Astrology, Horoscope, Planets, Dominant planets, Natal Chart
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Henry James (writer): Astrology and Horoscope

Born:April 15, 1843, 2:00 PM
in:New York (NY) (United States)
Sun: 25°09' AriesAS: 0°59' Virgo
Moon:11°58' ScorpioMC: 25°37' Taurus
Dominants: Aries, Virgo, Pisces
Venus, Mercury, Jupiter
Houses 9, 8, 6 / Fire, Earth / Mutable
Numerology: Birthpath 8
Popularity: 5,678 clicks, 5,436th man, 9,036th celebrity

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Horoscope and chart of Henry James (writer) (Placidus system)

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Signs: Aries
 
"I am"
March 21 - April 20

1st Fire sign - 1st Cardinal sign (spring equinox) - Masculine

In analogy with Mars, his ruler, and the 1st House

Aries governs the head.

His colour is red, his stone is the heliotrope, his day is Tuesday, and his professions are businessman, policeman, sportsman, surgeon...

If your sign is Aries or your Ascendant is Aries: you are courageous, frank, enthusiastic, dynamic, fast, bold, expansive, warm, impulsive, adventurous, intrepid, warlike, competitive, but also naive, domineering, self-centred, impatient, rash, thoughtless, blundering, childish, quick-tempered, daring or primitive.

Some traditional associations with Aries: Countries: England, France, Germany, Denmark. Cities: Marseille, Florence, Naples, Birmingham, Wroclaw, Leicester, Capua, Verona. Animals: Rams and sheeps. Food: Leeks, hops, onions, shallots, spices. Herbs and aromatics: mustard, capers, Cayenne pepper, chilli peppers. Flowers and plants: thistles, mint, bryonies, honeysuckles. Trees: hawthorns, thorny trees and bushes. Stones, Metals and Salts: diamonds, iron, potassium phosphate.

Signs: Taurus
 
"I have"
April 21 - May 20

1st Earth sign - 1st Fixed sign - Feminine

In analogy with Venus, his ruler, and the 2nd House

Taurus governs the neck and the throat.

Her colour is green or brown, her stone is the emerald, her day is Friday, her professions are cook, artist, estate agent, banker, singer...

If your sign is Taurus or your Ascendant is Taurus: you are faithful, constant, sturdy, patient, tough, persevering, strong, focused, sensual, stable, concrete, realistic, steady, loyal, robust, constructive, tenacious. You need security, but you are also stubborn, rigid, possessive, spiteful, materialistic, fixed or slow.

Some traditional associations with Taurus: Countries: Switzerland, Greek islands, Ireland, Cyprus, Iran. Cities: Dublin, Palermo, Parma, Luzern, Mantua, Leipzig, Saint Louis, Ischia, Capri. Animals: bovines. Food: apples, pears, berries, corn and other cereals, grapes, artichokes, asparagus, beans. Herbs and aromatics: sorrels, spearmint, cloves. Flowers and plants: poppies, roses, digitales, violets, primroses, aquilegia, daisies. Trees: apple trees, pear trees, fig-trees, cypresses, ash trees. Stones, Metals and Salts: copper, calcium and potassium sulphate, emeralds.

Signs: Gemini
 
"I think"
May 21 - June 21

1st Air sign - 1st Mutable sign - Masculine

In analogy with Mercury, his ruler, and the 3rd House

Gemini governs the arms, the lungs and the thorax.

His colour is green or silver, his stone is the crystal, his day is Wednesday, his professions are journalist, lawyer, presenter, dancer, salesman, travel agent, teacher...

If your sign is Gemini or if your Ascendant is Gemini: you are expressive, lively, adaptable, quick-witted, humorous, sparkling, playful, sociable, clever, curious, whimsical, independent, polyvalent, brainy, flexible, ingenious, imaginative, charming, fanciful but also capricious, scattered, moody, shallow, inquisitive, opportunistic, unconcerned, selfish, fragile, ironical or changeable.

Some traditional associations with Gemini: Countries: Belgium, Wales, United-States, Lower Egypt, Sardinia, Armenia. Cities: London, Plymouth, Cardiff, Melbourne, San Francisco, Nuremberg, Bruges, Versailles. Animals: monkeys, butterflies, parrots, budgerigars. Food: dried fruits, chestnuts, ground-level vegetables: peas, broad beans, etc. Herbs and aromatics: aniseed, marjoram, lemon balm, cumin. Flowers and plants: lilies of the valley, lavenders, myrtle, ferns, Venus-hair-ferns, bittersweets. Trees: nut trees such as chestnut trees. Stones, Metals and Salts: agates, mercury, silicas and potashes.

Signs: Cancer
 
"I feel"
June 22 - July 22

1st Water sign - 2nd Cardinal sign (summer solstice) - Feminine

In analogy with the Moon, her ruler, and the 4th House

Cancer governs the stomach and the breast.

Her colour is white or black, her stone is the moonstone, her day is Monday, her professions are catering, the hotel trade, property, antique dealer, archaeologist...

If your sign is Cancer or your Ascendant is Cancer: you are emotional, sentimental, peaceful, imaginative, sensitive, faithful, resistant, protective, vulnerable, generous, romantic, nostalgic, tender, poetic-minded, motherly or fatherly, dreamy, indolent, greedy, devoted but also timorous, unrealistic, evasive, passive, anxious, dependent, stubborn, moody, passive, lazy, touchy, stay-at-home or inaccessible.

Some traditional associations with Cancer: Countries: Holland, Scotland, North and West Africa, New-Zealand, Paraguay, Algeria. Cities: Amsterdam, Manchester, Tokyo, New York, Istanbul, Stockholm, Milan, Venice, Genoa, Cadix, Alger, Tunis, Bern, Magdeburg. Animals: crabs, animals with shells. Food: milk, fishes, watery fruits and vegetables, turnips, white and red cabbages. Herbs and aromatics: tarragon, verbena, saxifrage. Flowers and plants: geraniums, white roses and white flowers in general, water lilies, morning glory, bear's breeches, and lilies. Trees: all trees full of sap. Stones, Metals and Salts: pearls, silver, lime and calcium phosphate.

Signs: Leo
 
"I love"
July 23 - August 22

2nd Fire sign - 2nd Fixed sign - Masculine

In analogy with the Sun, his ruler, and the 5th House

Leo governs the heart and the spine, and the eyes, according to some authors.

His colour is gold or orange, his stone is the diamond, his day is Sunday, his professions are actor, manager, jeweller, fashion and arts, and action (e.g. fireman)...

If your sign is Leo or your Ascendant is Leo: you are proud, determined, strong-willed, loyal, solemn, generous, ambitious, courageous, heroic, conquering, creative, confident, seductive, happy, daring, fiery, majestic, honest, magnanimous, charismatic, responsible, noble, dramatic but also domineering, vain, susceptible, bossy, stubborn, intolerant, self-centred, violent, quick-tempered, nonchalant.

Some traditional associations with Leo: Countries: Italy, Romania, Sicily, Czechoslovakia, Iraq, Lebanon, Southern France. Cities: Rome, Prague, Bombay, Madrid, Philadelphia, Chicago, Los Angeles, Bath, Bristol, Portsmouth, Syracuse, Damas. Animals: lions and felines in general. Food: meat and especially red meat, rice, honey, cereals, grapes, iron-rich vegetables: watercress, spinach etc. Herbs and aromatics: saffron, mint, rosemary, common rue (Ruta graveolens). Flowers and plants: marigolds, sunflowers, celandines, passion flowers. Trees: palm trees, laurel, walnuts, olive trees, lemon and orange trees. Stones, Metals and Salts: gold, rubies, magnesium and sodium phosphate.

Signs: Virgo
 
"I serve"
August 23 - September 22

2nd Earth sign - 2nd Mutable sign - Feminine

In analogy with Mercury, her ruler, and the 6th house

Virgo governs the intestine.

Her colour is green or yellow, her stone is the agate, her day is Wednesday, her professions are accountant, secretary, writer, computer scientist, nurse, doctor...

If your sign is Virgo or your Ascendant is Virgo: you are brainy, perspicacious, attentive to detail and numbers, analytical, serious, competent, scrupulous, sensible, modest, logical, tidy, well-organized, clean, hard-working, provident, honest, faithful, reserved, shy, helpful, a perfectionist, but also narrow-minded, calculating, irritating, petty, anxious, cold, repressed or caustic.

Some traditional associations with Virgo: Countries: Brazil, Greece, Turkey, West Indies, United-States (the same as Gemini), Yugoslavia, Crete, Mesopotamia, Lower Silesia, State of Virginia. Cities: Paris, Boston, Athens, Lyon, Corinthia, Heidelberg, spa towns in general. Animals: dogs, cats and all pets. Food: root vegetables: carrots, celeriac, kohlrabies, potatoes etc... Also dried fruits such as chestnuts. Herbs and aromatics: the same as Gemini whose ruler is Mercury too, lilies of the valley, lavenders, myrtles, ferns, Venus-hair-ferns, bittersweets, clovers. Flowers and plants: small bright-coloured flowers, especially blue and yellow, such as dandelions, buttercups, yellow dead-nettles, buglosses, forget-me-nots ; cardamoms, oak leaves, acorns. Trees: all nut trees, e.g. the hazelnut tree... Stones, Metals and Salts: sards (red agate), mercury, nickel, potassium sulphate and iron phosphate.

Signs: Libra
 
"we are"
September 23 - October 22

2nd Air sign - 3rd Cardinal sign (autumn equinox) - Masculine

In analogy with Venus, his ruler and the 7th House

Libra governs the kidneys and the bladder.

His colour is blue or red (not too bright), his stone is the opal, his day is Friday, his professions are in the beauty, luxury or fashion industry, musician, artistic creator, lawyer, mediator...

If your sign is Libra or your Ascendant is Libra: you are sentimental, charming, polite, refined, loyal, a pacifist, fair, distinguished, light-hearted, romantic, learned, ethereal, nice, well-groomed, a perfectionist, calm, sweet, tolerant, sociable, elegant, considerate, seductive, aesthetic, indulgent, but also hesitant, weak, indecisive, selfish, fragile, fearful, indolent, cool or even insensitive.

Some traditional associations with Libra: Countries: Japan, Canada, Indo-China, South Pacific Islands, Burma, Argentina, Upper Egypt, Tibet. Cities: Lisbon, Vienna, Frankfurt, Leeds, Nottingham, Johannesburg, Antwerp, Fribourg. Animals: lizards and small reptiles. Food: berries, apples, pears, grapes, artichokes, asparagus, beans, spices, corn and other cereals. Herbs and aromatics: mint, Cayenne pepper. Flowers and plants: hydrangea, big roses, blue flowers and those associated with Taurus also ruled by Venus, namely, poppies, digitales, violets, primroses, aquilegia, and daisies. Trees: ash trees, poplars, apple trees, pear trees, fig-trees, cypresses. Stones, Metals and Salts: sapphires, jade, copper, potassium and sodium phosphate.

Signs: Scorpio
 
"we have"
October 23 - November 21

2nd Water sign - 3rd Fixed sign - Feminine

In analogy with Pluto, her ruler with Mars, and the 8th House

Scorpio governs the sexual organs and the anus.

Her colour is black or dark red, her stone is the malachite, her day is Tuesday, her professions are gynaecologist, psychiatrist, detective, the military, army, stockbroker, asset managemer...

If your sign is Scorpio or your Ascendant is Scorpio: you are secretive, powerful, domineering, resistant, intuitive, asserted, charismatic, magnetic, strong-willed, perspicacious, passionate, creative, independent, vigorous, generous, loyal, hard-working, persevering, untameable, possessive, cunning, ambitious, sexual, proud, intense, competitive but also aggressive, destructive, stubborn, anxious, tyrannical, perverse, sadistic, violent, self-centred, complex, jealous.

Some traditional associations with Scorpio: Countries: Morocco, Norway, Algeria, Syria, Korea, Uruguay, Transvaal. Cities: Washington, New Orleans, Valencia, Liverpool, Milwaukee, Fes, Halifax, Hull, Cincinnati. Animals: insects and other invertebrates. Food: the same strong tasting food as for Aries: red meat, garlic, onions, leeks, spices. Herbs and aromatics: aloes, witch hazels, nepeta, mustard, capers, peppers. Flowers and plants: geraniums, rhododendrons, thistles, mint, honeysuckles. Trees: blackthorns, bushes. Stones, Metals and Salts: opals, steel and iron, calcium and sodium sulphate.

Signs: Sagittarius
 
"we think"
November 22 - December 20

3rd Fire sign - 3rd Mutable sign - Masculine

In analogy with Jupiter, his ruler, and the 9th House

Sagittarius governs the thighs and the liver.

His colour is indigo, orange or red, his stone is the carbuncle, his day is Thursday, his professions are explorer, commercial traveller, pilot, philosopher, writer, clergyman...

If your sign is Sagittarius or your Ascendant is Sagittarius: you are charismatic, fiery, energetic, likeable, benevolent, tidy, jovial, optimistic, extraverted, amusing, straightforward, demonstrative, charming, independent, adventurous, straightforward, bold, exuberant, freedom-loving.

Some traditional associations with Sagittarius: Countries: Spain, Australia, Hungary, South Africa, Arabia, Yugoslavia. Cities: Stuttgart, Toledo, Budapest, Cologne, Avignon, Sheffield, Naples, Toronto. Animals: fallow deers, hinds, and all games. Food: grapefruits, raisins, onions, leeks, bulb vegetables. Herbs and aromatics: aniseeds, sage, bilberries, cinnamon, borage, mosses, sage, blueberry, patience, balsam. Flowers and plants: dandelions, carnations, thistles. Trees: mulberry trees, chestnut trees, ash trees, lemon trees, oaks. Stones, Metals and Salts: topaz, tin, silica, potassium chloride.

Signs: Capricorn
 
"we achieve"
December 21 - January 19

3rd Earth sign - 4th Cardinal sign (winter solstice) - Feminine

In analogy with Saturn, her ruler, and the 10th House

Capricorn governs the knees, the bones and the skin.

Her colour is black, or grey, green or brown, her stone is the jade, her day is Saturday, her professions are politician, researcher, jurist, scientist, engineer, administrator...

If your sign is Capricorn or your Ascendant is Capricorn: you are serious, cold, disciplined, patient, focused, thoughtful, ambitious, indomitable, cautious, lucid, persistent, provident, steady, introverted, stern, wilful, hard-working, responsible, persevering, honest, realistic, loyal, reserved, resolute, moralistic, quiet, rigorous, attached and reliable. But you may also be curt, withdrawn, calculating, petty, cruel, unpleasant, ruthless, selfish, dull, rigid, slow or sceptical.

