Astrology, Horoscope, Planets, Dominant planets, Natal Chart
  Recommand us on Google+     
 
 

John Ford: Astrology and Horoscope

Born:February 1, 1894, 12:00 PM (unknown)
in:Cape Elizabeth (ME) (United States)
Sun: 12°53' Aquarius  
Moon:26°45' Sagittarius  
Dominants: Aquarius, Sagittarius, Pisces
Uranus, Mercury, Saturn
Air, Fire / Fixed
Numerology: Birthpath 7
Height: John Ford is 6' (1m83) tall
Popularity: 4,474 clicks, 6,814th man, 11,185th celebrity

If you happen to know the time of birth of John Ford, we would appreciate it very much if you would send us your information including your source, if any. We thank you in advance for contributing to the enhancement of our astrological database. As a token of our gratefulness, we shall be glad to send you for free the astrological portrait (32-36 pages) of this celebrity, if you let us know that you are interested in it.

Celebrities born the same day: Harry Styles, Claude François, Princess Stephanie of Monaco, Lisa Marie Presley, Lauren Conrad, Brandon Lee, Clark Gable, Michael C. Hall, Sherilyn Fenn, Boris Yeltsin, Cheb Hasni, Jean Roucas... List of all the celebrities born on February 1.

Celebrities being the same height: Jesus Christ, Elvis Presley, John Fitzgerald Kennedy, Tom Hanks, Albert II, Prince of Monaco, Nicolas Cage, Eva Herzigová, Jake Gyllenhaal, Pope John Paul II, Christian Bale, Ted Bundy, Sting (musician)... List of all the celebrities being 6' tall.

Astrology DataBase updated Friday, 18 April 2014 at 10:33 pm, CEST
47,411 celebrities and events, out of which 19,515 entries with a known time of birth,
horoscope, excerpts of astrological portrait, biography, photo, and 19,691 heights.
See categories, search by filters or astrological criteria, and latest additions.
Celebrities clicked on in real-time or yesterday: 246,849,814 times.

Horoscope and chart of John Ford

Hover your mouse on an object and click to display information

Signs: Aries
 
"I am"
March 21 - April 20

1st Fire sign - 1st Cardinal sign (spring equinox) - Masculine

In analogy with Mars, his ruler, and the 1st House

Aries governs the head.

His colour is red, his stone is the heliotrope, his day is Tuesday, and his professions are businessman, policeman, sportsman, surgeon...

If your sign is Aries or your Ascendant is Aries: you are courageous, frank, enthusiastic, dynamic, fast, bold, expansive, warm, impulsive, adventurous, intrepid, warlike, competitive, but also naive, domineering, self-centred, impatient, rash, thoughtless, blundering, childish, quick-tempered, daring or primitive.

Some traditional associations with Aries: Countries: England, France, Germany, Denmark. Cities: Marseille, Florence, Naples, Birmingham, Wroclaw, Leicester, Capua, Verona. Animals: Rams and sheeps. Food: Leeks, hops, onions, shallots, spices. Herbs and aromatics: mustard, capers, Cayenne pepper, chilli peppers. Flowers and plants: thistles, mint, bryonies, honeysuckles. Trees: hawthorns, thorny trees and bushes. Stones, Metals and Salts: diamonds, iron, potassium phosphate.

Signs: Taurus
 
"I have"
April 21 - May 20

1st Earth sign - 1st Fixed sign - Feminine

In analogy with Venus, his ruler, and the 2nd House

Taurus governs the neck and the throat.

Her colour is green or brown, her stone is the emerald, her day is Friday, her professions are cook, artist, estate agent, banker, singer...

If your sign is Taurus or your Ascendant is Taurus: you are faithful, constant, sturdy, patient, tough, persevering, strong, focused, sensual, stable, concrete, realistic, steady, loyal, robust, constructive, tenacious. You need security, but you are also stubborn, rigid, possessive, spiteful, materialistic, fixed or slow.

Some traditional associations with Taurus: Countries: Switzerland, Greek islands, Ireland, Cyprus, Iran. Cities: Dublin, Palermo, Parma, Luzern, Mantua, Leipzig, Saint Louis, Ischia, Capri. Animals: bovines. Food: apples, pears, berries, corn and other cereals, grapes, artichokes, asparagus, beans. Herbs and aromatics: sorrels, spearmint, cloves. Flowers and plants: poppies, roses, digitales, violets, primroses, aquilegia, daisies. Trees: apple trees, pear trees, fig-trees, cypresses, ash trees. Stones, Metals and Salts: copper, calcium and potassium sulphate, emeralds.

Signs: Gemini
 
"I think"
May 21 - June 21

1st Air sign - 1st Mutable sign - Masculine

In analogy with Mercury, his ruler, and the 3rd House

Gemini governs the arms, the lungs and the thorax.

His colour is green or silver, his stone is the crystal, his day is Wednesday, his professions are journalist, lawyer, presenter, dancer, salesman, travel agent, teacher...

If your sign is Gemini or if your Ascendant is Gemini: you are expressive, lively, adaptable, quick-witted, humorous, sparkling, playful, sociable, clever, curious, whimsical, independent, polyvalent, brainy, flexible, ingenious, imaginative, charming, fanciful but also capricious, scattered, moody, shallow, inquisitive, opportunistic, unconcerned, selfish, fragile, ironical or changeable.

Some traditional associations with Gemini: Countries: Belgium, Wales, United-States, Lower Egypt, Sardinia, Armenia. Cities: London, Plymouth, Cardiff, Melbourne, San Francisco, Nuremberg, Bruges, Versailles. Animals: monkeys, butterflies, parrots, budgerigars. Food: dried fruits, chestnuts, ground-level vegetables: peas, broad beans, etc. Herbs and aromatics: aniseed, marjoram, lemon balm, cumin. Flowers and plants: lilies of the valley, lavenders, myrtle, ferns, Venus-hair-ferns, bittersweets. Trees: nut trees such as chestnut trees. Stones, Metals and Salts: agates, mercury, silicas and potashes.

Signs: Cancer
 
"I feel"
June 22 - July 22

1st Water sign - 2nd Cardinal sign (summer solstice) - Feminine

In analogy with the Moon, her ruler, and the 4th House

Cancer governs the stomach and the breast.

Her colour is white or black, her stone is the moonstone, her day is Monday, her professions are catering, the hotel trade, property, antique dealer, archaeologist...

If your sign is Cancer or your Ascendant is Cancer: you are emotional, sentimental, peaceful, imaginative, sensitive, faithful, resistant, protective, vulnerable, generous, romantic, nostalgic, tender, poetic-minded, motherly or fatherly, dreamy, indolent, greedy, devoted but also timorous, unrealistic, evasive, passive, anxious, dependent, stubborn, moody, passive, lazy, touchy, stay-at-home or inaccessible.

Some traditional associations with Cancer: Countries: Holland, Scotland, North and West Africa, New-Zealand, Paraguay, Algeria. Cities: Amsterdam, Manchester, Tokyo, New York, Istanbul, Stockholm, Milan, Venice, Genoa, Cadix, Alger, Tunis, Bern, Magdeburg. Animals: crabs, animals with shells. Food: milk, fishes, watery fruits and vegetables, turnips, white and red cabbages. Herbs and aromatics: tarragon, verbena, saxifrage. Flowers and plants: geraniums, white roses and white flowers in general, water lilies, morning glory, bear's breeches, and lilies. Trees: all trees full of sap. Stones, Metals and Salts: pearls, silver, lime and calcium phosphate.

Signs: Leo
 
"I love"
July 23 - August 22

2nd Fire sign - 2nd Fixed sign - Masculine

In analogy with the Sun, his ruler, and the 5th House

Leo governs the heart and the spine, and the eyes, according to some authors.

His colour is gold or orange, his stone is the diamond, his day is Sunday, his professions are actor, manager, jeweller, fashion and arts, and action (e.g. fireman)...

If your sign is Leo or your Ascendant is Leo: you are proud, determined, strong-willed, loyal, solemn, generous, ambitious, courageous, heroic, conquering, creative, confident, seductive, happy, daring, fiery, majestic, honest, magnanimous, charismatic, responsible, noble, dramatic but also domineering, vain, susceptible, bossy, stubborn, intolerant, self-centred, violent, quick-tempered, nonchalant.

Some traditional associations with Leo: Countries: Italy, Romania, Sicily, Czechoslovakia, Iraq, Lebanon, Southern France. Cities: Rome, Prague, Bombay, Madrid, Philadelphia, Chicago, Los Angeles, Bath, Bristol, Portsmouth, Syracuse, Damas. Animals: lions and felines in general. Food: meat and especially red meat, rice, honey, cereals, grapes, iron-rich vegetables: watercress, spinach etc. Herbs and aromatics: saffron, mint, rosemary, common rue (Ruta graveolens). Flowers and plants: marigolds, sunflowers, celandines, passion flowers. Trees: palm trees, laurel, walnuts, olive trees, lemon and orange trees. Stones, Metals and Salts: gold, rubies, magnesium and sodium phosphate.

Signs: Virgo
 
"I serve"
August 23 - September 22

2nd Earth sign - 2nd Mutable sign - Feminine

In analogy with Mercury, her ruler, and the 6th house

Virgo governs the intestine.

Her colour is green or yellow, her stone is the agate, her day is Wednesday, her professions are accountant, secretary, writer, computer scientist, nurse, doctor...

If your sign is Virgo or your Ascendant is Virgo: you are brainy, perspicacious, attentive to detail and numbers, analytical, serious, competent, scrupulous, sensible, modest, logical, tidy, well-organized, clean, hard-working, provident, honest, faithful, reserved, shy, helpful, a perfectionist, but also narrow-minded, calculating, irritating, petty, anxious, cold, repressed or caustic.

Some traditional associations with Virgo: Countries: Brazil, Greece, Turkey, West Indies, United-States (the same as Gemini), Yugoslavia, Crete, Mesopotamia, Lower Silesia, State of Virginia. Cities: Paris, Boston, Athens, Lyon, Corinthia, Heidelberg, spa towns in general. Animals: dogs, cats and all pets. Food: root vegetables: carrots, celeriac, kohlrabies, potatoes etc... Also dried fruits such as chestnuts. Herbs and aromatics: the same as Gemini whose ruler is Mercury too, lilies of the valley, lavenders, myrtles, ferns, Venus-hair-ferns, bittersweets, clovers. Flowers and plants: small bright-coloured flowers, especially blue and yellow, such as dandelions, buttercups, yellow dead-nettles, buglosses, forget-me-nots ; cardamoms, oak leaves, acorns. Trees: all nut trees, e.g. the hazelnut tree... Stones, Metals and Salts: sards (red agate), mercury, nickel, potassium sulphate and iron phosphate.

Signs: Libra
 
"we are"
September 23 - October 22

2nd Air sign - 3rd Cardinal sign (autumn equinox) - Masculine

In analogy with Venus, his ruler and the 7th House

Libra governs the kidneys and the bladder.

His colour is blue or red (not too bright), his stone is the opal, his day is Friday, his professions are in the beauty, luxury or fashion industry, musician, artistic creator, lawyer, mediator...

If your sign is Libra or your Ascendant is Libra: you are sentimental, charming, polite, refined, loyal, a pacifist, fair, distinguished, light-hearted, romantic, learned, ethereal, nice, well-groomed, a perfectionist, calm, sweet, tolerant, sociable, elegant, considerate, seductive, aesthetic, indulgent, but also hesitant, weak, indecisive, selfish, fragile, fearful, indolent, cool or even insensitive.

Some traditional associations with Libra: Countries: Japan, Canada, Indo-China, South Pacific Islands, Burma, Argentina, Upper Egypt, Tibet. Cities: Lisbon, Vienna, Frankfurt, Leeds, Nottingham, Johannesburg, Antwerp, Fribourg. Animals: lizards and small reptiles. Food: berries, apples, pears, grapes, artichokes, asparagus, beans, spices, corn and other cereals. Herbs and aromatics: mint, Cayenne pepper. Flowers and plants: hydrangea, big roses, blue flowers and those associated with Taurus also ruled by Venus, namely, poppies, digitales, violets, primroses, aquilegia, and daisies. Trees: ash trees, poplars, apple trees, pear trees, fig-trees, cypresses. Stones, Metals and Salts: sapphires, jade, copper, potassium and sodium phosphate.

Signs: Scorpio
 
"we have"
October 23 - November 21

2nd Water sign - 3rd Fixed sign - Feminine

In analogy with Pluto, her ruler with Mars, and the 8th House

Scorpio governs the sexual organs and the anus.

Her colour is black or dark red, her stone is the malachite, her day is Tuesday, her professions are gynaecologist, psychiatrist, detective, the military, army, stockbroker, asset managemer...

If your sign is Scorpio or your Ascendant is Scorpio: you are secretive, powerful, domineering, resistant, intuitive, asserted, charismatic, magnetic, strong-willed, perspicacious, passionate, creative, independent, vigorous, generous, loyal, hard-working, persevering, untameable, possessive, cunning, ambitious, sexual, proud, intense, competitive but also aggressive, destructive, stubborn, anxious, tyrannical, perverse, sadistic, violent, self-centred, complex, jealous.

Some traditional associations with Scorpio: Countries: Morocco, Norway, Algeria, Syria, Korea, Uruguay, Transvaal. Cities: Washington, New Orleans, Valencia, Liverpool, Milwaukee, Fes, Halifax, Hull, Cincinnati. Animals: insects and other invertebrates. Food: the same strong tasting food as for Aries: red meat, garlic, onions, leeks, spices. Herbs and aromatics: aloes, witch hazels, nepeta, mustard, capers, peppers. Flowers and plants: geraniums, rhododendrons, thistles, mint, honeysuckles. Trees: blackthorns, bushes. Stones, Metals and Salts: opals, steel and iron, calcium and sodium sulphate.

Signs: Sagittarius
 
"we think"
November 22 - December 20

3rd Fire sign - 3rd Mutable sign - Masculine

In analogy with Jupiter, his ruler, and the 9th House

Sagittarius governs the thighs and the liver.

His colour is indigo, orange or red, his stone is the carbuncle, his day is Thursday, his professions are explorer, commercial traveller, pilot, philosopher, writer, clergyman...

If your sign is Sagittarius or your Ascendant is Sagittarius: you are charismatic, fiery, energetic, likeable, benevolent, tidy, jovial, optimistic, extraverted, amusing, straightforward, demonstrative, charming, independent, adventurous, straightforward, bold, exuberant, freedom-loving.

Some traditional associations with Sagittarius: Countries: Spain, Australia, Hungary, South Africa, Arabia, Yugoslavia. Cities: Stuttgart, Toledo, Budapest, Cologne, Avignon, Sheffield, Naples, Toronto. Animals: fallow deers, hinds, and all games. Food: grapefruits, raisins, onions, leeks, bulb vegetables. Herbs and aromatics: aniseeds, sage, bilberries, cinnamon, borage, mosses, sage, blueberry, patience, balsam. Flowers and plants: dandelions, carnations, thistles. Trees: mulberry trees, chestnut trees, ash trees, lemon trees, oaks. Stones, Metals and Salts: topaz, tin, silica, potassium chloride.

Signs: Capricorn
 
"we achieve"
December 21 - January 19

3rd Earth sign - 4th Cardinal sign (winter solstice) - Feminine

In analogy with Saturn, her ruler, and the 10th House

Capricorn governs the knees, the bones and the skin.

Her colour is black, or grey, green or brown, her stone is the jade, her day is Saturday, her professions are politician, researcher, jurist, scientist, engineer, administrator...

If your sign is Capricorn or your Ascendant is Capricorn: you are serious, cold, disciplined, patient, focused, thoughtful, ambitious, indomitable, cautious, lucid, persistent, provident, steady, introverted, stern, wilful, hard-working, responsible, persevering, honest, realistic, loyal, reserved, resolute, moralistic, quiet, rigorous, attached and reliable. But you may also be curt, withdrawn, calculating, petty, cruel, unpleasant, ruthless, selfish, dull, rigid, slow or sceptical.

Some traditional associations with Capricorn: Countries: India, Mexico, Afghanistan, Macedonia, Thrace, the Yugoslavian coast, the Orkneys and Shetland Islands, Albania, Bulgaria, Saxony. Cities: Delhi, Oxford, Brussels, Mexico, Port-Saïd, Gent, Constance, Mecklenburg, all the administrative centres of capital cities. Animals: goats, pigs and animals with split hooves. Food: meat, potatoes, barley, beets, spinach, medlars, onions, quinces, flour and starchy food in general. Herbs and aromatics: indian hemp, comfreys, centaureas, hemlocks, henbanes. Flowers and plants: ivies, wild pansies, amaranths, pansies. Trees: pines, willows, flowering ashes, aspens, poplars, alders. Stones, Metals and Salts: turquoises, amethysts, silver, lead, calcium phosphate, calcium fluorine.

Signs: Aquarius
 
"we love"
January 20 - February 18

3rd Air sign - 4th Fixed sign - Masculine

In analogy with Uranus his ruler, with Saturn, and the 11th House

Aquarius governs the ankles and the legs.

His colour is navy blue or indigo, his stone is the sapphire, his day is Saturday, his professions are astrologer, high technologies, scientist, astronaut, psychiatrist, actor, electrician...

If your sign is Aquarius or your Ascendant is Aquarius: you are idealistic, altruistic, detached, independent, original, surprising, gifted, contradictory, innovative, humanistic, likeable, friendly, self-confident, impassive, quiet, intuitive, creative, charitable, elusive, disconcerting, generous, tolerant, paradoxical, and you cannot stand any kind of constraint. But you may also be marginal, resigned, distant, utopian, maladjusted, eccentric and cold.

Some traditional associations with Aquarius: Countries: Russia, Sweden, Poland, Israel, Iran, Abyssinia. Cities: Moscow, Salzburg, Bremen, Hamburg, Saint Petersburg. Animals: long distance big birds such as the albatross. Food: citrus fruits, apples, limes, dried fruits and easily preserved food. Herbs and aromatics: peppers, hot red peppers, star-fruits, and generally herbs that are spicy or with an unusual flavour. Flowers and plants: orchids, dancing ladies, polygonatum. Trees: fruit trees. Stones, Metals and Salts: aquamarines, aluminium, sodium chloride and magnesium phosphate.

Signs: Pisces
 
"we serve"
February 19 - March 20

3rd Water sign - 4th Mutable sign - Feminine

In analogy with Neptune her ruler with Jupiter, and the 12th House

Pisces governs the feet and the blood circulation.

Her colour is green or purple or turquoise blue, her stone is the amethyst, her day is Thursday, her professions are seamanship and and faraway travels, musician, social and emergency worker, doctor, writer and jobs in remote places...

