on the splash and at the end Kirby had the guy leaping at you with a web gun... Anyway, the first five pages took place in the home, and the kid finds a ring and turns into Spider-Man."

Ditko also recalled that, "One of the first things I did was to work up a costume. A vital, visual part of the character. I had to know how he looked ... before I did any breakdowns. For example: A clinging power so he wouldn't have hard shoes or boots, a hidden wrist-shooter versus a web gun and holster, etc. ... I wasn't sure Stan would like the idea of covering the character's face but I did it because it hid an obviously boyish face. It would also add mystery to the character...."

Much earlier, in a rare contemporaneous account, Ditko described his and Lee's contributions in a mail interview with Gary Martin published in Comic Fan #2 (Summer 1965): "Stan Lee thought the name up. I did costume, web gimmick on wrist & spider signal". He added he would continue drawing Spider-Man "f nothing better comes along." That same year, he expressed to the fanzine Voice of Comicdom, regarding a poll of "Best Liked" fan-created comics, "It seems a shame, since comics themselves have so little variety of stories and styles that you would deliberately restrict your own creative efforts to professional comics shallow range. What is 'Best Liked' by most readers is what they are most familiar in seeing and any policy based on readers likes has to end up with a lot of look-a-like strips. You have a great opportunity to show everyone a whole new range of ideas, unlimited types of stories and styles---why FLUB it!"

From 1958 to either 1966 or 1968 (accounts differ), Ditko shared a Manhattan studio at 43rd Street and Eighth Avenue with noted fetish artist Eric Stanton, an art-school classmate. When either artist was under deadline pressure, it was not uncommon for them to pitch in and help the other with his assignment, and the introduction to one book of Stanton's work says, "Eric Stanton drew his pictures in India ink, and they were then hand-coloured by Ditko". In a 1988 interview with Theakston, Stanton recalled that although his contribution to Spider-Man was "almost nil", he and Ditko had "worked on storyboards together and I added a few ideas. But the whole thing was created by Steve on his own... I think I added the business about the webs coming out of his hands".

Spider-Man debuted in Amazing Fantasy #15 (Aug. 1962), the final issue of that science-fiction/fantasy anthology series. When the issue proved to be a top seller, Spider-Man was given his own series, The Amazing Spider-Man.
Doctor Strange and other characters
Dormammu attacks Eternity in a Ditko "Dr. Strange" panel from Strange Tales #146 (July 1966).

After drawing the final issue of The Incredible Hulk (#6, March 1963), Ditko co-created with Lee the supernatural hero Doctor Strange, in Strange Tales #110 (July 1963). Ditko and Lee shortly thereafter relaunched a Hulk series as a short feature in the anthology Tales to Astonish, beginning with issue #60 (Oct. 1964). Ditko, inked by George Roussos, penciled the feature through #67 (May 1965). Ditko designed the Hulk's primary antagonist, the Leader, in #62 (Dec. 1964).

Ditko also penciled the Iron Man feature in Tales of Suspense #47–49 (Nov. 1963 – Jan. 1964), with various inkers. The first of these debuted the initial version of Iron Man's modern red-and-golden armor, though whether Ditko or cover-penciler and principal character designer Jack Kirby designed the costume is uncertain.

Though often overshadowed by his Amazing Spider-Man work, Ditko's "Doctor Strange" stories have been equally acclaimed, for their surrealistic mystical landscapes and increasingly psychedelic visuals that helped make the feature a favorite of college students. "People who read 'Doctor Strange' thought people at Marvel must be heads ," recalled then-associate editor and former Doctor Strange writer Roy Thomas in 1971, "because they had had similar experiences high on mushrooms. But ... I don't use hallucinogens, nor do I think any artists do."

Eventually, as co-plotter and later sole plotter, in the "Marvel Method", Ditko would take Strange into ever-more-abstract realms. In an epic 17-issue story arc in Strange Tales #130-146 (July 1965 - July 1966), Ditko introduced the cosmic character Eternity, who personified the universe and was depicted as a silhouette whose outlines are filled with the cosmos. As historian Bradford W. Wright describes,

Steve Ditko contributed some of his most surrealistic work to the comic book and gave it a disorienting, hallucinogenic quality. Dr. Strange's adventures take place in bizarre worlds and twisting dimensions that resembled Salvador Dalí paintings. ... Inspired by the pulp-fiction magicians of Stan Lee's childhood as well as by contemporary Beat culture. Dr. Strange remarkably predicted the youth counterculture's fascination with Eastern mysticism and psychedelia. Never among Marvel's more popular or accessible characters, Dr. Strange still found a niche among an audience seeking a challenging alternative to more conventional superhero fare.

The cartoonist and fine artist Seth in 2003 described Ditko's style as "oddball for mainstream comics. Whereas Kirby's stuff clearly appealed to a boy's sensibility because there was so much raw power, Ditko's work was really delicate and cartoony. There was a sense of design to it. You can always recognize anything that Ditko designed because it's always flowery. There is a lot of embroidered detail in the art, which is almost psychedelic."

Whichever feature he drew, Ditko's idiosyncratic, cleanly detailed, instantly recognizable art style, emphasizing mood and anxiety, found great favor with readers. The character of Spider-Man and his troubled personal life meshed well with Ditko's own interests, which Lee eventually acknowledged by giving the artist plotting credits on the latter part of their 38-issue run. But after four years on the title, Ditko left Marvel; he and Lee had not been on speaking terms for some time, with art and editorial changes handled through intermediaries. The details of the rift remain uncertain, even to Lee, who confessed in 2003, "I never really knew Steve on a personal level." Ditko later claimed it was Lee who broke off contact and disputed the long-held belief that the disagreement was over the true identity of the Green Goblin: "Stan never knew what he was getting in my Spider-Man stories and covers until after Sol Brodsky took the material from me ... so there couldn't have been any disagreement or agreement, no exchanges ... no problems between us concerning the Green Goblin or anything else from before issue #25 to my final issues". Spider-Man successor artist John Romita, in a 2010 deposition, recalled that Lee and Ditko "ended up not being able to work together because they disagreed on almost everything, cultural, social, historically, everything, they disagreed on characters...."

Regardless, said Lee in 2007, "Quite a few years ago I met him up at the Marvel offices when I was last in New York. And we spoke; he's a hell of a nice guy and it was very pleasant. ... I haven't heard from him since that meeting."

Comics historian Greg Theakston, who visited Ditko on occasion, theorized Ditko saw The Amazing Spider-Man as semi-autobiographical: "Spider-Man was the culmination of everything Ditko was up until that moment. Ditko had personal ties to the character. When people started to 'manipulate him' into bringing in more romance into the strip and changing the direction, Ditko felt slighted, crushed ... they were telling him how to do it. He wouldn't be told".

Writer and then future Marvel editor Roy Thomas said of that time, "I'll never forget the day I walked into one Marvel office not long after Ditko quit, and here's John Romita drawing Amazing Spider-Man and Larry drawing the Spider-Man Annual and Marie Severin drawing 'Dr. Strange', and I joked, 'This is the Steve Ditko Room; it takes three of you to do what Steve Ditko used to do'".
Charlton and DC Comics

Back at Charlton — where the page rate was low but creators were allowed greater freedom — Ditko worked on such characters as Blue Beetle (1967–1968), the Question (1967–1968), Captain Atom (1965–1967), returning to the character he'd co-created in 1960. In addition, in 1966–1967, he drew 16 stories, most of them written by Archie Goodwin for Warren Publishing's horror comic magazines Creepy and Eerie, most of which were done using ink-wash.

In 1967, Ditko gave his Objectivist ideas ultimate expression in the form of Mr. A, published in Wally Wood's independent title witzend # 3. Ditko's hard line against criminals was controversial and he continued to produce Mr. A stories and one-pagers until the end of the 1970s. Ditko returned to Mr. A in 2000 and in 2009.
A panoply of Ditko DC Comics characters, from "DC Profiles" biographical page appearing in comics cover-dated April 1980, including Batman #322 and The Legion of Super-Heroes #262. From left: the Creeper, Hawk and Dove, Stalker, the Odd Man, Shade, the Changing Man, Starman.

Ditko moved to DC Comics in 1968, where he created the Creeper in Showcase #73 (April 1968) with scripter Don Segall, under editor Murray Boltinoff. Ditko created the quirky team Hawk and Dove in Showcase #75 (June 1968), with writer Steve Skeates. Around this time, he penciled the lead story, written and inked by Wally Wood, in Wood's early mature-audience, independent-comics publication Heroes, Inc. Presents Cannon (1969).