Some traditional associations with Capricorn: Countries: India, Mexico, Afghanistan, Macedonia, Thrace, the Yugoslavian coast, the Orkneys and Shetland Islands, Albania, Bulgaria, Saxony. Cities: Delhi, Oxford, Brussels, Mexico, Port-Saïd, Gent, Constance, Mecklenburg, all the administrative centres of capital cities. Animals: goats, pigs and animals with split hooves. Food: meat, potatoes, barley, beets, spinach, medlars, onions, quinces, flour and starchy food in general. Herbs and aromatics: indian hemp, comfreys, centaureas, hemlocks, henbanes. Flowers and plants: ivies, wild pansies, amaranths, pansies. Trees: pines, willows, flowering ashes, aspens, poplars, alders. Stones, Metals and Salts: turquoises, amethysts, silver, lead, calcium phosphate, calcium fluorine.

Signs: Aquarius
 
"we love"
January 20 - February 18

3rd Air sign - 4th Fixed sign - Masculine

In analogy with Uranus his ruler, with Saturn, and the 11th House

Aquarius governs the ankles and the legs.

His colour is navy blue or indigo, his stone is the sapphire, his day is Saturday, his professions are astrologer, high technologies, scientist, astronaut, psychiatrist, actor, electrician...

If your sign is Aquarius or your Ascendant is Aquarius: you are idealistic, altruistic, detached, independent, original, surprising, gifted, contradictory, innovative, humanistic, likeable, friendly, self-confident, impassive, quiet, intuitive, creative, charitable, elusive, disconcerting, generous, tolerant, paradoxical, and you cannot stand any kind of constraint. But you may also be marginal, resigned, distant, utopian, maladjusted, eccentric and cold.

Some traditional associations with Aquarius: Countries: Russia, Sweden, Poland, Israel, Iran, Abyssinia. Cities: Moscow, Salzburg, Bremen, Hamburg, Saint Petersburg. Animals: long distance big birds such as the albatross. Food: citrus fruits, apples, limes, dried fruits and easily preserved food. Herbs and aromatics: peppers, hot red peppers, star-fruits, and generally herbs that are spicy or with an unusual flavour. Flowers and plants: orchids, dancing ladies, polygonatum. Trees: fruit trees. Stones, Metals and Salts: aquamarines, aluminium, sodium chloride and magnesium phosphate.

Signs: Pisces
 
"we serve"
February 19 - March 20

3rd Water sign - 4th Mutable sign - Feminine

In analogy with Neptune her ruler with Jupiter, and the 12th House

Pisces governs the feet and the blood circulation.

Her colour is green or purple or turquoise blue, her stone is the amethyst, her day is Thursday, her professions are seamanship and and faraway travels, musician, social and emergency worker, doctor, writer and jobs in remote places...

If your sign is Pisces or your Ascendant is Pisces: you are emotional, sensitive, dedicated, adaptable, nice, wild, compassionate, romantic, imaginative, flexible, opportunist, intuitive, impossible to categorized, irrational, seductive, placid, secretive, introverted, pleasant, artistic, and charming. But you may also be indecisive, moody, confused, wavering, lazy, scatterbrained, vulnerable, unpredictable and gullible.

Some traditional associations with Pisces: Countries: Portugal, Scandinavia, small Mediterranean islands, Gobi desert, Sahara. Cities: Jerusalem, Warsaw, Alexandria, Seville, Santiago de Compostela. Animals: fishes, aquatic mammals and all animals living in the water. Food: melons, cucumbers, lettuces, vegemite sugar, pumpkins. Herbs and aromatics: lemon, chicory, limes, mosses. Flowers and plants: water lilies, willows, aquatic plants. Trees: fig-trees, willows, aquatic trees. Stones, Metals and Salts: heliotropes, moonstone, platinum, tin, iron phosphate and potassium sulphate.

Sun 25°09' Aries, in House IX

Sun Aspects
Sun conjunction Pluto orb +3°37'
Sun square Saturn orb -0°20'
Sun trine Mars orb +5°28'
Sun sextile Jupiter orb +3°11'
Sun sextile Neptune orb +4°03'
Sun conjunction Mercury orb +10°00
Planets: Sun

The Sun represents vitality, individuality, will-power and creative energy and honours. For a woman, it also represents her father, and later her husband. The Sun is one of the most important symbols in the birth chart, as much as the Ascendant, then the Moon (a bit less for a man), the ruler of the Ascendant and the fast-moving planets.

It's element is fire; it is hot and dry, it governs Leo, is in exaltation in Aries and is in analogy with the heart. It represents the boss, authority, beside the father and the husband ; the age of the Sun goes from 20 years old to about 40, following the Venus age when one is aware of his seductive power.

Temperament : Bilious

Characterology : Emotive, Active, Secondary, passionate type.

Sun in Aries

Your entourage is amazed by your energy, your courage and your boldness. Your reactions are quick, even instantaneous. Your enthusiasm prompts you to follow your natural impulses, even though you are not aware of all the consequences of your actions. Above all, you want to live each moment intensely, without fearing the future. Your enterprising spirit is supported by an acute sense of confrontation. Present! This is Aries answering the call. Any call, provided that there is some degree of new-ness or some challenge. If Aries’ dynamism and enterprising spirit are underlined, it is because the sign is more inclined to commit itself in the present and to start from scratch. This ability to take action on the spot in response to any stimulation also applies to the area of your relationships: you say outloud what you deem necessary to say, even if it means foolishly upsetting several persons. It is black or white, yes or no… often without balance! Beginning and undertaking are situations where you feel that you are in your element. Your qualities can also be expressed when you are bogged down in inextricable and complicated relationships: you know how to simplify things but you should beware not to do so in a caricatured manner.

Sun in House IX

In your natal chart, the Sun is in your 9th House. Beyond the Sun, beyond models and marks, there are necessarily different truths and different references. The Sun in the 9th House prompts you to explore and to go beyond your values. It heralds spiritual quests or journeys, depending on the case. The stake is always the same and consists in pushing back the limits of your Sun, and in discovering other meanings and other differences. Your ideal? To accept in order to integrate, to grow, and to always move further.

Sun Dominant

If the Sun is part of your natal chart's planetary dominants, in astrology, you are said to be a Solarian: you loathe pettiness and Machiavellian manoeuvre, and you are fond of natural nobleness as well as of direct and honest attitudes. You endeavour to get out of muddled or dark situations as quickly as possible. Your need for transparency may lead you to make cut-and-dried judgments such as yes or no, and black or white. However, your honesty commands your entourage's consideration. At times, you come across as authoritarian. It is true that you never want to be thought of the notable absentee, and that you manage to make people pay attention to you, as well as to your plans and your assessments. To this end, the Solarian sometimes develops a great talent for placing himself under the spotlight without missing a single opportunity to arouse interest. Some other Solarians, although more discreet, still manage to be the focus of any debate, even in situations of exclusion. It is your way of being present even though you are actually not there... More than other people, you appreciate the esteem extended to you. It is useless to cheat with you, since in all areas you consider establishing enduring relationships only with those who love you, admire you, respect you, or express some degree of affection to you. Your will to straighten out your inter-personal relationships is your strength and sometimes, your Achilles' heel. You cannot achieve anything behind the scenes. Therefore, your comportment is marked with heroism, and your stands are devoid of ambiguity, in the sense that your commitments are unfailing, and your rebuffs, final.

Interpretation of the 25° Aries symbolic degree

"A royal personage presents a sceptre to a man who kneels down before him. In the sky above them, a big sun sends its beams to a smaller sun." (Janduz version)

Regardless of one's qualities and merits, one rises above one's natal status and achieves outstanding success thanks to sheer luck and the unfailing support of person wielding power. If the natal chart concurs, one may land a prestigious position of authority in the government, owing to one's ability to take the right decisions swiftly, but above all, owing to the protection of higher-ups.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

If you wish, you can receive immediately in your mailbox your detailed astrological portrait, a nice gift for yourself or for your close friends and relatives, who will deeply appreciate it.

Moon 11°58' Scorpio, in House III

Moon Aspects
Moon trine Venus orb +1°21'
Planets: Moon

The Moon represents instinctive reaction, unconscious predestination, everyday mood, sensitivity, emotions, the feminine side of the personality, intuition, imagination. For a man, she represents his mother and later his wife, and his relationship with women in general. For a woman, the Moon is almost as important as the Sun and the Ascendant. Her element is water, she is cold and moist, she rules Cancer, is in exaltation in Taurus and is in analogy with the stomach.

She symbolizes the mother, wife, the crowd, the Moon is associated with birth and childhood. Tradition also matches her with the end of life, after Saturn the old age, it is thus customary to go back to one's place of birth to die: the end of life meets the very beginning.

Temperament : Lymphatic

Characterology : Emotive, non Active and Primary type or Non-Emotive, non Active and Primary, Nervous or Amorphous type.

Moon in Scorpio

On the day and at the time of your birth, the Moon was in the sign of Scorpio. Your instincts deeply influence your thinking process and your actions. There are a lot of impulsiveness and violence in you. But they are only the other side of the coin of you direct and innate receptivity that gives you the amazing ability to perceive what is really at stake in any given situation. You also have extraordinary psychological skills. You are impervious to prevailing trends and tastes and you prefer to create a unique lifestyle for yourself alone. You are very selective in your intimate sphere and you accept as friends only the persons who can be naturally integrated in your quite special realm. You carefully maintain your distance with all intruders. Closeness needs time.

Moon in House III

The Moon is in the 3rd House. Your natural well-being mainly depends on the quality of your inter-personal life. You draw great satisfaction from your contacts with other people, and you have the feeling that you are your true self only when you are within a protective environment. You then let yourself drift into a moment of shared intimacy. Communication is the indispensable cement of your personal balance. Therefore, in spite of your high standards for human relationships, you come across as a sociable person, avid for encounters and information. Your close friends constitute your second family. Without them, there can be no real tranquillity, no relaxation, and no satisfying rest.

Moon Dominant

If the Moon is part of your natal chart's planetary dominants, in astrology, you are said to be a Lunarian: the driving force behind your actions is mainly the pursuit of well-being and tranquillity. Your sensitive and romantic self lives on those periods of rest during which you let your imagination wander at will. This is your way of finding inspiration and balance. Nothing is allowed to disturb your feeling of fulfilment and security within a harmonious cell, be it a family or a clan. More than other people, the Lunarian is attached to those moments during which one forgets one's worries and lets oneself cast adrift aimlessly, with no other goal than to be lulled into an ambiance, a situation, or a perfect moment. Many people do not understand such absences and their meaning, which is to regain strength. These people readily describe you with such unflattering terms as apathy and nonchalance. Never mind! Some inspirations require surrendering as well as striking a balance derived from alternate action and passivity. Your qualities are expressed to the fullest in situations which demand familiarity and privacy. Your capacities to respect and blend into your environment is at least as valuable as some other people's aggressive dispositions. However, you are well-advised to avoid indolence and renunciation out of laziness or indifference.

Interpretation of the 11° Scorpio symbolic degree

"A snake tries to get rid of a swarm of flies, in vain. In the background, an isolated house is surrounded by a clump of trees." (Janduz version)

Reserved, obsessive, and resourceful character. One is surrounded by enemies who claim compensation for an injustice which one is responsible for. This degree sometimes indicates that one is haunted by the remorse for an old mistake or by some secret tragedy.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

If you wish, you can receive immediately in your mailbox your detailed astrological portrait, a nice gift for yourself or for your close friends and relatives, who will deeply appreciate it.

Mercury 15°08' Aries, in House VIII

Mercury Aspects
Mercury conjunction Pluto orb +6°22'
Mercury trine Mars orb -4°32'
Sun conjunction Mercury orb +10°00
Mercury sextile Neptune orb -5°56'
Planets: Mercury

Mercury represents communication, logical and rational mind, intellectual skills. Earth is its element, it is cold and dry, and it rules Virgo and Gemini, is in exaltation in Virgo and is in analogy with the arms, hands, nervous system.

It represents tradesmen, lawyers, messengers; the age of Mercury goes from 8 or10 years old to about 15..

Temperament : Nervous

Characterology : Emotive, non Active and Primary type or Non-Emotive, Active and Primary, Nervous or Sanguine type.

Mercury in Aries

Mercury describes your relations, your communication skills and the way you relate to the external world. However, other astrological elements also influence these areas. The sign Mercury occupies is significant only if Mercury is part of your planetary dominantes. In your chart, Mercury is in Aries. You respond very quickly to the stimulations of your environment. Your mind is constantly on the lookout, searching for new information. Communication is a matter of spontaneity and emotions experienced day-to-day. You always have a quick retort, you are fond of debates and you are avid for novelties. The danger is that you may get carried away by an impulsiveness detrimental to your relationships. Beware of bad language!

Mercury in House VIII

With Mercury in the 8th House, you play around with crises, love, and death. To lose your friends, your values, your marks, or your life: you prefer to approach these issues with derision and to laugh them off, just to see, just for fun. This configuration predisposes to play Russian roulette and to have daredevil comportments. Your relationships go through a roller coaster. You relate to the world in a cutting and curt way. You never know your friends better than once the crisis has subsided. Your very peculiar sense of humour is gladly acknowledged : in some cases cold, otherwise black, and at times almost cynical. In your opinion, the most serious events can be ridiculed, because this is how one can really protect oneself against life vagaries.

Mercury Dominant

If Mercury is part of your natal chart's planetary dominants, in astrology, you are said to be a Mercurian: the tradition points out the importance of communication. From idle but enriching chatters to observation gift, such a dominant endows you with a wide range of expression. Human beings have one thousand facets and one thousand masks they wear according to circumstances and the fortunes of the game of life. You take the role of an observer who is avid for novelties, discoveries, and surprises. Everything catches your attention and becomes an opportunity for new encounters, relationships, and learning. The world amazes you, amuses you sometimes, and stimulates your curiosity. Because the most important thing is to discover, and because you consider that each new situation is packed with potentialities, you try to fill the gaps in your knowledge. Although your open-mindedness may scatter your centres of interest, it also enables you to carefully avoid sticking to only one immutable and rigid view. The slightest sign enables you to perceive the other side of the coin, as well as the infinite complexity of people and of situations. On the human plane, you seek the dialogue and the information without which you know that you are not able to fully grasp the nature of your interlocutor. This keen interest in the Unknown sharpens your inter-relational skills. All these qualities are traditionally associated with Mercury.

Interpretation of the 15° Aries symbolic degree

"A woman holds a pair of scales containing a cup of red wine in one pan and a heap of gold coins in the other." (Janduz version)

Selfish, materialistic, and conceited character. One is only concerned in luxury, fine clothing, and all kinds of pleasures. One spends lavishly for oneself but displays utter stinginess towards other people. One is driven by self-interest and picks one's acquaintances among wealthy and influential persons. Good luck seems to smile on this degree, and with the support of powerful protectors, one achieves success in occupations involving precious stones, gold, silver, and jewellery in general. Nevertheless, unless the natal chart indicates otherwise, such intense self-centeredness and extravagant expenses bring about ruin and unhappiness.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

If you wish, you can receive immediately in your mailbox your detailed astrological portrait, a nice gift for yourself or for your close friends and relatives, who will deeply appreciate it.

Venus 13°19' Pisces, in House VII

Venus Aspects
Moon trine Venus orb +1°21'
Venus square Mars orb -6°21'
Planets: Venus

Venus represents the way one loves, relationships, sharing, affectivity, seductive ability. For men, she also corresponds to the kind of woman he's attracted to (but not especially in marriage which is more symbolized by the Moon, Venus is the lover and not the wife). Her element is the Air, she is moist, rules Taurus and Libra, is in exaltation in Pisces and is in analogy with the kidneys, the venous system, the bladder, the neck.