If your sign is Pisces or your Ascendant is Pisces: you are emotional, sensitive, dedicated, adaptable, nice, wild, compassionate, romantic, imaginative, flexible, opportunist, intuitive, impossible to categorized, irrational, seductive, placid, secretive, introverted, pleasant, artistic, and charming. But you may also be indecisive, moody, confused, wavering, lazy, scatterbrained, vulnerable, unpredictable and gullible.

Some traditional associations with Pisces: Countries: Portugal, Scandinavia, small Mediterranean islands, Gobi desert, Sahara. Cities: Jerusalem, Warsaw, Alexandria, Seville, Santiago de Compostela. Animals: fishes, aquatic mammals and all animals living in the water. Food: melons, cucumbers, lettuces, vegemite sugar, pumpkins. Herbs and aromatics: lemon, chicory, limes, mosses. Flowers and plants: water lilies, willows, aquatic plants. Trees: fig-trees, willows, aquatic trees. Stones, Metals and Salts: heliotropes, moonstone, platinum, tin, iron phosphate and potassium sulphate.

Sun 12°53' Aquarius

Sun Aspects
Sun conjunction Mercury orb +2°19'
Sun square Uranus orb -2°20'
Sun trine Neptune orb -2°02'
Sun trine Pluto orb -3°59'
Sun semi-square Moon orb +1°08'
Planets: Sun

The Sun represents vitality, individuality, will-power and creative energy and honours. For a woman, it also represents her father, and later her husband. The Sun is one of the most important symbols in the birth chart, as much as the Ascendant, then the Moon (a bit less for a man), the ruler of the Ascendant and the fast-moving planets.

It's element is fire; it is hot and dry, it governs Leo, is in exaltation in Aries and is in analogy with the heart. It represents the boss, authority, beside the father and the husband ; the age of the Sun goes from 20 years old to about 40, following the Venus age when one is aware of his seductive power.

Temperament : Bilious

Characterology : Emotive, Active, Secondary, passionate type.

Sun in Aquarius

Anything of the human order is of concern to you. Your ideal is universal fraternity. Your humanitarian mind sensitizes you to societal projects and to other people’s torments. You are credited with the spirit of a St Bernard! You are sociable in spite of your intransigence and you offer your affectivity to the human race. Your concepts are liberal and original. You are interested in new ideas and in daring innovations… Aquarius lives for the future. Tomorrow is another day! You are never completely demoralized, as you know that each enterprise is constantly evolving and each project is perfectible. You dream of a better world and you do not hide your tastes for avant-gardist conceptions. Resolutely innovative, you show your worth when things are not yet fixed, when everything is potentially open. You may be intransigent although you are human in most circumstances, and you cultivate the taste for unprecedented situations. Your strength is that of all idealists: faith can move mountains of uncertainties, pessimism and inertia. Yesterday’s sullenness is swept clean! Everything remains to be reinvented and nothing is forever totally closed or stiff. A lack of pragmatism may prod you to take up lost causes. But aren’t they the most noble ones?

Sun Dominant

If the Sun is part of your natal chart's planetary dominants, in astrology, you are said to be a Solarian: you loathe pettiness and Machiavellian manoeuvre, and you are fond of natural nobleness as well as of direct and honest attitudes. You endeavour to get out of muddled or dark situations as quickly as possible. Your need for transparency may lead you to make cut-and-dried judgments such as yes or no, and black or white. However, your honesty commands your entourage's consideration. At times, you come across as authoritarian. It is true that you never want to be thought of the notable absentee, and that you manage to make people pay attention to you, as well as to your plans and your assessments. To this end, the Solarian sometimes develops a great talent for placing himself under the spotlight without missing a single opportunity to arouse interest. Some other Solarians, although more discreet, still manage to be the focus of any debate, even in situations of exclusion. It is your way of being present even though you are actually not there... More than other people, you appreciate the esteem extended to you. It is useless to cheat with you, since in all areas you consider establishing enduring relationships only with those who love you, admire you, respect you, or express some degree of affection to you. Your will to straighten out your inter-personal relationships is your strength and sometimes, your Achilles' heel. You cannot achieve anything behind the scenes. Therefore, your comportment is marked with heroism, and your stands are devoid of ambiguity, in the sense that your commitments are unfailing, and your rebuffs, final.

Interpretation of the 12° Aquarius symbolic degree

"An infuriated lion struggles against the bars of its cage." (Janduz version)

Ambitious, independent, and fiery character. It is indispensable to give up vengeful projects and to ensure that one's authority is not misused, lest all kinds of disastrous events and setbacks crop up. In a figurative sense, this degree indicates that one may be kept in prison by one's rebellious and anarchistic tendencies.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

If you wish, you can receive immediately in your mailbox your detailed astrological portrait, a nice gift for yourself or for your close friends and relatives, who will deeply appreciate it.

Moon 26°45' Sagittarius

Moon Aspects
Moon conjunction Mars orb +5°03'
Moon sextile Saturn orb +1°34'
Sun semi-square Moon orb +1°08'
Moon bi-quintile Jupiter orb +1°10'
Planets: Moon

The Moon represents instinctive reaction, unconscious predestination, everyday mood, sensitivity, emotions, the feminine side of the personality, intuition, imagination. For a man, she represents his mother and later his wife, and his relationship with women in general. For a woman, the Moon is almost as important as the Sun and the Ascendant. Her element is water, she is cold and moist, she rules Cancer, is in exaltation in Taurus and is in analogy with the stomach.

She symbolizes the mother, wife, the crowd, the Moon is associated with birth and childhood. Tradition also matches her with the end of life, after Saturn the old age, it is thus customary to go back to one's place of birth to die: the end of life meets the very beginning.

Temperament : Lymphatic

Characterology : Emotive, non Active and Primary type or Non-Emotive, non Active and Primary, Nervous or Amorphous type.

Moon in Sagittarius

On the day and at the time of your birth, the Moon was in the sign of Sagittarius. You have the soul of a traveller, whether your travel inside yourself or across faraway lands. Your independent nature constantly wants to enlarge your horizon, to discover and to explore new worlds… or its new facets. The word stagnation does not belong to your vocabulary: you effortlessly adopt foreign customs and habits that are different from your initial behaviours. Your lunar sign belongs to the Gemini-Sagittarius axis that is resolutely open on the external world. You display strong assimilation abilities and you adopt your entourage’s habits and customs. Your life setting does not have the stiff character that others need to feel in security. You put up with rhythm changes and your balance is not upset by unforeseen events and contacts. On the contrary, you loathe solitude and you are very comfortable when you have to exchange and to relate to others. There may be a danger that you very cautiously avoid: your adaptation capacity must not turn you into a chameleon and it is important that you pay due attention to your needs and to your personal rhythms.

Moon Dominant

If the Moon is part of your natal chart's planetary dominants, in astrology, you are said to be a Lunarian: the driving force behind your actions is mainly the pursuit of well-being and tranquillity. Your sensitive and romantic self lives on those periods of rest during which you let your imagination wander at will. This is your way of finding inspiration and balance. Nothing is allowed to disturb your feeling of fulfilment and security within a harmonious cell, be it a family or a clan. More than other people, the Lunarian is attached to those moments during which one forgets one's worries and lets oneself cast adrift aimlessly, with no other goal than to be lulled into an ambiance, a situation, or a perfect moment. Many people do not understand such absences and their meaning, which is to regain strength. These people readily describe you with such unflattering terms as apathy and nonchalance. Never mind! Some inspirations require surrendering as well as striking a balance derived from alternate action and passivity. Your qualities are expressed to the fullest in situations which demand familiarity and privacy. Your capacities to respect and blend into your environment is at least as valuable as some other people's aggressive dispositions. However, you are well-advised to avoid indolence and renunciation out of laziness or indifference.

Interpretation of the 26° Sagittarius symbolic degree

"A lion tries to catch a man hanged to a tree by the feet." (Janduz version)

Courageous, enterprising, and honest character. One may be the victim of unfair, less scrupulous or less skilled superiors. Despite numerous enemies, one reaches a prominent position. Nevertheless, one must remain very careful, adopt a low profile, and be prepared to thwart the machinations concocted by higher-ups.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

If you wish, you can receive immediately in your mailbox your detailed astrological portrait, a nice gift for yourself or for your close friends and relatives, who will deeply appreciate it.

Mercury 15°12' Aquarius

Mercury Aspects
Sun conjunction Mercury orb +2°19'
Mercury square Uranus orb -0°01'
Mercury trine Neptune orb -4°21'
Mercury trine Pluto orb -6°18'
Mercury square Jupiter orb +6°43'
Planets: Mercury

Mercury represents communication, logical and rational mind, intellectual skills. Earth is its element, it is cold and dry, and it rules Virgo and Gemini, is in exaltation in Virgo and is in analogy with the arms, hands, nervous system.

It represents tradesmen, lawyers, messengers; the age of Mercury goes from 8 or10 years old to about 15..

Temperament : Nervous

Characterology : Emotive, non Active and Primary type or Non-Emotive, Active and Primary, Nervous or Sanguine type.

Mercury in Aquarius

Mercury describes your relations, your communication skills and the way you relate to the external world. However, other astrological elements also influence these areas. The sign Mercury occupies is significant only if Mercury is part of your planetary dominantes. In your chart, Mercury is in Aquarius. Everything with a human tint catches your attention. You are sensitive to the specificities and the uniqueness of each individual and you feel you learn a lot whenever you meet with an open-minded and curious person. You do not get along well with stay-at-home and conservative people. As each relationship is constantly evolving, with time, it can, and it must, grow and offer surprises and potentials. On the human plane, you are very idealistic – sometimes even utopian – readily trusting and valuing persons who may not always be worth it. This is the drawback inherent to your highly commendable open-mindedness and your tolerance. Your ideas are original and liberal. In your communication, you display consideration and leniency and you acknowledge your interlocutor’s differences. However, your understanding is not unconditional and you detach yourself from disappointing people whose values are incompatible with yours. To each, his own!

Mercury Dominant

If Mercury is part of your natal chart's planetary dominants, in astrology, you are said to be a Mercurian: the tradition points out the importance of communication. From idle but enriching chatters to observation gift, such a dominant endows you with a wide range of expression. Human beings have one thousand facets and one thousand masks they wear according to circumstances and the fortunes of the game of life. You take the role of an observer who is avid for novelties, discoveries, and surprises. Everything catches your attention and becomes an opportunity for new encounters, relationships, and learning. The world amazes you, amuses you sometimes, and stimulates your curiosity. Because the most important thing is to discover, and because you consider that each new situation is packed with potentialities, you try to fill the gaps in your knowledge. Although your open-mindedness may scatter your centres of interest, it also enables you to carefully avoid sticking to only one immutable and rigid view. The slightest sign enables you to perceive the other side of the coin, as well as the infinite complexity of people and of situations. On the human plane, you seek the dialogue and the information without which you know that you are not able to fully grasp the nature of your interlocutor. This keen interest in the Unknown sharpens your inter-relational skills. All these qualities are traditionally associated with Mercury.

Interpretation of the 15° Aquarius symbolic degree

"A boat sets sail at full speed towards the sun rising at the horizon while on the shore, two men riding a unicorn and a sea dragon are watching." (Janduz version)

Ambitious, enterprising, and nice character. Success, fame, and wealth can be achieved in the exploration of unknown territories and all kinds of journeys. One must be very careful in the selection of business partners because there is a danger of being taken advantage of, particularly by people who do not belong to the same social circle. This degree warns against possible swindles and violent death, whether one is the perpetrator or the victim.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

If you wish, you can receive immediately in your mailbox your detailed astrological portrait, a nice gift for yourself or for your close friends and relatives, who will deeply appreciate it.

Venus 4°58' Я Pisces

Venus Aspects
Venus square Pluto orb +3°55'
Venus square Neptune orb +5°52'
Planets: Venus

Venus represents the way one loves, relationships, sharing, affectivity, seductive ability. For men, she also corresponds to the kind of woman he's attracted to (but not especially in marriage which is more symbolized by the Moon, Venus is the lover and not the wife). Her element is the Air, she is moist, rules Taurus and Libra, is in exaltation in Pisces and is in analogy with the kidneys, the venous system, the bladder, the neck.

She represents the artists, tradesmen, occupations linked to beauty and charm; the age of Venus goes from 15 to about 25 years old.

Temperament : Sanguine and Lymphatic

Characterology : Emotive, non Active and Primary type or Emotive, non Active and Secondary type.

Venus in Pisces

Venus describes your affective life. On the day of your birth, she is found in Pisces. Your emotionalism is very strong and very unusual. You have your own manner to experience your emotions and your sensations, in an atmosphere that may be odd, you complicate your amorous life… and this is part of your charm, at the same time. On the chessboard of your sentimental life, quite strange games enfold. Your affectivity is subtle, fabulous and unusual: love reinvents everything and anything becomes possible when your heart is sincere. You dream of a complete fusion and of giving yourself totally. No rules, no moral or social code is more important than the feeling of shared passion and than living for your partner. Your affective life is complex, sometimes mysterious: you don’t know why you love, or why you don’t love any more… Your sentimental life obeys a different logic than that of the external world. Love is elusive and fragile. Nothing is easier than to destroy a feeling and to forget a passion. Your sensitivity responds to an unknown call, a strange signal. Therefore, you may shift from intense and absolute feelings to cruel indifference. Although you don’t know why, you are being transformed. The most difficult thing is to love a real being and not a shadow. You give yourself to persons who can understand and respect the fragile realm of your affectivity.

Venus Dominant

If Venus is part of your natal chart's planetary dominants, in astrology, you are said to be a Venusian: you are a sensual and emotional person particularly receptive to the natural likes and dislikes aroused by your contact with people. You are prone to frequent instinctive aversions and true passions which are exclusively driven by the feeling of love. The heart has its reasons which Reason knows nothing of... Your balance is based on the richness of your affective life. Without love, the Venusian is resourceless, lost, and deprived of any reason for living. You have an obvious and strong will to charm and to arouse the attachments without which you cannot properly function. Every area of your life is thus marked by your affectivity. The danger is that you may "be taken in" by charm. In such cases, you would prefer to keep your emotions under better control. Thus, hyper-sensitivity has its own inconveniences. Nevertheless, better than anyone else, you know how to play with feelings and attractions. Although you are sometimes caught in the traps of an over sensitive emotionalism, feelings remain your best assets in many circumstances. There is another aspect to the Venusian dominant. According to the Tradition, this planet rules the Arts, and you are endowed with some degree of artistic dispositions, ranging from good to excellent.

Interpretation of the 4° Pisces symbolic degree

"A man flanked by two young women walks towards a nice buffet where an older couple is waiting." (Janduz version)

Sociable, fickle, and sincere character. There is an overwhelming need to be understood and appreciated by the numerous friends one attracts. Success can be achieved in all occupations requiring good oratorical and negotiating skills, for instance in education, mediation, television, etc. One must think thoroughly before getting involved in any serious partnership because the first moments of exhilaration might be followed by disenchantment and bitterness.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

If you wish, you can receive immediately in your mailbox your detailed astrological portrait, a nice gift for yourself or for your close friends and relatives, who will deeply appreciate it.

Mars 21°41' Sagittarius

Mars Aspects
Moon conjunction Mars orb +5°03'
Mars inconjunction Jupiter orb +0°14'
Mars sextile Saturn orb -3°28'
Planets: Mars

Mars represents the desire for action and physical energy, sexuality, strength. For a woman, Mars corresponds to the kind of man she's attracted to (but not especially in marriage which is rather symbolized by the Sun, Mars is the lover, not the husband). Fire is its element, it is hot and dry, and it rules Aries and Scorpio (along with Pluto), is in exaltation with Capricorn and is in analogy with the muscles and the spleen.

It represents the soldiers, sportsmen, warriors, surgeons, blacksmiths... ; the age of Mars goes from 42 to 50 years old.

Temperament : Bilious

Characterology : Emotive, Active, Primary type. It is a Choleric.

Mars in Sagittarius

The planet Mars indicates how you react to life concrete stimulations. It also describes your fighting spirit, your abilities to stand for yourself and to take action. With Mars in Sagittarius, your dynamism is aroused when you have to go ahead, to discover new life settings and to broaden your horizon. You have the soul of an adventurer! Your nature is straightforward, direct and enthusiastic and it is difficult for you to tell lies and to follow the tortuous paths of diplomacy. You do not fear danger and your scope of action has no limit. Because you feel concerned about all things, you readily commit yourself in collective struggles or actions. You feel that it is important to go beyond your limitations and to take action, especially in favour of events that are not related to you personally. You always inscribe an element into a wider content. This is how original solutions may emerge, even if it means that you have to exercise more pragmatism: reality may be impossible to ignore.

Mars Dominant

If Mars is part of your natal chart's planetary dominants, in astrology, you are said to be a Marsian: in your hand-to-hand struggle for life, you demonstrate an acute and active sense of confrontation with the world, with other people, and with your own destiny. You need to take action and to fight for your projects and your desires. You perceive all situations with deep intensity, and you react to the here and now without bothering to step back in order to ensure that events are under your control. You take up challenges with excessive foolhardiness as a consequence of your impulsiveness. However, better than anyone else, you know how to mobilise your resources in case of crisis. You take action whenever it is necessary to do so, and you are present in a timely manner. With Mars, your attitudes are dictated by the realities of the moment, by your emotions, and by everything which proved to have worked in the past. When this dominant is not well integrated, it may bring about an aggressive or impulsive behaviour. Therefore, you must learn to control your hyper-sensitivity and your fits of temper. You are also endowed with Marsian qualities: the fighting spirit and the taste for duel without which one may find oneself overwhelmed by events. When this willpower is well channelled, its precious energy enables to cope with all sorts of contingencies. There are a thousand ways to win, and a thousand challenges to take up with the enthusiasm and the dynamism which make life so worthy. A certain idea of life which is wild, passionate, and in tune with events.

Interpretation of the 21° Sagittarius symbolic degree

"Two men fight one another with daggers. In the background, a Book of Law featuring a weighing scales and a gibbet is open." (Janduz version)

Aggressive, quarrelsome, and nasty character. It is absolutely necessary to keep violent instincts tightly reined in, lest the most terrible disasters happen.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

If you wish, you can receive immediately in your mailbox your detailed astrological portrait, a nice gift for yourself or for your close friends and relatives, who will deeply appreciate it.

Jupiter 21°55' Taurus

Jupiter Aspects
Jupiter opposite Uranus orb -6°42'
Mars inconjunction Jupiter orb +0°14'
Mercury square Jupiter orb +6°43'
Moon bi-quintile Jupiter orb +1°10'
Planets: Jupiter

Jupiter represents expansion and power, benevolence, large vision and generosity. Its element is Air, it is hot and moist, and it rules Sagittarius and Pisces (along with Neptune), is in exaltation with Cancer and is in analogy with the hips and endocrinal system.