Ditko's stay at DC was short — he would work on all six issues of the Creeper's own title, Beware the Creeper (June 1968–April 1969), though leaving midway through the final one — and the reasons for his departure uncertain. But while at DC, Ditko recommended Charlton staffer Dick Giordano to the company, who would go on to become a top DC penciller, inker, editor, and ultimately, in 1981, the managing editor.

From this time up through the mid-1970s, Ditko worked exclusively for Charlton and various small press/independent publishers. Frank McLaughlin, Charlton's art director during this period, describes Ditko as living "in a local hotel in Derby for a while. He was a very happy-go-lucky guy with a great sense of humor at that time, and always supplied the color separators with candy and other little gifts".

For Charlton in 1974 he did Liberty Belle backup stories in E-Man and conceived Killjoy. Ditko produced much work for Charlton's science-fiction and horror titles, as well as for former Marvel publisher Martin Goodman's start-up line Atlas/Seaboard Comics, where he co-created the superhero the Destructor with writer Archie Goodwin, and penciled all four issues of the namesake series (Feb.–Aug. 1975), the first two of which were inked by fellow comics legend Wally Wood. Ditko worked on the second and third issues of Tiger-Man and the third issue of Morlock 2001, with Bernie Wrightson inking.
Latter-day Ditko

Ditko returned to DC Comics in 1975, creating a short-lived title, Shade, the Changing Man (1977–1978). Shade was later revived, without Ditko's involvement, in DC's mature-audience imprint Vertigo. With writer Paul Levitz, he co-created the four issue sword and sorcery series Stalker (1975–1976). Ditko and writer Gerry Conway produced the first issue of a short-lived Man-Bat series. He also revived the Creeper and did such various other jobs as a short Demon backup series in 1979, work on Legion of Superheroes in 1980–1981, and stories in DC's horror and science-fiction anthologies. He also drew the Prince Gavyn version of Starman in Adventure Comics #467–478 (1980). He then decamped to do work for a variety of publishers, briefly contributing to DC again in the mid 1980s, with four pinups of his characters for Who's Who in the DC Universe and a pinup for Superman #400 (Oct. 1984) and its companion portfolio.

Ditko returned to Marvel in 1979, taking over Jack Kirby's Machine Man, drawing The Micronauts, co-creating Captain Universe, and continuing to freelance for the company into the late 1990s. In 1982, he also began freelancing for the early independent comics label Pacific Comics, beginning with Captain Victory and the Galactic Rangers #6 (Sept. 1982), in which he introduced the superhero Missing Man, with Mark Evanier scripting to Ditko's plot and art. Subsequent Missing Man stories appeared in Pacific Presents #1–3 (Oct. 1982–March 1984), with Ditko scripting the former and collaborating with longtime friend Robin Snyder on the script for the latter two. Ditko also created the Mocker for Pacific, in Silver Star #2 (April 1983).

For Eclipse Comics, he contributed a story featuring his character Static (no relation to the later Milestone Comics character) in Eclipse Monthly #1–3 (Aug.–Oct. 1983), introducing supervillain the Exploder in #2. With writer Jack C. Harris, Ditko drew the backup feature "The Faceless Ones" in First Comics' Warp #2–4 (April–June 1983). Working with that same writer and others, Ditko drew a handful of the Fly, Fly-Girl and Jaguar stories for The Fly #2–8 (July 1983 – Aug. 1984), for Archie Comics' short-lived 1980s superhero line; in a rare latter-day instance of Ditko inking another artist, he inked penciler Dick Ayers on the Jaguar story in The Fly #9 (Oct. 1984).

In 1992 Ditko worked with writer Will Murray to produce one of his last original characters for Marvel Comics, the satirical superheroine Squirrel Girl, who debuted in Marvel Super-Heroes vol. 2, #8, a.k.a. Marvel Super-Heroes Winter Special (Jan. 1992).

In 1993, he did the Dark Horse Comics one-shot The Safest Place in the World. For the Defiant Comics series Dark Dominion, he drew issue #0, which was released as a set of trading cards. In 1995, he pencilled a four-issue series for Marvel based on the Phantom 2040 animated TV series. This included a poster that was inked by John Romita Sr. Steve Ditko's Strange Avenging Tales was announced as a quarterly series from Fantagraphics Books, although it only ran one issue (Feb. 1997) due to publicly unspecified disagreements between Ditko and the publisher.

The New York Times assessed in 2008 that, "By the '70s he was regarded as a slightly old-fashioned odd-ball; by the '80s he was a commercial has-been, picking up wretched work-for-hire gigs. ...following the example of Rand's John Galt, Ditko hacked out money­making work, saving his care for the crabbed Objectivist screeds he published with tiny presses. And boy, could Ditko hack: seeing samples of his Transformers coloring book and his Big Boy comic is like hearing Orson Welles sell frozen peas."

Ditko retired from mainstream comics in 1998. His later work for Marvel and DC included established superheroes as the Sub-Mariner (in Marvel Comics Presents) and newer, licensed characters such as the Mighty Morphin Power Rangers. The last mainstream character he created was Marvel's Longarm in Shadows & Light #1 (Feb. 1998), in a self-inked, 12-page Iron Man story "A Man's Reach....", scripted by Len Wein. His final mainstream work was a five-page New Gods story for DC, "Infinitely Gentle Infinitely Suffering", inked by Mick Gray and believed to be intended for the 2000–2002 Orion series but not published until the 2008 trade paperback Tales of the New Gods.

Since then, Ditko's solo work has been published intermittently by Snyder, who was his editor at Charlton, Archie Comics, and Renegade Press in the 1980s. The Snyder publications have included a number of original books as well as reprints such as Static, The Missing Man, The Mocker and, in 2002, Avenging World, a collection of stories and essays spanning 30 years.

In 2008, Ditko and Snyder released The Avenging Mind, a 32-page essay publication featuring several pages of new artwork; and Ditko, Etc..., a 32-page comic book composed of brief vignettes and editorial cartoons, introducing such new characters as the Hero. In January 2009 Ditko Continued was released, featuring, amongst other material, the first part of a new Mr. A story, followed by Oh, No! Not Again, Ditko!, Ditko Once More, Ditko Presents, A Ditko Act Two, A Ditko Act 3 and Act 4 in the same format. In late 2009, Ditko and Snyder published a reprint of the 1973 Mr. A comic.

Two "lost" stories drawn by Ditko in 1978 have been published by DC in hardcover collections of the artist's work. A Creeper story scheduled for the never published Showcase #106 appears in The Creeper by Steve Ditko (2010) and an unpublished Shade, the Changing Man story appears in The Steve Ditko Omnibus Vol. 1 (2011). A Hulk and the Human Torch story written by Jack C. Harris and drawn by Ditko in the 1980s was published by Marvel as Incredible Hulk and the Human Torch: From the Marvel Vault #1 in August 2011.
Personal life
Self-portrait of Steve Ditko, from The Amazing Spider-Man Annual #1 (1964)

As of mid-2012, Ditko continues to work at studio in Manhattan's Midtown West neighborhood. He has refused to give interviews or make public appearances since the 1960s, explaining in 1969 that, "When I do a job, it’s not my personality that I’m offering the readers but my artwork. It’s not what I'm like that counts; it’s what I did and how well it was done.... I produce a product, a comic art story. Steve Ditko is the brand name". He has, however, contributed numerous essays to Snyder's fanzine The Comics.

Ditko is an ardent supporter and advocate of the philosophy of Objectivism.

He has an artist nephew also named Steve Ditko. According to Will Eisner, Ditko has one son.
Awards and honors

1962 Alley Award for Best Short Story: "Origin of Spider-Man" by Stan Lee & Steve Ditko, Amazing Fantasy #15 (Marvel Comics).
1963 Alley Award for Best Adventure Hero Comic Book: The Amazing Spider-Man
1963 Alley Award for Top Hero: Spider-Man
1964 Alley Award for Best Adventure Hero Comic Book: The Amazing Spider-Man
1964 Alley Award for Best Giant Comic: The Amazing Spider-Man Annual #1
1964 Alley Award for Best Hero: Spider-Man
1965 Alley Award for Best Adventure Hero Comic Book: The Amazing Spider-Man
1965 Alley Award for Best Hero: Spider-Man
1985 Eagle Award: Roll of Honour

In 1987, Ditko was presented a Comic-Con International Inkpot Award in absentia, accepted on his behalf by Renegade Press publisher Deni Loubert, who had published Ditko's World the previous year. Ditko refused the award, and returned it to Loubert after having phoned her to say, "Awards bleed the artist and make us compete against each other. They are the most horrible things in the world. How dare you accept this on my behalf". At his behest, Loubert returned the award to the convention organizers.