She represents the artists, tradesmen, occupations linked to beauty and charm; the age of Venus goes from 15 to about 25 years old.

Temperament : Sanguine and Lymphatic

Characterology : Emotive, non Active and Primary type or Emotive, non Active and Secondary type.

Venus in Pisces

Venus describes your affective life. On the day of your birth, she is found in Pisces. Your emotionalism is very strong and very unusual. You have your own manner to experience your emotions and your sensations, in an atmosphere that may be odd, you complicate your amorous life… and this is part of your charm, at the same time. On the chessboard of your sentimental life, quite strange games enfold. Your affectivity is subtle, fabulous and unusual: love reinvents everything and anything becomes possible when your heart is sincere. You dream of a complete fusion and of giving yourself totally. No rules, no moral or social code is more important than the feeling of shared passion and than living for your partner. Your affective life is complex, sometimes mysterious: you don’t know why you love, or why you don’t love any more… Your sentimental life obeys a different logic than that of the external world. Love is elusive and fragile. Nothing is easier than to destroy a feeling and to forget a passion. Your sensitivity responds to an unknown call, a strange signal. Therefore, you may shift from intense and absolute feelings to cruel indifference. Although you don’t know why, you are being transformed. The most difficult thing is to love a real being and not a shadow. You give yourself to persons who can understand and respect the fragile realm of your affectivity.

Venus in House VII

Venus expresses her characteristics through the 7th House values. In the field of human relations, you feel first, and you think later on. Likes and dislikes are the result of gut reactions and not of logical reasoning. I am fond of this person, and I am put off by that one. You may be the most charming person in the world when your sensitivity is in line with the other person's, and when natural sympathy is born. However, unwelcome people should watch out! Relationships are an affective experience, and even an amorous one.

Venus Dominant

If Venus is part of your natal chart's planetary dominants, in astrology, you are said to be a Venusian: you are a sensual and emotional person particularly receptive to the natural likes and dislikes aroused by your contact with people. You are prone to frequent instinctive aversions and true passions which are exclusively driven by the feeling of love. The heart has its reasons which Reason knows nothing of... Your balance is based on the richness of your affective life. Without love, the Venusian is resourceless, lost, and deprived of any reason for living. You have an obvious and strong will to charm and to arouse the attachments without which you cannot properly function. Every area of your life is thus marked by your affectivity. The danger is that you may "be taken in" by charm. In such cases, you would prefer to keep your emotions under better control. Thus, hyper-sensitivity has its own inconveniences. Nevertheless, better than anyone else, you know how to play with feelings and attractions. Although you are sometimes caught in the traps of an over sensitive emotionalism, feelings remain your best assets in many circumstances. There is another aspect to the Venusian dominant. According to the Tradition, this planet rules the Arts, and you are endowed with some degree of artistic dispositions, ranging from good to excellent.

Interpretation of the 13° Pisces symbolic degree

"A man chops wood in a glade. Near the logs neatly arranged in piles, children do a circle dance." (Janduz version)

Honest, benevolent, and persevering character. After years of hard work, one achieves success and wealth in the wood or construction industry, in agriculture or horticulture. All occupations related to urbanism, especially the design of new cities, or the rebuilding of places destroyed by war or natural disasters, are also very favoured. Even after having reached the pinnacle of one's career, one remains simple and accessible, which commands people's respect.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

If you wish, you can receive immediately in your mailbox your detailed astrological portrait, a nice gift for yourself or for your close friends and relatives, who will deeply appreciate it.

Mars 19°41' Sagittarius, in House IV

Mars Aspects
Mars trine Pluto orb +1°50'
Mars sextile Neptune orb +1°24'
Sun trine Mars orb +5°28'
Mercury trine Mars orb -4°32'
Mars sextile Jupiter orb +2°16'
Venus square Mars orb -6°21'
Planets: Mars

Mars represents the desire for action and physical energy, sexuality, strength. For a woman, Mars corresponds to the kind of man she's attracted to (but not especially in marriage which is rather symbolized by the Sun, Mars is the lover, not the husband). Fire is its element, it is hot and dry, and it rules Aries and Scorpio (along with Pluto), is in exaltation with Capricorn and is in analogy with the muscles and the spleen.

It represents the soldiers, sportsmen, warriors, surgeons, blacksmiths... ; the age of Mars goes from 42 to 50 years old.

Temperament : Bilious

Characterology : Emotive, Active, Primary type. It is a Choleric.

Mars in Sagittarius

The planet Mars indicates how you react to life concrete stimulations. It also describes your fighting spirit, your abilities to stand for yourself and to take action. With Mars in Sagittarius, your dynamism is aroused when you have to go ahead, to discover new life settings and to broaden your horizon. You have the soul of an adventurer! Your nature is straightforward, direct and enthusiastic and it is difficult for you to tell lies and to follow the tortuous paths of diplomacy. You do not fear danger and your scope of action has no limit. Because you feel concerned about all things, you readily commit yourself in collective struggles or actions. You feel that it is important to go beyond your limitations and to take action, especially in favour of events that are not related to you personally. You always inscribe an element into a wider content. This is how original solutions may emerge, even if it means that you have to exercise more pragmatism: reality may be impossible to ignore.

Mars in House IV

With Mars in the 4th House, life is a duel between your private world and social structures, as well as between your family roots and the external world's imperatives. You put your fighting spirit at the service of the defence of your clan. Family and homeland: here are your reasons to take action as well as to fight for your rights and your interests. You do not let anybody endanger your cell, your little world, and your close friends. Should these values be threatened, you immediately mobilise all your resources in order to protect them.

Mars Dominant

If Mars is part of your natal chart's planetary dominants, in astrology, you are said to be a Marsian: in your hand-to-hand struggle for life, you demonstrate an acute and active sense of confrontation with the world, with other people, and with your own destiny. You need to take action and to fight for your projects and your desires. You perceive all situations with deep intensity, and you react to the here and now without bothering to step back in order to ensure that events are under your control. You take up challenges with excessive foolhardiness as a consequence of your impulsiveness. However, better than anyone else, you know how to mobilise your resources in case of crisis. You take action whenever it is necessary to do so, and you are present in a timely manner. With Mars, your attitudes are dictated by the realities of the moment, by your emotions, and by everything which proved to have worked in the past. When this dominant is not well integrated, it may bring about an aggressive or impulsive behaviour. Therefore, you must learn to control your hyper-sensitivity and your fits of temper. You are also endowed with Marsian qualities: the fighting spirit and the taste for duel without which one may find oneself overwhelmed by events. When this willpower is well channelled, its precious energy enables to cope with all sorts of contingencies. There are a thousand ways to win, and a thousand challenges to take up with the enthusiasm and the dynamism which make life so worthy. A certain idea of life which is wild, passionate, and in tune with events.

Interpretation of the 19° Sagittarius symbolic degree

"A group of friends walks in a beautiful garden where flowers growing in temperate countries are mixed with exotic plants." (Janduz version)

Benevolent, cheerful, and honest character, with a whiff of vanity. The members of the entourage are nice and belong to a wealthy and educated social layer. Associations with friends are fruitful, particularly in any area involving the arts, beauty, or botany. Sometimes, if in the natal chart the Moon receives hard aspects, this degree indicates that deceits and misfortunes are brought about by females.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

If you wish, you can receive immediately in your mailbox your detailed astrological portrait, a nice gift for yourself or for your close friends and relatives, who will deeply appreciate it.

Jupiter 21°57' Aquarius, in House VI

Jupiter Aspects
Jupiter conjunction Neptune orb +0°51'
Jupiter sextile Pluto orb -0°26'
Sun sextile Jupiter orb +3°11'
Mars sextile Jupiter orb +2°16'
Planets: Jupiter

Jupiter represents expansion and power, benevolence, large vision and generosity. Its element is Air, it is hot and moist, and it rules Sagittarius and Pisces (along with Neptune), is in exaltation with Cancer and is in analogy with the hips and endocrinal system.

It represents the governors, magistrates, professors, religious men too; the age of Jupiter goes from 50 to 55 or even 70 years old.

Temperament : Sanguine

Characterology : Emotive, Active, Primary type; it is an extrovert Choleric. Actually the humid version of Mars, inclined to action like him.

Jupiter in Aquarius

The planet Jupiter symbolizes expansion, broadness and generosity. Jupiter is associated with the functions of synthesis, enthusiasm and optimism. In your natal chart, his house position is more important than his sign position because, like Saturn, Uranus, Neptune and Pluto, he is a slow planet. Many people born in the same period have Jupiter in the same sign. This is the reason why the sign occupied here is less meaningful than when it is occupied by the so-called fast planets, i.e. the Sun, the Moon, Mercury, Venus and Mars. Therefore, some caution is to be exercised as you read what follows. Jupiter in Aquarius stimulates your mental activities and favours the area of collective or humanitarian projects. In these fields, you can easily assert your originality and develop your interests for new topics and unusual things in general: sciences, higher technologies, but also esoterism, astrology and occultism. Your friendship life is favoured too by this configuration.

Jupiter in House VI

Jupiter in the 6th House is a configuration which facilitates your integration into the social and professional environment. You need to find your place in the world and to occupy some space. Unlimited expansion is your dearest dream. It is most likely that you can define your function effortlessly, without influencing events... People who perceive and appreciate your adaptation capacities entrust you with responsibilities. Poise and language take care of all the rest.

Jupiter Dominant

If Jupiter is part of your natal chart's planetary dominants, in astrology, you are said to be a Jupiterian: because this planet brings about a keen interest in social and professional success, the Tradition considers it to be beneficial. Indeed, you know how to adjust to events and to jump at the chance when it arises. The members of you entourage gladly entrust you with high responsibilities because they are often impressed by your learning skills and your adaptation abilities as you deal with new structures and new languages. What is the secret of your good star? It is your self-confidence which wins public support. Now, what is the secret of your charm? Definitely, enthusiasm, euphoria, and exaltation. Exaggeration also. When this dominant is well integrated, it is a factor of affluence and optimism, and a certain degree of joviality enables you to easily fit into various spheres. It constitutes your main asset to manage your life. However, you must at times curb your desire for integration, lest your sense of opportunity turns into extreme opportunism. Here also, the key to success lies in a correct estimate of everyone's chances and possibilities. Although management is one of your forte, and you can adjust your objectives to current realities better than other people, you lack the hindsight which enables you to avoid short-term vagaries and daily fluctuations. If you strive too much to adapt, you run a risk of betraying yourself. This is the other traditional side of the coin with "The Greater Benefic"!

Interpretation of the 21° Aquarius symbolic degree

"A furious bull tramples on a dog. A man examines a corpse." (Janduz version)

Violent, excessive, and spiteful character. If one is able to control one's outbursts of fury, success can be attained in the military and in all occupations requiring physical strength, or in surgery and medical research. This degree warns against vengeful deeds because extreme brutality can only result in equally extreme disasters.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

If you wish, you can receive immediately in your mailbox your detailed astrological portrait, a nice gift for yourself or for your close friends and relatives, who will deeply appreciate it.

Saturn 25°29' Capricorn, in House V

Saturn Aspects
Sun square Saturn orb -0°20'
Saturn square Pluto orb -3°58'
Saturn sextile Uranus orb +4°16'
Planets: Saturn

Saturn represents concentration, effort, perseverance, time, the hard reality, inevitable consequences. Earth is its element, it is cold and dry, and it rules Capricorn and Aquarius (along with Uranus), is in exaltation in Libra and is in analogy with the bones (skeleton) and the skin.

It represents the grandparents, old people, scientists, knowledgeable men, Saturn corresponds to old age; it goes from 70 years old until death.

Temperament : Nervous

Characterology : Non-Emotive, Active and Secondary type or Emotive, non Active and Secondary type or sometimes Non-Emotive, non Active and Secondary type; it is a Phlegmatic, a Sentimental or an Empathic type

Saturn in Capricorn

The planet Saturn symbolizes contraction, effort, time, limitation and concentration. Saturn eliminates anything that is not authentic, sooner or later. It is impossible to cheat him as he gives an irresistible desire to form a coherent whole with oneself, in responsible and wise ways. He is the great purifier. He represents our limitations but also our truth. In your natal chart, the house position where Saturn is posited is more important than his sign position because, like Jupiter, Uranus, Neptune and Pluto, he is a slow planet. Many people born in the same period have Saturn in the same sign. This is the reason why the sign occupied here is less meaningful than when it is occupied by the so-called fast planets, i.e. the Sun, the Moon, Mercury, Venus and Mars. Therefore, some caution is to be exercised as you read what follows. Saturn in Capricorn is in his own sign, and according to the Tradition, he is most potent and at his best: he increases your toughness, your seriousness, and above all, your long-term management capacities. You are persevering, resistant, hard-working, ambitious and you are aware of the fact that time is on your side. Your reputation is that of a sober and stern person but you are respected and acknowledged for your wisdom and your authenticity.

Saturn in House V

With Saturn in your 5th House, love is not a trivial topic. Neither is childhood, nor creation. Whatever you give is pondered over, and carefully thought through. Therefore, your sentimental comportments are complex, demanding, and selective. You are prone to doubt and questioning, and above all, you seek the genuineness of passions and creations. Childhood brings back memories of a pretty rigid education which was in line with established rules.

Saturn Dominant

If Saturn is part of your natal chart's planetary dominants, in astrology, you are said to be a Saturnian: you gladly leave to other people the decision to take life as it comes. As far as you are concerned, you prefer to take advantage of your experiences in order to discover, to grow, and to question yourself.

Interpretation of the 25° Capricorn symbolic degree

"« Boats sail on a glassy sea. On the shore, a path leads to a pine tree forest." (Janduz version)

Proud, tranquil, and generous character. One has a keen interest in seas and rainforests, and it is most likely that one achieves success in water sports and any occupation dealing with water or tropical plantations such as rubber, coffee, sugar cane, etc.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

If you wish, you can receive immediately in your mailbox your detailed astrological portrait, a nice gift for yourself or for your close friends and relatives, who will deeply appreciate it.

Uranus 29°46' Pisces, in House VIII

Uranus Aspects
Saturn sextile Uranus orb +4°16'
Planets: Uranus

Uranus represents individual freedom, originality, independence, marginality, avant guard inspiration, ultra modernism. Fire is its element, it is dry, and it rules Aquarius, is in exaltation with Scorpio and is in analogy with the brain and the nerves.

It represents inventors, odd characters, revolutionaries.

Temperament : Nervous to the extreme

Characterology : Emotive, Active, Secondary type; it is a Passionate type.