It represents the governors, magistrates, professors, religious men too; the age of Jupiter goes from 50 to 55 or even 70 years old.

Temperament : Sanguine

Characterology : Emotive, Active, Primary type; it is an extrovert Choleric. Actually the humid version of Mars, inclined to action like him.

Jupiter in Taurus

The planet Jupiter symbolizes expansion, broadness and generosity. Jupiter is associated with the functions of synthesis, enthusiasm and optimism. In your natal chart, his house position is more important than his sign position because, like Saturn, Uranus, Neptune and Pluto, he is a slow planet. Many people born in the same period have Jupiter in the same sign. This is the reason why the sign occupied here is less meaningful than when it is occupied by the so-called fast planets, i.e. the Sun, the Moon, Mercury, Venus and Mars. Therefore, some caution is to be exercised as you read what follows. Jupiter in Taurus amplifies your practical sense and your capacity to improve your material life. You can experience a long-lasting fulfilment. You are often a bon viveur who likes life’s good things. You manage and develop your patrimony with a lot of luck and generosity. Your taste is very good and your loyalty is genuine.

Jupiter Dominant

If Jupiter is part of your natal chart's planetary dominants, in astrology, you are said to be a Jupiterian: because this planet brings about a keen interest in social and professional success, the Tradition considers it to be beneficial. Indeed, you know how to adjust to events and to jump at the chance when it arises. The members of you entourage gladly entrust you with high responsibilities because they are often impressed by your learning skills and your adaptation abilities as you deal with new structures and new languages. What is the secret of your good star? It is your self-confidence which wins public support. Now, what is the secret of your charm? Definitely, enthusiasm, euphoria, and exaltation. Exaggeration also. When this dominant is well integrated, it is a factor of affluence and optimism, and a certain degree of joviality enables you to easily fit into various spheres. It constitutes your main asset to manage your life. However, you must at times curb your desire for integration, lest your sense of opportunity turns into extreme opportunism. Here also, the key to success lies in a correct estimate of everyone's chances and possibilities. Although management is one of your forte, and you can adjust your objectives to current realities better than other people, you lack the hindsight which enables you to avoid short-term vagaries and daily fluctuations. If you strive too much to adapt, you run a risk of betraying yourself. This is the other traditional side of the coin with "The Greater Benefic"!

Interpretation of the 21° Taurus symbolic degree

"In the middle of a grassy field, a beautiful tree is the shelter of a swarm of bees. Under the tree, two men exchange a hearty shakehand." (Janduz version)

Indecisive, clever, and withdrawn character. One must avoid loneliness because one needs to be encouraged in order to implement one's projects. Furthermore, the influence of a providential friend is instrumental in one's career. Efforts and seriousness are rewarded by success and bring about financial gains and new friends. One must rely on one's personal work instead of waiting for luck because the protection of the tree and the honey of the bees, symbol of affluence and well-being, must be deserved.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

If you wish, you can receive immediately in your mailbox your detailed astrological portrait, a nice gift for yourself or for your close friends and relatives, who will deeply appreciate it.

Saturn 25°10' Libra

Saturn Aspects
Moon sextile Saturn orb +1°34'
Saturn sesqui-quadrate Neptune orb -0°40'
Mars sextile Saturn orb -3°28'
Saturn sesqui-quadrate Pluto orb +1°16'
Planets: Saturn

Saturn represents concentration, effort, perseverance, time, the hard reality, inevitable consequences. Earth is its element, it is cold and dry, and it rules Capricorn and Aquarius (along with Uranus), is in exaltation in Libra and is in analogy with the bones (skeleton) and the skin.

It represents the grandparents, old people, scientists, knowledgeable men, Saturn corresponds to old age; it goes from 70 years old until death.

Temperament : Nervous

Characterology : Non-Emotive, Active and Secondary type or Emotive, non Active and Secondary type or sometimes Non-Emotive, non Active and Secondary type; it is a Phlegmatic, a Sentimental or an Empathic type

Saturn in Libra

The planet Saturn symbolizes contraction, effort, time, limitation and concentration. Saturn eliminates anything that is not authentic, sooner or later. It is impossible to cheat him as he gives an irresistible desire to form a coherent whole with oneself, in responsible and wise ways. He is the great purifier. He represents our limitations but also our truth. In your natal chart, the house position where Saturn is posited is more important than his sign position because, like Jupiter, Uranus, Neptune and Pluto, he is a slow planet. Many people born in the same period have Saturn in the same sign. This is the reason why the sign occupied here is less meaningful than when it is occupied by the so-called fast planets, i.e. the Sun, the Moon, Mercury, Venus and Mars. Therefore, some caution is to be exercised as you read what follows. Saturn in Libra gives you a serious and solemn nature. You may be tough in your contacts: you naturally focus on the essential and you have no concern for the charm you could display. You are irritated by flatteries or by thoughtless compromises. You are genuine and you value justice and authenticity.

Saturn Dominant

If Saturn is part of your natal chart's planetary dominants, in astrology, you are said to be a Saturnian: you gladly leave to other people the decision to take life as it comes. As far as you are concerned, you prefer to take advantage of your experiences in order to discover, to grow, and to question yourself.

Interpretation of the 25° Libra symbolic degree

"A knight wearing a coat of mail and holding a sword flies to aid a man threatened by a lion." (Janduz version)

Daring, determined, and helpful character endowed with self-confidence and strong will. Not only does one defend oneself, but one also stands up for other people's rights and for the higher interests of one's country. Should the natal chart concur, this degree indicates nearly unlimited success in one's field of competence.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

If you wish, you can receive immediately in your mailbox your detailed astrological portrait, a nice gift for yourself or for your close friends and relatives, who will deeply appreciate it.

Uranus 15°13' Scorpio

Uranus Aspects
Mercury square Uranus orb -0°01'
Sun square Uranus orb -2°20'
Jupiter opposite Uranus orb -6°42'
Planets: Uranus

Uranus represents individual freedom, originality, independence, marginality, avant guard inspiration, ultra modernism. Fire is its element, it is dry, and it rules Aquarius, is in exaltation with Scorpio and is in analogy with the brain and the nerves.

It represents inventors, odd characters, revolutionaries.

Temperament : Nervous to the extreme

Characterology : Emotive, Active, Secondary type; it is a Passionate type.

Uranus in Scorpio

The planet Uranus symbolizes originality, independence and cerebral energy bursting suddenly. Uranus triggers the irresistible need for freedom that we have in ourselves. Uranus tends to break the constraints that have become unbearable and gives us the courage and the will to get rid of what has become a burden; when he is well aspected, he also indicates genius. In your natal chart, Uranus’ house position is more important than his sign position because, like Jupiter, Saturn, Neptune and Pluto, he is a slow planet. Many people born in the same period have Uranus in the same sign. This is the reason why the sign occupied here is less meaningful than when it is occupied by the so-called fast planets, i.e. the Sun, the Moon, Mercury, Venus and Mars. Therefore, some caution is to be exercised as you read what follows. The sign positions of Uranus, Neptune and Pluto have a collective meaning. They do not influence your personality, unless they are involved in numerous aspects or when they emphasize a personal point of your natal chart such as your Ascendant’s ruler, an angular planet, i.e. a planet near the Ascendant, the Midheaven, the Nadir or the Descendant. In such cases, the activity of the slow planet is very highlighted. Uranus in Scorpio reinforces your sexuality in cerebral and erotic ways, detached from all affectivity. Your passions and your emotions may have such a strong mental nature that you may be criticized for your cruelty.

Uranus Dominant

If Uranus is part of your natal chart's planetary dominants, in astrology, you are said to be a Uranian: personal values are prevailing. Inner certainties fuel an inflexible will and a desire to call attention on yourself as well as to follow your beliefs through. This planet prompts you to behave with determination, to put forward your own truth, and to start your personal revolution. More than other people, you are willing to keep some degree of autonomy in all circumstances, and you often display an individualistic nature. In order to achieve your ideal of freedom and independence, you may act like a despot as you try to convince and to impose your views, whether smoothly or forcefully. Regardless of the flexibility of your comportment, some situations demand an absolute firmness as well as uncompromising, frank and straightforward attitudes. People may criticise you for your intransigence and say that you are a hardliner. Outsider's opinions don't matter! The most important thing is that you act in all conscience and reach your primary objectives. More than anyone else, you know how to use your willpower and to focus your energy on a precise aim, relentlessly, whatever the consequences might be. In the chapter of qualities, let's mention a definite sense of responsibility, an innovative mind open to techniques and modern ideas, as well as a natural self-discipline which overcomes many an obstacle. Therefore, people are well-advised not to hound you into a corner.

Interpretation of the 15° Scorpio symbolic degree

"On the seashore, birds of prey chase away a wolf which tries to get near a carcass." (Janduz version)

Independent, scheming, and quarrelsome character. One does not hesitate to embark on dangerous adventures, which brings about in failure and ruin.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

If you wish, you can receive immediately in your mailbox your detailed astrological portrait, a nice gift for yourself or for your close friends and relatives, who will deeply appreciate it.

Neptune 10°51' Я Gemini

Neptune Aspects
Neptune conjunction Pluto orb +1°57'
Sun trine Neptune orb -2°02'
Mercury trine Neptune orb -4°21'
Saturn sesqui-quadrate Neptune orb -0°40'
Venus square Neptune orb +5°52'
Planets: Neptune

Neptune represents escapism, impressionability, daydreaming, delusions, carelessness, deception or intuition, dishonesty or inspiration, telepathy. Water is its element, it is moist, it rules Pisces, is in exaltation in Cancer, though some authors say it is Leo, and is in analogy with the vegetative system.

It represents dreamers, mediums, magicians, merchants of illusion, drug addicts.

Temperament : rather Lymphatic

Characterology : Emotive, non Active, Primary or Secondary type; it is a Sentimental, or sometimes Amorphous type.

Neptune in Gemini

The planet Neptune symbolizes extreme receptivity, intense emotional sharpness, impressionability and inspiration; it is the planet of mediums, mystics and religious faith. In an astrological chart, it indicates dilution, vagueness, understanding one’s environment through emotions and the absence of clear and determined limits and structures. In your natal chart, Neptune’s house position is more important than his sign position because, like Jupiter, Saturn, Uranus and Pluto, he is a slow planet. Many people born in the same period have Neptune in the same sign. This is the reason why the sign occupied here is less meaningful than when it is occupied by the so-called fast planets, i.e. the Sun, the Moon, Mercury, Venus and Mars. Therefore, some caution is to be exercised as you read what follows. The sign positions of Uranus, Neptune and Pluto have a collective meaning. They do not influence your personality, unless they are involved in numerous aspects or when they emphasize a personal point of your natal chart such as your Ascendant’s ruler, an angular planet, i.e. a planet near the Ascendant, the Midheaven, the Nadir or the Descendant. In such cases, the activity of the slow planet is very highlighted. Neptune in Gemini endows you with emotional and mental stability: waves of impressions blend with your mobile and swirling thoughts and may turn you into a genius in writing or… into a strangely mobile person who is difficult to understand.

Neptune Dominant

If Neptune is part of your natal chart's planetary dominants, in astrology, you are said to be a Neptunian: your intuition is highly developed. You are of a contemplative nature, and you are particularly receptive to ambiances, places, and people. You gladly cultivate the art of letting-go, and you allow the natural unfolding of events to construct your world. You follow your inspirations, for better or for worse. At times, you display an extraordinary clairvoyance gift. You seem to be able to read your subconscious like a book, and you track down subtle underlying mechanisms, flaws, or open breaches. This innate intuition might explain the strokes of good luck which the Neptunian is sometimes credited with. However, you may also be the victim of illusions and misleading intuitions. You are an idealist, and you let your deepest aspirations prevail over the realities of the moment. Then, you set off in quest of some quixotic objective, living like a Don Quixote who relentlessly pursues an impossible dream. You have a great talent for psychology and the mysteries of the human soul. Since you instinctively perceive people's intents and motivations, as you swim in the complexity of human nature, you feel in your element. The subtlety of your perceptiveness is the source of both special affections and irrevocable rejections. What is the danger of such a dominant? If it is not offset by other influences in your natal chart, you may not have an iron will. Your trump card is your instinct, which may be developed to the extent that it becomes clairvoyance.

Interpretation of the 10° Gemini symbolic degree

"Sheltered under a large rock, a group of bohemians gather around a fire for their meal." (Janduz version)

Sensual, caring, and anxious character endowed with a strong concern for the family. Short trips and long journeys play an important part in life. Many changes of residence are caused by professional reasons, exile, or widowhood. The family is the source of the greatest fulfilments, as well as of the most painful sorrows. Success can be achieved in travels and tourism, aviation, or sports competitions.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

If you wish, you can receive immediately in your mailbox your detailed astrological portrait, a nice gift for yourself or for your close friends and relatives, who will deeply appreciate it.

Pluto 8°53' Я Gemini

Pluto Aspects
Neptune conjunction Pluto orb +1°57'
Sun trine Pluto orb -3°59'
Venus square Pluto orb +3°55'
Mercury trine Pluto orb -6°18'
Saturn sesqui-quadrate Pluto orb +1°16'
Planets: Pluto

Pluto represents deep transformations, mutations and eliminations, sexuality and magnetism, power and secrets, destruction with a view to regeneration, the phoenix rising from the ashes. Its element is indefinite; burning (like lava in fusion ?), it rules Scorpio, is in exaltation in Pisces and is in analogy with the sexual organs and excretion.

It represents dictators, sadistic people, violent characters, is instinctive and powerful but also mysterious with hidden strengths.

Temperament : rather Bilious

Characterology : Emotive or non-Emotive, Active, Primary type; it is a Passionate Choleri typec.

Pluto in Gemini

The planet Pluto symbolizes deep disruptions and upheavals, domination and sexual instincts, and the inner power we have in ourselves. Pluto destroys in order to reconstruct and he provokes painful crises that are needed in metamorphosis. Pluto is our deepest instincts’ brutal force. It is the hidden and unconscious violence that can explode in us with incredible intensity before being projected in our actions; in itself, the planet is not negative: the might and the intensity of its energy are beyond the conceivable but it can be funnelled. Pluto is the only possibility we have at our disposal to overcome our inner blocks and to eliminate outgrown situations that have become inextricable. Pluto’s energy is valuable because of its usefulness for the irreversible destruction of what constitutes a problem and not because of its negative side and its perversity. Pluto allows to reconstruct and to regenerate parts of our personality or whole stretches of our life, provided that we manage to funnel his wild energy and to step back. It is impossible to tame this energy, given its essence. However, it is possible to take advantage of it for a precise aim, through a temporary identification of some parts of us with this energy. In such a case, the outcome is our final evolution and even, our transformation. In your natal chart, Pluto’s house position is more important than his sign position because, like Jupiter, Saturn, Uranus and Neptune, Pluto is a slow planet. Many people born in the same period have Pluto in the same sign. This is the reason why the sign occupied here is less meaningful than when it is occupied by the so-called fast planets, i.e. the Sun, the Moon, Mercury, Venus and Mars. Therefore, some caution is to be exercised as you read what follows. The sign positions of Uranus, Neptune and Pluto have a collective meaning. They do not influence your personality and they are not to be really taken into account, unless they are involved in numerous aspects or when they emphasize a personal point of your natal chart such as your Ascendant’s ruler, an angular planet, i.e. a planet near the Ascendant, the Midheaven, the Nadir or the Descendant. In such cases, the activity of the slow planet is very highlighted. Pluto in Gemini may give your communication a caustic and domineering style.

Pluto Dominant

If Pluto is part of your natal chart's planetary dominants, in astrology, you are said to be a Plutonian: you sometimes feel like a foreigner who does not belong to the world, to its laws, and its concerns. The rules of life in society are not necessarily yours. You are interested in what is unknown and in the subtle laws of a hidden order. So, you take malicious pleasure in ridiculing the patterns you find too simplistic or too rigid. You also revel in underlining the limits of explanations you deem too common. There is something unconventional about the way you are, the way you think, and the way you act. What is your specificity made of? Is it an extraordinary partner? A life off the beaten path? Or do you only distance yourself from conventional morals? In any case, you have the feeling, sometimes quite vague, that you come from nowhere, and that you do not belong to any definite group... In short, it means that you cannot be simplified in order to conform to existing models. The gap between you and ordinary mortals is also an element of your strength. Your deep clear-sightedness, firstly, enables you to put things into perspective and to grant them only the attention they deserve. Your other remarkable asset is your capacity to intervene from behind the scenes, to secretly organise events, and to bring about the desirable outcome without seeming to impose or to dictate anything. However, you must still overcome one of the major difficulties of this dominant, which is to get people to accept your difference and to smoothly fit into your environment.

Interpretation of the 8° Gemini symbolic degree

"A king and a queen are seated on their throne." (Janduz version)

Noble, ambitious, and proud character endowed with self-confidence, above average intelligence, and strong leadership abilities. There is also a deep concern over the honour and the protection of the family. Talents are numerous and cover various fields. Therefore, one can achieve success in a wide range of occupations, from politics and the military to education, the arts, law, etc. One becomes aware of one's calling quite early, but it is only around middle age that one reaches the peak of one's career. One must never be disheartened when facing hurdles, doubts, and uncertainties, because this degree promises wealth, power, preferment, and fame, along with a good marriage. One often keeps a youthful appearance for a long time.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

If you wish, you can receive immediately in your mailbox your detailed astrological portrait, a nice gift for yourself or for your close friends and relatives, who will deeply appreciate it.

Chiron 20°22' Я Virgo
Asteroids: Chiron

Chiron is almost renowned and used everywhere. Most astrologers consider it as a kind of "mediator" between Saturn and outer planets. Consequently, Chiron is of Saturn's nature and at the same time is influenced by Uranus, the first slow-moving planet. Astrologically, it symbolizes wisdom, patience and the faculty to reduce others' sufferings: it is said to be the "great healer" of the zodiac. Like all the secondary bodies, it must be in close conjunction with planets or angles in order to fully express its action.

Interpretation of the 20° Virgo symbolic degree

"A food wholesaler holds a heavy bag of money in one hand and silver coins in the other." (Janduz version)

Petty, stingy, and mercenary character. One is interested in financial profits and strives relentlessly to increase one's wealth, considering every penny spent, including those meant to meet basic daily needs such as meals and clothes. Speculations in food and raw materials are very lucrative.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

%DYNAMIQUE_23%
Asteroids: Ceres

Ceres, the biggest of the four minor asteroids used besides Chiron, is associated with the mythological goddess of growing plants and harvest and also symbolizes physical constitution, vitality and fertility. She's also known as Demeter, according to the astrologer Zipporah Dobyns, linked to the symbolism of the mother but in a less emotive and more physical way than the Moon. Ceres is thought to be the ruler of Virgo, in exaltation in Gemini, in exile in Pisces and in fall in Sagittarius. Keywords associated with Ceres could be order, practical sense, worry, precision, modesty, method, sobriety, motherhood, fertility, the Earth: a kind of a more cerebral Moon...