Ditko was inducted into the Jack Kirby Hall of Fame in 1990, and into the Will Eisner Award Hall of Fame in 1994.

BBC documentary

In September 2007, Jonathan Ross hosted a one-hour documentary for BBC Four titled In Search of Steve Ditko. The program covers Ditko's work at Marvel, DC, and Charlton Comics and at Wally Wood's witzend, as well as his following of Objectivism. It includes testimonials by Alan Moore, Mark Millar, Jerry Robinson and Stan Lee, among others. Ross, accompanied by Neil Gaiman, met Ditko at his New York office but he declined to be filmed, interviewed and photographed for the show. He did however, give the two a selection of some comic books. At the end of the show, Ross said he has since spoken to Ditko on the telephone and continued to say, as a joke, that he was now on first name terms with him.
Selected bibliography
Strange Suspense Stories #75 (June 1965), reprinting Captain Atom stories from Space Adventures #33, 34 & 36. Cover art by Ditko.

As penciler (generally but not exclusively self-inked), unless otherwise noted

Marvel

Amazing Adventures #1–6 (1961); becomes

Amazing Adult Fantasy #7–14 (1961–62); becomes

Amazing Fantasy #15 (1962)

The Incredible Hulk #2 (inking Jack Kirby), #6 (1962–63)
The Amazing Spider-Man #1–38, Annual #1–2 (1963–66)
The Fantastic Four #13 (inking Jack Kirby) (1963)
Strange Tales #110–111, 114–146, Annual #2 (Doctor Strange) (1963–66)
Tales of Suspense #47–49 (Iron Man) (1963–64)
Tales to Astonish #60–67 (The Hulk in #60–67, Giant Man in #61) (1964–65)
Machine Man #10–19 (1979–81)
ROM Spaceknight #59–75, Annual #4 (1984–86)
Avengers Annual #13, 15 (1984–86)
Speedball #1–10 (1988–89)
Phantom 2040 #1–4 (The Phantom) (1995)
Saban's Mighty Morphin Power Rangers #2, #4 (1995–96)

DC

Strange Adventures #188–189 (1966)
Showcase #73 (debut, the Creeper) #75 (debut, The Hawk and the Dove) (1968)
Beware the Creeper #1–6 (1968–69)
The Hawk and the Dove #1–2 (1968)
Stalker #1–4 (1975–76)
1st Issue Special #7 (Creeper) (1975)
Man-Bat #1 (1975)
Shade, the Changing Man #1–8 (1977–78)
World's Finest Comics #249–255 (script & art, Creeper series) (1978–79)
Cancelled Comic Cavalcade #1, 2, a 25-page Creeper story planned for Showcase #106; and the aforementioned Shade, the Changing Man #9 (1978)
Detective Comics #483–485 (The Demon) (1979)
Detective Comics #487 (Odd Man—debut, originally planned for Shade, the Changing Man #9) (1979)
Legion of Super-Heroes #267, 268, 272, 274, 276, 281 (1980–81)
Adventure Comics #467–478 (Starman) (1980)

Charlton

Strange Suspense Stories #75–77 (Captain Atom) (1965)
Captain Atom #78–89 (1965–67)
Blue Beetle #1–5 (1967–68)
Mysterious Suspense #1 (1968)
Ghostly Haunts, Ghostly Tales, The Many Ghosts of Doctor Graves (most issues)

Warren

Eerie #3–10 (1966–67)
Creepy #9–16 (1966–67)

Atlas/Seaboard

The Destructor #1–4 (1975)
Morlock 2001 #3
Tiger-Man #2, 3

Independent

Avenging World (1973) (written, pencilled, inked, and lettered by Ditko. Note that the 2002 Avenging World is a collection of Ditko works including the 1973 comic of that name)

After drawing the final issue of The Incredible Hulk (#6, March 1963), Ditko co-created with Lee the supernatural hero Doctor Strange, in Strange Tales #110 (July 1963). Ditko and Lee shortly thereafter relaunched a Hulk series as a short feature in the anthology Tales to Astonish, beginning with issue #60 (Oct. 1964). Ditko, inked by George Roussos, penciled the feature through #67 (May 1965). Ditko designed the Hulk's primary antagonist, the Leader, in #62 (Dec. 1964).

Ditko also penciled the Iron Man feature in Tales of Suspense #47–49 (Nov. 1963 – Jan. 1964), with various inkers. The first of these debuted the initial version of Iron Man's modern red-and-golden armor, though whether Ditko or cover-penciler and principal character designer Jack Kirby designed the costume is uncertain.

Though often overshadowed by his Amazing Spider-Man work, Ditko's "Doctor Strange" stories have been equally acclaimed, for their surrealistic mystical landscapes and increasingly psychedelic visuals that helped make the feature a favorite of college students. "People who read 'Doctor Strange' thought people at Marvel must be heads ," recalled then-associate editor and former Doctor Strange writer Roy Thomas in 1971, "because they had had similar experiences high on mushrooms. But ... I don't use hallucinogens, nor do I think any artists do."

Eventually, as co-plotter and later sole plotter, in the "Marvel Method", Ditko would take Strange into ever-more-abstract realms. In an epic 17-issue story arc in Strange Tales #130-146 (July 1965 - July 1966), Ditko introduced the cosmic character Eternity, who personified the universe and was depicted as a silhouette whose outlines are filled with the cosmos. As historian Bradford W. Wright describes,

Steve Ditko contributed some of his most surrealistic work to the comic book and gave it a disorienting, hallucinogenic quality. Dr. Strange's adventures take place in bizarre worlds and twisting dimensions that resembled Salvador Dalí paintings. ... Inspired by the pulp-fiction magicians of Stan Lee's childhood as well as by contemporary Beat culture. Dr. Strange remarkably predicted the youth counterculture's fascination with Eastern mysticism and psychedelia. Never among Marvel's more popular or accessible characters, Dr. Strange still found a niche among an audience seeking a challenging alternative to more conventional superhero fare.

The cartoonist and fine artist Seth in 2003 described Ditko's style as "oddball for mainstream comics. Whereas Kirby's stuff clearly appealed to a boy's sensibility because there was so much raw power, Ditko's work was really delicate and cartoony. There was a sense of design to it. You can always recognize anything that Ditko designed because it's always flowery. There is a lot of embroidered detail in the art, which is almost psychedelic."

Whichever feature he drew, Ditko's idiosyncratic, cleanly detailed, instantly recognizable art style, emphasizing mood and anxiety, found great favor with readers. The character of Spider-Man and his troubled personal life meshed well with Ditko's own interests, which Lee eventually acknowledged by giving the artist plotting credits on the latter part of their 38-issue run. But after four years on the title, Ditko left Marvel; he and Lee had not been on speaking terms for some time, with art and editorial changes handled through intermediaries. The details of the rift remain uncertain, even to Lee, who confessed in 2003, "I never really knew Steve on a personal level." Ditko later claimed it was Lee who broke off contact and disputed the long-held belief that the disagreement was over the true identity of the Green Goblin: "Stan never knew what he was getting in my Spider-Man stories and covers until after Sol Brodsky took the material from me ... so there couldn't have been any disagreement or agreement, no exchanges ... no problems between us concerning the Green Goblin or anything else from before issue #25 to my final issues". Spider-Man successor artist John Romita, in a 2010 deposition, recalled that Lee and Ditko "ended up not being able to work together because they disagreed on almost everything, cultural, social, historically, everything, they disagreed on characters...."

Regardless, said Lee in 2007, "Quite a few years ago I met him up at the Marvel offices when I was last in New York. And we spoke; he's a hell of a nice guy and it was very pleasant. ... I haven't heard from him since that meeting."

Comics historian Greg Theakston, who visited Ditko on occasion, theorized Ditko saw The Amazing Spider-Man as semi-autobiographical: "Spider-Man was the culmination of everything Ditko was up until that moment. Ditko had personal ties to the character. When people started to 'manipulate him' into bringing in more romance into the strip and changing the direction, Ditko felt slighted, crushed ... they were telling him how to do it. He wouldn't be told".

Writer and then future Marvel editor Roy Thomas said of that time, "I'll never forget the day I walked into one Marvel office not long after Ditko quit, and here's John Romita drawing Amazing Spider-Man and Larry drawing the Spider-Man Annual and Marie Severin drawing 'Dr. Strange', and I joked, 'This is the Steve Ditko Room; it takes three of you to do what Steve Ditko used to do'".
Charlton and DC Comics

Back at Charlton — where the page rate was low but creators were allowed greater freedom — Ditko worked on such characters as Blue Beetle (1967–1968), the Question (1967–1968), Captain Atom (1965–1967), returning to the character he'd co-created in 1960. In addition, in 1966–1967, he drew 16 stories, most of them written by Archie Goodwin for Warren Publishing's horror comic magazines Creepy and Eerie, most of which were done using ink-wash.