Uranus in Pisces

The planet Uranus symbolizes originality, independence and cerebral energy bursting suddenly. Uranus triggers the irresistible need for freedom that we have in ourselves. Uranus tends to break the constraints that have become unbearable and gives us the courage and the will to get rid of what has become a burden; when he is well aspected, he also indicates genius. In your natal chart, Uranus’ house position is more important than his sign position because, like Jupiter, Saturn, Neptune and Pluto, he is a slow planet. Many people born in the same period have Uranus in the same sign. This is the reason why the sign occupied here is less meaningful than when it is occupied by the so-called fast planets, i.e. the Sun, the Moon, Mercury, Venus and Mars. Therefore, some caution is to be exercised as you read what follows. The sign positions of Uranus, Neptune and Pluto have a collective meaning. They do not influence your personality, unless they are involved in numerous aspects or when they emphasize a personal point of your natal chart such as your Ascendant’s ruler, an angular planet, i.e. a planet near the Ascendant, the Midheaven, the Nadir or the Descendant. In such cases, the activity of the slow planet is very highlighted. Uranus in Pisces brings about sudden and spasmodic waves of emotions. You may be overwhelmed by feelings that creep over you, although they are inevitably filtered by your intellect: this is quite a peculiar configuration, indeed, made of cerebral-ness and inspiration.

Uranus in House VIII

With Uranus is in the 8th House, the planet of revolutions is in the sector of transformations, which predisposes to all sorts of reforms and regenerations. You feel that you are capable of radically changing the nature of your life setting, of accepted models and current norms. Reconstruction, whether of a society, a couple, or a relationship, justifies the collapse of old values. You show a keen interest in occultism and in all mysterious matters.

Uranus Dominant

If Uranus is part of your natal chart's planetary dominants, in astrology, you are said to be a Uranian: personal values are prevailing. Inner certainties fuel an inflexible will and a desire to call attention on yourself as well as to follow your beliefs through. This planet prompts you to behave with determination, to put forward your own truth, and to start your personal revolution. More than other people, you are willing to keep some degree of autonomy in all circumstances, and you often display an individualistic nature. In order to achieve your ideal of freedom and independence, you may act like a despot as you try to convince and to impose your views, whether smoothly or forcefully. Regardless of the flexibility of your comportment, some situations demand an absolute firmness as well as uncompromising, frank and straightforward attitudes. People may criticise you for your intransigence and say that you are a hardliner. Outsider's opinions don't matter! The most important thing is that you act in all conscience and reach your primary objectives. More than anyone else, you know how to use your willpower and to focus your energy on a precise aim, relentlessly, whatever the consequences might be. In the chapter of qualities, let's mention a definite sense of responsibility, an innovative mind open to techniques and modern ideas, as well as a natural self-discipline which overcomes many an obstacle. Therefore, people are well-advised not to hound you into a corner.

Interpretation of the 29° Pisces symbolic degree

"In a large antechamber, a good-looking young woman with a stately demeanour and wearing a horse riding apparel proudly stares at her image in a full-length mirror ostentatiously holding her riding crop." (Janduz version)

Intuitive, conceited, and selfish character. One is driven by an over-developed ego and conceals one's mediocrity under haughty manners. One never hesitates to plagiarize other people's work or appropriate it. However, if the natal chart clearly indicates strong moral standards, one has exceptionally sharp intelligence and is dedicated to high ideals and the good of mankind. In both cases, one believes in one's intellectual superiority and behaves with arrogance and disdain, which alienates relatives and friends. This degree warns that appearances are often misleading.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

If you wish, you can receive immediately in your mailbox your detailed astrological portrait, a nice gift for yourself or for your close friends and relatives, who will deeply appreciate it.

Neptune 21°05' Aquarius, in House VI

Neptune Aspects
Jupiter conjunction Neptune orb +0°51'
Neptune sextile Pluto orb +0°25'
Mars sextile Neptune orb +1°24'
Sun sextile Neptune orb +4°03'
Mercury sextile Neptune orb -5°56'
Planets: Neptune

Neptune represents escapism, impressionability, daydreaming, delusions, carelessness, deception or intuition, dishonesty or inspiration, telepathy. Water is its element, it is moist, it rules Pisces, is in exaltation in Cancer, though some authors say it is Leo, and is in analogy with the vegetative system.

It represents dreamers, mediums, magicians, merchants of illusion, drug addicts.

Temperament : rather Lymphatic

Characterology : Emotive, non Active, Primary or Secondary type; it is a Sentimental, or sometimes Amorphous type.

Neptune in Aquarius

The planet Neptune symbolizes extreme receptivity, intense emotional sharpness, impressionability and inspiration; it is the planet of mediums, mystics and religious faith. In an astrological chart, it indicates dilution, vagueness, understanding one’s environment through emotions and the absence of clear and determined limits and structures. In your natal chart, Neptune’s house position is more important than his sign position because, like Jupiter, Saturn, Uranus and Pluto, he is a slow planet. Many people born in the same period have Neptune in the same sign. This is the reason why the sign occupied here is less meaningful than when it is occupied by the so-called fast planets, i.e. the Sun, the Moon, Mercury, Venus and Mars. Therefore, some caution is to be exercised as you read what follows. The sign positions of Uranus, Neptune and Pluto have a collective meaning. They do not influence your personality, unless they are involved in numerous aspects or when they emphasize a personal point of your natal chart such as your Ascendant’s ruler, an angular planet, i.e. a planet near the Ascendant, the Midheaven, the Nadir or the Descendant. In such cases, the activity of the slow planet is very highlighted. Neptune in Aquarius may inflame your faith in favour of an ideal or of a humanitarian cause. Your imagination may be at its best, and even more so, if the project you are involved in is… crazy and daring!

Neptune in House VI

With Neptune in the 6th House, it is very likely that you have difficulties in defining your social role because your attitude is mainly instinctive, intuitive, and sometimes inspired. You feel the call of some sort of mission, or a vocation. But you need to understand its nature and its limits. In the professional area, you prefer to let your sixth sense guide you, and to wait for the inspiration of the moment than to abide by rigid and stiff rules.

Neptune Dominant

If Neptune is part of your natal chart's planetary dominants, in astrology, you are said to be a Neptunian: your intuition is highly developed. You are of a contemplative nature, and you are particularly receptive to ambiances, places, and people. You gladly cultivate the art of letting-go, and you allow the natural unfolding of events to construct your world. You follow your inspirations, for better or for worse. At times, you display an extraordinary clairvoyance gift. You seem to be able to read your subconscious like a book, and you track down subtle underlying mechanisms, flaws, or open breaches. This innate intuition might explain the strokes of good luck which the Neptunian is sometimes credited with. However, you may also be the victim of illusions and misleading intuitions. You are an idealist, and you let your deepest aspirations prevail over the realities of the moment. Then, you set off in quest of some quixotic objective, living like a Don Quixote who relentlessly pursues an impossible dream. You have a great talent for psychology and the mysteries of the human soul. Since you instinctively perceive people's intents and motivations, as you swim in the complexity of human nature, you feel in your element. The subtlety of your perceptiveness is the source of both special affections and irrevocable rejections. What is the danger of such a dominant? If it is not offset by other influences in your natal chart, you may not have an iron will. Your trump card is your instinct, which may be developed to the extent that it becomes clairvoyance.

Interpretation of the 21° Aquarius symbolic degree

"A furious bull tramples on a dog. A man examines a corpse." (Janduz version)

Violent, excessive, and spiteful character. If one is able to control one's outbursts of fury, success can be attained in the military and in all occupations requiring physical strength, or in surgery and medical research. This degree warns against vengeful deeds because extreme brutality can only result in equally extreme disasters.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

If you wish, you can receive immediately in your mailbox your detailed astrological portrait, a nice gift for yourself or for your close friends and relatives, who will deeply appreciate it.

Pluto 21°31' Aries, in House IX

Pluto Aspects
Sun conjunction Pluto orb +3°37'
Mars trine Pluto orb +1°50'
Neptune sextile Pluto orb +0°25'
Mercury conjunction Pluto orb +6°22'
Jupiter sextile Pluto orb -0°26'
Saturn square Pluto orb -3°58'
Planets: Pluto

Pluto represents deep transformations, mutations and eliminations, sexuality and magnetism, power and secrets, destruction with a view to regeneration, the phoenix rising from the ashes. Its element is indefinite; burning (like lava in fusion ?), it rules Scorpio, is in exaltation in Pisces and is in analogy with the sexual organs and excretion.

It represents dictators, sadistic people, violent characters, is instinctive and powerful but also mysterious with hidden strengths.

Temperament : rather Bilious

Characterology : Emotive or non-Emotive, Active, Primary type; it is a Passionate Choleri typec.

Pluto in Aries

The planet Pluto symbolizes deep disruptions and upheavals, domination and sexual instincts, and the inner power we have in ourselves. Pluto destroys in order to reconstruct and he provokes painful crises that are needed in metamorphosis. Pluto is our deepest instincts’ brutal force. It is the hidden and unconscious violence that can explode in us with incredible intensity before being projected in our actions; in itself, the planet is not negative: the might and the intensity of its energy are beyond the conceivable but it can be funnelled. Pluto is the only possibility we have at our disposal to overcome our inner blocks and to eliminate outgrown situations that have become inextricable. Pluto’s energy is valuable because of its usefulness for the irreversible destruction of what constitutes a problem and not because of its negative side and its perversity. Pluto allows to reconstruct and to regenerate parts of our personality or whole stretches of our life, provided that we manage to funnel his wild energy and to step back. It is impossible to tame this energy, given its essence. However, it is possible to take advantage of it for a precise aim, through a temporary identification of some parts of us with this energy. In such a case, the outcome is our final evolution and even, our transformation. In your natal chart, Pluto’s house position is more important than his sign position because, like Jupiter, Saturn, Uranus and Neptune, Pluto is a slow planet. Many people born in the same period have Pluto in the same sign. This is the reason why the sign occupied here is less meaningful than when it is occupied by the so-called fast planets, i.e. the Sun, the Moon, Mercury, Venus and Mars. Therefore, some caution is to be exercised as you read what follows. The sign positions of Uranus, Neptune and Pluto have a collective meaning. They do not influence your personality and they are not to be really taken into account, unless they are involved in numerous aspects or when they emphasize a personal point of your natal chart such as your Ascendant’s ruler, an angular planet, i.e. a planet near the Ascendant, the Midheaven, the Nadir or the Descendant. In such cases, the activity of the slow planet is very highlighted. Pluto in Aries intensifies your instinctive power and may unleash your violence.

Pluto in House IX

With Pluto in the 9th House, the traveller becomes a spy, and the wise man turns into a sceptical philosopher. You are probably not too interested in stiff morals and commonly accepted explanations. You revel in overthrowing great ideals, and you prefer to come up with more personal concepts, even though they may be less clear at times. It is with a distant and criticising look that you analyse your explorations, your travels, and your discoveries, and you do so with a lucidity which borders on indifference.

N.B.: When a planet is posited near the cusp of the next astrological house (less than 2 degrees for the Ascendant or the Midheaven, and less than 1 degree for all the other houses), it is considered to be posited in the following house. This rule is used in the texts of this interactive chart and in all our astrological softwares.

Pluto Dominant

If Pluto is part of your natal chart's planetary dominants, in astrology, you are said to be a Plutonian: you sometimes feel like a foreigner who does not belong to the world, to its laws, and its concerns. The rules of life in society are not necessarily yours. You are interested in what is unknown and in the subtle laws of a hidden order. So, you take malicious pleasure in ridiculing the patterns you find too simplistic or too rigid. You also revel in underlining the limits of explanations you deem too common. There is something unconventional about the way you are, the way you think, and the way you act. What is your specificity made of? Is it an extraordinary partner? A life off the beaten path? Or do you only distance yourself from conventional morals? In any case, you have the feeling, sometimes quite vague, that you come from nowhere, and that you do not belong to any definite group... In short, it means that you cannot be simplified in order to conform to existing models. The gap between you and ordinary mortals is also an element of your strength. Your deep clear-sightedness, firstly, enables you to put things into perspective and to grant them only the attention they deserve. Your other remarkable asset is your capacity to intervene from behind the scenes, to secretly organise events, and to bring about the desirable outcome without seeming to impose or to dictate anything. However, you must still overcome one of the major difficulties of this dominant, which is to get people to accept your difference and to smoothly fit into your environment.

Interpretation of the 21° Aries symbolic degree

"A man, who just filled his jug at the fountain, walks so carelessly that the water spills on the ground. A bear bites a tree trunk." (Janduz version)

Lazy, carefree and conceited character. One loses one's credibility and wealth owing to one's indecisiveness and wrong judgements. Furthermore, one nurtures ambitions which are out of proportion with one's intellectual and financial abilities. The bear indicates that one keeps other people responsible for one's failures instead of acknowledging that one's negligence and lack of skills are the real causes of repeated setbacks.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

If you wish, you can receive immediately in your mailbox your detailed astrological portrait, a nice gift for yourself or for your close friends and relatives, who will deeply appreciate it.

Chiron 9°25' Leo, in House XII
Asteroids: Chiron

Chiron is almost renowned and used everywhere. Most astrologers consider it as a kind of "mediator" between Saturn and outer planets. Consequently, Chiron is of Saturn's nature and at the same time is influenced by Uranus, the first slow-moving planet. Astrologically, it symbolizes wisdom, patience and the faculty to reduce others' sufferings: it is said to be the "great healer" of the zodiac. Like all the secondary bodies, it must be in close conjunction with planets or angles in order to fully express its action.

Interpretation of the 9° Leo symbolic degree

"A skeleton hangs at the branch of a storm-stricken oak." (Janduz version)

Fundamentally courageous and altruistic character, though short-tempered and melancholic. One readily works to help other people, even though one knows that no profit is to be expected in return. Indeed, one believes that inner riches and spiritual advancement are invaluable. Skin and fur trade is very favoured. This degree indicates that physical dangers come from transportation and sport. Hunting is strongly advised against.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

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Asteroids: Ceres

Ceres, the biggest of the four minor asteroids used besides Chiron, is associated with the mythological goddess of growing plants and harvest and also symbolizes physical constitution, vitality and fertility. She's also known as Demeter, according to the astrologer Zipporah Dobyns, linked to the symbolism of the mother but in a less emotive and more physical way than the Moon. Ceres is thought to be the ruler of Virgo, in exaltation in Gemini, in exile in Pisces and in fall in Sagittarius. Keywords associated with Ceres could be order, practical sense, worry, precision, modesty, method, sobriety, motherhood, fertility, the Earth: a kind of a more cerebral Moon...

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Asteroids: Pallas

Pallas is sometimes used in modern Astrology: she represents intelligence, abstract and global thinking talents. It is usually considered to be a determining element in political strategy.

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Asteroids: Juno

Juno is the asteroid corresponding to the adaptation to the marital partner and to the defence of individual rights; it is thus used in the field of marriage.

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Asteroids: Vesta

Vesta is rarely used and brings the ability to efficiently devote oneself to a cause.

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True North Node 4°49' Я Capricorn, in House V
North Node

The North Node (True Node here) represents the goals that must be achieved during life, in the karmic sense according to some traditions. Its position in house indicates in what field an effort is necessary in order to evolve. The North Node is often called the Dragon's head, it is usually considered beneficial, a bit like Jupiter with the planets. The Lunar nodes are fictional points and not actual heavenly bodies: they are the intersections of the Moon with the Ecliptic (the path made by the Sun in its orbit as seen from the Earth). The axis of the Lunar nodes moves 19 degrees each year, namely a bit more than three minutes each day.