%TEXTES_23%
%DYNAMIQUE_24%
Asteroids: Pallas

Pallas is sometimes used in modern Astrology: she represents intelligence, abstract and global thinking talents. It is usually considered to be a determining element in political strategy.

%TEXTES_24%
%DYNAMIQUE_25%
Asteroids: Juno

Juno is the asteroid corresponding to the adaptation to the marital partner and to the defence of individual rights; it is thus used in the field of marriage.

%TEXTES_25%
%DYNAMIQUE_26%
Asteroids: Vesta

Vesta is rarely used and brings the ability to efficiently devote oneself to a cause.

%TEXTES_26%
True North Node 12°23' Я Aries
North Node

The North Node (True Node here) represents the goals that must be achieved during life, in the karmic sense according to some traditions. Its position in house indicates in what field an effort is necessary in order to evolve. The North Node is often called the Dragon's head, it is usually considered beneficial, a bit like Jupiter with the planets. The Lunar nodes are fictional points and not actual heavenly bodies: they are the intersections of the Moon with the Ecliptic (the path made by the Sun in its orbit as seen from the Earth). The axis of the Lunar nodes moves 19 degrees each year, namely a bit more than three minutes each day.

The South Node is diametrically opposed to the North Node, therefore it faces it (it's not drawn here, it's the same symbol but upside down). It symbolizes what has already been achieved or acquired, in a karmic sense: it's the past from which it's advised to move on in order to progress. The South Node is rather negative, of a Saturnian nature: the experience through suffering.

Interpretation of the 12° Aries symbolic degree

"On top of a mountain set ablaze with the sunset beams, a man wearing a long cloak holds a staff in his right hand and a crown in the other." (Janduz version)

After a host of sufferings, sorrows, and hard work, one reaches a prestigious position and receives many honours towards the end of one's life. One may also accede to a prominent government office. The sunset heralds a belated success, the fulfilment of which has been the secret drive prompting to relentlessly pursue, a whole life through, the route towards recognition, love, wealth, and fame. April is usually the most auspicious month.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

True Lilith 29°06' Sagittarius
Lilith

Lilith or the Dark Moon (True Lilith here) represents the uncrossable threshold, taboos, the individual's provocative and fascinating side, including on a sexual level. She symbolizes violence and "untameability", the radical and deep-seated refusal to submit. The keywords for Lilith can be sterility, sadism, perversity, castration, sadomasochism, eroticism, orgasm, forbidden fantasies, marginality, cruelty; redemption, illumination, rebelliousness... Lilith's opposite point is called Priapus; it is the Lunar perigee, the position where the Moon is closest to the Earth. It symbolizes man's primitive nature, the horror hidden in our deepest self; masochism, extreme sensuality, impulsiveness, irrationality and excess. Physically speaking, the Dark Moon is the focal point unoccupied by the Earth: it is not a concrete body but a mathematical point.

Interpretation of the 29° Sagittarius symbolic degree

"In his forge, a blacksmith works on an anvil. Nearby, a spade is planted in the ground." (Janduz version)

Secretive, intuitive, and independent character. One relies exclusively on one's great intellectual capacities and broad knowledge. The path chosen probably includes hardships and requires sustained efforts, time, and concentration. Success and wealth can be achieved in the iron and steel industry, the research of new alloys, or in archaeology.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

%DYNAMIQUE_29%
Part of Fortune

The Part of Fortune is an ancient concept, used by Ptolemy and other astrologers before him. Firstly, it has nothing to do with fortune! In modern astrology, it is actually used to enhance a planet or angle when in close conjunction with it: it thus amplifies the meaning associated to the point affected by its presence. It is calculated in the following way:

Part of Fortune = AS + Moon - Sun (it is the Moons position when the Sun rises)

The classical Part of Fortune, of which the calculus method is unchanged whether in a diurnal or nocturnal chart, is usually distinguished from the diurnal/nocturnal Part of Fortune which is calculated by the formula AS + Sun - Moon for a nocturnal chart, and AS + Moon - Sun in a diurnal chart.

We currently use the latter formula for our astrological programmes.

%TEXTES_29%
%DYNAMIQUE_30%
Ascendant or House I

The First House or Ascendant represents one's behaviour in the eyes of others, and also one's health. It corresponds to the way the individual acts in the world. It is the image of the personality seen by others and the person's visible behaviour expressed outwardly. The 1st House is in analogy with Aries and thus Mars too, and then the Sun. It is an angular house, the most important one with the Midheaven, maybe even more so due to its link with the body and health.

%TEXTES_30%
%DYNAMIQUE_31%
Midheaven or House X

The Tenth House still called the Midheaven, is the highest point amidst the houses, at the top of the chart, in the South, and relates to destiny in general and career (and not daily work as meant by the Sixth House). The Midheaven represents our achievements and goals in the social sphere, our social position in society, and becomes more and more important as we get older. It is in analogy with Capricorn and Saturn. The Tenth House is the most important angular house along with the Ascendant.

%TEXTES_31%
%DYNAMIQUE_32%
House I (AC)

The First House or Ascendant represents one's behaviour in the eyes of others and also one's health. It corresponds to the way the individual acts in the world. It is the image of the personality as seen by others and the person's visible behaviour expressed outwardly. The 1st House is in analogy with Aries and thus Mars too and then the Sun. It is an angular house, the most important one with the Midheaven, maybe even more so due to its link with the body and health; the Ascendant is as important as the Sun in a natal chart.

%TEXTES_32%
%DYNAMIQUE_33%
House II

The Second House is the sphere of material security, the money we earn, our possessions, also in a symbolic meaning (close people etc). It is in analogy with Taurus and Venus. It is a succedent house, quite important.

%DYNAMIQUE_34%
House III

The Third House is the sphere of social and intellectual apprenticeship, studies, relationships with close people and surroundings, short trips, light-hearted and quick contacts, correspondences. It is in analogy with Gemini and Mercury. It's a cadent house, less important than the angular and succedent ones.

%DYNAMIQUE_35%
House IV (IC)

The Fourth House also called Immum Coeli is the sphere of inner emotions, family, the father, home and roots, but also the home one creates. It's Home Sweet Home, security and cocoon. It is in analogy with Cancer and the Moon. It's an angular and important house.

%TEXTES_35%
%DYNAMIQUE_36%
House V

The Fifth House is the sphere of pleasures and love affairs (but not commitment or marriage), creations and entertainments, children, arts and game. It is in analogy with Leo and the Sun. It's a succedent and quite important house.

%DYNAMIQUE_37%
House VI

The Sixth House is the sphere of apprenticeship and effort in the work environment, daily life, health on a daily basis and not operations or long-term diseases, relationships with co-workers or subordinates, desire for improvement, analysis and detail. It is in analogy with Virgo and Mercury. It is a cadent house, less important than the angular and succedent ones.

%DYNAMIQUE_38%
House VII (DS)

The Seventh House also called the Descendant (in front of the Ascendant) is the sphere of partnership, marriage, contracts, relationships with others, the outer world. It is in analogy with Libra and Venus, and Saturn to a lesser extent. It is an angular and important house.

%TEXTES_38%
%DYNAMIQUE_39%
House VIII

The Eighth House is the sphere of emotional security, the depths of the self, secrets and paranormal, transcendence, sexuality, mysteries, upheavals, surgical operations, others' money (investments, inheritances), crises, transformation after evolution, death. It is in analogy with Scorpio and Pluto, and Mars to a lesser extent. It is a succedent and quite important house.

%DYNAMIQUE_40%
House IX

The Ninth House is the sphere of high studies, both physical and mental journeys (philosophy, spirituality), rebelliousness, changes of scenery, desire for dealing with the unknown. It is in analogy with Sagittarius and Jupiter. It is a cadent house, less important than the angular and succedent ones.

%DYNAMIQUE_41%
House X (MC)

The Tenth House still called the Midheaven, is the highest point amidst the houses, at the top of the chart, in the South, and relates to destiny in general and career (and not daily work as meant by the Sixth House). The Midheaven represents our achievements and goals in the social sphere, our social position in society, and becomes more and more important as we get older. It is in analogy with Capricorn and Saturn. The Tenth House is the most important angular house along with the Ascendant.

%TEXTES_41%
%DYNAMIQUE_42%
House XI

The Eleventh House is the sphere of friendship and protection, projects, search for social acceptance and security, collective and humanitarian actions. It is in analogy with Aquarius and Uranus, and Saturn to a lesser extent. It's a succedent and quite important house.

%DYNAMIQUE_43%
House XII

The Twelfth House is the sphere of hidden things, enemies, closed or remote places (hospital, prison, convent etc.), ordeals, secrecy, solitude, long-term illnesses but also sincere devotion and genuine compassion. It is in analogy with Pisces and Neptune.


Caption
Légende des aspects
Conjunctions
Opposites and Squares
Trines and Sextiles
Semi-Squares and Sesqui-Quadrates
Semi-Sextiles, Quintiles and Bi-Quintiles
Inconjunctions
 
Display and Calculation Parameters
 
 
 
 
Printing and Sharing Options
 
URL
BBCode
 
 

Biography of John Ford

John Ford (February 1, 1894 – August 31, 1973) was an American film director of Irish heritage famous for both his westerns such as Stagecoach and The Searchers and adaptations of such 20th-century American novels as The Grapes of Wrath. His four Best Director Academy Awards (1935, 1940, 1941, 1952) is a record, although only one of those films, How Green Was My Valley, also won Best Picture.

In a career that spanned more than 50 years, Ford directed 140 films (although nearly all of his silent films are now lost) and he is widely regarded as one of the most important and influential filmmakers of his generation. Ford's films and personality were held in high regard by his colleagues, with Ingmar Bergman and Orson Welles among those who have named him as one of the greatest directors of all time.

In particular, Ford was a pioneer of location shooting and the long shot which frames his characters against a vast, harsh and rugged natural terrain. Ford has further influenced directors as diverse as Akira Kurosawa, Martin Scorsese, Steven Spielberg, George Lucas, Sam Peckinpah, Peter Bogdanovich, Sergio Leone, Clint Eastwood, Wim Wenders, Pedro Costa, Judd Apatow, David Lean, Orson Welles, Ingmar Bergman, Quentin Tarantino, John Milius, Satyajit Ray, François Truffaut, and Jean-Luc Godard.

From Feeney to Ford
Ford was born John Martin "Jack" Feeney (though he later often gave his given names as Sean Aloysius, sometimes with surname O'Feeny or O'Fearna; a Gaelic equivalent of Feeney) in Cape Elizabeth, Maine to John Augustine Feeney and Barbara "Abbey" Curran, on February 1, 1894 (though he occasionally said 1895 and that date is erroneously inscribed on his tombstone). His father, John Augustine, was born in Spiddal, County Galway, Ireland in 1854. Barbara Curran had been born in the Aran Islands, in the town of Kilronan on the island of Inishmore (Inis Mór). John A. Feeney's grandmother, Barbara Morris, was said to be a member of a local (impoverished) gentry family, the Morrises of Spiddal, headed at present by Lord Killanin.

John Augustine and Barbara Curran arrived in Boston and Portland respectively within a few days of each other in May and June 1872. They were married in 1875, and became American citizens five years later on September 11, 1880. They had eleven children: Mamie (Mary Agnes), born 1876; Delia (Edith), 1878-1881; Patrick; Francis Ford, 1881-1953; Bridget, 1883-1884; Barbara, born and died 1888; Edward, born 1889; Josephine, born 1891; Hannah (Joanna), born and died 1892; John Martin, 1894-1973; and Daniel, born and died 1896 (or 1898). John Augustine lived in the Munjoy Hill neighborhood of Portland, Maine with his family, and would try farming, fishing, work for the gas company, run a saloon, and be an alderman.

Feeney attended Portland High School, Portland, Maine. He moved to California and began acting and working in film production for his older brother Francis in 1914, taking "Jack Ford" as a stage name. In addition to credited roles, he appeared uncredited as a Klansman in D.W. Griffith's 1915 classic, The Birth of a Nation, as the man who lifts up one side of his hood so he can see clearly.

He married Mary McBryde Smith, on July 3, 1920 and they had two children. The marriage lasted until Ford's death, although he had many extramarital relationships including an intense six-month affair with Katharine Hepburn, the star of Mary of Scotland (1936). The longer revised version of Directed by John Ford shown on Turner Classic Movies in November, 2006 features directors Steven Spielberg, Clint Eastwood, and Martin Scorsese, who suggest that the string of classic films Ford directed 1936-1941 was due in part to his affair with Hepburn.


Directing career
John Ford began his career in film after moving to California in July 1914. He followed in the footsteps of his multi-talented older brother Francis Ford, twelve years his senior, who had left home years earlier and had worked in vaudeville before becoming a movie actor. Francis played in hundreds of silent pictures for Thomas Edison, Georges Melies and Thomas Ince, eventually progressing to become a prominent Hollywood actor-writer-director with his own production company (101 Bison) at Universal.

Jack Ford started out as an assistant/handyman and occasional actor in his brother's films and Francis gave his younger brother his first acting role in The Mysterious Rose (Nov. 1914). Despite an often combative relationship, within three years Jack had progressed to become Francis' chief assistant and often worked as his cameraman. By the time Jack Ford was given his first break as a director, Francis' profile was declining and he ceased working as a director soon afterwards.

One feature of John Ford's films is the use of a 'stock company' of actors, far more so than many directors. Many famous stars appeared in at least two or more Ford films, including Harry Carey Sr (the star of 25 Ford silents), Will Rogers, John Wayne, Henry Fonda, Maureen O'Hara, James Stewart, Woody Strode, Richard Widmark, Victor McLaglen, Vera Miles and Jeffrey Hunter. Many of his supporting actors appeared in numerous Ford films, often over a period of several deacades, including Ben Johnson, Chill Wills, Andy Devine, Ward Bond, Grant Withers, Mae Marsh, Anna Lee, Harry Carey, Jr., Ken Curtis, Frank Baker, Dolores del Rio, Pedro Armendariz, Hank Worden, John Qualen, Barry Fitzgerald, Arthur Shields, John Carradine, and Carleton Young. Core members of this extended 'troupe', including Ward Bond, John Carradine, Dobe Carey, Mae Marsh, Frank Baker and Ben Johnson, were informally known as the John Ford Stock Company.

Likewise, Ford had extended working relationships with his production staff and many of his crew worked with him for decades. He made numerous films with the same major collaborators, including producer and business partner Merian C. Cooper, scriptwriters Nunnally Johnson, Dudley Nichols and Frank S. Nugent and cinematographers Ben F. Reynolds and John W. Brown and George Schneidermann (who between them shot most of Ford's silent films), Joseph H. August, Gregg Toland, Winton Hoch, Charles Lawton Jr, Bert Glennon, Archie Stout and William S. Clothier.

Ford is also significant as a pioneer independent director-producer in Hollywood - Stagecoach (1939), one of the cornerstone works of the Western film genre, was produced independently for Walter Wanger after being rejected by several major studios, and in the late 1940s Ford turned down a lucrative offer from 20th Century Fox boss Darryl F. Zanuck that would have guaranteed him a six-figure annual income in order to be able to make the films he wanted.


The Silent Era
During his first decade as a director Ford honed his craft on dozens of features (including many westerns) but fewer than a dozen of the more than sixty silent films he made between 1917 and 1928 have survived in any form and only ten have survived in their entirety. Throughout his career Ford was one of the busiest directors in Hollywood, but he was extraordinarily productive in his first few years as a director—he made ten films in 1917, eight in 1918 and fifteen in 1919—and he directed a total of 62 shorts and features between 1917 and 1928, although he was not given a screen credit on many of his earliest films.

He made his directorial debut with the silent two-reeler The Tornado (March 1917). According to Ford's own story, he was given the job by Universal boss Carl Laemmle who supposedly said, "Give Jack Ford the job - he yells good". The Tornado was quickly followed by a string of two- and three-reelers - The Trail of Hate, The Scrapper, The Soul Herder and Cheyenne's Pal, all made over the space of a few months and each typically shot in 2–3 days (and all now presumed lost). The Soul Herder is also notable as the beginning of Ford's four-year, 25-film association with veteran writer-actor Harry Carey, who (with Ford's brother Francis) was a strong early influence on the young director, as well as being one of the major influences on the screen persona of Ford's protege John Wayne. Carey's son Harry "Dobe" Carey Jr, who also became an actor, was one of Ford's closest friends in later years and featured in many of his most celebrated westerns.

Ford's first feature-length production was Straight Shooting (Aug. 1917), which is also his earliest complete surviving film as director, and one of only two survivors from his twenty-five film collaboration with Harry Carey. In making the film Ford and Carey ignored studio orders and turned in five reels instead of two, and it was only through the intervention of Carl Laemmle that the film escaped being cut for its first release, although it was subsequently edited down to two reels for re-release in the late 1920s. Ford's last film of 1917, Bucking Broadway, was long thought to have been lost, but in 2002 the only known surviving print was discovered in the archives of the French National Center for Cinematography and it has since been restored and digitized.

Ford directed around thirty-six films over three years for Universal before moving to the William Fox studio in 1920; his first film for them was Just Pals (1920). His 1923 feature Cameo Kirby, starring screen idol John Gilbert - another of the few surviving Ford silents—marked his first directing credit under the name "John Ford", rather than "Jack Ford", as he had previously been credited.

Ford's major breakthrough as a director was the historical drama The Iron Horse (1924), an epic account of the building of the First Transcontinental Railroad. It was a large, long and difficult production, filmed on location in the Sierra Nevada. The logistics were enormous — two entire towns were constructed, there were 5000 extras, 100 cooks, 2000 rail layers, a cavalry regiment, 800 Indians, 1300 buffalo, 2000 horses, 10,000 cattle and 50,000 properties, including the original stagecoach used by Horace Greeley, Wild Bill Hickock's derringer pistol and replicas of the "Jupiter" and "119" locomotives that met at Promontory Point when the two ends of the line were joined on 10 May 1869.

Ford's brother Eddie was a crew member and they fought constantly; on one occasion Eddie reportedly "went after the old man with a pick handle". There was only a short synopsis written when filming began and Ford wrote the film day by day, then shot it. Production fell behind schedule, delayed by constant bad weather and the intense cold, and the studio grew desperate for footage. Fox executives repeatedly demanded results, but Ford would either tear up the telegrams or hold them up and have stunt gunmanEdward "Pardner" Jones shoot holes through the sender's name. Despite the pressure to halt the production, studio boss William Fox finally backed Ford and allowed him to finish the picture and his gamble paid off handsomely - The Iron Horse became one of the top-grossing films of the decade, taking over US$2 million worldwide, against a budget of $280,000.