In 1967, Ditko gave his Objectivist ideas ultimate expression in the form of Mr. A, published in Wally Wood's independent title witzend # 3. Ditko's hard line against criminals was controversial and he continued to produce Mr. A stories and one-pagers until the end of the 1970s. Ditko returned to Mr. A in 2000 and in 2009.

Ditko moved to DC Comics in 1968, where he created the Creeper in Showcase #73 (April 1968) with scripter Don Segall, under editor Murray Boltinoff. Ditko created the quirky team Hawk and Dove in Showcase #75 (June 1968), with writer Steve Skeates. Around this time, he penciled the lead story, written and inked by Wally Wood, in Wood's early mature-audience, independent-comics publication Heroes, Inc. Presents Cannon (1969).

Ditko's stay at DC was short — he would work on all six issues of the Creeper's own title, Beware the Creeper (June 1968–April 1969), though leaving midway through the final one — and the reasons for his departure uncertain. But while at DC, Ditko recommended Charlton staffer Dick Giordano to the company, who would go on to become a top DC penciller, inker, editor, and ultimately, in 1981, the managing editor.

From this time up through the mid-1970s, Ditko worked exclusively for Charlton and various small press/independent publishers. Frank McLaughlin, Charlton's art director during this period, describes Ditko as living "in a local hotel in Derby for a while. He was a very happy-go-lucky guy with a great sense of humor at that time, and always supplied the color separators with candy and other little gifts".

For Charlton in 1974 he did Liberty Belle backup stories in E-Man and conceived Killjoy. Ditko produced much work for Charlton's science-fiction and horror titles, as well as for former Marvel publisher Martin Goodman's start-up line Atlas/Seaboard Comics, where he co-created the superhero the Destructor with writer Archie Goodwin, and penciled all four issues of the namesake series (Feb.–Aug. 1975), the first two of which were inked by fellow comics legend Wally Wood. Ditko worked on the second and third issues of Tiger-Man and the third issue of Morlock 2001, with Bernie Wrightson inking.
Latter-day Ditko

Ditko returned to DC Comics in 1975, creating a short-lived title, Shade, the Changing Man (1977–1978). Shade was later revived, without Ditko's involvement, in DC's mature-audience imprint Vertigo. With writer Paul Levitz, he co-created the four issue sword and sorcery series Stalker (1975–1976). Ditko and writer Gerry Conway produced the first issue of a short-lived Man-Bat series. He also revived the Creeper and did such various other jobs as a short Demon backup series in 1979, work on Legion of Superheroes in 1980–1981, and stories in DC's horror and science-fiction anthologies. He also drew the Prince Gavyn version of Starman in Adventure Comics #467–478 (1980). He then decamped to do work for a variety of publishers, briefly contributing to DC again in the mid 1980s, with four pinups of his characters for Who's Who in the DC Universe and a pinup for Superman #400 (Oct. 1984) and its companion portfolio.

Ditko returned to Marvel in 1979, taking over Jack Kirby's Machine Man, drawing The Micronauts, co-creating Captain Universe, and continuing to freelance for the company into the late 1990s. In 1982, he also began freelancing for the early independent comics label Pacific Comics, beginning with Captain Victory and the Galactic Rangers #6 (Sept. 1982), in which he introduced the superhero Missing Man, with Mark Evanier scripting to Ditko's plot and art. Subsequent Missing Man stories appeared in Pacific Presents #1–3 (Oct. 1982–March 1984), with Ditko scripting the former and collaborating with longtime friend Robin Snyder on the script for the latter two. Ditko also created the Mocker for Pacific, in Silver Star #2 (April 1983).

For Eclipse Comics, he contributed a story featuring his character Static (no relation to the later Milestone Comics character) in Eclipse Monthly #1–3 (Aug.–Oct. 1983), introducing supervillain the Exploder in #2. With writer Jack C. Harris, Ditko drew the backup feature "The Faceless Ones" in First Comics' Warp #2–4 (April–June 1983). Working with that same writer and others, Ditko drew a handful of the Fly, Fly-Girl and Jaguar stories for The Fly #2–8 (July 1983 – Aug. 1984), for Archie Comics' short-lived 1980s superhero line; in a rare latter-day instance of Ditko inking another artist, he inked penciler Dick Ayers on the Jaguar story in The Fly #9 (Oct. 1984).

In 1992 Ditko worked with writer Will Murray to produce one of his last original characters for Marvel Comics, the satirical superheroine Squirrel Girl, who debuted in Marvel Super-Heroes vol. 2, #8, a.k.a. Marvel Super-Heroes Winter Special (Jan. 1992).

In 1993, he did the Dark Horse Comics one-shot The Safest Place in the World. For the Defiant Comics series Dark Dominion, he drew issue #0, which was released as a set of trading cards. In 1995, he pencilled a four-issue series for Marvel based on the Phantom 2040 animated TV series. This included a poster that was inked by John Romita Sr. Steve Ditko's Strange Avenging Tales was announced as a quarterly series from Fantagraphics Books, although it only ran one issue (Feb. 1997) due to publicly unspecified disagreements between Ditko and the publisher.

The New York Times assessed in 2008 that, "By the '70s he was regarded as a slightly old-fashioned odd-ball; by the '80s he was a commercial has-been, picking up wretched work-for-hire gigs. ...following the example of Rand's John Galt, Ditko hacked out money­making work, saving his care for the crabbed Objectivist screeds he published with tiny presses. And boy, could Ditko hack: seeing samples of his Transformers coloring book and his Big Boy comic is like hearing Orson Welles sell frozen peas."

Ditko retired from mainstream comics in 1998. His later work for Marvel and DC included established superheroes as the Sub-Mariner (in Marvel Comics Presents) and newer, licensed characters such as the Mighty Morphin Power Rangers. The last mainstream character he created was Marvel's Longarm in Shadows & Light #1 (Feb. 1998), in a self-inked, 12-page Iron Man story "A Man's Reach....", scripted by Len Wein. His final mainstream work was a five-page New Gods story for DC, "Infinitely Gentle Infinitely Suffering", inked by Mick Gray and believed to be intended for the 2000–2002 Orion series but not published until the 2008 trade paperback Tales of the New Gods.

Since then, Ditko's solo work has been published intermittently by Snyder, who was his editor at Charlton, Archie Comics, and Renegade Press in the 1980s. The Snyder publications have included a number of original books as well as reprints such as Static, The Missing Man, The Mocker and, in 2002, Avenging World, a collection of stories and essays spanning 30 years.

In 2008, Ditko and Snyder released The Avenging Mind, a 32-page essay publication featuring several pages of new artwork; and Ditko, Etc..., a 32-page comic book composed of brief vignettes and editorial cartoons, introducing such new characters as the Hero. In January 2009 Ditko Continued was released, featuring, amongst other material, the first part of a new Mr. A story, followed by Oh, No! Not Again, Ditko!, Ditko Once More, Ditko Presents, A Ditko Act Two, A Ditko Act 3 and Act 4 in the same format. In late 2009, Ditko and Snyder published a reprint of the 1973 Mr. A comic.

Two "lost" stories drawn by Ditko in 1978 have been published by DC in hardcover collections of the artist's work. A Creeper story scheduled for the never published Showcase #106 appears in The Creeper by Steve Ditko (2010) and an unpublished Shade, the Changing Man story appears in The Steve Ditko Omnibus Vol. 1 (2011). A Hulk and the Human Torch story written by Jack C. Harris and drawn by Ditko in the 1980s was published by Marvel as Incredible Hulk and the Human Torch: From the Marvel Vault #1 in August 2011.
Personal life

As of mid-2012, Ditko continues to work at studio in Manhattan's Midtown West neighborhood. He has refused to give interviews or make public appearances since the 1960s, explaining in 1969 that, "When I do a job, it’s not my personality that I’m offering the readers but my artwork. It’s not what I'm like that counts; it’s what I did and how well it was done.... I produce a product, a comic art story. Steve Ditko is the brand name". He has, however, contributed numerous essays to Snyder's fanzine The Comics.

Ditko is an ardent supporter and advocate of the philosophy of Objectivism.