The South Node is diametrically opposed to the North Node, therefore it faces it (it's not drawn here, it's the same symbol but upside down). It symbolizes what has already been achieved or acquired, in a karmic sense: it's the past from which it's advised to move on in order to progress. The South Node is rather negative, of a Saturnian nature: the experience through suffering.

Interpretation of the 4° Capricorn symbolic degree

"Amid a tranquil landscape, in front of a water spring, there is a little house with doors and windows wide open to all." (Janduz version)

Benevolent, broad-minded, and trusting character. One readily helps people in distress with genuine selflessness. However, more discrimination must be exercised in order to avoid being swindled by the very people who were given shelter, whether at home or in the professional area. This degree often describes a person who makes wrong decisions despite above average intellectual capacities.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

True Lilith 11°42' Я Aries, in House VIII
Lilith

Lilith or the Dark Moon (True Lilith here) represents the uncrossable threshold, taboos, the individual's provocative and fascinating side, including on a sexual level. She symbolizes violence and "untameability", the radical and deep-seated refusal to submit. The keywords for Lilith can be sterility, sadism, perversity, castration, sadomasochism, eroticism, orgasm, forbidden fantasies, marginality, cruelty; redemption, illumination, rebelliousness... Lilith's opposite point is called Priapus; it is the Lunar perigee, the position where the Moon is closest to the Earth. It symbolizes man's primitive nature, the horror hidden in our deepest self; masochism, extreme sensuality, impulsiveness, irrationality and excess. Physically speaking, the Dark Moon is the focal point unoccupied by the Earth: it is not a concrete body but a mathematical point.

Interpretation of the 11° Aries symbolic degree

"A man walks in his garden with two children he holds by the hand. Although he seems caring, he is obsessed by his desire for honours." (Janduz version)

Sociable, honest, and generous nature endowed with strong domestic instincts. Family matters are of utmost importance and priority is given to well-being at home and to education. Child-rearing practices are based on the principles of honour, effort, and integrity. One achieves some success in social work, but not in other areas, unless the Sun in the natal chart is posited on this degree.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

Fortune 17°47' Pisces, in House VII
Part of Fortune

The Part of Fortune is an ancient concept, used by Ptolemy and other astrologers before him. Firstly, it has nothing to do with fortune! In modern astrology, it is actually used to enhance a planet or angle when in close conjunction with it: it thus amplifies the meaning associated to the point affected by its presence. It is calculated in the following way:

Part of Fortune = AS + Moon - Sun (it is the Moons position when the Sun rises)

The classical Part of Fortune, of which the calculus method is unchanged whether in a diurnal or nocturnal chart, is usually distinguished from the diurnal/nocturnal Part of Fortune which is calculated by the formula AS + Sun - Moon for a nocturnal chart, and AS + Moon - Sun in a diurnal chart.

We currently use the latter formula for our astrological programmes.

Interpretation of the 17° Pisces symbolic degree

"A man falls off as he jumps his horse over a fence. In a meadow, three wild horses fight each other." (Janduz version)

Daring, violent, and improvident character. It is necessary to avoid all forms of conflicts, learn to exercise some patience, and carefully ponder over the situation before taking action. Success can be achieved in sports, provided that one receives a good training. This degree portends dangers linked to horses and transportation in general. Expatriation or working abroad is strongly advised against.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

Ascendant 0°59' Virgo
Ascendant or House I

The First House or Ascendant represents one's behaviour in the eyes of others, and also one's health. It corresponds to the way the individual acts in the world. It is the image of the personality seen by others and the person's visible behaviour expressed outwardly. The 1st House is in analogy with Aries and thus Mars too, and then the Sun. It is an angular house, the most important one with the Midheaven, maybe even more so due to its link with the body and health.

Ascendant in Virgo

Your psychological nature is nervous and secondary. Before you take action, you cautiously ponder over things and you review all possible alternatives and reactions. You strive systematically to find the best possible response to any given problem. Above all, you are a perfectionist and you have no rest until you optimize a situation, in each and every area, be it professional, pragmatic, aesthetic or in pleasure. You do not accept spontaneity and, to fully enjoy life and go further, you consider that demanding the best is the least you can do, even though it is detrimental to the rough forces associated with your instinct. Intellectual elements intervene before both the physical ones and your feelings: it is one of the essential clues to understanding your personality.

With this Ascendant, you come across as cerebral, clear-sighted, focused on details and on numbers, analytic, serious, competent, reasonable, modest, tidy, organized, spruce, industrious, provident, honest, loyal, reserved, shy, helpful, willing to progress, talkative, logical, hardworking, tactful, patient, precise, concrete, spiritual. You can also be narrow-minded, calculating, irritating, petty, hung up, anxious, cold, repressed or sarcastic.

Interpretation of the 0° Virgo symbolic degree

"The owners of the manor have put on their most beautiful attire to attend a party they offer to all the villagers." (Janduz version)

Sociable, pleasant and orderly character. One is willing to adjust to all situations and always respects friends and visitors regardless of their social origins. One is fond of all sorts of entertainments and parties. One has numerous friends because one's warm and helpful nature is highly appreciated. Life unfolds in happiness and simplicity. If in the natal chart, this degree is in conjunction with the Ascendant and the Sun, and if it forms hard aspects with Jupiter or Venus, it indicates an overwhelming desire for luxury, and a superficial lifestyle with overdeveloped concern for appearences and sensual pleasures. Over-eating and over-drinking bring about ill-health.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

Midheaven 25°37' Taurus
Midheaven or House X

The Tenth House still called the Midheaven, is the highest point amidst the houses, at the top of the chart, in the South, and relates to destiny in general and career (and not daily work as meant by the Sixth House). The Midheaven represents our achievements and goals in the social sphere, our social position in society, and becomes more and more important as we get older. It is in analogy with Capricorn and Saturn. The Tenth House is the most important angular house along with the Ascendant.

Midheaven in Taurus

You are a conservative person, hard-working, and in fact slow but... very strong. You amass possessions slowly but steadily. It would be very surprising if around your forties, or often earlier, you did not have a comfortable bank account and some piece of real estate which are your sources of pride.

You are particularly drawn to all occupations related with nature, real estate, finance, music, the performing arts, and pleasure. Indeed, you are very suitable for working as landscape gardener, cultivator, horticulturist, forest ranger, banker, bookkeeper, carpenter, architect, hotelier, cook, restaurant owner, singer, musician, sculptor, dressmaker, or actor.

Interpretation of the 25° Taurus symbolic degree

"A fair-haired woman holds a child by the hand and picks flowers in the countryside. A benevolent man lends a hand to help them cross a ford." (Janduz version)

Affectionate, peaceful and pleasant character. One is very good at smoothing out rough edges and at helping people settle their disputes in a peaceful way. One finds happiness in accomplishing ordinary duties, appreciates peace at home, and shows tolerance in all fields.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

Ascendant 0°59' Virgo
House I (AC)

The First House or Ascendant represents one's behaviour in the eyes of others and also one's health. It corresponds to the way the individual acts in the world. It is the image of the personality as seen by others and the person's visible behaviour expressed outwardly. The 1st House is in analogy with Aries and thus Mars too and then the Sun. It is an angular house, the most important one with the Midheaven, maybe even more so due to its link with the body and health; the Ascendant is as important as the Sun in a natal chart.

Interpretation of the 0° Virgo symbolic degree

"The owners of the manor have put on their most beautiful attire to attend a party they offer to all the villagers." (Janduz version)

Sociable, pleasant and orderly character. One is willing to adjust to all situations and always respects friends and visitors regardless of their social origins. One is fond of all sorts of entertainments and parties. One has numerous friends because one's warm and helpful nature is highly appreciated. Life unfolds in happiness and simplicity. If in the natal chart, this degree is in conjunction with the Ascendant and the Sun, and if it forms hard aspects with Jupiter or Venus, it indicates an overwhelming desire for luxury, and a superficial lifestyle with overdeveloped concern for appearences and sensual pleasures. Over-eating and over-drinking bring about ill-health.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

House II 24°08' Virgo
House II

The Second House is the sphere of material security, the money we earn, our possessions, also in a symbolic meaning (close people etc). It is in analogy with Taurus and Venus. It is a succedent house, quite important.

House III 22°26' Libra
House III

The Third House is the sphere of social and intellectual apprenticeship, studies, relationships with close people and surroundings, short trips, light-hearted and quick contacts, correspondences. It is in analogy with Gemini and Mercury. It's a cadent house, less important than the angular and succedent ones.

House IV 25°37' Scorpio
House IV (IC)

The Fourth House also called Immum Coeli is the sphere of inner emotions, family, the father, home and roots, but also the home one creates. It's Home Sweet Home, security and cocoon. It is in analogy with Cancer and the Moon. It's an angular and important house.

Interpretation of the 25° Scorpio symbolic degree

"The rising sun lights up a cross carved into the rock of a hill near a small chapel." (Janduz version)

Loyal, composed, and idealistic character. One is detached from materialistic concerns and concentrates on intellectual, artistic, or religious undertakings. The working place may be located in a remote or restricted area such as in a nuclear research centre, an astronomy observatory, or just a quiet secluded room conducive to inspiration for one's writings. This degree gives a religious vocation and may describe a member of the clergy if the natal chart confirms this tendency.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

House V 0°32' Capricorn
House V

The Fifth House is the sphere of pleasures and love affairs (but not commitment or marriage), creations and entertainments, children, arts and game. It is in analogy with Leo and the Sun. It's a succedent and quite important house.

House VI 2°50' Aquarius
House VI

The Sixth House is the sphere of apprenticeship and effort in the work environment, daily life, health on a daily basis and not operations or long-term diseases, relationships with co-workers or subordinates, desire for improvement, analysis and detail. It is in analogy with Virgo and Mercury. It is a cadent house, less important than the angular and succedent ones.

House VII 0°59' Pisces
House VII (DS)

The Seventh House also called the Descendant (in front of the Ascendant) is the sphere of partnership, marriage, contracts, relationships with others, the outer world. It is in analogy with Libra and Venus, and Saturn to a lesser extent. It is an angular and important house.

Interpretation of the 0° Pisces symbolic degree

"A human being, half-male and half-female, stands in front of an office door. Nearby, a young couple is about to take place at a table where a sumptuous meal is served." (Janduz version)

Pleasant, sociable, and loyal character. One always readily adjusts to the members of one's entourage in order to create harmonious living conditions. This applies particularly to conjugal life. One can achieve success in business or in the arts. Associations are highly favoured because, as symbolised by the first personage of the image, one knows perfectly well how to blend opposite elements and turn them into complementary assets.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

House VIII 24°08' Pisces
House VIII

The Eighth House is the sphere of emotional security, the depths of the self, secrets and paranormal, transcendence, sexuality, mysteries, upheavals, surgical operations, others' money (investments, inheritances), crises, transformation after evolution, death. It is in analogy with Scorpio and Pluto, and Mars to a lesser extent. It is a succedent and quite important house.

House IX 22°26' Aries
House IX

The Ninth House is the sphere of high studies, both physical and mental journeys (philosophy, spirituality), rebelliousness, changes of scenery, desire for dealing with the unknown. It is in analogy with Sagittarius and Jupiter. It is a cadent house, less important than the angular and succedent ones.

Midheaven 25°37' Taurus
House X (MC)

The Tenth House still called the Midheaven, is the highest point amidst the houses, at the top of the chart, in the South, and relates to destiny in general and career (and not daily work as meant by the Sixth House). The Midheaven represents our achievements and goals in the social sphere, our social position in society, and becomes more and more important as we get older. It is in analogy with Capricorn and Saturn. The Tenth House is the most important angular house along with the Ascendant.

Interpretation of the 25° Taurus symbolic degree

"A fair-haired woman holds a child by the hand and picks flowers in the countryside. A benevolent man lends a hand to help them cross a ford." (Janduz version)

Affectionate, peaceful and pleasant character. One is very good at smoothing out rough edges and at helping people settle their disputes in a peaceful way. One finds happiness in accomplishing ordinary duties, appreciates peace at home, and shows tolerance in all fields.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

House XI 0°32' Cancer
House XI

The Eleventh House is the sphere of friendship and protection, projects, search for social acceptance and security, collective and humanitarian actions. It is in analogy with Aquarius and Uranus, and Saturn to a lesser extent. It's a succedent and quite important house.

House XII 2°50' Leo
House XII

The Twelfth House is the sphere of hidden things, enemies, closed or remote places (hospital, prison, convent etc.), ordeals, secrecy, solitude, long-term illnesses but also sincere devotion and genuine compassion. It is in analogy with Pisces and Neptune.


Caption
Légende des aspects
Conjunctions
Opposites and Squares
Trines and Sextiles
Semi-Squares and Sesqui-Quadrates
Semi-Sextiles, Quintiles and Bi-Quintiles
Inconjunctions
 
Display and Calculation Parameters
 
  
 
 
 
 
Printing and Sharing Options
 
URL
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* A planet less than 1° from the next House cusp is considered to be posited in the said House. 2° when the AS and the MC are involved

Biography of Henry James (writer)

Henry James, O.M. (April 15, 1843(1843-04-15) – February 28, 1916), son of theologian Henry James Sr., brother of the philosopher and psychologist William James and diarist Alice James, was an American-born British author. He is one of the founders and leaders of a school of realism in fiction; the fine art of his writing has led many academics to consider him the greatest master of the novel and novella form. He spent much of his life in England and became a British subject shortly before his death. He is primarily known for a series of major novels in which he portrayed the encounter of America with Europe. His plots centered on personal relationships, the proper exercise of power in such relationships, and other moral questions. His method of writing from the point of view of a character within a tale allowed him to explore the phenomena of consciousness and perception, and his style in later works has been compared to impressionist painting.

James insisted that writers in Great Britain and America should be allowed the greatest freedom possible in presenting their view of the world, as French authors were. His imaginative use of point of view, interior monologue and unreliable narrators in his own novels and tales brought a new depth and interest to realistic fiction, and foreshadowed the modernist work of the twentieth century. An extraordinarily productive writer, in addition to his voluminous works of fiction he published articles and books of travel writing, biography, autobiography, and criticism, and wrote plays, some of which were performed during his lifetime with moderate success. His theatrical work is thought to have profoundly influenced his later novels and tales.

Life

Henry James was born on April 15, 1843 in New York City into a wealthy family. His father, Henry James Sr. was one of the best-known intellectuals in mid-nineteenth-century America. In his youth James traveled back and forth between Europe and America. He studied with tutors in Geneva, London, Paris, Bologna and Bonn. At the age of 19 he briefly attended Harvard Law School, but preferred reading literature to studying law. James published his first short story, "A Tragedy of Errors" two years later, and devoted himself to literature. In 1866-69 and 1871-72 he was a contributor to The Nation and Atlantic Monthly.