During the 1920s, Ford also served as president of the Motion Picture Directors Association, a forerunner to today's Directors Guild of America.


Talkies
Ford was one of the pioneer directors of sound films; he shot Fox's first song sung on screen, for his film Mother Machree (1928) of which only three of the original seven reels survive; this film is also notable as the first Ford film to feature the young John Wayne (as an uncredited extra) and he appeared in Ford's next two movies. Ford also directed Fox's first all-talking dramatic feature Napoleon's Barber (1928), a 3-reeler which is also now lost.

Ford made a wide range of films in this period, and he became well-known for his Western and 'frontier' pictures, but the genre rapidly lost its appeal for major studios in the late 1920s. Ford's last silent Western was 3 Bad Men (1926), set during the Dakota land rush and filmed at Jackson Hole, Wyoming and in the Mojave Desert. and it would be thirteen years before he made his next Western, Stagecoach, in 1939.

Just before the studio converted to talkies, Fox imported celebrated German director F.W. Murnau to make the landmark silent drama Sunrise (1927), which is still widely regarded by critics as one of the best films ever made. Sunrise had a powerful effect on many American filmmakers including Ford and Murnau's influence can be seen in many of his films of the late 1920s and early 1930s — Ford's penultimate silent feature Four Sons (1928), starred Victor McLaglen and was filmed on some of the lavish sets left over from Murnau's production. His last silent feature Hangman's House (1928) is notable as one of the first credited screen appearances by John Wayne.

Napoloeon's Barber was followed by Riley the Cop (1928) and Strong Boy (1929), starring Victor McLaglen, both of which are now lost (although Tag Gallagher's book records that the only surviving copy of Strong Boy, a 35 mm nitrate print, was rumored to be held in a private collection in Australia). The Black Watch (1929), a colonial army adventure set in the Khyber Pass starring Victor McLaglen and Myrna Loy is Ford's first complete surviving talking picture; it was remade in 1954 by Henry King as King of the Khyber Rifles.

Ford's output was fairly constant from 1928 to the start of World War II; he made five features in 1928 and then made either two or three films every year from 1929-1942 inclusive. Three films were released in 1929 -- Strong Boy, The Black Watch and Salute. His three films of 1930 were Men Without Women, Born Reckless and Up the River, which is notable as the film debut film for both Spencer Tracy and Humphrey Bogart, who were both signed by Fox on Ford's recommendation (but subsequently dropped). Ford's films in 1931 were Seas Beneath, The Brat and Arrowsmith; the last-named, adapted from the Sinclair Lewis novel and starring Ronald Colman and Helen Hayes, marked Ford's first Academy Awards recognition, with five nominations including Best Picture.

Ford's legendary efficiency and his ability to craft films that combined artfulness with strong commercial appeal won him increasing renown and by 1940 he was acknowledged as one of the world's top movie directors. His growing prestige was reflected in his remuneration—in 1920, when he moved to Fox, he was being paid $300–600 per week, but as his career took off in the mid-Twenties his annual income skyrocketed. He earned nearly $134,000 in 1929, and he made over $100,000 per annum every year from 1934 to 1941, earning a staggering $220,068 in 1938 - more than double the salary of the U.S. President at that time (although this was still less than half the income of Carole Lombard, Hollywood's highest-paid star of the 1930s, who was earning around $500,000 per year at the time).

With film production affected by the Depression, Ford made two films each in 1932 and 1933 - Airmail (made for Universal) with a young Ralph Bellamy and Flesh (for MGM) with Wallace Beery. In 1933, he returned to Fox for Pilgrimage and Doctor Bull, the first of his three films with Will Rogers.

The desert drama The Lost Patrol (1934), starring Victor McLagen and Boris Karloff, was one of Ford's first big hits of the sound era, rated by both the National Board of Review and The New York Times as one of the Top 10 films of that year and winning an Oscar for its Max Steiner score. It was followed later that year by The World Moves On with Madeleine Carroll and Franchot Tone, and the highly successful Judge Priest, his second film with Will Rogers, which became one of the top-grossing movies of the year.

Ford's first film of 1935 (made for Columbia) was the mistaken-identity comedy The Whole Town's Talking with Edward G. Robinson and Jean Arthur, released in the UK as Passport to Fame, and it drew critical praise. Steamboat Round The Bend was his third and final film with Will Rogers; it is probable they would have continued working together, but their collaboration was cut short by Rogers' untimely death in a plane crash in May 1935, which devastated Ford.

Ford confirmed his position in the top rank of American directors with the Murnau-influenced Irish Republican Army drama The Informer (1935), starring Victor McLaglen. It earned great critical praise, was nominated for Best Picture, won Ford his first Academy Award for Best Director, and was hailed at the time as one of the best films ever made, although its reputation has diminished considerably when compared to other contenders like Citizen Kane.

The politically charged The Prisoner of Shark Island (1936) -- which marked the debut of long-serving "Ford Stock Company" player John Carradine -- explored the little-known story of Samuel Mudd, a physician who was caught up in the Abraham Lincoln assassination conspiracy and consigned to an offshore prison for treating the injured John Wilkes Booth. Other notable films of this period include the Elizabethan costume drama Mary of Scotland (1936) which united him with Katherine Hepburn, the South Seas melodrama The Hurricane (1937) and the light-hearted Shirley Temple vehicle Wee Willie Winkie (1937), each of which had a first-year US gross of more than $1 million.


1939-1941
Stagecoach (1939) is arguably the keystone work in the Ford oeuvre. It remains one of the most admired, studied and imitated of all Hollywood movies, not least for its climactic stagecoach chase and the hair-raising horse-jumping scene, performed by the legendary stuntman Yakima Canutt. It marked the beginning of the most successful phase of Ford's career—in just two years between 1939 and 1941 he created a string of masterpieces including Stagecoach, Young Mr Lincoln, Drums Along the Mohawk, The Grapes of Wrath and How Green Was My Valley, which between them won numerous Academy Awards, including two Best Director Oscars and his only career award for Best Picture.

The Dudley Nichols-Ben Hecht screenplay was based on an Ernest Haycox story that Ford had spotted in Collier's magazine and he purchased the screen rights for just $2500. Walter Wanger urged Ford to hire Gary Cooper and Marlene Dietrich for the lead roles, but eventually accepted Ford's decision to cast Claire Trevor as Dallas and a virtual unknown, his old friend John Wayne, as Ringo, and Wanger reportedly had little further influence over the production.

The film was a major gamble for Ford—it was his first western in thirteen years, and his first with sound. Ironically, he also faced entrenched industry prejudice about the now-hackneyed genre, which he had helped to make so popular. Although low-budget features and serials were still being churned out in large numbers by "Poverty Row" studios, Westerns had fallen out of favour with the big studios in the 1930s and they were regarded as B-grade 'pulp' movies at best. As a result, Ford shopped the project around Hollywood for almost a year, offering it unsuccessfully to both Joseph Kennedy and David O. Selznick before finally linking with Walter Wanger, an independent producer working through United Artists.

Stagecoach is significant for several reasons—it exploded industry prejudices by becoming a major critical and commercial hit, taking over US$1 million in its first year (against a budget of just under $400,000) -- and its success singlehandedly revitalized the moribund genre, showing that Westerns could be "intelligent, artful, great entertainment -- and profitable". It was nominated for seven Academy Awards, including Best Picture and Best Director, and won two Oscars, for Best Supporting Actor (Thomas Mitchell) and Best Score. Stagecoach was the first in the series of seven classic Ford Westerns filmed on location in Monument Valley and was followed by My Darling Clementine (1946), Fort Apache (1948), She Wore a Yellow Ribbon (1949), The Searchers (1956), Sergeant Rutledge (1960), and Cheyenne Autumn (1964).

John Wayne had good reason to be grateful for Ford's support -- Stagecoach provided the actor with the career breakthrough that elevated him to international stardom. Over 35 years Wayne appeared in twenty-four of Ford's films (and three TV episodes), including Stagecoach (1939), She Wore a Yellow Ribbon (1949), The Quiet Man (1952), The Searchers (1956), The Wings of Eagles (1957), and The Man Who Shot Liberty Valance (1962). Ford is credited with playing a major role in shaping Wayne's screen image.

Ford's next film, the biopic Young Mr Lincoln (1939) starring Henry Fonda, was less successful, attracting little critical attention and winning no awards. It was not a major financial success, although it had a respectable domestic first year gross of $750,000 but Ford scholar Tag Gallagher describes it as "a deeper, more multileveled work than Stagecoach .... (which) seems in retrospect one of the finest prewar pictures"

Drums Along the Mohawk (1939) included uncredited script contributions by William Faulkner. Ford's first movie in colour was a lavish frontier drama again starring Fonda, with Claudette Colbert. It was another big box-office success, grossing $1.25 million in its first year in the US and securing Edna May Oliver a Best Supporting Actress Oscar nomination for her performance.

Despite its uncompromising political stance, Ford's screen adaptation of John Steinbeck's The Grapes of Wrath (scripted by Nunnally Johnson and photographed by Gregg Toland) was both a big box office hit and a major critical success, and it is still widely regarded as one of the best films of Ford's career. Noted critic Andrew Sarris has described it as the movie that transformed Ford from "a storyteller of the screen into America's cinematic poet laureate". His third movie in a year and his third consecutive film with Fonda, it grossed $1.1 million in the USA in its first year and won two Academy Awards—Ford's second 'Best Director' Oscar, and 'Best Supporting Actress' for Jane Darwell's tour-de-force portrayal of Ma Joad.

The Grapes of Wrath was followed by two less successful and lesser known films. The Long Voyage Home (1940) was, like Stagecoach, made with Walter Wanger through United Artists. Adapted from four plays by Eugene O'Neill plays, it was scripted by Dudley Nichols with Ford, in consultation with O'Neill himself. Although not a significant box-office success (it grossed only $600,000 in its first year) it was a critical success and was nominated for seven Academy Awards—Best Picture, Best Screenplay, (Nichols), Best Music (Best Photography (Gregg Toland), Best Editing (Sherman Todd), Best Effects (Ray Binger & R.T. Layton), and Best Sound (Robert Parrish). It was one of Ford's personal favourites—stills from it decorated his home --- and O'Neill also loved the film and screened it periodically.

Tobacco Road (1941) was a hillbilly comedy scripted by Nunnally Johnson, adapted from the long-running Jack Kirkland stage version of the novel by Erskine Caldwell. It starred veteran actor Charley Grapewin and the supporting cast included Ford regulars Ward Bond and Mae Marsh, with Francis Ford in an uncredited bit part, and it is also notable for early screen appearances by future stars Gene Tierney and Dana Andrews. Although not highly regarded by some critics (Tag Gallagher devotes only one short paragraph to it in his book on Ford) it was fairly successful at the box office, grossing $900,000 in its first year. According to IMDb, the film was banned in Australia for unspecified reasons.

Ford's last feature before America joined the war was his renowned screen adaptation of How Green Was My Valley (1941), starring Walter Pidgeon, Maureen O'Hara and Roddy McDowell in his career-making role as Huw. The script was written by Philip Dunne from the best-selling novel by Robert Llewellyn and the screen rights alone cost Fox $300,000. It was originally planned as a four-hour epic to rival Gone With The Wind, and was to have been filmed on location in Wales, but this was abandoned due the heavy German bombing of Britain (it was shot at Fox's San Fernando Valley ranch) and because of the nervousness of Fox executives about the pro-union tone of the story. Original director William Wyler left the project when it was decided to film it in California, and the production was postponed for several months until Ford became available. Producer Darryl F. Zanuck had a strong influence over the movie and made several key decisions, including the idea of having the character of Huw narrate the film in voice-over (a novel concept in 1940), and the decision that Huw's character should not age (Tyrone Power was originally slated to play the adult Huw).

How Green Was My Valley became one of the biggest films of 1940. It was nominated for ten Academy Awards including Best Supporting Actress (Sara Allgood), Best Editing, Best Script, Best Music and Best Sound and it won five Oscars—Best Director, Best Picture, Best Supporting Actor (Donald Crisp), Best B&W Cinematography (Arthur C. Miller) and Best Art Direction/Interior Decoration. It was a huge hit with audiences, coming in behind Sergeant York as the second-highest grossing film of the year in the USA and taking almost $3 million against its sizable budget of $1,250,000. Ford was also named Best Director by the New York Film Critics, and this was one of the few awards of his career that he turned up to collect in person (he generally shunned the Oscar ceremony).


The War Years
During World War II Commander John Ford, USNR, served in the United States Navy and made documentaries for the Navy Department. He won two more Academy Awards during this time, one for the semi-documentary The Battle of Midway (1942), and a second for the propaganda film December 7th (1943).

Ford was present on Omaha Beach on D-Day. As head of the photographic unit for the Office of Strategic Services, he crossed the English Channel on the USS Plunkett (DD-431), anchored off Omaha Beach at 0600. He observed the first wave land on the beach from the ship, landing on the beach himself later with a team of US Coast Guard cameramen who filmed the battle from behind the beach obstacles, with Ford directing operations. The film was edited in London, but very little was released to the public. Ford explained in a 1964 interview that the US Government was "afraid to show so many American casualties on the screen", adding that all of the D-Day film "still exists in color in storage in Anacostia near Washington, D.C.". Thirty years later, historian Stephen E. Ambrose reported that the Eisenhower Center had been unable to find the film. Ford eventually rose to become a top adviser to OSS head William Joseph Donovan. According to records released in 2008, Ford was cited by his superiors for bravery, taking a position to film one mission that was "an obvious and clear target." He survived "continuous attack and was wounded" while he continued filming, one commendation in his file states.


Post-war career
After the war, Ford became a Rear Admiral in the United States Navy Reserve. His last wartime film was They Were Expendable (MGM, 1945), an account of America's disastrous defeat in The Philippines, told from the viewpoint of a torpedo squadron and its commander. Ford repeatedly declared that he disliked the film and had never watched it, complaining that he had been forced to make it, although it was strongly championed by filmmaker Lindsay Anderson. Released several months after the end of the war, it was among the year's top 20 box-office draws, although Tag Gallagher notes that many critics have incorrectly claimed that it lost money.

Ford directed sixteen features and several documentaries in the decade between 1946 and 1956, variously made for or distributed by MGM, Columbia Pictures, Universal Pictures, 20th Century Fox, RKO Pictures and Republic Pictures. Refusing a lucrative contract offered by Zanuck that guaranteed him $600,000 per year, Ford launched himself as an independent director-producer and made many of his films in this period with Argosy Productions, partnership between Ford and his old friend and colleague Merian C. Cooper (co-writer-producer-director of the original King Kong of 1933).

Ford's mature postwar films includes some of his most accomplished, popular and critically lauded works, and most of the Westerns for which he is best known -- My Darling Clementine, his so-called "Cavalry Trilogy" (Fort Apache, She Wore a Yellow Ribbon and Rio Grande), Wagon Master, The Quiet Man, The Searchers, and The Man Who Shot Liberty Valance. As with his prewar career, his films alternated between (relative) box office flops and major successes, but most of his later films made a solid profit, and Fort Apache, The Quiet Man, Mogambo and The Searchers all ranked in the Top 20 box-office hits of their respective years.

Ford's first postwar movie My Darling Clementine (Fox, 1946, b/w) was a romanticized retelling of the primal Western legend of Wyatt Earp and the Gunfight at the O.K. Corral. Filmed on location in Monument Valley, it reunited Ford with Henry Fonda (as Wyatt Earp) and also co-starred Victor Mature in one of his best roles as the consumptive, Shakespeare-loving Doc Holliday, with Ward Bond and Tim Holt as the Earp brothers, Linda Darnell as sultry saloon girl Chihuahua, a strong performance by Walter Brennan (in a rare villain role) as the venomous Old Man Clanton, and an early appearance by John Ireland as Billy Clanton. In contrast to the string of successes in 1939-41, it won no major American awards, although it was awarded a silver ribbon for Best Foreign Film in 1948 by the Italian National Syndicate of Film Journalists, and it was a solid financial success, grossing $2.75 million in the USA and $1.75 internationally in its first year of release.

The Fugitive (1946), again starring Fonda, was the first project by Ford's new independent production company Argosy Films, formed with noted producer Merian C. Cooper. The film was a loose adaptation of Grahame Greene's The Power and the Glory, which Ford had originally intended to make at Fox before the war, with Thomas Mitchell as the priest. It fared relatively poorly compared to its predecessor, grossing only $750,000 in its first year. It also caused a rift between Ford and scriptwriter Dudley Nichols that brought about the end of their highly successful collaboration.

Fort Apache (Argosy/RKO, 1948) was the first part of Ford's so-called "Cavalry Trilogy", which were all based on stories by James Warner Bellah. It featured many of the "Stock Company" actors who had worked with him in the past, including both John Wayne and Henry Fonda, Ward Bond, Shirley Temple, Victor McLaglen, Mae Marsh, Francis Ford (as a bartender), Frank Baker and Ben Johnson. It also marked the start of the long association between Ford and scriptwriter Frank S. Nugent, a former New York Times film critic who (like Dudley Nichols) had not written a movie script until hired by Ford. It was a big commercial success, grossing nearly $5 million worldwide in its first year and ranking in the Top 20 box office hits of 1948.

During the year Ford also assisted his friend and colleague Howard Hawks, who was having problems with his current film Red River (which also starred John Wayne) and Ford reportedly made numerous editing suggestions, including the use of a narrator. Fort Apache was followed by another Western, 3 Godfathers, a remake of a 1916 silent film starring Harry Carey (to whom Ford's version was dedicated), which Ford had himself already remade in 1919 as Marked Men, also with Carey and now presumed lost. It starred John Wayne, Pedro Armendáriz and Harry "Dobe" Carey Jr (in one of his first major roles) as three outlaws who rescue a baby after his mother (Mildred Natwick) dies giving birth, with Ward Bond as the sheriff pursuing them.

In 1949 Ford briefly returned to Fox to direct Pinky. He prepared the project but worked only one day before being taken ill (allegedly suffering from shingles) and he was replaced by Elia Kazan (although Tag Gallagher suggests that Ford's illness was a pretext for leaving the film, which Ford disliked).

His only completed film of that year was the second installment of his Cavalry Trilogy, She Wore A Yellow Ribbon (Argosy/RKO), starring John Wayne and Joanne Dru, with Victor McLaglen, John Agar, Ben Johnson, Mildred Natwick and Harry Carey Jr. Again filmed on location in Monument Valley, it was widely acclaimed for its stunning Technicolor cinematography (including the famous cavalry scene filmed in front of an oncoming storm); it won Winton Hoch the 1950 Academy Award for Best Color Cinematography and it did big business on its first release, grossing more than $5m worldwide. John Wayne, then 41, also received wide praise for his role as the 60-year-old Capt. Nathan Brittles.