He has an artist nephew also named Steve Ditko. According to Will Eisner, Ditko has one son.
Awards and honors

1962 Alley Award for Best Short Story: "Origin of Spider-Man" by Stan Lee & Steve Ditko, Amazing Fantasy #15 (Marvel Comics).
1963 Alley Award for Best Adventure Hero Comic Book: The Amazing Spider-Man
1963 Alley Award for Top Hero: Spider-Man
1964 Alley Award for Best Adventure Hero Comic Book: The Amazing Spider-Man
1964 Alley Award for Best Giant Comic: The Amazing Spider-Man Annual #1
1964 Alley Award for Best Hero: Spider-Man
1965 Alley Award for Best Adventure Hero Comic Book: The Amazing Spider-Man
1965 Alley Award for Best Hero: Spider-Man
1985 Eagle Award: Roll of Honour

In 1987, Ditko was presented a Comic-Con International Inkpot Award in absentia, accepted on his behalf by Renegade Press publisher Deni Loubert, who had published Ditko's World the previous year. Ditko refused the award, and returned it to Loubert after having phoned her to say, "Awards bleed the artist and make us compete against each other. They are the most horrible things in the world. How dare you accept this on my behalf". At his behest, Loubert returned the award to the convention organizers.

Ditko was inducted into the Jack Kirby Hall of Fame in 1990, and into the Will Eisner Award Hall of Fame in 1994.

BBC documentary

In September 2007, Jonathan Ross hosted a one-hour documentary for BBC Four titled In Search of Steve Ditko. The program covers Ditko's work at Marvel, DC, and Charlton Comics and at Wally Wood's witzend, as well as his following of Objectivism. It includes testimonials by Alan Moore, Mark Millar, Jerry Robinson and Stan Lee, among others. Ross, accompanied by Neil Gaiman, met Ditko at his New York office but he declined to be filmed, interviewed and photographed for the show. He did however, give the two a selection of some comic books. At the end of the show, Ross said he has since spoken to Ditko on the telephone and continued to say, as a joke, that he was now on first name terms with him.
Selected bibliography

As penciler (generally but not exclusively self-inked), unless otherwise noted

Marvel

Amazing Adventures #1–6 (1961); becomes

Amazing Adult Fantasy #7–14 (1961–62); becomes

Amazing Fantasy #15 (1962)

The Incredible Hulk #2 (inking Jack Kirby), #6 (1962–63)
The Amazing Spider-Man #1–38, Annual #1–2 (1963–66)
The Fantastic Four #13 (inking Jack Kirby) (1963)
Strange Tales #110–111, 114–146, Annual #2 (Doctor Strange) (1963–66)
Tales of Suspense #47–49 (Iron Man) (1963–64)
Tales to Astonish #60–67 (The Hulk in #60–67, Giant Man in #61) (1964–65)
Machine Man #10–19 (1979–81)
ROM Spaceknight #59–75, Annual #4 (1984–86)
Avengers Annual #13, 15 (1984–86)
Speedball #1–10 (1988–89)
Phantom 2040 #1–4 (The Phantom) (1995)
Saban's Mighty Morphin Power Rangers #2, #4 (1995–96)

DC

Strange Adventures #188–189 (1966)
Showcase #73 (debut, the Creeper) #75 (debut, The Hawk and the Dove) (1968)
Beware the Creeper #1–6 (1968–69)
The Hawk and the Dove #1–2 (1968)
Stalker #1–4 (1975–76)
1st Issue Special #7 (Creeper) (1975)
Man-Bat #1 (1975)
Shade, the Changing Man #1–8 (1977–78)
World's Finest Comics #249–255 (script & art, Creeper series) (1978–79)
Cancelled Comic Cavalcade #1, 2, a 25-page Creeper story planned for Showcase #106; and the aforementioned Shade, the Changing Man #9 (1978)
Detective Comics #483–485 (The Demon) (1979)
Detective Comics #487 (Odd Man—debut, originally planned for Shade, the Changing Man #9) (1979)
Legion of Super-Heroes #267, 268, 272, 274, 276, 281 (1980–81)
Adventure Comics #467–478 (Starman) (1980)

Charlton

Strange Suspense Stories #75–77 (Captain Atom) (1965)
Captain Atom #78–89 (1965–67)
Blue Beetle #1–5 (1967–68)
Mysterious Suspense #1 (1968)
Ghostly Haunts, Ghostly Tales, The Many Ghosts of Doctor Graves (most issues)

Warren

Eerie #3–10 (1966–67)
Creepy #9–16 (1966–67)

Atlas/Seaboard

The Destructor #1–4 (1975)
Morlock 2001 #3
Tiger-Man #2, 3

Independent

Avenging World (1973) (written, pencilled, inked, and lettered by Ditko. Note that the 2002 Avenging World is a collection of Ditko works including the 1973 comic of that name)

Astrological portrait of Steve Ditko (excerpt)

Disclaimer: these short excerpts of astrological charts are computer processed. They are, by no means, of a personal nature. This principle is valid for the 47,844 celebrities included in our database. These texts provide the meanings of planets, or combination of planets, in signs and in houses, as well as the interpretations of planetary dominants in line with modern Western astrology rules. Moreover, since Astrotheme is not a polemic website, no negative aspect which may damage the good reputation of a celebrity is posted here, unlike in the comprehensive astrological portrait.

Introduction

Your Comprehensive Astrological Portrait

Here are some character traits from Steve Ditko's birth chart. This description is far from being comprehensive but it can shed light on his/her personality, which is still interesting for professional astrologers or astrology lovers.

In a matter of minutes, you can get at your email address your astrological portrait (approximately 32 pages), a much more comprehensive report than this portrait of Steve Ditko.

N.B.: As this celebrity's birth time is unknown, the chart is drawn for 12:00 PM - the legal time for his/her place of birth; since astrological houses are not taken into account, this astrological profile excerpt is less detailed than those for which the birth time is known.

The dominant planets of Steve Ditko

When interpreting a natal chart, the best method is to start gradually from general features to specific ones. Thus, there is usually a plan to be followed, from the overall analysis of the chart and its structure, to the description of its different character traits.

In the first part, an overall analysis of the chart enables us to figure out the personality's main features and to emphasize several points that are confirmed or not in the detailed analysis: in any case, those general traits are taken into account. Human personality is an infinitely intricate entity and describing it is a complex task. Claiming to rapidly summarize it is illusory, although it does not mean that it is an impossible challenge. It is essential to read a natal chart several times in order to absorb all its different meanings and to grasp all this complexity. But the exercise is worthwhile.

In brief, a natal chart is composed of ten planets: two luminaries, the Sun and the Moon, three fast-moving or individual planets, Mercury, Venus and Mars, two slow-moving planets, Jupiter and Saturn, and three very slow-moving planets, Uranus, Neptune and Pluto. Additional secondary elements are: the Lunar Nodes, the Dark Moon or Lilith, Chiron and other minor objects. They are all posited on the Zodiac wheel consisting of twelve signs, from Aries to Pisces, and divided into twelve astrological houses.

The first step is to evaluate the importance of each planet. This is what we call identifying the dominant planets. This process obeys rules that depend on the astrologer's sensitivity and experience but it also has precise and steady bases: thus, we can take into account the parameters of a planet's activity (the number of active aspects a planet forms, the importance of each aspect according to its nature and its exactness), angularity parameters; (proximity to the four angles, Ascendant, Midheaven, Descendant and Imum Coeli or Nadir, all of them being evaluated numerically, according to the kind of angle and the planet-angle distance) and quality parameters (rulership, exaltation, exile and fall). Finally, other criteria such as the rulership of the Ascendant and the Midheaven etc. are important.

These different criteria allow a planet to be highlighted and lead to useful conclusions when interpreting the chart.

The overall chart analysis begins with the observation of three sorts of planetary distributions in the chart: Eastern or Western hemisphere, Northern or Southern hemisphere, and quadrants (North-eastern, North-western, South-eastern and South-western). These three distributions give a general tone in terms of introversion and extraversion, willpower, sociability, and behavioural predispositions.

Then, there are three additional distributions: elements (called triplicity since there are three groups of signs for each one) - Fire, Air, Earth and Water - corresponding to a character typology, modality (or quadruplicity with four groups of signs for each one) - Cardinal, Fixed and Mutable - and polarity (Yin and Yang).

There are three types of dominants: dominant planets, dominant signs and dominant houses. The novice thinks astrology means only "to be Aries" or sometimes, for example, "to be Aries Ascendant Virgo". It is actually far more complex. Although the Sun and the Ascendant alone may reveal a large part of the character - approximately a third or a half of your psychological signature, a person is neither "just the Sun" (called the sign) nor just "the first house" (the Ascendant). Thus, a particular planet's influence may be significantly increased; a particular sign or house may contain a group of planets that will bring nuances and sometimes weaken the role of the Ascendant, of the Sun sign etc.