From an early age James had read the classics of English, American, French and German literature and Russian classics in translation. His first novel, Watch And Ward (1871), was written while he was traveling through Venice and Paris. After living in Paris, where he was contributor to the New York Tribune, James moved to England, living first in London and then in Rye, Sussex. During his first years in Europe James wrote novels that portrayed Americans living abroad. In 1905 James visited America for the first time in twenty-five years, and wrote "Jolly Corner".

Among James' masterpieces are Daisy Miller (1879), where the young and innocent American, Daisy finds her values in conflict with European sophistication and The Portrait of a Lady (1881) where again a young American woman becomes a victim of her provincialism during her travels in Europe. The Bostonians (1886) was set in the era of the rising feminist movement. What Maisie Knew (1897) depicted a preadolescent young girl, who must choose between her parents and a motherly old governess. In The Wings of the Dove (1902) a heritage destroys the love of a young couple. James considered The Ambassadors (1903) his most "perfect" work of art. James's most famous short story must be "The Turn of the Screw", a ghost story in which the question of childhood corruption obsesses a governess. Although James is best known for his novels, his essays are now attracting a more general audience.

Between 1906 and 1910 James revised many of his tales and novels for the New York edition of his complete works. His autobiography, A Small Boy And Others, appeared in 1913 and was continued in Notes Of A Son And Brother (1914). The third volume, The Middle Years, appeared posthumously in 1917. The outbreak of World War I was a shock for James and in 1915 he became a British citizen as a declaration of loyalty to his adopted country and in protest against the US's refusal to enter the war. James suffered a stroke on December 2, 1915. He died three months later in London on February 28, 1916. He was cremated at Golders Green Crematorium and his ashes are interred at Cambridge, Massachusetts.


Career in Letters
James early formed the ambition of pursuing a career as a man of letters. His first published work was a review of a stage performance, "Miss Maggie Mitchell in Fanchon the Cricket," published in 1863, that reflected a life-long interest in the actor's art. From an early age James read, criticized, and learned from the classics of English, American, French, Italian, German and (in translation) Russian literature. In 1863, he anonymously published his first short story, A Tragedy of Error. Until his fiftieth year he supported himself by writing, principally by contributing extensively to illustrated monthly magazines in the United States and Great Britain, but after his sister's death in 1892 his royalties were supplemented by a modest income from the family's properties in Syracuse, New York. Until late in life his novels were serialized in magazines before book publication, and he wrote the monthly installments as they were due, allowing him little opportunity to revise the final work. To supplement his income he also wrote frequently for newspapers, and from 1863 to his death he maintained a strenuous schedule of publication in a variety of genres and media. In his criticism of fiction, the theater, and painting he developed ideas concerning the unity of the arts; he wrote two full-length biographies, two volumes of memoirs of his childhood and a long fragment of autobiography; 22 novels, including two left unfinished at his death, 112 tales of varying lengths, fifteen plays, and dozens of travel and topical essays. Biographers and critics have identified Henrik Ibsen, Nathaniel Hawthorne, Honoré de Balzac, and Ivan Turgenev as important influences. He heavily revised his major novels and many of his stories for a selected edition of his fiction, whose twenty-three volumes formed an artistic autobiography which he called "The New York Edition" to emphasize his continuing ties to the city of his birth. In his essay The Art of Fiction, and in prefaces to each volume of The New York Edition, James explained his views of the art of fiction, emphasizing the importance to him of realist portrayals of character as seen through the eyes and thoughts of an embodied narrator.

At several points in his career James wrote plays, beginning with one-act plays written for periodicals in 1869 and 1871 and a dramatization of his popular novella Daisy Miller in 1882. From 1890 to 1892, he made a concerted effort to succeed commercially on the London stage, writing a half-dozen plays of which only one, a dramatization of his novel The American, was produced. This play was performed for several years by a touring repertory company, and had a respectable run in London, but did not earn very much money for James. His other plays written at this time were not produced. The effort was made avowedly to improve his finances, and after his sister Alice's death in 1892, as he had a modest independent income, he halted his theatrical efforts. In 1893, however, he responded to a request from actor-manager George Alexander for a serious play for the opening of his renovated St. James's Theatre, and James wrote a long drama, Guy Domville, which Alexander produced. There was a noisy uproar on the opening night, January 5, 1895, with hissing from the gallery when James took his bow after the final curtain, and the author was considerably upset. The incident was not repeated, the play received good reviews, and had a modest run of five weeks and was then taken off to make way for Oscar Wilde's The Importance of Being Earnest, which Alexander thought would have better prospects for the coming Season. After the stresses and disappointment of this effort James insisted that he would write no more for the theater, but within weeks had agreed to write a curtain-raiser for Ellen Terry. This became the one-act "Summersoft", which he later rewrote into a short story, "Covering End", and then expanded into a full-length play, The High Bid, which had a brief run in London in 1907, when James made another concerted effort to write for the stage. He wrote three new plays, two of which were in production when the death of Edward VII May 6, 1910 plunged London into mourning and the theaters were closed. Discouraged by failing health and the stresses of theatrical work, James did not renew his efforts in the theater, but recycled his plays as successful novels. The Outcry was a best-seller in the United States when it was published in 1911. During the years 1890-1893 when he was most engaged with the theater, James wrote a good deal of theatrical criticism and assisted Elizabeth Robins and others in translating and producing Henrik Ibsen for the first time on the London stage.

Biographer Leon Edel was the first to call attention to the importance of the "theatrical years" 1890-1895 for James's later work. Following the commercial failure of his novel The Tragic Muse, in 1890, James renounced novel writing and dedicated himself to short fiction and plays, which he described as related forms. Between 1890 and 1895, he sketched in his notebooks plots and themes of nearly all his later novels, which he first conceived as short stories or plays. The structure of his late novels was "scenic" in James's special sense, in that they followed the scene-by-scene structure of a French play in the classical mode, and he freely translated short stories into plays and vice versa. The use of an observer's consciousness and the sense of the action as a performance became most marked in James's fiction in and after the 1890s. Failing to make a commercial success on the stage, however, and finding that the stresses of theatrical work were difficult for him to sustain, he returned to the writing of long, serialized novels, which again became the mainstay of his income. With his new private income as well, he was able to maintain a country house and rooms in London.

Leon Edel argued in his psychoanalytic biography that James was deeply traumatized by the opening night uproar that greeted Guy Domville, and that it plunged him into a prolonged depression. The successful later novels, in Edel's view, were the result of a kind of self-analysis, expressed in James's fiction, which partly freed him from his fears. Other biographers and scholars have not accepted this account, however; the more common view being that of F.O. Matthiessen, who wrote: "Instead of being crushed by the collapse of his hopes . . . he felt a resurgence of new energy."

James returned to the United States in 1904-1905 for a lecture tour to recoup his finances and to visit his family. His essays describing that visit, published as The American Scene, were perhaps his most important work of social commentary. In them he described the rise of commerce and democracy, the impact of free immigration on American culture, and his agonized sense that his deeply felt American nationality was threatened by these upheavals.


Psychological characterizations

James never married, and after settling in London proclaimed himself "a bachelor" and regularly rejected suggestions that he marry. After his death, critics speculated on the cause of his bachelorhood. F. W. Dupee, in several well-regarded volumes on the James family, originated the theory that James had been in love with his cousin Mary ("Minnie") Temple, but that a neurotic fear of sex kept him from admitting such affections: "James invalidism . . . was itself the symptom of some fear of or scruple against sexual love on his part." Dupee used an episode from James's memoir A Small Boy and Others, recounting a dream of a Napoleonic images in the Louvre, to exemplify James's romanticism about Europe, a Napoleonic fantasy into which he fled.This analysis seemed to support literary critics like Van Wyck Brooks and Vernon Parrington who had condemned James's expatriation, and who criticized his work as effeminate and deracinated. Leon Edel used it as the premise of his own masterly biography, which held the field for many years. Dupee had not been given access to the James family papers, however, and had worked principally from James's published memoir of his older brother, and the limited collection of letters edited by Percy Lubbock, which was heavily weighted toward James's last years. Dupee's account, perhaps as a result, portrayed James as a man moving directly from childhood, when he trailed after his older brother, to an elderly invalidism.

As more material became available to scholars, including the diaries of contemporaries and hundreds of affectionate and sometimes erotic letters written by James to younger men, the picture of neurotic celibacy gave way to a portrait of a closeted homosexual. As author Terry Eagleton has stated, "...gay critics debate exactly how repressed his (probable) homosexuality was..."James's letters to expatriate American sculptor Hendrik Christian Andersen have attracted particular attention. James met the 27-year-old Andersen in Rome in 1899, when James was 56, and wrote letters to Andersen that are intensely emotional: "I hold you, dearest boy, in my innermost love, & count on your feeling me—in every throb of your soul". In a letter of May 6, 1904 to his brother William, James referred to himself as "always your hopelessly celibate even though sexagenarian Henry". How accurate that description might have been is the subject of contention among James's biographers, but the letters to Andersen were occasionally quasi-erotic: "I put, my dear boy, my arm around you, & feel the pulsation, thereby, as it were, of our excellent future & your admirable endowment." To his homosexual friend Howard Overing Sturgis, James could write: "I repeat, almost to indiscretion, that I could live with you. Meanwhile I can only try to live without you," and it is only in letters to young gay men that James refers to himself as their "lover". James wrote to young men who are now thought to have been homosexual or bisexual, who made up a large fraction of his close male friends. In a letter to Howard Sturgis, following a long visit, James refers jocularly to their "happy little congress of two". In letters to Hugh Walpole, James pursues involved jokes and puns about their relationship, referring to himself as an elephant who "paws you oh so benevolently" and winds about Walpole his "well meaning old trunk". The privately printed letters to Walter Berry have long been celebrated for their lightly veiled eroticism.

However, James wrote to fellow-novelist Lucy Clifford: "Dearest Lucy! What shall I say? when I love you so very, very much, and see you nine times for once that I see Others! Therefore I think that—if you want it made clear to the meanest intelligence—I love you more than I love Others." In another example he wrote to his New York friend Mary Cadwalader Jones:

“ Dearest Mary Cadwalader. I yearn over you, but I yearn in vain; & your long silence really breaks my heart, mystifies, depresses, almost alarms me, to the point even of making me wonder if poor unconscious & doting old Célimare has "done" anything, in some dark somnambulism of the spirit, which has...given you a bad moment, or a wrong impression, or a "colourable pretext"...However these things may be, he loves you as tenderly as ever; nothing, to the end of time, will ever detach him from you, & he remembers those Eleventh St. matutional intimes hours, those telephonic matinées, as the most romantic of his life... ”

His long friendship with American novelist Constance Fenimore Woolson, in whose house he lived for a number of weeks in Italy in 1887, and his shock and grief over her suicide in 1894, are discussed in detail in Leon Edel's biography and play a central role in a study by Lyndall Gordon. Edel conjectured that Woolson was in love with James and killed herself in part because of his coldness. Gordon builds on Edel's account and adds her own speculation that James felt guilt at having sabotaged Woolson's work. Woolson's biographers have strongly objected to Edel's account, however,, and have generally portrayed James as a friend who advanced Woolson's career. Novick in his more recent account argues that the available evidence shows that James suffered strong emotions prompted by the apparent suicide of a friend and colleague, but that there is no evidence Woolson was in love with him or that he was the cause of her death.


Style and themes

James is one of the major figures of trans-Atlantic literature. His works frequently juxtapose characters from the Old World (Europe), embodying a feudal civilization that is beautiful, often corrupt, and alluring, and from the New World (United States), where people are often brash, open, and assertive and embody the virtues -- freedom and a more highly evolved moral character -- of the new American society. James explores this clash of personalities and cultures, in stories of personal relationships in which power is exercised well or badly. His protagonists were often young American women facing oppression or abuse, and as his secretary Theodora Bosanquet remarked in her monograph Henry James at Work:

“ When he walked out of the refuge of his study and into the world and looked around him, he saw a place of torment, where creatures of prey perpetually thrust their claws into the quivering flesh of doomed, defenseless children of light… His novels are a repeated exposure of this wickedness, a reiterated and passionate plea for the fullest freedom of development, unimperiled by reckless and barbarous stupidity. ”

Critics have jokingly described three phases in the development of James's prose: "James the First, James the Second, and The Old Pretender" and observers do often group his works of fiction into three periods. In his apprentice years, culminating with the masterwork The Portrait of a Lady, his style was simple and direct (by the standards of Victorian magazine writing) and he experimented widely with forms and methods, generally narrating from a conventionally omniscient point of view. Plots generally concern romance, except for the three big novels of social commentary that conclude this period. In the second period, as noted above, he abandoned the serialized novel and from 1890 to about 1897, he wrote short stories and plays. Finally, in his third and last period he returned to the long, serialized novel. Beginning in the second period, but most noticeably in the third, he increasingly abandoned direct statement in favor of frequent double negatives, and complex descriptive imagery. Single paragraphs began to run for page after page, in which an initial noun would be succeeded by pronouns surrounded by clouds of adjectives and prepositional clauses, far from their original referents, and verbs would be deferred and then preceded by a series of adverbs. The overall effect could be a vivid evocation of a scene as perceived by a sensitive observer. In its intense focus on the consciousness of his major characters, James's later work foreshadows extensive developments in 20th century fiction. Then and later many readers find the late style difficult and unnecessary; his friend Edith Wharton, who admired him greatly, said that there were passages in his work that were all but incomprehensible. H.G. Wells harshly portrayed James as a hippopotamus laboriously attempting to pick up a pea that has got into a corner of its cage. Some critics have claimed that the more elaborate manner was a result of James taking up the practice of dictating to a secretary. He was afflicted with a stutter and compensated by speaking slowly and deliberately. The late style does become more difficult in the years when he dictates, but James also was able to revise typewritten drafts more extensively, and his few surviving drafts show that the later works are more heavily revised and redrafted. In some cases this leads critics to prefer the earlier, unrevised versions of some works because the older style is thought to be closer to the original conception and spirit of the work, Daisy Miller being a case in point: most of the current reprints of this novel contain the unrevised text. On the other hand, the late revision of the early novel The Portrait of a Lady is generally much preferred to the first edition, even by those who dislike the late style, because of the power of the imagery and the depth of characterization, while his shorter late fiction, such as The Turn of the Screw, is considered highly accessible and remains popular with readers.