The 1950s
Ford's first film of 1950 was the offbeat military comedy When Willie Comes Marching Home, starring Dan Dailey and Corinne Calvert, with William Demarest (of My Three Sons fame) and early (uncredited) screen appearances by Alan Hale Jr and Vera Miles. It was followed by Wagon Master, starring Ben Johnson and Harry Carey Jr, which is particularly noteworthy as the only Ford film since 1930 that he scripted himself. It was subsequently adapted into the long-running TV series Wagon Train (with Ward Bond reprising the title role until his sudden death in 1960), and Wagon Train was in turn a major inspiration for Star Trek. Although it did far smaller business than most of his other films in this period, Ford cited Wagon Master his personal favourite of all his films, telling Peter Bogdanovich that it "came closest to what I had hoped to achieve".

Rio Grande (Republic, 1950), the third part of the 'Cavalry Trilogy', co-starred John Wayne and Maureen O'Hara, with Wayne's son Patrick Wayne making his screen debut (he appeared in several subsequent Ford pictures including The Searchers). It was made at the insistence of Republic Pictures who demanded a profitable Western as the condition of backing Ford's next project, The Quiet Man. Thanks to Ford's legendary efficiency, Rio Grande was shot in just 32 days, with only 352 takes from 335 camera setups and it was a solid success, grossing $2.25m in its first year.

Republic's anxiety was erased by the resounding success of The Quiet Man (Republic, 1951), a pet project which Ford had wanted to make since the 1930s (and almost did so in 1937 with an independent cooperative called Renowned Artists Company). It became his biggest grossing picture to date, taking nearly $4 million in the USA alone in its first year and ranking in the top 10 box office films of 1951. It was nominated for seven Academy Awards and won Ford his fourth Oscar for Best Director, as well a second Best Cinematography Oscar for Winton Hoch. It was followed by What Price Glory? (1951), a World War I drama, the first of two films Ford made with Jimmy Cagney, which also did good business at the box office ($2m).

The Sun Shines Bright (1952), Ford's first entry in the Cannes Film Festival, was a western comedy-drama with Charles Winninger reviving the Judge Priest role made famous by Will Rogers in the 1930s. Ford later referred to it as one of his favourites, but it was poorly received, and was drastically cut (from 90 mins to 65 mins) by Republic soon after its release, with some excised scenes now presumed lost. It fared badly at the box office and its failure contributed to the subsequent collapse of Argosy Pictures.

His next film was the romance-adventure Mogambo (1952), a loose remake of Gable's early hit Red Dust, made for MGM. Filmed on location in Africa, it was photographed by noted British cinematographer Freddie Young and starred Ford's old friend Clark Gable, with Ava Gardner, Grace Kelly (who replaced an ailing Gene Tierney) and Donald Sinden. Although the production was difficult (exacerbated by the irritating presence of Gardner's then husband Frank Sinatra) Mogamabo became one of the biggest commercial hits of Ford's career, with the highest domestic first-year gross of any of his films ($5.2m); it also revitalized Gable's waning career and earned Best Actress and Best Supporting Actress Oscar nominations for Gardner and Kelly (who was rumoured to have had a brief affair with Gable during the making of the film).

In 1955, Ford made the lesser-known West Point drama The Long Gray Line for Columbia Pictures, the first of two films to feature Tyrone Power, who had originally been slated to star as the adult Huw in How Green Was My Valley back in 1941. Later in 1955 Ford was hired by Warner Bros to direct the classic Navy comedy Mister Roberts, starring Henry Fonda, Jack Lemmon, William Powell, and James Cagney but there was conflict between Ford and Fonda, who had played the lead role on Broadway for the past seven years and had misgivings about Ford's direction. During a three-way meeting with producer Leland Heyward to try and iron out the problems, Ford became enraged and punched Fonda on the jaw, knocking him across the room; an action that created a lasting rift between them. After the incident Ford became increasingly morose, drinking heavily and eventually retreated to the Araner and refused to eat or see anyone; production was shut down for five days and Ford sobered up, but soon after he suffered a ruptured gallbladder, necessitating emergency surgery, and he had to be replaced by Mervyn LeRoy.

Ford also made his first forays into television in 1955, directing two half-hour dramas for network TV. In the summer of 19955 he made Rookie of the Year (Hal Roach Studios) for the TV series Studio Directors Playhouse; scripted by Frank S. Nugent, it featured Ford regulars John and Pat Wayne, Vera Miles and Ward Bond, with Ford himself appearing in the introduction. In November he made The Bamboo Cross (Lewman Ltd-Revue, 1955) for the Fireside Theatre series; it starred Jane Wyman with an Asian-American cast and Stock Company veterans Frank Baker and Pat O'Malley in minor roles.

The Searchers (Warner Bros, 1956), the only Western he made between 1950 and 1959, which is now widely regarded as one of his best films, and one of the best performances of John Wayne's career. Shot on location in Monument Valley and accompanied by a stirring Max Steiner score, it tells the story of an embittered Civil War veteran who spends years tracking down his niece, kidnapped by Comanches as a young girl. The supporting cast included Jeffrey Hunter, Ward Bond, Vera Miles and a notable early appearance by rising star Natalie Wood. It was very successful upon its first release and became one of the top 20 films of the year, grossing $4.45m, although it received no Academy Award nominations. However its reputation has grown greatly over the intervening years—it was named the Greatest Western of all time by the American Film Institute in 2008 and also placed 12th on the Institute's 2007 list of the Top 100 greatest movies of all time. It has exerted a wide influence on film and popular culture—it has inspired (and been directly quoted by) many filmmakers including David Lean and George Lucas; Wayne's character's catchphrase "That'll be the day" inspired Buddy Holly to pen his famous hit song of the same name, and the film's title was appropriated by British beat group The Searchers.

The Searchers was accompanied by one of the first "making of" documentaries, a four-part promotional program created for the "Behind the Camera" segment of the weekly Warner Brothers Presents TV show, (the studio's first foray into TV) which aired on the ABC network in 1955-56. Presented by Gig Young, the four segments included interviews with Jeffrey Hunter and Natalie Wood and behind-the-scenes footage shot during the making of the film.

In The Wings of Eagles (MGM, 1957), a fictionalized biography of aviator-turned-scriptwriter Frank "Spig" Wead (who had scripted several of Ford's early sound films) and again starring his good friends John Wayne and Maureen O'Hara; Ford also cast his old friend Ward Bond as John Dodge (a character based on Ford himself). It was followed by one of Ford's least known films, The Growler Story, a 29-minute dramatized documentary about the USS Growler; made for the US Navy and filmed by the Pacific Fleet Command Combat Camera Group, it featured Ward Bond and Ken Curtis alongside real Navy personnel and their families.

Ford's next two films stand somewhat apart from the rest of his films in terms of production, and he notably took no salary for either job. The Rising of the Moon (Warner Bros, 1957) was an episodic three-part movie filmed on location in Ireland and based on Irish short stories. It was made by Four Province Productions, a company established by British tycoon Lord Killanin, who had recently become Chair of the International Olympic Committee, and to whom Ford was distantly related. Killanin was also the actual (but uncredited) producer of The Quiet Man. The film failed to recoup its costs, earning less than half ($100k) than its negative cost of just over $256,000 and it stirred up some controversy in Ireland.

Both of Ford's 1958 films were made for Columbia Pictures -- Gideon's Day (titled Gideon of Scotland Yard in the USA) was a significant departure from Ford's norm. Adapted from the novel by British writer John Creasey, it was Ford's only police genre film, and one of his only films set in the present day. It was shot in England with a British cast headed by Jack Hawkins, whom Ford (unusually) lauded as "the finest dramatic actor with whom I have worked". It was poorly promoted by Columbia, who only distributed it in B&W, although it was shot in colour and it too failed to make a profit in its first year, earning only $400,000 against its budget of $453,000.

The Last Hurrah, (Columbia, 1958), another of the few Ford films set in present day of the '50s, starred Spencer Tracy -- who made his first film appearance in Ford's Up The River in 1930, Tracy played an aging politician fighting his last campaign, with Jeffrey Hunter as his son. Katherine Hepburn reportedly facilitated a rapprochement between the two men, ending a long feud, and she convinced Tracy to take the lead role, which had originally been offered to Orson Welles (but was turned down by Welles' agent without his knowledge, much to his chagrin). It did considerably better business than either of Ford's two preceding films, grossing $950,000 in its first year although cast member Anna Lee stated that Ford was "disappointed with the picture" and that Columbia had not permitted him to supervise the editing.

Korea: Battleground for Liberty (1959), Ford's second documentary on the Korean War, was made for the U.S. Department of Defense as an orientation film for US soldiers stationed there. It was followed by his next feature, The Horse Soldiers (Mirisch Company-United Artists, 1959), a Civil War story starring John Wayne and William Holden. Although Ford professed unhappiness with the project, it was a commercial success, ranking in the year's Top 20 box-office hits, grossing $3.6m in its first year, and earning Ford his highest-ever fee -- $375,000, plus 10% of the gross.


The last years, 1960-73
In his declining years Ford was dogged by ill-health, largely the result of decades of heavy drinking and smoking, and exacerbated by the wounds he suffered during the Battle of Midway. His vision in particular began to deteriorate rapidly and at one point he briefly lost his sight entirely; his prodigious memory also began to falter, making it necessary to rely more and more on assistants. His work was also restricted by the new regime in Hollywood, and he found it hard to get many projects made—by the 1960s he had been pigeonholed as a Western director and complained that he now found it almost impossible to get backing for projects in other genres.

Sergeant Rutledge, (Ford Productions-Warner Bros, 1960) was Ford's last cavalry film. Set in the 1880s it tells the story of an African-American cavalry officer (played by Woody Strode) who is wrongfully accused of raping and murdering a white girl. It was marketed as a suspense film by Warners and was not a commercial success. During the year Ford made his third TV production, The Colter Craven Story, a one-hour episode of the network TV show Wagon Train, which included footage from Ford's Wagon Master (on which the series was based). He also contributed to The Alamo, produced, nominally directed by and starring John Wayne, and is reported to have supervised the shooting of several scenes, although some of his work was subsequently cut from the final film.

Two Rode Together (Ford Productions-Columbia, 1961) co-starred James Stewart and Richard Widmark, with Shirley Jones and regulars Andy Devine, Henry Brandon, Harry Carey Jr, Anna Lee, Woody Strode, Mae Marsh and Frank Baker, and an early screen appearance by Linda Cristal, who went on to star in the TV series The High Chaparral. It was a fair commercial success, grossing $1.6m in its first year.

The Man Who Shot Liberty Valance (Ford Productions-Paramount, 1962) is frequently cited as the last great film of Ford's career. It co-starred John Wayne and James Stewart in their only film together, with Vera Miles, Edmund O'Brien, Andy Devine as the inept marshal, Denver Pyle, John Carradine, Lee Marvin (in one of his first major roles) as the brutal Valance and Lee Van Cleef and Strother Martin as his henchmen. It is also notable as the film in which Wayne first used his trademark phrase "Pilgrim" (his nickname for James Stewart's character). It was very successful, grossing over $3m in its first year, although the lead casting stretched credibility—the characters played by Stewart (53) and Wayne (54) were meant to be in their early 20s, and Ford reportedly considered casting a younger actor in Stewart's role but feared it would highlight Wayne's age. Budget constraints meant that most of the film was shot on sets on the Paramount lot, although it was still one of Ford's most expensive films, with a budget of $3.2 million.

After completing Liberty Valance, Ford was hired to direct the Civil War section of MGM's epic How The West Was Won, the first non-documentary film to use the Cinerama wide-screen process. Ford's segment featured George Peppard, with Andy Devine, Russ Tamblyn, Harry Morgan as Ulysses S. Grant as John Wayne as William Tecumseh Sherman. Also in 1962, Ford directed his fourth and last TV production, Flashing Spikes, a baseball story made for the Alcoa Premiere series and starring James Stewart, Jack Warden, Patrick Wayne and Tige Andrews, with Harry Carey Jr.

Donovan's Reef (Paramount, 1963) was Ford's last film with John Wayne. Filmed on location on the Hawaiian island of Kauai (doubling for a fictional island in French Polynesia), it was a morality play disguised as an action-comedy, which subtly but sharply engaged with issues of racial bigotry, corporate connivance, greed and American beliefs of societal superiority. The supporting cast included Elizabeth Allen, Lee Marvin, Jack Warden, Dorothy Lamour, and Cesar Romero. It was also Ford's last commercial success, grossing $3.3m against a budget of $2.6m.

Cheyenne Autumn (Warner Bros, 1964) was Ford's epic farewell to the West, which he publicly declared to be an elegy to the Native American. It was his last Western, his longest film and the most expensive movie of his career ($4.2m), but it failed to recoup its costs at the box office and lost about $1m on its first release. The all-star cast was headed by Richard Widmark, with Carroll Baker, Karl Malden, Dolores del Rio, Ricardo Montalban, Gilbert Roland, Sal Mineo, James Stewart as Wyatt Earp, Arthur Kennedy as Doc Holliday, Edward G. Robinson, Patrick Wayne, Elizabeth Allen, Mike Mazurki and many of Ford's faithful Stock Company, including John Carradine, Ken Curtis, Willis Bouchey, James Flavin, Danny Borzage, Harry Carey Jr, Chuck Hayward, Ben Johnson, Mae Marsh and Denver Pyle. William Clothier was nominated for a Best Cinematography Oscar and Gilbert Roland won a Golden Globe award for Best Supporting Actor for his performance as Cheyenne elder Dull Knife.

In 1965 Ford began work on Young Cassidy (MGM), a biographical drama based upon the life of Irish playwright Sean O'Casey, but he fell ill early in the production and was replaced by Jack Cardiff.

Ford's last completed feature film was 7 Women (MGM, 1966), a drama about missionary women in China ca. 1935 who try to protect themselves from the advances of a barbaric Mongolian warlord. Anne Bancroft, took over the role from Patricia Neal, who suffered a near-fatal stroke two days into shooting; the supporting cast included Margaret Leighton, Flora Robson, Sue Lyon, Mildred Dunnock, Anna Lee, Eddie Albert, Mike Mazurki and Woody Strode, with music by Elmer Bernstein. Unfortunately it was a commercial flop, grossing only about half of its $2.3m budget. Unusually for Ford it was shot in continuity for the sake of the performances and he therefore exposed about four times as much film as he usually shot. Lee also recalled that Ford was "absolutely charming" to everyone, and that the only major blow-up came when Flora Robson complained that the sign on her dressing room door did not include her title ("Dame") and as a result Robson was "absolutely shredded" by Ford in front of the cast and crew.

Ford's next project, The Miracle of Merriford was scrapped by MGM less than a week before shooting was to have begun. His last completed work was Chesty: A Tribute to a Legend, a documentary on the most decorated U.S. Marine, General Lewis B. Puller, with narration by John Wayne, which was made in 1970 but not released until 1976, three years after Ford's death.

Ford's health deteriorated rapidly in the early 1970s; he suffered a broken hip in 1970 which put him in a wheelchair and had to move from his Bel Air home to a single-level house in Palm Desert, near Eisenhower Hospital, where he was being treated for cancer. In October 1972 the Screen Directors Guild staged a tribute to Ford and in March 1973 the American Film Institute honored him with its first Lifetime Achievement Award at a ceremony which was telecast nationwide, with President Richard Nixon promoting Ford to full Admiral and presenting him with the Medal of Freedom.

Ford died on 31 August 1973 at Palm Desert, California, and his funeral was held on 5 September at Hollywood's Church of the Blessed Sacrament.


Personality and directing style

Personality
Ford was renowned for his intense personality and his many idiosyncrasies and eccentricities. From the early Thirties onwards, he always wore dark glasses and a patch over his left eye, which was only partly to protect his poor eyesight. He was an inveterate pipe-smoker and while he was shooting he would chew on a linen handkerchief—each morning his wife would give him a dozen fresh handkerchiefs, but by the end of a day's filming the corners of all of them would be chewed to shreds. He always had music playing on the set and would routinely break for tea (Earl Grey) at mid-afternoon every day during filming. He discouraged chatter and disliked bad language on set; its use—especially in front of a woman—would typically result in the offender being thrown off the production. He rarely drank during the making of a film, but when a production wrapped he would often lock himself in his study, wrapped only in a sheet, and go on a solitary drinking binge for several days, followed by routine contrition and a vow never to drink again. He was extremely sensitive to criticism, was always particularly angered by any comparison between his work and that of his older brother Francis, and almost never attended premieres or award ceremonies, although his Oscars were proudly displayed on the mantle in his home.

He was famously untidy, and his study was always littered with books, papers and clothes. He bought a brand new Rolls Royce in the 1930s, but never rode in it because his wife Mary would not let him smoke in it. His own car, a battered Ford roadster, was so dilapidated and messy that he was once late for a studio meeting because the guard at the studio gate did not believe that he was John Ford the famous director, and refused to let him in. He was also notorious for his antipathy towards studio executives—on one early film for Fox he is said to have ordered a guard to keep studio boss Darryl F. Zanuck off the set, and on another occasion he brought an executive in front of the crew, stood him in profile and announced, "This is an associate producer -- take a good look because you won't be seeing him on this picture again".

His pride and joy was his yacht,Araner, which he bought in 1934 and on which he lavished hundreds of thousands of dollars in repairs and improvements over the years; it became his chief retreat between films.

Ford was highly intelligent, erudite, sensitive and sentimental, but to protect himself in the cutthroat atmosphere of Hollywood he cultivated the image of a "tough, two-fisted, hard-drinking Irish sonofabitch" (Harry "Dobe" Carey Jr). One famous event, witnessed by Ford's actor friend Frank Baker, strikingly illustrates the tension between the public persona and the private man. During the Depression, Ford—by then a very wealthy man—was accosted outside his office by a former Universal actor who was destitute and needed $200 for an operation for his wife. As the man related his misfortunes, Ford appeared to become enraged and then, to the horror of onlookers, he launched himself at the man, knocked him to the floor and shouted "How dare you come here like this? Who do think you are to talk to me this way?" before storming out of the room. However, as the shaken old man left the building, Frank Baker saw Ford's business manager Fred Totman meet him at the door, where he handed the man a cheque for $1000 and instructed Ford's chauffeur to drive him home. There, an ambulance was waiting to take the man's wife to the hospital where a specialist, flown in from San Francisco at Ford's expense, performed the operation. Some time later, Ford purchased a house for the couple and pensioned them for life. When Baker related the story to Francis Ford, he declared it the key to his brother's personality:

"Any moment, if that old actor had kept talking, people would have realised what a softy Jack is. He couldn't have stood through that sad story without breaking down. He's built this whole legend of toughness around himself to protect his softness."
Although Ford had many affairs with women, there were occasional rumours about his sexual preferences and in her 2004 autobiography 'Tis Herself, Maureen O'Hara recalled seeing Ford kissing a famous male actor (whom she did not name) on the set of The Long Gray Line.