Lastly, there are two other criteria: accentuations (angular, succedent and cadent) which are a classification of astrological houses and types of decanates that are occupied (each sign is divided into three decanates of ten degrees each). They provide some additional informations.

These general character traits must not be taken literally; they are, somehow, preparing for the chart reading. They allow to understand the second part of the analysis, which is more detailed and precise. It focuses on every area of the personality and provides a synthesis of all the above-mentioned parameters according to sound hierarchical rules.

Warning: when the birth time is unknown, which is the case for Steve Ditko, a few paragraphs become irrelevant; distributions in hemispheres and quadrants are meaningless, so are dominant houses and houses' accentuations. Therefore, some chapters are removed from this part.

For all paragraphs, the criteria for valuation are calculated without taking into account angles and rulerships of the Ascendant and of the Midheaven. The methodology retains its validity, but it is less precise without a time of birth.

Elements, Modalities and Polarities for Steve Ditko

The predominance of Water signs indicates high sensitivity and elevation through feelings, Steve Ditko. Your heart and your emotions are your driving forces, and you can't do anything on Earth if you don't feel a strong affective charge (as a matter of fact, the word "feeling" is essential in your psychology). You need to love in order to understand, and to feel in order to take action, which causes a certain vulnerability which you should fight against.

Steve Ditko, Fire is dominant in your natal chart and endows you with intuition, energy, courage, self-confidence, and enthusiasm! You are inclined to be passionate, you assert your willpower, you move forward, and come hell or high water, you achieve your dreams and your goals. The relative weakness of this element is the difficulty to step back or a kind of boldness that may prompt you to do foolish things.

Earth qualities are under-represented in your chart, with only 9.91% instead of the average 25%. Deficiency in Earth may indicate that you have no interest in material and concrete values. It is likely that you live too much in your heart or in your mind, or even in your enthusiasm! The fact remains that you may end up in tricky situations, due to your lack of good sense or forethought: material life is unavoidable even if you are rather idealistic, dreamy, or easily content. You must tackle concrete life necessities, for fear of... being forced to cope with them, later, in much more unpleasant ways!

The twelve zodiacal signs are split up into three groups or modes, called quadruplicities, a learned word meaning only that these three groups include four signs. The Cardinal, Fixed and Mutable modes are more or less represented in your natal chart, depending on planets' positions and importance, and on angles in the twelve signs.

The Fixed mode corresponds to a majority of elements in your chart, Steve Ditko, and represents the desire for security and durability: you are able to concretely appreciate a situation and its stability. You definitely prefer to play the role of a loyal, obstinate and hard-working person, rather than to try new and risky experiences - beware, however, not to confuse obstinacy with intransigence. You structure, cement, and strengthen everything you find on your way: it is your nature, although you are not especially interested in swiftness: slow and steady...

The twelve signs are divided into two polarities, called active or passive, or sometimes masculine and feminine, positive and negative, Yang and Yin. This classification corresponds to two quite distinct tonalities, the first one bringing extraversion, action, self-confidence and dynamism, the second one, introversion, reactivity, reflection and caution. None is superior to the other, each group has its own assets and shortcomings. Odd signs - Aries, Gemini, Leo, Libra, Sagittarius and Aquarius - belong to the first group, whereas even signs - Taurus, Cancer, Virgo, Scorpio, Capricorn and Pisces - belong to the second group.

N.B.: this dominant is a minor one. It is not essential that you read its meaning in the beginning. You can get back to them later on, once you have read more important interpretations.

According to the disposition and qualities of your planets and angles, you are rather influenced by Yin energy, the passive polarity, Steve Ditko: you are quite introverted, imaginative and sometimes discreet, but you are a deep and wise person who is not content with just noisy and flashy things. At times, you doubt but you think that those who don't are a bit... thoughtless. Allow yourself to take more laid-back attitudes and put your reserve aside, because good equilibrium is always healthier.

Each sign contains 30 degrees and can be divided into three equal parts: the decanates. The Tradition indicates that specific meanings can be associated to each of the three decanates. Their sphere of activity is usually limited to the Sun sign, however, it is even more interesting to observe the distribution of all the planets in the chart to get an idea of the respective importance of the three decanates, which can complement the description of the personality.

These meanings must be considered with the greatest caution. Indeed, they are minor characteristics that can only underline other outstanding traits of character.

Traditionally, the first decanate highlights the characteristics of the sign where a planet is located. The two other decanates correspond to sub-dominant planets, depending on the nature of each sign. This system leads to a multiplication of meanings and it is impossible to have a clear understanding: here, we prefer to give only the meaning of one decanate in comparison with the other two, within the birth chart as a whole. Again, the greatest caution is needed with regard to this minor indication as it is not always reliable: it is not essential that you read these texts in the beginning. You can get back to them later on, once you have read more important interpretations

The first decanate, which means the part between 0° and 10° of any zodiacal sign, prevails in your natal chart, Steve Ditko: this decanate is traditionally linked to vitality and physical constitution, and may indicate that you efficiently express your concrete energy on the material and sensual planes.

Dominants: Planets, Signs and Houses for Steve Ditko

The issue of dominant planets has existed since the mists of time in astrology: how nice it would be if a person could be described with a few words and one or several planets that would represent their character, without having to analyse such elements as rulerships, angularities, houses, etc!

The ten planets - the Sun throughout Pluto - are a bit like ten characters in a role-play, each one has its own personality, its own way of acting, its own strengths and weaknesses. They actually represent a classification into ten distinct personalities, and astrologers have always tried to associate one or several dominant planets to a natal chart as well as dominant signs and houses.

Indeed, it is quite the same situation with signs and houses. If planets symbolize characters, signs represent hues - the mental, emotional and physical structures of an individual. The sign in which a planet is posited is like a character whose features are modified according to the place where he lives. In a chart, there are usually one, two or three highlighted signs that allow to rapidly describe its owner.

Regarding astrological houses, the principle is even simpler: the twelve houses correspond to twelve fields of life, and planets tenanting any given house increase that house's importance and highlight all relevant life departments: it may be marriage, work, friendship etc.

In your natal chart, Steve Ditko, the ten main planets are distributed as follows:

The three most important planets in your chart are Uranus, Pluto and Jupiter.

Uranus is among your dominant planets: just like Neptune and Pluto, Uranian typology is less clearly defined than the so-called classical seven planets that are visible to the naked eye, from the Sun to Saturn. However, it is possible to associate your Uranian nature with a few clear characteristics: Uranus rhymes with independence, freedom, originality, or even rebelliousness and marginality, when things go wrong...

Uranus is Mercury's higher octave and as such, he borrows some of its traits of character; namely, a tendency to intellectualize situations and emotions with affective detachment, or at least jagged affectivity.

Therefore, you are certainly a passionate man who is on the lookout for any kind of action or revolutionary idea, and you are keen on new things. Uranians are never predictable, and it is especially when they are believed to be stable and well settled that... they change everything - their life, partner, and job! In fact, you are allergic to any kind of routine, although avoiding it must give way to many risks.

With Pluto as a dominant planet in your chart, you are a magnetic and mighty predator, like the Scorpio sign ruled by this planet, who needs to exert pressure on others in order to "test" them. You are always ready to evolve, to risk destruction for reconstruction - including your own - to live more intensely whilst imposing your secret authority on things and on people you encounter.

You may come across as wicked, cruel or too authoritarian, but actually you only follow your instinct, you sound people out, and you like to exert your domination simply because your vital energy is too powerful to remain inside. You are inclined to be passionate, with hidden motivations. You are sometimes misunderstood but one of your great Plutonian assets is to go successfully through each life ordeal with ever growing strength.

Jupiter, the planet of expansion, organization, power and benevolence, is quite emphasized in your chart. Like any Jupiterian, you are warm, open, sociable, consensual, active and optimistic. You can use your self-confidence to erase differences of opinion, and you leave the task of analyzing and perfecting things to specialists. Your role, and you know it since you were young, is to gather, to demonstrate your synthesizing and conciliatory mind, and to naturally reap its fruits - power.

You appreciate legality, social order but also order in general. With you as a leader, every plan or human entity can be organized and structured. You excel at supervising. The Jupiterian type is indeed the politician par excellence, and a positive Jupiter in your chart is synonymous with good integration into society, whatever the chosen path.

Is this idyllic picture really perfect? Certainly not: each planet's typology has its own weaknesses. One of yours is pride, like the Solarian, but your will of expansion at all costs may generate a form of exaggeration in everything, endless pleasure, inappropriate self-confidence that could lead you to rough materialism and the thirst for absurd material comfort - in the worst cases, of course.