More important for his work overall may have been his position as an expatriate, and in other ways an outsider, living in Europe. While he came from middle-class and provincial belongings (seen from the perspective of European polite society) he worked very hard to gain access to all levels of society, and the settings of his fiction range from working class to aristocratic, and often describe the efforts of middle-class Americans to make their way in European capitals. He confessed he got some of his best story ideas from gossip at the dinner table or at country house weekends. He worked for a living, however, and lacked the experiences of select schools, university, and army service, the common bonds of masculine society. He was furthermore a man whose tastes and interests were, according to the prevailing standards of Victorian era Anglo-American culture, rather feminine, and who was shadowed by the cloud of prejudice that then and later accompanied suspicions of his homosexuality.. Edmund Wilson famously compared James's objectivity to Shakespeare's:

“ One would be in a position to appreciate James better if one compared him with the dramatists of the seventeenth century—Racine and Molière, whom he resembles in form as well as in point of view, and even Shakespeare, when allowances are made for the most extreme differences in subject and form. These poets are not, like Dickens and Hardy, writers of melodrama — either humorous or pessimistic, nor secretaries of society like Balzac, nor prophets like Tolstoy: they are occupied simply with the presentation of conflicts of moral character, which they do not concern themselves about softening or averting. They do not indict society for these situations: they regard them as universal and inevitable. They do not even blame God for allowing them: they accept them as the conditions of life. ”

It is also possible to see many of James's stories as psychological thought-experiments. The Portrait of a Lady may be an experiment to see what happens when an idealistic young woman suddenly becomes very rich. In many of his tales, characters seem to exemplify alternate futures and possibilities, as most markedly in "The Jolly Corner", in which the protagonist and a ghost-doppelganger live alternate American and European lives; and in others, like The Ambassadors, an older James seems fondly to regard his own younger self facing a crucial moment.


Major novels

Although any selection of James's novels as "major" must inevitably depend to some extent on personal preference, the following books have achieved prominence among his works in the views of many critics.

The first period of James's fiction, usually considered to have culminated in The Portrait of a Lady, concentrated on the contrast between Europe and America. The style of these novels is generally straightforward and, though personally characteristic, well within the norms of 19th century fiction. Roderick Hudson (1875) is a Künstlerroman that traces the development of the title character, an extremely talented sculptor. Although the book shows some signs of immaturity—this was James's first serious attempt at a full-length novel — it has attracted favorable comment due to the vivid realization of the three major characters: Roderick Hudson, superbly gifted but unstable and unreliable; Rowland Mallet, Roderick's limited but much more mature friend and patron; and Christina Light, one of James's most enchanting and maddening femmes fatale. The pair of Hudson and Mallet has been seen as representing the two sides of James's own nature: the wildly imaginative artist and the brooding conscientious mentor.

Although Roderick Hudson featured mostly American characters in a European setting, James made the Europe–America contrast even more explicit in his next novel. In fact, the contrast could be considered the leading theme of The American (1877). This book is a combination of social comedy and melodrama concerning the adventures and misadventures of Christopher Newman, an essentially good-hearted but rather gauche American businessman on his first tour of Europe. Newman is looking for a world different from the simple, harsh realities of 19th century American business. He encounters both the beauty and the ugliness of Europe, and learns not to take either for granted.

James wrote Washington Square (1880), a deceptively simple tragicomedy that recounts the conflict between a dull but sweet daughter and her brilliant, domineering father. The book is often compared to Jane Austen's work for the clarity and grace of its prose and its intense focus on family relationships. James was not particularly enthusiastic about Jane Austen, so he might not have regarded the comparison as flattering. In fact, James was not enthusiastic about Washington Square itself. He tried to read it over for inclusion in the New York Edition of his fiction (1907–09) but found that he could not. So he excluded the novel from the edition. But other readers have enjoyed the book enough to make it one of the more popular works in the entire Jamesian canon.

In The Portrait of a Lady (1881) James concluded the first phase of his career with a novel that remains his most popular long fiction. The story is of a spirited young American woman, Isabel Archer, who "affronts her destiny" and finds it overwhelming. She inherits a large amount of money and subsequently becomes the victim of Machiavellian scheming by two American expatriates. The narrative is set mainly in Europe, especially in England and Italy. Generally regarded as the masterpiece of his early phase, The Portrait of a Lady is not just a reflection of James's absorbing interest in the differences between the New World and the Old, but covers themes of personal freedom, moral responsibility, betrayal, and sexuality.

In the 1880s James wrote The Bostonians (1886), a bittersweet tragicomedy that centers on: Basil Ransom, an unbending political conservative from Mississippi; Olive Chancellor, Ransom's cousin and a zealous Boston feminist; and Verena Tarrant, a pretty protege of Olive's in the feminist movement. The story line concerns the contest between Ransom and Olive for Verena's allegiance and affection, though the novel also includes a wide panorama of political activists, newspaper people, and quirky eccentrics.

James followed with The Princess Casamassima (1886), the story of an intelligent but confused young London bookbinder, Hyacinth Robinson, who becomes involved in far left politics and a terrorist assassination plot. The book is something of a lone sport in the Jamesian canon for dealing with such a violent political subject. But it is often paired with The Bostonians, which is concerned with political issues.

Just as James was beginning his ultimately disastrous attempt to conquer the stage, he wrote The Tragic Muse (1890). This novel offers a wide, cheerful panorama of English life and follows the fortunes of two would-be artists: Nick Dormer, who vacillates between a political career and his efforts to become a painter, and Miriam Rooth, an actress striving for artistic and commercial success. A huge cast of supporting characters help and hinder their pursuits. The book reflects James's consuming interest in the theater and is often considered to mark the close of the second or middle phase of his career in the novel.

After the failure of his "dramatic experiment" James returned to his fiction and began to probe his characters' consciousness. His style started to grow in complexity to reflect the greater depth of his analysis. The Spoils of Poynton (1897), considered the first example of this final phase, is a half-length novel that describes the struggle between Mrs. Gereth, a widow of impeccable taste and iron will, and her son Owen over a houseful of precious antique furniture. The story is largely told from the viewpoint of Fleda Vetch, a young woman in love with Owen but sympathetic to Mrs Gereth's anguish over losing the antiques she patiently collected.

James continued the more involved, psychological approach to his fiction with What Maisie Knew (1897), the story of the sensitive daughter of divorced and irresponsible parents. The novel has great contemporary relevance as an unflinching account of a wildly dysfunctional family. The book is also a notable technical achievement by James, as it follows the title character from earliest childhood to precocious maturity.

The third period of James's career reached its most significant achievement in three novels published just after the turn of the century. Critic F. O. Matthiessen called this "trilogy" James's major phase, and these novels have certainly received intense critical study. Although it was the second-written of the books, The Wings of the Dove (1902) was the first published. This novel tells the story of Milly Theale, an American heiress stricken with a serious disease, and her impact on the people around her. Some of these people befriend Milly with honorable motives, while others are more self-interested. James stated in his autobiographical books that Milly was based on Minny Temple, his beloved cousin who died at an early age of tuberculosis. He said that he attempted in the novel to wrap her memory in the "beauty and dignity of art".

The next published of the three novels, The Ambassadors (1903), is a dark comedy that follows the trip of protagonist Lewis Lambert Strether to Europe in pursuit of his widowed fiancée's supposedly wayward son. Strether is to bring the young man back to the family business, but he encounters unexpected complications. The third-person narrative is told exclusively from Strether's point of view. In his preface to the New York Edition text of the novel, James placed this book at the top of his achievements, which has occasioned some critical disagreement. The Golden Bowl (1904) is a complex, intense study of marriage and adultery that completes the "major phase" and, essentially, James's career in the novel. The book explores the tangle of interrelationships between a father and daughter and their respective spouses. The novel focuses deeply and almost exclusively on the consciousness of the central characters, with sometimes obsessive detail and powerful insight.


Shorter narratives

James was particularly interested in what he called the "beautiful and blest nouvelle", or the longer form of short narrative. Still, he produced a number of very short stories in which he achieved notable compression of sometimes complex subjects. The following narratives are representative of James's achievement in the shorter forms of fiction.

Just as the contrast between Europe and America was a predominant theme in James's early novels, many of his first tales also explored the clash between the Old World and the New. In "A Passionate Pilgrim" (1871), the earliest fiction that James included in the New York Edition, the difference between America and Europe erupts into open conflict, which leads to a sadly ironic ending. The story's technique still seems somewhat inexpert, with passages of local color description occasionally interrupting the flow of the narrative. But James manages to craft an interesting and believable example of what he would call the "Americano-European legend".

James published many stories before what would prove to be his greatest success with the readers of his time, "Daisy Miller" (1878). This story portrays the confused courtship of the title character, a free-spirited American girl, by Winterbourne, a compatriot of hers with much more sophistication. His pursuit of Daisy is hampered by her own flirtatiousness, which is frowned upon by the other expatriates they meet in Switzerland and Italy. Her lack of understanding of the social mores of the society she so desperately wishes to enter ultimately leads to tragedy.

As James moved on from studies of the Europe-America clash and the American girl in his novels, his shorter works also explored new subjects in the 1880s. "The Aspern Papers" (1888) is one of James's best-known and most acclaimed longer tales. The storyline is based on an anecdote that James heard about a Shelley devotee who tried to obtain some valuable letters written by the poet. Set in a brilliantly described Venice, the story demonstrates James's ability to generate almost unbearable suspense while never neglecting the development of his characters. Another fine example of the middle phase of James's career in short narrative is "The Pupil" (1891), the story of a precocious young boy growing up in a mendacious and dishonorable family. He befriends his tutor, who is the only adult in his life that he can trust. James presents their relationship with sympathy and insight, and the story reaches what some have considered the status of classical tragedy.

"The Altar of the Dead", first published in James's collection Terminations in 1895 after the story failed of magazine publication, is a fable of literally life and death significance. The story explores how the protagonist tries to keep the remembrance of his dead friends, to save them from being forgotten entirely in the rush of everyday events. He meets a woman who shares his ideals, only to find that the past places what seems to be an impassable barrier between them. Although James was not religious in any conventional sense, the story shows a deep spirituality in its treatment of mortality and the transcendent power of unselfish love.

The final phase of James's short narratives shows the same characteristics as the final phase of his novels: a more involved style, a deeper psychological approach, and a sharper focus on his central characters. Probably his most popular short narrative among today's readers, "The Turn of the Screw" (1898) is a ghost story that has lent itself well to operatic and film adaptation. With its possibly ambiguous content and powerful narrative technique, the story challenges the reader to determine if the protagonist, an unnamed governess, is correctly reporting events or is instead an unreliable neurotic with an overheated imagination. To further muddy the waters, her written account of the experience—a frame tale—is being read many years later at a Christmas house party by someone who claims to have known her.

"The Beast in the Jungle" (1903) is almost universally considered to be one of James's finest short narratives, and has often been compared with The Ambassadors in its meditation on experience or the lack of it. The story also treats other universal themes: loneliness, fate, love and death. The parable of John Marcher and his peculiar destiny speaks to anyone who has speculated on the worth and meaning of human life. Among his last efforts in short narrative, "The Jolly Corner" (1908) is usually held to be one of James's best ghost stories. The tale describes the adventures of Spencer Brydon as he prowls the now-empty New York house where he grew up. Brydon encounters a "sensation more complex than had ever before found itself consistent with sanity".


Nonfiction

Beyond his fiction, James was one of the more important literary critics in the history of the novel. In his classic essay The Art of Fiction (1884), he argued against rigid proscriptions on the novelist's choice of subject and method of treatment. He maintained that the widest possible freedom in content and approach would help ensure narrative fiction's continued vitality. James wrote many valuable critical articles on other novelists; typical is his insightful book-length study of his American predecessor Nathaniel Hawthorne. When he assembled the New York Edition of his fiction in his final years, James wrote a series of prefaces that subjected his own work to the same searching, occasionally harsh criticism.

For most of his life James harbored ambitions for success as a playwright. He converted his novel The American into a play that enjoyed modest returns in the early 1890s. In all he wrote about a dozen plays, most of which went unproduced. His costume drama Guy Domville failed disastrously on its opening night in 1895. James then largely abandoned his efforts to conquer the stage and returned to his fiction. In his Notebooks he maintained that his theatrical experiment benefited his novels and tales by helping him dramatize his characters' thoughts and emotions. James produced a small but valuable amount of theatrical criticism, including perceptive appreciations of Henrik Ibsen.

With his wide-ranging artistic interests, James occasionally wrote on the visual arts. Perhaps his most valuable contribution was his favorable assessment of fellow expatriate John Singer Sargent, a painter whose critical status has improved markedly in recent decades. James also wrote sometimes charming, sometimes brooding articles about various places he visited and lived in. His most famous books of travel writing include Italian Hours (an example of the charming approach) and The American Scene (most definitely on the brooding side).

James was one of the great letter-writers of any era. More than ten thousand of his personal letters are extant, and over three thousand have been published in a large number of collections. A complete edition of James's letters began publication in 2006 with two volumes covering the 1855–1872 period, edited by Pierre Walker and Greg Zacharias. James's correspondents included celebrated contemporaries like Robert Louis Stevenson, Edith Wharton and Joseph Conrad, along with many others in his wide circle of friends and acquaintances. The letters range from the "mere twaddle of graciousness" to serious discussions of artistic, social and personal issues. Very late in life James began a series of autobiographical works: A Small Boy and Others, Notes of a Son and Brother, and the unfinished The Middle Years. These books portray the development of a classic observer who was passionately interested in artistic creation but was somewhat reticent about participating fully in the life around him.

Henry James was only twenty-two when he wrote The Noble School of Fiction for The Nation's first issue in 1865. He wrote, in all, over two hundred essays and book, art and theater reviews for the magazine.


Criticism, biographies and fictional treatments

James's work has remained steadily popular with the limited audience of educated readers to whom he spoke during his lifetime, and remained firmly in the British canon, but after his death American critics, such as Van Wyck Brooks, expressed hostility towards James's long expatriation and eventual naturalization as a British citizen. Other critics like E.M. Forster complained about what they saw as James's squeamishness in the treatment of sex and other possibly controversial material, or dismissed his style as difficult and obscure, relying heavily on extremely long sentences and excessively latinate language. Vernon Parrington, composing a canon of American literature, condemned James for having cut himself off from America. Although these criticisms have by no means abated completely, James is now widely valued for his psychological and moral realism, his masterful creation of character, his low-key but playful humor, and his assured command of the language. In his 1983 book, The Novels of Henry James, Edward Wagenknecht offers an assessment that echoes Theodora Bosanquet's:

“ "To be completely great," Henry James wrote in an early review, "a work of art must lift up the heart," and his own novels do this to an outstanding degree… More than sixty years after his death, the great novelist who sometimes professed to have no opinions stands foursquare in the great Christian humanistic and democratic tradition. The men and women who, at the height of World War II, raided the secondhand shops for his out-of-print books knew what they were about. For no writer ever raised a braver banner to which all who love freedom might adhere. ”

Early biographies of James echoed the unflattering picture of him drawn in early criticism. F.W. Dupee, as noted above, characterized James as neurotically withdrawn and fearful, and although Dupee lacked access to primary materials his view has remained persuasive in academic circles, partly because Leon Edel's massive five-volume work, published from 1953 to 1972, seemed to butress it with extensive documentation. Michael Anesko, Fred Kaplan, and Sheldon Novick, working from primary materials have disputed the factual basis of Dupee's and Edel's accounts. Other critics and biographers have disputed Edel's interpretations and conclusions. James has also figured in at least a half-dozen novels. Colm Tóibín used an extensive list of biographies of Henry James and his family for his widely admired 2004 novel, The Master, which is a third person narrative with James as the central character, and deals with specific episodes from his life during the period between 1895 and 1899. Author, Author, a novel by David Lodge published in the same year, was based on James's efforts to conquer the stage in the 1890s. In 2002 Emma Tennant published Felony: The Private History of The Aspern Papers, a novel that fictionalized the relationship between James and American novelist Constance Fenimore Woolson and the possible effects of that relationship on The Aspern Papers.