Directing style
Ford had many distinctive stylistic 'trademarks' and distinctive thematic, visual and aural motifs recur throughout his work as a director.

In contrast to his contemporary Alfred Hitchcock, he never used storyboards—he composed his pictures entirely in his head, without any written outline of the shots he would use. Script development could be intense but, once approved, his screenplays were rarely rewritten; he was also one of the first filmmakers who encouraged his writers and actors to prepare full background biographies to their characters. He hated long expository scenes and was famous for tearing pages out of a script to cut dialogue. During the making of one film, when challenged by a studio executive about falling behind schedule, Ford responded by tearing an entire scene out of the script and declaring "There, now we're all caught up!", and indeed he never filmed the scene. While making Drums Along the Mohawk, Ford neatly sidestepped the challenge of shooting a large and expensive battle scene by having Henry Fonda improvise a monologue by asking the actor a series of off-camera questions about the course of the battle (a subject on which Fonda was well-versed) and then simply editing out the questions.

He was relatively sparing in his use of camera movements and close-ups, preferring static medium or long shots, with his actors framed against dramatic vistas or expressionistically lit interiors, although he often used panning shots and sometimes used a dramatic zoom-in to introduce a character (e.g. John Wayne's first appearance in Stagecoach) and he was famous for his exciting tracking shots, such as the chase sequence in Stagecoach or the attack on the Comanche camp in The Searchers.

Recurring Ford motifs include trains and wagons—many Ford films begin and end with a linking vehicle such as a train or wagon arriving and leaving—doorways, roads, flowers, rivers, gatherings (parades, dances, meetings, bar scenes, etc); he also employed gestural motifs in many films, notably the throwing of objects and the lighting of lamps, matches or cigarettes. If a doomed character was shown playing poker (e.g. Liberty Valance, gunman Tom Tyler in Stagecoach), the last hand he plays is the "death hand" -- two eights and two aces, one of them the ace of spades—so-called because Wild Bill Hickock is said to have held this hand when he was murdered. Many of his sound films include renditions or quotations of his favourite hymn, "Shall We Gather at the River?", such as its parodic use to underscore the opening scenes of Stagecoach, when the prostitute Dallas is being run out of town by local matrons. Names also recur in many Ford films—the character name Quincannon, for example, is used in several films including The Lost Patrol, Rio Grande, She Wore A Yellow Ribbon and Fort Apache.

Ford was legendary for his discipline and efficiency on-set and was notorious for being extremely tough on his actors, frequently mocking, yelling and bullying them; he was also infamous for his sometimes sadistic practical jokes. Any actor foolish enough to demand star treatment could would receive the full force of Ford's relentless scorn and sarcasm. He once referred to John Wayne as a "big idiot" and even punched Henry Fonda. Henry Brandon (who played Chief Scar from The Searchers) once referred to Ford as: "The only man who could make John Wayne cry.". He likewise belittled Victor McLaglen, on one occasion reportedly bellowing through the megaphone: "D'ya known, McLaglen, that Fox are paying you $1200 a week to do things that I could get any child off the street to do better?". Stock Company veteran Ward Bond was reportedly one of the only actors who was impervious to Ford's taunting and sarcasms.

Ford usually gave his actors little explicit direction, although on occasion he would casually walk through a scene himself, and actors were expected to note all his subtle actions and mannerisms; if they did not, Ford would make them repeat it until they got it right, and he would often berate and belittle actors who failed to achieve his desired performance. On The Man Who Shot Liberty Valance, Ford ran through a scene with Edmund O'Brien and ended by drooping his hand over a railing. O'Brien noticed this but deliberately ignored it, placing his hand on the railing instead, but Ford would not correct him and he made O'Brien replay the scene forty-two times before the actor relented and did it Ford's way.

Despite his often difficult and demanding personality, many actors who worked with Ford acknowledged that he brought out the best in them. John Wayne remarked that "Nobody could handle actors and crew like Jack." and Dobe Carey stated that "He had a quality that made everyone almost kill themselves to please him. Upon arriving on the set, you would feel right away that something special was going to happen. You would feel spiritually awakened all of a sudden." Carey credits Ford with the inspiration of Carey's final film, Comanche Stallion (2005).

Ford's favorite location for his Western films was southern Utah's Monument Valley. He defined images of the American West with some of the most beautiful and powerful cinematography ever shot, in such films as Stagecoach, The Searchers, Fort Apache; a notable example is the famous scene photographed against an oncoming storm in She Wore a Yellow Ribbon. The influence on the films of classic Western artists such as Frederic Remington and others has been examined. Ford's evocative use of the territory for his Westerns has defined the images of the American West so powerfully that Orson Welles once said that other film-makers refused to shoot in the region out of fears of plagiarism.

Ford typically shot only the footage he needed and he often filmed in sequence, minimizing the job of his film editors. In the opinion of Joseph McBride , Ford's technique of cutting in the camera enabled him to retain creative control in a period where directors often had little say on the final editing of their films. Ford noted:

"I don’t give ‘em a lot of film to play with. In fact, Eastman used to complain that I exposed so little film. I do cut in the camera. Otherwise, if you give them a lot of film ‘the committee’ takes over. They start juggling scenes around and taking out this and putting in that. They can’t do it with my pictures. I cut in the camera and that's it. There's not a lot of film left on the floor when I’m finished."
In making The Grapes of Wrath (which runs 108 mins) Ford reportedly exposed just 40,000 feet of film, which equates to the remarkably low shooting ratio of 4:1. The shooting ratio for feature films typically ranges from 6:1 to 10:1 or more and, by comparison, it is reported that Kevin Costner shot almost 1 million feet of film in the making of Dances With Wolves (which runs 180 mins)

Ford died in Palm Desert, California, aged 79 from stomach cancer. He was interred in the Holy Cross Cemetery in Culver City, California. A statue of Ford in Portland, Maine depicts him sitting in a director's chair.


Awards
Ford won four Academy Awards as Best Director for The Informer (1935), The Grapes of Wrath (1940), How Green Was My Valley (1941), and The Quiet Man (1952) - none of them Westerns (also starring in the last two was Maureen O'Hara, "his favorite actress"). He was also nominated as Best Director for Stagecoach (1939). Ford is the only director to have won four Best Director Academy Awards: both William Wyler and Frank Capra won the award three times.

As a producer he received nominations for Best Picture for The Quiet Man and The Long Voyage Home.

He was the first recipient of the American Film Institute Life Achievement Award in 1973. Also in that year, Ford was awarded the Presidential Medal of Freedom by President Richard Nixon.

In 2007, Twentieth Century Fox released "Ford at Fox", a DVD boxed set of 24 of Ford's films. Time magazine's Richard Corliss named it one of the "Top 10 DVDs of 2007", ranking it at #1.


Academy Awards
Year Awards Film Won
1932 Outstanding Production Arrowsmith Irving G. Thalberg (Grand Hotel)
1935 Outstanding Production The Informer Irving G. Thalberg (Mutiny on the Bounty)
1935 Best Director The Informer Y
1939 Best Director Stagecoach Victor Fleming (Gone with the Wind)
1940 Outstanding Production The Long Voyage Home David O. Selznick (Rebecca)
1940 Best Director The Grapes of Wrath Y
1941 Best Director How Green Was My Valley Y
1952 Best Motion Picture The Quiet Man Cecil B. DeMille (The Greatest Show on Earth)
1952 Best Director The Quiet Man Y

The Battle of Midway Academy Award for Documentary Feature

December 7 (film) Academy Award for Documentary Short Subject

Politics
Ford's politics were conventionally progressive; his favorite presidents were Democrats Franklin D. Roosevelt and John F. Kennedy and Republican Abraham Lincoln But despite these leanings, many thought he was a Republican because of his long association with actors John Wayne, James Stewart, Maureen O'Hara and Ward Bond. Time magazine editor Whittaker Chambers wrote a harsh review of The Grapes of Wrath as left-wing propaganda, assuming Steinbeck, the author, and Ford to be of that political stripe.

Ford's attitude to McCarthyism in Hollywood is expressed by a story told by Joseph L. Mankiewicz. A faction of the Directors Guild of America led by Cecil B. DeMille had tried to make it mandatory for every member to sign a loyalty oath. A whispering campaign was being conducted against Mankiewicz, then President of the Guild, alleging he had communist sympathies. At a crucial meeting of the Guild, DeMille's faction spoke for four hours until Ford spoke against DeMille and proposed a vote of confidence in Mankiewicz, which was passed. His words were recorded by a court stenographer:

"My name's John Ford. I make Westerns. I don't think there's a

Astrological portrait of John Ford (excerpt)

Disclaimer: these short excerpts of astrological charts are computer processed. They are, by no means, of a personal nature. This principle is valid for the 47,411 celebrities included in our database. These texts provide the meanings of planets, or combination of planets, in signs and in houses, as well as the interpretations of planetary dominants in line with modern Western astrology rules. Moreover, since Astrotheme is not a polemic website, no negative aspect which may damage the good reputation of a celebrity is posted here, unlike in the comprehensive astrological portrait.

Introduction

Your Comprehensive Astrological Portrait

Here are some character traits from John Ford's birth chart. This description is far from being comprehensive but it can shed light on his/her personality, which is still interesting for professional astrologers or astrology lovers.

In a matter of minutes, you can get at your email address your astrological portrait (approximately 32 pages), a much more comprehensive report than this portrait of John Ford.

N.B.: As this celebrity's birth time is unknown, the chart is drawn for 12:00 PM - the legal time for his/her place of birth; since astrological houses are not taken into account, this astrological profile excerpt is less detailed than those for which the birth time is known.

The dominant planets of John Ford

When interpreting a natal chart, the best method is to start gradually from general features to specific ones. Thus, there is usually a plan to be followed, from the overall analysis of the chart and its structure, to the description of its different character traits.

In the first part, an overall analysis of the chart enables us to figure out the personality's main features and to emphasize several points that are confirmed or not in the detailed analysis: in any case, those general traits are taken into account. Human personality is an infinitely intricate entity and describing it is a complex task. Claiming to rapidly summarize it is illusory, although it does not mean that it is an impossible challenge. It is essential to read a natal chart several times in order to absorb all its different meanings and to grasp all this complexity. But the exercise is worthwhile.

In brief, a natal chart is composed of ten planets: two luminaries, the Sun and the Moon, three fast-moving or individual planets, Mercury, Venus and Mars, two slow-moving planets, Jupiter and Saturn, and three very slow-moving planets, Uranus, Neptune and Pluto. Additional secondary elements are: the Lunar Nodes, the Dark Moon or Lilith, Chiron and other minor objects. They are all posited on the Zodiac wheel consisting of twelve signs, from Aries to Pisces, and divided into twelve astrological houses.

The first step is to evaluate the importance of each planet. This is what we call identifying the dominant planets. This process obeys rules that depend on the astrologer's sensitivity and experience but it also has precise and steady bases: thus, we can take into account the parameters of a planet's activity (the number of active aspects a planet forms, the importance of each aspect according to its nature and its exactness), angularity parameters; (proximity to the four angles, Ascendant, Midheaven, Descendant and Imum Coeli or Nadir, all of them being evaluated numerically, according to the kind of angle and the planet-angle distance) and quality parameters (rulership, exaltation, exile and fall). Finally, other criteria such as the rulership of the Ascendant and the Midheaven etc. are important.

These different criteria allow a planet to be highlighted and lead to useful conclusions when interpreting the chart.

The overall chart analysis begins with the observation of three sorts of planetary distributions in the chart: Eastern or Western hemisphere, Northern or Southern hemisphere, and quadrants (North-eastern, North-western, South-eastern and South-western). These three distributions give a general tone in terms of introversion and extraversion, willpower, sociability, and behavioural predispositions.

Then, there are three additional distributions: elements (called triplicity since there are three groups of signs for each one) - Fire, Air, Earth and Water - corresponding to a character typology, modality (or quadruplicity with four groups of signs for each one) - Cardinal, Fixed and Mutable - and polarity (Yin and Yang).

There are three types of dominants: dominant planets, dominant signs and dominant houses. The novice thinks astrology means only "to be Aries" or sometimes, for example, "to be Aries Ascendant Virgo". It is actually far more complex. Although the Sun and the Ascendant alone may reveal a large part of the character - approximately a third or a half of your psychological signature, a person is neither "just the Sun" (called the sign) nor just "the first house" (the Ascendant). Thus, a particular planet's influence may be significantly increased; a particular sign or house may contain a group of planets that will bring nuances and sometimes weaken the role of the Ascendant, of the Sun sign etc.

Lastly, there are two other criteria: accentuations (angular, succedent and cadent) which are a classification of astrological houses and types of decanates that are occupied (each sign is divided into three decanates of ten degrees each). They provide some additional informations.

These general character traits must not be taken literally; they are, somehow, preparing for the chart reading. They allow to understand the second part of the analysis, which is more detailed and precise. It focuses on every area of the personality and provides a synthesis of all the above-mentioned parameters according to sound hierarchical rules.

Warning: when the birth time is unknown, which is the case for John Ford, a few paragraphs become irrelevant; distributions in hemispheres and quadrants are meaningless, so are dominant houses and houses' accentuations. Therefore, some chapters are removed from this part.

For all paragraphs, the criteria for valuation are calculated without taking into account angles and rulerships of the Ascendant and of the Midheaven. The methodology retains its validity, but it is less precise without a time of birth.

Elements, Modalities and Polarities for John Ford

Cheers for communication and mobility, John Ford! The predominance of Air signs in your chart favours and amplifies your taste for relations and for all kinds of short trips, whether real (travels) or symbolic (new ideas, mind speculations). You gain in flexibility and adaptability what you lose in self-assertion or in pragmatism.

John Ford, Fire is dominant in your natal chart and endows you with intuition, energy, courage, self-confidence, and enthusiasm! You are inclined to be passionate, you assert your willpower, you move forward, and come hell or high water, you achieve your dreams and your goals. The relative weakness of this element is the difficulty to step back or a kind of boldness that may prompt you to do foolish things.

Earth qualities are under-represented in your chart, with only 9.40% instead of the average 25%. Deficiency in Earth may indicate that you have no interest in material and concrete values. It is likely that you live too much in your heart or in your mind, or even in your enthusiasm! The fact remains that you may end up in tricky situations, due to your lack of good sense or forethought: material life is unavoidable even if you are rather idealistic, dreamy, or easily content. You must tackle concrete life necessities, for fear of... being forced to cope with them, later, in much more unpleasant ways!

The twelve zodiacal signs are split up into three groups or modes, called quadruplicities, a learned word meaning only that these three groups include four signs. The Cardinal, Fixed and Mutable modes are more or less represented in your natal chart, depending on planets' positions and importance, and on angles in the twelve signs.

The Fixed mode corresponds to a majority of elements in your chart, John Ford, and represents the desire for security and durability: you are able to concretely appreciate a situation and its stability. You definitely prefer to play the role of a loyal, obstinate and hard-working person, rather than to try new and risky experiences - beware, however, not to confuse obstinacy with intransigence. You structure, cement, and strengthen everything you find on your way: it is your nature, although you are not especially interested in swiftness: slow and steady...

The twelve signs are divided into two polarities, called active or passive, or sometimes masculine and feminine, positive and negative, Yang and Yin. This classification corresponds to two quite distinct tonalities, the first one bringing extraversion, action, self-confidence and dynamism, the second one, introversion, reactivity, reflection and caution. None is superior to the other, each group has its own assets and shortcomings. Odd signs - Aries, Gemini, Leo, Libra, Sagittarius and Aquarius - belong to the first group, whereas even signs - Taurus, Cancer, Virgo, Scorpio, Capricorn and Pisces - belong to the second group.

N.B.: this dominant is a minor one. It is not essential that you read its meaning in the beginning. You can get back to them later on, once you have read more important interpretations.

According to the disposition and qualities of your planets and angles, you are rather influenced by Yang energy, the active polarity, John Ford: more concerned about actions than reflection, you sometimes rush without standing back and without the deepness that is needed. However, your spontaneity prompts you to take fresh starts, even after repeated failures caused by your rashness.

Each sign contains 30 degrees and can be divided into three equal parts: the decanates. The Tradition indicates that specific meanings can be associated to each of the three decanates. Their sphere of activity is usually limited to the Sun sign, however, it is even more interesting to observe the distribution of all the planets in the chart to get an idea of the respective importance of the three decanates, which can complement the description of the personality.

These meanings must be considered with the greatest caution. Indeed, they are minor characteristics that can only underline other outstanding traits of character.

Traditionally, the first decanate highlights the characteristics of the sign where a planet is located. The two other decanates correspond to sub-dominant planets, depending on the nature of each sign. This system leads to a multiplication of meanings and it is impossible to have a clear understanding: here, we prefer to give only the meaning of one decanate in comparison with the other two, within the birth chart as a whole. Again, the greatest caution is needed with regard to this minor indication as it is not always reliable: it is not essential that you read these texts in the beginning. You can get back to them later on, once you have read more important interpretations

The second decanate, which means the part between 10° and 20° of any zodiacal sign, prevails in your natal chart, John Ford: these 10 zodiacal degrees emphasize logical thought and mental values. Therefore, you may be drawn to some kind of scientific activities, research, writing or any sort of expression where you have to... think a lot.

Dominants: Planets, Signs and Houses for John Ford

The issue of dominant planets has existed since the mists of time in astrology: how nice it would be if a person could be described with a few words and one or several planets that would represent their character, without having to analyse such elements as rulerships, angularities, houses, etc!

The ten planets - the Sun throughout Pluto - are a bit like ten characters in a role-play, each one has its own personality, its own way of acting, its own strengths and weaknesses. They actually represent a classification into ten distinct personalities, and astrologers have always tried to associate one or several dominant planets to a natal chart as well as dominant signs and houses.

Indeed, it is quite the same situation with signs and houses. If planets symbolize characters, signs represent hues - the mental, emotional and physical structures of an individual. The sign in which a planet is posited is like a character whose features are modified according to the place where he lives. In a chart, there are usually one, two or three highlighted signs that allow to rapidly describe its owner.

Regarding astrological houses, the principle is even simpler: the twelve houses correspond to twelve fields of life, and planets tenanting any given house increase that house's importance and highlight all relevant life departments: it may be marriage, work, friendship etc.