In your natal chart, the three most important signs - according to criteria mentioned above - are in decreasing order of strength Scorpio, Aquarius and Pisces. In general, these signs are important because your Ascendant or your Sun is located there. But this is not always the case: there may be a cluster of planets, or a planet may be near an angle other than the Midheaven or Ascendant. It may also be because two or three planets are considered to be very active because they form numerous aspects from these signs.

Thus, you display some of the three signs' characteristics, a bit like a superposition of features on the rest of your chart, and it is all the more so if the sign is emphasized.

With Scorpio as a dominant sign, you are a strong and astute person, complicated and passionate, sometimes destructive and intolerant, but strong-willed, tough and daring, sometimes bordering on aggressive. So many qualities and dangers combined in one person! Obviously, this often results in a natural selection of people around you: those who stand up to you or admire you and those who can't bear you anymore! But that is precisely what you want. You are what you are and you are not going to transform yourself just to please. You are too proud and you never dread confrontations, although your way of fighting is secret, like your nature that, mysteriously enough, you are so reluctant to reveal even to your close friends who will never understand you. That said... what a hellish charm you have!

Aquarius is one of the most important signs in your natal chart: it endows your personality - at least one of its facets - with originality, to the point of eccentricity, in spite of a sometimes distant and humane side. Likeable and impassive at the same time, you are a paradoxical man, very hard to define because the two planets Uranus and Saturn blend their qualities to create the so complicated and endearing sign that inspires your character. Saturn's seriousness and impassivity is added to Uranus' rebellion, talent, individualism, charisma, extravagance, and unpredictability! One of your main characteristics is that you never open up on a personal basis, but you tend to do so easily in public. You are actually quite strange. Sexy and charming in public, despite your nice and sociable character, you could frustrate many of your admirers in private because of your impossibility to show deep and warm affection, emotions, tears... But appearance and reality are two different things anyway - you are a kind of a genius, or you have at least a tremendous charm with this sign. You have many friends and an active social life. If you are detached in your love life - only in this aspect, since the rest of chart will confirm it or not - this is no big deal!

Pisces is among your dominant signs and endows your personality with unlimited sources of emotions, dreams, imagination, and sensitivity, to the extent that you literally swim in a cloudy ocean of delightful impressions. These impressions are so intense and overwhelming that you don't really need to take action concretely, to show your dynamism or your willpower, since you already live so intensely with your feelings - you are as keen as a radar, always on the alert! That is why some people may not like your carelessness, and the lack of clarity in your opinions or actions; however they quickly notice your artistic talents, your poetic or artistic side, and your total lack of wickedness. Besides, you feel compassion for people in pain - empathy is one of your great qualities. Thanks to your flexibility, your intuition, and your generosity, you may spend an important part of your life helping others. And if you are creative or if you have well-known artistic talents, everybody will forgive your little flaws: absent-mindedness, lack of energy or of will, too dreamy temperament...

After this paragraph about dominant planets, of Steve Ditko, here are the character traits that you must read more carefully than the previous texts since they are very specific: the texts about dominant planets only give background information about the personality and remain quite general: they emphasize or, on the contrary, mitigate different particularities or facets of a personality. A human being is a complex whole and only bodies of texts can attempt to successfully figure out all the finer points.

Your sensitivity

Your sensitivity is devoid of infatuation or carelessness, Steve Ditko; you belong to the cerebral type and, due to your needs for inner security and for freedom, you consider feelings and emotions as burdens. You are apparently phlegmatic and almost detached. However, your swift reactivity and your fertile imagination make you appreciate friendly gatherings with numerous and varied exchanges. You do not wear your heart on your sleeve. At first, you seem cold but those who know you are aware of your very original and unique sense of humour. Your receptiveness is remarkable. Your observation talents and your detachment work wonders in the defence of your anti-conformist and rebellious ideas. Your stubbornness is obvious and it is very difficult to make you change your mind because you are affectively too vulnerable: it would require lengthy and thorough argumentations aiming at your intellect...

Your intellect and your social life

You are the very type of the researcher endowed with great intellectual and imaginative capacities, Steve Ditko, and your curiosity is very deep. Researches, riddles and mysteries appeal to you and with a remarkable sixth sense and intuition, you endlessly try to unearth the truth, in all areas, like a psychoanalyst or a detective. You are a very secretive and introverted person, you find it difficult to open up and you rather prefer psychoanalysis. In spite of your clear-sightedness, you find it hard to deal with people: your critical mind, tinted with irony and causticity, may be destructive, especially since your determination and your stubbornness do not incline you to giving up. You are fond of provocations and you handle contradictions skilfully even though you may come across as dishonest.

Your affectivity and your seductiveness

In your chart, the Sun is in Scorpio and Venus, in Virgo. Your solar and Venusian signs indicate straight away shared values: selectivity and self-protection… You are impervious to prevailing trends and moods, you manage the boat of your sentimental life without being lured or destabilized by social demands, conventions or expectations. People who don't understand your aspirations think that you are self-centered. However, if necessary, you entirely devote yourself, even though it means that you forsake your personal comfort. Should a sacrifice be made, it never involves the essential: to love amounts to live a genuine, timeless and uncompromising passion. It is advisable to break the charm when it is based on shams and shaky arrangements. You are sensitive to your relationship's tiniest flaw and you are inflexible when the necessities of life together hurt your concepts. A mere nothing offends you and outrages you! Commendable idealism… However, beware of confinement, of the vicious circle of your rebellious and refractory affectivity. Although you may lack the sense of associative values (it is more natural for you to say no than, without turning a hair, to accept the other person's logic), you never renounce the essential elements of your balance. You seldom facilitate the establishment of a quiet love affair made of unconditional acquiescence and adherence. But you know how to preserve your own values, which are the guarantee of an undeniable stability and of a sentimental life in line with your demands.

Steve Ditko, inside yourself, feelings are strong and powerful. However, you never show them before weighing up and considering all the possible consequences of your words and your actions: fieriness and spontaneousness are toned down because you cannot help controlling yourself, probably due to your modesty, your discretion or your shyness; you are frightened because you are so concerned with other people's opinion that you see passion, or expressing your feelings too quickly, as sources of danger. However, you are helpful, simple, and you do not fuss around. Reason prevails in your love life but your heart may flare up when the context is well organized and everyday life is cautiously handled with good sense, tidiness and cleanliness. Your sensitivity prompts you to avoid excesses and outbursts and this is how you think that you can achieve happiness without risk.

Your will and your inner motivations

Psychologically speaking, your nature is bilious, with aggressive impulses that lead you towards the transformation of your entire being and, continuously, of the situation surrounding you. You seem to be constantly struggling for your self-assertion. You cannot refrain from testing others with cutting remarks, not because you want to hurt them, but because you want to know them better through their reaction; for you, life and the feeling of aliveness are experienced through rebellion and tension. You may be manipulative and your aggressive attitude may equate with sly inquisition. You often remain silent, introverted and secretive, mulling over turbulent thoughts in the depths of your mind, leaving others puzzled by your somewhat peculiar behaviour.

As you are born under this sign, you are secretive, powerful, domineering, enduring, intuitive, assertive, charismatic, magnetic, wilful, daring, clear-sighted, passionate, creative, independent, vigorous, generous, loyal, hard-working, persevering, indomitable, possessive, shrewd, stubborn, ambitious, instinctive, tenacious, sexual, sexy, proud, intense and competitive. But you may also be aggressive, destructive, stubborn, anxious, tyrannical, perverse, sadistic, violent, self-centered, complex, critical, cruel, nasty, jealous, calculating, vulnerable and dissembling.

In love, Sir, you are very magnetic, with a discreet and indefinable charm that inevitably attracts the persons you set your heart on. You detect their weaknesses so well that you can, at will, exert your powers and your manipulation tendencies over them. There are no negative consequences, as long as things go well, because you are very sensual, charming, possessive and swaggering and you make happy all the people who look for this domineering aspect in their partner. However, when things start to deteriorate, your almost pathological jealousy and your capacity to harm when you feel threatened are the causes of your partners' tears.

For you, passion means tension and tragedy. It is the price to be paid for sharing your sexuality loaded with unlimited fantasies, male ardour, loyalty and generosity. You are excessive, but very endearing, and your partner finds it very hard to leave you. It is preferable when things are fine between you.

Your ability to take action

Your iron will is part of your assets, Steve Ditko. It is supported by an ingenuity and a skilfulness that may turn you into a mighty and feared personality. You have the knack of spotting weaknesses in persons you deal with and you can easily hurt them with your innate propensity to drill or to test their force. You are extremely stubborn and you never let go when you are convinced that you are right. Sexually, you are potent and passionate. You are domineering and secretive, with a magnetic personality. It is safer to avoid being taken in a conflict with you because you may be very aggressive and you bear grudges. In some cases, you may also be sadistic. Your personality is as secretive as it is domineering in the areas of action and sexuality.

Conclusion

This text is only an excerpt from of Steve Ditko's portrait. We hope that it will arouse your curiosity, and that it will prompt you to deepen your knowledge of astrology, as well as to visit and use the wide range of free applications at www.astrotheme.com.

Astrological studies describe many of the character traits and they sometimes go deeper into the understanding of a personality. Please, always keep in mind that human beings are continuously evolving and that many parts of our psychological structures are likely to be expressed later, after having undergone significant life's experiences. It is advised to read a portrait with hindsight in order to appreciate its astrological content. Under this condition, you will be able to take full advantage of this type of study.

The analysis of an astrological portrait consists in understanding four types of elements which interact with one another: ten planets, twelve zodiacal signs, twelve houses, and what are called aspects between planets (the 11 aspects most commonly used are: conjunction, opposition, square, trine, sextile, quincunx, semi-sextile, sesqui-quadrate, quintile and bi-quintile. The first 5 aspects enumerated are called major aspects).

Planets represent typologies of our human psychology: sensitivity, affectivity, ability to undertake, will-power, mental process, aptitude, and taste for communication etc., all independent character facets are divided here for practical reasons. The twelve signs forming the space where planets move will "colour", so to speak, these typologies with each planet being located in its particular sign. They will then enrich the quality of these typologies, as expressed by the planets. The Zodiac is also divided into twelve astrological houses. This makes sense only if the birth time is known because within a few minutes, the twelve houses (including the 1st one, the Ascendant) change significantly. They correspond to twelve specific spheres of life: external behaviour, material, social and family life, relationship, home, love life, daily work, partnership, etc. Each planet located in any given house will then act according to the meaning of its house, and a second colouration again enriches those active forces that the planets symbolize. Finally, relations will settle among planets, creating a third structure, which completes the planets' basic meanings. A set of ancient rules, which has stood the test of experience over hundreds of years (although astrology is in evolution, only reliable elements are integrated into classical studies), are applied to organize the whole chart into a hierarchy and to allow your personality to be interpreted by texts. The planets usually analysed are the Sun, the Moon, Mercury, Venus, Jupiter, Saturn, Uranus, Neptune and Pluto, which means two luminaries (the Sun and the Moon) and 8 planets, a total of 10 planets. Additional secondary elements may be taken into account, such as asteroids Chiron, Vesta, Pallas, Ceres (especially Chiron, more well-known), the Lunar nodes, the Dark Moon or Lilith, and even other bodies: astrology is a discipline on the move. Astrological studies, including astrological portrait, compatibility of couples, predictive work, and horoscopes evolve and become more accurate or deeper, as time goes by.

Precision: concerning the horoscopes with a known time of birth, according to the Tradition, we consider that a planet near the beginning (called cuspide) of the next house (less than 2 degrees for the Ascendant and the Midheaven, and less than 1 degree for all other houses) belongs to this house: our texts and dominants take this rule into account. You can also choose not to take this shift into account in the form, and also tick the option Koch or Equal houses system instead of Placidus, the default houses system.

Warning: In order to avoid any confusion and any possible controversy, we want to draw your attention upon the fact that this sample of celebrities is very complete and therefore, it also includes undesirable people, since every category is represented: beside artists, musicians, politicians, lawyers, professional soldiers, poets, writers, singers, explorers, scientists, academics, religious figures, saints, philosophers, sages, astrologers, mediums, sportsmen, chess champions, famous victims, historical characters, members of royal families, models, painters, sculptors, and comics authors or other actual celebrities, there are also famous murderers, tyrants and dictators, serial-killers, or other characters whose image is very negative, often rightly so.

Regarding the latter, it must be remembered that even a monster or at least a person who perpetrated odious crimes, has some human qualities, often noticed by his/her close entourage: these excerpts come from computer programmes devoid of polemical intentions and may seem too soft or lenient. The positive side of each personality is deliberately stressed. Negative sides have been erased here - it is not the same in our comprehensive reports on sale - because it could hurt the families of such people. We are hoping that it will not rebound on the victims' side.

Numerology: Birth Path of Steve Ditko

Testimonies to numerology are found in the most ancient civilizations and show that numerology pre-dates astrology. This discipline considers the name, the surname, and the date of birth, and ascribes a meaning to alphabetic letters according to the numbers which symbolise them.

The path of life, based on the date of birth, provides indications on the kind of destiny which one is meant to experience. It is one of the elements that must reckoned with, along with the expression number, the active number, the intimacy number, the achievement number, the hereditary number, the dominant numbers or the lacking numbers, or also the area of expression, etc.

Your Birth Path:

Your Life Path is influenced by the number 5, Steve, which indicates changing and off the beaten track destinies. Your activities are varied and placed under the sign of adaptability, and multiplication of resources. More than anyone else, you need to enhance your learning capacities and the broad-mindedness. You must cope as well as you can with changes and transformation occurring in your life. Indeed, Life Path 5 brings about destinies which are prone to twists and turns, as well as to upheavals. Therefore, your life's main orientation may vary considerably at certain stages, and if your destiny is that of adventurers whose course is fraught with obstacles, it may also turn you into an exceedingly unstable person through lack of nuance. You accumulate experiences and enrich your know-how with each crucial period. Your adaptation skills enable you to go through all the successive stages of your life without ever being destabilised by new situations.

Steve Ditko was born under the sign of the Cat, element Fire

Chinese astrology is brought to us as a legacy of age-old wisdom and invites us to develop an awareness of our inner potential. It is believed that the wise man is not subjected to stellar influences. However, we must gain the lucidity and the distance without which we remain locked up in an implacable destiny. According to the legend of the Circle of Animals, Buddha summoned all the animals to bid them farewell before he left our world. Only twelve species answered Buddha's call. They form the Chinese Zodiac and symbolize the twelve paths of wisdom that are still valid nowadays.

The Asian wise man considers that a path is neither good nor bad. One can and must develop one's potentialities. The first step is to thoroughly know oneself.

In China, the Cat is also known as the Hare. Since you are a diplomat, you know better than anyone how to avoid any possible attacks and get round problems. You play your game well, even in difficult situations, and you never get involved in meaningless confrontations.

Besides, you loathe violence and you seek a harmonious and peaceful lifestyle. You are shrewd and inventive and in many instances, you demonstrate your ability to take advantage of events without claiming to influence their unfolding. It is better for you to adjust to the context than to clash head-on with your interlocutors!

However, your serenity hides an unshakeable determination, a will to allow no one to influence your decisions. You don't let people meddle in your privacy. Although you elicit confidences from an entourage eager for wisdom, you carefully avoid getting involved in other people's problems.

You have the reputation of being distant and sometimes indifferent. Actually, you are protecting your own balance through a course of action that is not connected with prevailing vicissitudes. Your strength lies in your undeniable stability. Fashion, trends or hurdles cannot overcome your unwavering will to live according to your inner certainties. The reed may bend but it does not break. This is the whole subtlety and strength of the feline!

Chinese astrology has five elements, which are referred to as agents: Wood, Fire, Earth, Metal and Water.

You have a deep affinity with the agent Fire. In China, this element corresponds to the planet Mars, the red colour and the number 7.

Fire implies dynamism and contagious warmth. You are a passionate person who gives a touch of intensity and unrelenting tension to every element of your life. One can only praise your energy and notice your presence. .

You belong to the category of people who never give up when they are facing hurdles. On the contrary, challenges stimulate you. You are particularly exhilarated whenever a new element emerges or when you are dealing with an unprecedented context.

Obviously, the danger is that you may rush headlong against a wall of insurmountable difficulties and act impulsively or thoughtlessly. It is important that you moderate your natural impetuosity as often as possible. Beware of untimely fits of anger!

However, your undeniable frankness prevails and your straightforward and honest character appeals to a good many interlocutors.

N. B.: when the birth time is unknown, (12:00 PM (unknown)), these portrait excerpts do not take into account the parameters derived from the time, which means, the domification (Ascendant, astrological houses, etc.). Nonetheless, these analyses remain accurate in any case. Regarding the sources of the birth data in our possession, kindly note that the pages we publish constitute a starting point for more detailed research, even though they seem useful to us. When the sources are contradictory, which occurs rarely, after having analysed them, we choose the most reliable one. Sometimes, we publish a birth date just because it is made available, but we do not claim that is it the best one, by no means.

Your Solar Revolution
Aries · Taurus · Gemini · Cancer · Leo · Virgo · Libra · Scorpio · Sagittarius · Capricorn · Aquarius · Pisces

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