In your natal chart, John Ford, the ten main planets are distributed as follows:

The three most important planets in your chart are Uranus, Mercury and Saturn.

Uranus is among your dominant planets: just like Neptune and Pluto, Uranian typology is less clearly defined than the so-called classical seven planets that are visible to the naked eye, from the Sun to Saturn. However, it is possible to associate your Uranian nature with a few clear characteristics: Uranus rhymes with independence, freedom, originality, or even rebelliousness and marginality, when things go wrong...

Uranus is Mercury's higher octave and as such, he borrows some of its traits of character; namely, a tendency to intellectualize situations and emotions with affective detachment, or at least jagged affectivity.

Therefore, you are certainly a passionate man who is on the lookout for any kind of action or revolutionary idea, and you are keen on new things. Uranians are never predictable, and it is especially when they are believed to be stable and well settled that... they change everything - their life, partner, and job! In fact, you are allergic to any kind of routine, although avoiding it must give way to many risks.

With Mercury among your dominant planets, you are certainly cerebral, nervous, swift, curious, quick-witted, and you love to communicate. Your psychological pattern is intellectual, all the more so since Mercury is important, with its whole set of assets but also of weaknesses, obviously.

Your sensitivity, emotions, and heart's impulses give precedence to thinking, which can lead people to believe that you are a playful and witty but heartless person, intellectualizing situations and juggling with words and numbers whilst ignoring human aspects of things. Of course, it is said that cats always land on their feet - this is your Mercurian strength and your trump card!

Your weakness lies in your nervousness, and you may miss your goal because of your "over-intellectualization" that may be detrimental to other kind of energies such as instinct, spontaneity, heart, sensitivity, etc.

Saturn is part of your dominant planets: among the facets of your character, you have a grave and serious side, wise and somewhat severe, since your concentration can be powerful, to the detriment of carelessness and friendliness.

You often look austere, but it is only an appearance, a kind of modesty or reserve; however, it is true that the Saturnian, who is fond of time, effort, asceticism, rigour and sobriety, may have popularity issues. Nevertheless, honesty and straightforwardness, reliability, as well as slow, wise and deep mental process, although not very popular and visible qualities, eventually become noticed and appreciated. Saturnians' second part of life is usually easier and more fulfilling.

Like the Jupiterian, your Saturnian facet prompts you to seek the essential, security, and longevity. However, the difference with the former is that you will never give priority to wealth or "the bigger, the better" philosophy for the sake of power. Saturn, like Jupiter, symbolizes social integration, and it is usually considered positive to have a harmonic Jupiter and Saturn in one's chart because of their social adaptation capacities.

Your vulnerability lies in your too serious and austere side, which may lead to unwanted loneliness and affective frustration. This generally does not last because Saturnians often hide deep down a golden heart that ends up revealing itself...

In your natal chart, the three most important signs - according to criteria mentioned above - are in decreasing order of strength Aquarius, Sagittarius and Pisces. In general, these signs are important because your Ascendant or your Sun is located there. But this is not always the case: there may be a cluster of planets, or a planet may be near an angle other than the Midheaven or Ascendant. It may also be because two or three planets are considered to be very active because they form numerous aspects from these signs.

Thus, you display some of the three signs' characteristics, a bit like a superposition of features on the rest of your chart, and it is all the more so if the sign is emphasized.

Aquarius is one of the most important signs in your natal chart: it endows your personality - at least one of its facets - with originality, to the point of eccentricity, in spite of a sometimes distant and humane side. Likeable and impassive at the same time, you are a paradoxical man, very hard to define because the two planets Uranus and Saturn blend their qualities to create the so complicated and endearing sign that inspires your character. Saturn's seriousness and impassivity is added to Uranus' rebellion, talent, individualism, charisma, extravagance, and unpredictability! One of your main characteristics is that you never open up on a personal basis, but you tend to do so easily in public. You are actually quite strange. Sexy and charming in public, despite your nice and sociable character, you could frustrate many of your admirers in private because of your impossibility to show deep and warm affection, emotions, tears... But appearance and reality are two different things anyway - you are a kind of a genius, or you have at least a tremendous charm with this sign. You have many friends and an active social life. If you are detached in your love life - only in this aspect, since the rest of chart will confirm it or not - this is no big deal!

Sagittarius, an adventurous and conquering fire sign, is dominant in your chart: you are enthusiastic, enterprising, optimistic, very sociable, and mobile - you have itchy feet, both physically and mentally. Nobody gets bored with you because you are always planning things and suggesting excursions, at least... when you are around and not already gone on a trip! Obviously, so many movements for one man may scare people off, and some of them may even criticize your brutality or your tendency to loose your temper, but you are so warm and genuine, so expansive, isn't this a good thing? And all the more so, since your sense of humour is overwhelming...

Pisces is among your dominant signs and endows your personality with unlimited sources of emotions, dreams, imagination, and sensitivity, to the extent that you literally swim in a cloudy ocean of delightful impressions. These impressions are so intense and overwhelming that you don't really need to take action concretely, to show your dynamism or your willpower, since you already live so intensely with your feelings - you are as keen as a radar, always on the alert! That is why some people may not like your carelessness, and the lack of clarity in your opinions or actions; however they quickly notice your artistic talents, your poetic or artistic side, and your total lack of wickedness. Besides, you feel compassion for people in pain - empathy is one of your great qualities. Thanks to your flexibility, your intuition, and your generosity, you may spend an important part of your life helping others. And if you are creative or if you have well-known artistic talents, everybody will forgive your little flaws: absent-mindedness, lack of energy or of will, too dreamy temperament...

After this paragraph about dominant planets, of John Ford, here are the character traits that you must read more carefully than the previous texts since they are very specific: the texts about dominant planets only give background information about the personality and remain quite general: they emphasize or, on the contrary, mitigate different particularities or facets of a personality. A human being is a complex whole and only bodies of texts can attempt to successfully figure out all the finer points.

Your sensitivity

Your nature is optimistic and emotional, John Ford, and you are caught up in two incompatible longings: you are fond of exoticism and independence of movement, but at the same time, you feel comfortable in a form of middle-class attitude and conformism; in general, it translates into a succession of moods, now quiet and well adapted to the situations you experience, now marked by an irresistible desire for change and revival. You have a good and naïve nature, with a lot of self-confidence. Your emotionalism prompts you to live intensely a variety of numerous emotional experiences, a bit scattered, but with all the stimulations you need to be a balanced person. Your pleasant and welcoming attitude wins you some degree of popularity, all the more so because, despite your thirst for adventures that may scare away some people, you adjust to your environment's customs so easily.

Your intellect and your social life

You are a “free-thinker”, John Ford, and you tackle problems with a swift and efficient mind. Freedom, progress and originality are your driving forces. You are resolutely future-oriented and with ingenuity and inventiveness, you reform what is outgrown and you constantly innovate: psychology, computer sciences, new technologies... have almost no secret for you. Your human and idealist qualities are obvious, you are a very pleasant and interesting interlocutor, even though your rebellious and revolutionary side may be criticized. Indeed, you seem to be driven by a strong argumentativeness: you seldom share your friends' views and, although you may come across as obstinate, intransigent and unpleasant, you do not hesitate to speak the truth! Instead of causing sudden break-ups with your friends, it is advisable that you express your creative potential more persistently whenever your nervous tension is too high.

Your affectivity and your seductiveness

In your chart, the Sun is in Aquarius and Venus, in Pisces. Aquarius' ability to be amazed and enthused faces the peculiar sensitivity and the detachment of Venus in Pisces. Two antinomical modes are confronting: Aquarius' optimism and idealism versus Pisces' strange lucidity. Your Venusian sign highlights the extreme subtlety of your desires and emotions. Your sensitivity is elusive and you are not interested in basic and coarse relationships. You reject or you accept according to your intuition and not to the logic of a given situation. Aquarius is filled with amazement and displays a commendable idealism but Pisces quickly reminds of the fragile nature of all relationships. Love hangs by a thread. You must not forget that love is precarious because it may be detrimental to your balance. More than anyone, you refuse conventions. You are not interested in loves that offer no risk, no challenge and no future. The complexity of your affective behaviours may disconcert. They range from distance to amazement, from enthusiasm to refusal. You handle the art of paradoxes very skilfully. Love is never simple, unless it is drawing to its end. This zodiacal duet draws its strength from its ability to transform, to reinvent the rules of the game and to never let the current norms hamper the free flow of your sensitivity.

Compassion and self-sacrifice: you are fond of this romantic mode and you are willing to express your feelings, the intensity of which is unlimited, John Ford. With excitement and imagination, you dream your amorous relationships as much as you actually live through them. The line between the concrete world and your huge hopes is so tenuous that you don't know anymore where it is, although your particularly rich sensuality prompts you to experience your feelings concretely. You want to share communion and passion with your partner. The lyrical flights of your feelings break from your heart as waves that you do not attempt to control because they give you a real, almost voluptuous and carnal joy. You give a lot – sometimes too much - without reservation, almost without propriety, totally revealing your vulnerability during your amorous exchanges because you are sure of the quality and the might of your feelings: they are so powerful and overwhelming that you are aware that nothing can resist them.

Your will and your inner motivations

In the sentimental sphere, you are particularly sensitive to the values of friendship, in the sense that you see yourself as a link within a chain, certainly a different and original one, but with no will to flatter your ego or to individually assert yourself. On the contrary, your aim is to immerge yourself in your friendly relations and to participate in projects and ideals of the whole human community.

As you are born under this sign, you are idealistic, altruistic, detached, independent, original, surprising, gifted, contradictory, innovative, humanistic, likeable, friendly, self-confident, impassive, quiet, intuitive, creative, charitable, elusive, disconcerting, generous, tolerant, paradoxical, and you cannot stand any kind of constraint. But you may also be marginal, resigned, distant, utopian, maladjusted, eccentric and cold.

In love, Sir, you are totally elusive. The human warmth you show in your group meetings quickly turns into a distant and sober attitude as soon as you are alone together. It is obvious that it may cause some problems if you were thought to be different. Your reluctance to talk about yourself, although not disturbing under other circumstances, is quite inappropriate in the private sphere.

The distance you maintain, as well as your lack of emotionalism, may suddenly disappear to give room for a real relationship, since you are prone to mood swings. The necessary condition is that you have centres of interest to share with your partner. Converging passions will ensure that the magic of your relationship can develop. Ideally, a deep friendship should be the basis of your initial relationship, because friendship is a feeling that particularly suits you; in such a case, imperceptibly, conducive closeness may transform friendship into the true love you give yourself up to eventually.

You are loyal, faithful and surprising. Once you find your soul mate, you feel more comfortable and, if the harmony with your partner is rich enough, you may stay with her your whole life through. You certainly have moments that seem strange to your partner, for instance when you are impersonal or even cold. But your natural magnetism, your communication skills and your shrewdness as you play with words, work wonders for patching things up.

You avoid problems that may cause emotional or sentimental complications. Because you are often disconcerting, your partner may need some time to adjust: you disappear suddenly when you do not want to deal too closely with your individuality. And you reappear as quickly with excuses and a charming casualness, and again, you are disconcerting!

You are interested in things that are out of the ordinary. Your erotic imagination may be immense and inexhaustible. You belong to the cerebral type and you cannot separate physical and sentimental aspects from your imagination’s intense activity. As a result, you explore with lucidity all the possibilities that may suit you best.

Your ability to take action

John Ford, you are a real Goliath and you often excel in sport; your thirst for conquests prompts you to constantly launch new challenges. The enthusiasm you put in your undertakings is perfectly well supported by your moral concepts and an idealism compatible with the values of the society you live in. You are pragmatic, enterprising and sometimes, naive. You do not pay attention to details and you launch various great adventurous projects that are all doomed to success. In a few rare cases, you can funnel your huge energy into more philosophical, even spiritual or religious enterprises, where your entire fieriness works wonders. On the sexual plane, your ardour and your spontaneity are your main assets. The danger is that you may spread yourself too thin in the sense that you may forget about faithfulness, particularly during the extensive faraway travels you are so fond of.

Conclusion

This text is only an excerpt from of John Ford's portrait. We hope that it will arouse your curiosity, and that it will prompt you to deepen your knowledge of astrology, as well as to visit and use the wide range of free applications at www.astrotheme.com.

Astrological studies describe many of the character traits and they sometimes go deeper into the understanding of a personality. Please, always keep in mind that human beings are continuously evolving and that many parts of our psychological structures are likely to be expressed later, after having undergone significant life's experiences. It is advised to read a portrait with hindsight in order to appreciate its astrological content. Under this condition, you will be able to take full advantage of this type of study.

The analysis of an astrological portrait consists in understanding four types of elements which interact with one another: ten planets, twelve zodiacal signs, twelve houses, and what are called aspects between planets (the 11 aspects most commonly used are: conjunction, opposition, square, trine, sextile, quincunx, semi-sextile, sesqui-quadrate, quintile and bi-quintile. The first 5 aspects enumerated are called major aspects).

Planets represent typologies of our human psychology: sensitivity, affectivity, ability to undertake, will-power, mental process, aptitude, and taste for communication etc., all independent character facets are divided here for practical reasons. The twelve signs forming the space where planets move will "colour", so to speak, these typologies with each planet being located in its particular sign. They will then enrich the quality of these typologies, as expressed by the planets. The Zodiac is also divided into twelve astrological houses. This makes sense only if the birth time is known because within a few minutes, the twelve houses (including the 1st one, the Ascendant) change significantly. They correspond to twelve specific spheres of life: external behaviour, material, social and family life, relationship, home, love life, daily work, partnership, etc. Each planet located in any given house will then act according to the meaning of its house, and a second colouration again enriches those active forces that the planets symbolize. Finally, relations will settle among planets, creating a third structure, which completes the planets' basic meanings. A set of ancient rules, which has stood the test of experience over hundreds of years (although astrology is in evolution, only reliable elements are integrated into classical studies), are applied to organize the whole chart into a hierarchy and to allow your personality to be interpreted by texts. The planets usually analysed are the Sun, the Moon, Mercury, Venus, Jupiter, Saturn, Uranus, Neptune and Pluto, which means two luminaries (the Sun and the Moon) and 8 planets, a total of 10 planets. Additional secondary elements may be taken into account, such as asteroids Chiron, Vesta, Pallas, Ceres (especially Chiron, more well-known), the Lunar nodes, the Dark Moon or Lilith, and even other bodies: astrology is a discipline on the move. Astrological studies, including astrological portrait, compatibility of couples, predictive work, and horoscopes evolve and become more accurate or deeper, as time goes by.

Precision: concerning the horoscopes with a known time of birth, according to the Tradition, we consider that a planet near the beginning (called cuspide) of the next house (less than 2 degrees for the Ascendant and the Midheaven, and less than 1 degree for all other houses) belongs to this house: our texts and dominants take this rule into account. You can also choose not to take this shift into account in the form, and also tick the option Koch or Equal houses system instead of Placidus, the default houses system.

Warning: In order to avoid any confusion and any possible controversy, we want to draw your attention upon the fact that this sample of celebrities is very complete and therefore, it also includes undesirable people, since every category is represented: beside artists, musicians, politicians, lawyers, professional soldiers, poets, writers, singers, explorers, scientists, academics, religious figures, saints, philosophers, sages, astrologers, mediums, sportsmen, chess champions, famous victims, historical characters, members of royal families, models, painters, sculptors, and comics authors or other actual celebrities, there are also famous murderers, tyrants and dictators, serial-killers, or other characters whose image is very negative, often rightly so.

Regarding the latter, it must be remembered that even a monster or at least a person who perpetrated odious crimes, has some human qualities, often noticed by his/her close entourage: these excerpts come from computer programmes devoid of polemical intentions and may seem too soft or lenient. The positive side of each personality is deliberately stressed. Negative sides have been erased here - it is not the same in our comprehensive reports on sale - because it could hurt the families of such people. We are hoping that it will not rebound on the victims' side.

Numerology: Birth Path of John Ford

Testimonies to numerology are found in the most ancient civilizations and show that numerology pre-dates astrology. This discipline considers the name, the surname, and the date of birth, and ascribes a meaning to alphabetic letters according to the numbers which symbolise them.

The path of life, based on the date of birth, provides indications on the kind of destiny which one is meant to experience. It is one of the elements that must reckoned with, along with the expression number, the active number, the intimacy number, the achievement number, the hereditary number, the dominant numbers or the lacking numbers, or also the area of expression, etc.

Your Birth Path:

Your Life Path is influenced by the number 7, and indicates that your destiny is marked with spiritual life, research, and introversion. This number prompts you to steer clear from commonly accepted values. You search for wisdom, sometimes at the cost of some degree of solitude. It may translate into curiosity or a keen interest in metaphysics, religion, or spirituality. Or else, the will to follow a personal path off the beaten path and to build a specific destiny for yourself. Your life is an initiation journey, and worldly vagaries are unable to make you turn away from your research. If the quest for a certain form of the absolute proves to be a powerful factor of creativity, your progression tolerates no easy solutions. The danger is that, owing to your need for independence, you may come across as an exceedingly cold and rigid person. It is all the more so because the number 7 marks extraordinary destinies which sometimes demand sacrifices, particularly on the material or interpersonal areas.

N. B.: when the birth time is unknown, (12:00 PM (unknown)), these portrait excerpts do not take into account the parameters derived from the time, which means, the domification (Ascendant, astrological houses, etc.). Nonetheless, these analyses remain accurate in any case. Regarding the sources of the birth data in our possession, kindly note that the pages we publish constitute a starting point for more detailed research, even though they seem useful to us. When the sources are contradictory, which occurs rarely, after having analysed them, we choose the most reliable one. Sometimes, we publish a birth date just because it is made available, but we do not claim that is it the best one, by no means.

Compatibility Report
Aries · Taurus · Gemini · Cancer · Leo · Virgo · Libra · Scorpio · Sagittarius · Capricorn · Aquarius · Pisces

To add this celebrity to your favourites, please register as a member. It is free and quickly done. Then, you can use all the applications reserved for members only, and you can receive your free personalized horoscope by email.

To get your compatibility ratings with this celebrity, please register as a member. It is free and quickly done. Then, you can use all the applications reserved for members only, and you can receive your free personalized horoscope by email.

initialiser(); function basculerBiographie() { var basculeBiographie = document.getElementById('basculeBiographie'); if (biographie.style.overflow == 'visible') { biographie.innerHTML = complet.substr(0, 1250) + '...'; biographie.style.overflow = 'hidden'; basculeBiographie.innerHTML = 'Display the full biography...'; } else { biographie.innerHTML = complet; biographie.style.height = 'auto'; biographie.style.overflow = 'visible'; basculeBiographie.innerHTML = 'Reduce the biography'; } } //]]>