The published criticism of James's work has reached enormous proportions. The volume of criticism of The Turn of the Screw alone has become extremely large for such a brief work. The Henry James Review, published three times a year, offers criticism of James's entire range of writings, and many other articles and book-length studies appear regularly. Some guides to this extensive literature can be found on the external sites listed below.


Legacy
Perhaps the most prominent examples of James's legacy in recent years have been the film versions of several of his novels and stories. Three of James's novels were filmed by the team of Ismail Merchant and James Ivory: The Europeans (1978), The Bostonians (1984) and The Golden Bowl (2000). The Iain Softley-directed version of The Wings of the Dove (1997) was successful with both critics and audiences. Helena Bonham Carter received an Academy Award nomination as Best Actress for her memorable portrayal of Kate Croy. Agnieszka Holland's Washington Square (1997) was well received by critics, and Jane Campion tried her hand with The Portrait of a Lady (1996) but with much less success. In earlier times Jack Clayton's The Innocents (1961) brought The Turn of the Screw to vivid life on film, and William Wyler's The Heiress (1949), adapted from Washington Square, won four Academy Awards, including a Best Actress award for Olivia de Havilland as Catherine Sloper.

Most of James's work has remained continuously in print since its first publication, and he continues to be a major figure in realist fiction, influencing generations of novelists. Testifying to his importance, a character named "Henry James" appears in at least a half-dozen novels, as noted above, the best-known of which is The Master by Colm Toibin. Such disparate writers as Joyce Carol Oates with Accursed Inhabitants of the House of Bly (1994), Louis Auchincloss with The Ambassadress (1950), Tom Stoppard with The Real Thing (1982), and Alan Hollinghurst with The Line of Beauty (2004) were explicitly influenced by James's works. James was definitely out of his element when it came to music, but Benjamin Britten's operatic version of "The Turn of the Screw" (1954) has become one of the composer's most popular works. William Tuckett converted the story into a ballet in 1999.

Even when the influence is not so obvious, James can cast a powerful spell. In 1954, when the shades of depression were thickening fast, Ernest Hemingway wrote an emotional letter where he tried to steady himself as he thought James would: "Pretty soon I will have to throw this away so I better try to be calm like Henry James. Did you ever read Henry James? He was a great writer who came to Venice and looked out the window and smoked his cigar and thought." The odd, perhaps subconscious or accidental allusion to "The Aspern Papers" is striking. And there are the real oddities, like the Rolls-Royce ad which used Strether's famous words: "Live all you can; it's a mistake not to." That's more than a little ironic, considering The Ambassadors' sardonic treatment of the "great new force" of advertising.

Notable works by James

Novels
Watch and Ward (1871)
Roderick Hudson (1875)
The American (1877)
The Europeans (1878)
Confidence (1879)
Washington Square (1880)
The Portrait of a Lady (1881)
The Bostonians (1886)
The Princess Casamassima (1886)
The Reverberator (1888)
The Tragic Muse (1890)
The Other House (1896)
The Spoils of Poynton (1897)
What Maisie Knew (1897)
The Awkward Age (1899)
The Sacred Fount (1901)
The Wings of the Dove (1902)
The Ambassadors (1903)
The Golden Bowl (1904)
The Whole Family (collaborative novel with eleven other authors, 1908)
The Outcry (1911)
The Ivory Tower (unfinished, published posthumously 1917)
The Sense of the Past (unfinished, published posthumously 1917)



Novellas and tales
A Passionate Pilgrim (1871)
Madame de Mauves (1874)
Daisy Miller (1878)
A Bundle of Letters (1879)
The Author of Beltraffio (1884)
A London Life (1888)
The Aspern Papers (1888)
The Pupil (1891)
The Real Thing (1892)
The Middle Years (1893)
The Death of the Lion (1894)
The Coxon Fund (1894)
The Next Time (1895)
The Altar of the Dead (1895)
The Figure in the Carpet (1896)
The Turn of the Screw (1898)
In the Cage (1898)
Europe (1899)
Paste (1899)
The Great Good Place (1900)
Mrs. Medwin (1900)
The Birthplace (1903)
The Beast in the Jungle (1903)
The Jolly Corner (1908)



Selected, "Definitive" Edition of James's Fiction
New York Edition (1907–1909)

Travel writings
A Little Tour in France (1884)
English Hours (1905)
The American Scene (1907)
Italian Hours (1909)



Literary criticism
French Poets and Novelists (1878)
Partial Portraits (1888)
Essays in London and Elsewhere (1893)
Notes on Novelists (1914)



Journals
Notebooks (various, published posthumously)

Memoirs and Autobiography
A Small Boy and Others (1913)
Notes of a Son and Brother (1914)
The Middle Years (unfinished, published posthumously 1917)



Plays
Theatricals (1894)
Theatricals: Second Series (1895)
Guy Domville (1895)



Biography
Hawthorne (1879)
William Wetmore Story and His Friends (1903)

Visual arts criticism
Picture and Text (1893)

References

Biography
Henry James by F.W. Dupee. William Sloane Associates, The American Men of Letters Series, 1951.
Henry James: The Untried Years 1843–1870 by Leon Edel (1953)
------------ The Conquest of London 1870–1881 by Leon Edel (1962) ISBN 0-380-39651-3
------------ The Middle Years 1882–1895 by Leon Edel (1962) ISBN 0-380-39669-6
------------ The Treacherous Years 1895–1901 by Leon Edel (1969) ISBN 0-380-39677-7
------------ The Master 1901–1916 by Leon Edel (1972) ISBN 0-380-39677-7
"Friction with the Market": Henry James and the Profession of Authorship by Michael Anesko (1986) ISBN 0-19-504034-1
Henry James: The Imagination of Genius by Fred Kaplan (1992) ISBN 0-688-09021-4
Henry James: The Young Master by Sheldon Novick (1996) ISBN 0-394-58655-7
------------ The Mature Master by Sheldon Novick (2007) ISBN 978-0-679-45023-8
A Private Life of Henry James: Two Women and His Art by Lyndall Gordon (1998) ISBN 0-393-04711-3
Henry James's Permanent Adolescence by John R. Bradley (2000) ISBN 0-333-91874-6

Letters
Theatre and Friendship by Elizabeth Robins. London: Jonathan Cape, 1932.
Henry James: Letters edited by Leon Edel (four vols., 1974-1984)
The Correspondence of William James: vols. 1-3, William and Henry (1992-1994)
Dear Munificent Friends: Henry James's Letters to Four Women edited by Susan Gunter (1999) ISBN 0-472-11010-1
Henry James: A Life in Letters edited by Philip Horne (1999) ISBN 0-670-88563-0
Dearly Beloved Friends: Henry James's Letters to Younger Men edited by Susan E. Gunter and Steven H. Jobe (2001) ISBN 0-472-11009-8
Beloved Boy: Letters to Hendrik C. Andersen, 1899-1915 edited by Rosella Mamoli Zorzi (2004) ISBN 0-8139-2270-4
The Complete Letters of Henry James,1855-1872 edited by Pierre A. Walker and Greg Zacharias (two vols., University of Nebraska Press, 2006)
The Complete Letters of Henry James, 1872-1876 edited by Pierre A. Walker and Greg W. Zacharias (three vols., University of Nebraska Press, 2008)

Editions
Henry James: Autobiography edited by F.W. Dupee (1956)
The American: an Authoritative Text, Backgrounds and Sources, Criticism edited by James Tuttleton (1978) ISBN 0-393-09091-4
The Notebooks of Henry James edited by F. O. Matthiessen and Kenneth Murdock (1981) ISBN 0-226-51104-9
Novels 1871–1880: Watch and Ward, Roderick Hudson, The American, The Europeans, Confidence (William T. Stafford, ed.) (Library of America, 1983) ISBN 978-0-94045013-4
Literary Criticism Volume One: Essays on Literature, American Writers, English Writers edited by Leon Edel and Mark Wilson (Library of America, 1984) ISBN 978-0-94045022-6
Literary Criticism Volume Two: French Writers, Other European Writers, The Prefaces to the New York Edition edited by Leon Edel and Mark Wilson (Library of America, 1984) ISBN 978-0-94045023-3
Novels 1881–1886: Washington Square, The Portrait of a Lady, The Bostonians (William T. Stafford, ed) (Library of America, 1985) ISBN 978-0-94045030-1
The Complete Notebooks of Henry James edited by Leon Edel and Lyall Powers (1987) ISBN 0-19-503782-0
Novels 1886–1890: The Princess Casamassima, The Reverberator, The Tragic Muse (Daniel Mark Fogel, ed) (Library of America, 1989) ISBN 978-0-94045056-1
The Complete Plays of Henry James edited by Leon Edel (1990) ISBN 0-19-504379-0
Collected Travel Writings, Great Britain and America: English Hours; The American Scene; Other Travels edited by Richard Howard (Library of America, 1993) ISBN 978-0-94045076-9
Collected Travel Writings, The Continent: A Little Tour in France, Italian Hours, Other Travels edited by Richard Howard (Library of America, 1993) ISBN 0-940450-77-1
The Ambassadors: An Authoritative Text, The Author on the Novel, Criticism edited by S.P. Rosenbaum (1994) ISBN 0-393-96314-4
Complete Stories 1892–1898 (John Hollander, David Bromwich, Denis Donoghue, eds) (Library of America, 1996) ISBN 978-1-88301109-3
Complete Stories 1898–1910 (John Hollander, David Bromwich, Denis Donoghue, eds) (Library of America, 1996) ISBN 978-1-88301110-9
Complete Stories 1864–1874 (Jean Strouse, ed) (Library of America, 1999) ISBN 978-1-88301170-3
Complete Stories 1874–1884 (William Vance, ed) (Library of America, 1999) ISBN 978-1-88301163-5
Complete Stories 1884–1891 (Edward Said, ed) (Library of America, 1999) ISBN 978-1-88301164-2
The Turn of the Screw: Authoritative Text, Contexts, Criticism edited by Deborah Esch and Jonathan Warren (1999) ISBN 0-393-95904-X
Henry James on Culture: Collected Essays on Politics and the American Social Scene edited by Pierre Walker (1999) ISBN 0-8032-2589-X
Novels 1896–1899: The Other House, The Spoils of Poynton, What Maisie Knew, The Awkward Age (Myra Jehlen, ed) (Library of America, 2003) ISBN 978-1-93108230-3
The Portrait of a Lady: An Authoritative Text, Henry James and the Novel, Reviews and Criticism edited by Robert Bamberg (2003) ISBN 0-393-96646-1
The Wings of the Dove: Authoritative Text, The Author and the Novel, Criticism edited by J. Donald Crowley and Richard Hocks (2003) ISBN 0-393-97881-8
Tales of Henry James: The Texts of the Tales, the Author on His Craft, Criticism edited by Christof Wegelin and Henry Wonham (2003) ISBN 0-393-97710-2
The Portable Henry James, New Edition edited by John Auchard (2004) ISBN 0-14-243767-0
Novels 1901–1902: The Sacred Fount, The Wings of the Dove (Leo Bersani, ed) (Library of America, 2006) ISBN 978-1-93108288-4
Henry James, et al., The Classics of Style. The American Academic Press, New Edition of writing advice (2006) ISBN 0-9787282-0-3

Criticism
The Novels of Henry James by Oscar Cargill (1961)
The Tales of Henry James by Edward Wagenknecht (1984) ISBN 0-8044-2957-X
Modern Critical Views: Henry James edited by Harold Bloom (1987) ISBN 0-87754-696-7
A Companion to Henry James Studies edited by Daniel Mark Fogel (1993) ISBN 0-313-25792-2
Henry James: A Collection of Critical Essays edited by Ruth Yeazell (1994) ISBN 0-13-380973-0
The Cambridge Companion to Henry James edited by Jonathan Freedman (1998) ISBN 0-521-49924-0
Henry James and Homo-Erotic Desire edited by John R. Bradley (1999) ISBN 0-312-21764-1
Henry James on Stage and Screen edited by John R. Bradley (2000) ISBN 0-333-79214-9
The Novel Art: Elevations of American Fiction after Henry James by Mark McGurl (2001) ISBN 0-691-08899-3
Henry James and the Visual by Kendall Johnson (2007) ISBN 0-521-88066-1

General
A Bibliography of Henry James: Third Edition by Leon Edel, Dan Laurence and James Rambeau (1982) ISBN 1-58456-005-3
A Henry James Encyclopedia by Robert L. Gale (1989) ISBN 0-313-25846-5
Henry James and Modern Moral Life by Robert B. Pippin (1999) ISBN 0-521-65230-8

Fiction
Richard Liebmann-Smith. The James Boys: A Novel Account of Four Desperate Brothers (2008), posits Jesse and Frank are nom-de-outlaw used by William and Henry James' two younger brothers who went West and fought in the Civil War. Written somewhat in the style of Henry James.

Astrological portrait of Henry James (writer) (excerpt)

Disclaimer: these short excerpts of astrological charts are computer processed. They are, by no means, of a personal nature. This principle is valid for the 47,844 celebrities included in our database. These texts provide the meanings of planets, or combination of planets, in signs and in houses, as well as the interpretations of planetary dominants in line with modern Western astrology rules. Moreover, since Astrotheme is not a polemic website, no negative aspect which may damage the good reputation of a celebrity is posted here, unlike in the comprehensive astrological portrait.

Introduction

Your Comprehensive Astrological Portrait

Here are some character traits from Henry James (writer)'s birth chart. This description is far from being comprehensive but it can shed light on his/her personality, which is still interesting for professional astrologers or astrology lovers.

In a matter of minutes, you can get at your email address your astrological portrait (approximately 32 pages), a much more comprehensive report than this portrait of Henry James (writer).

The dominant planets of Henry James (writer)

When interpreting a natal chart, the best method is to start gradually from general features to specific ones. Thus, there is usually a plan to be followed, from the overall analysis of the chart and its structure, to the description of its different character traits.

In the first part, an overall analysis of the chart enables us to figure out the personality's main features and to emphasize several points that are confirmed or not in the detailed analysis: in any case, those general traits are taken into account. Human personality is an infinitely intricate entity and describing it is a complex task. Claiming to rapidly summarize it is illusory, although it does not mean that it is an impossible challenge. It is essential to read a natal chart several times in order to absorb all its different meanings and to grasp all this complexity. But the exercise is worthwhile.

In brief, a natal chart is composed of ten planets: two luminaries, the Sun and the Moon, three fast-moving or individual planets, Mercury, Venus and Mars, two slow-moving planets, Jupiter and Saturn, and three very slow-moving planets, Uranus, Neptune and Pluto. Additional secondary elements are: the Lunar Nodes, the Dark Moon or Lilith, Chiron and other minor objects. They are all posited on the Zodiac wheel consisting of twelve signs, from Aries to Pisces, and divided into twelve astrological houses.

The first step is to evaluate the importance of each planet. This is what we call identifying the dominant planets. This process obeys rules that depend on the astrologer's sensitivity and experience but it also has precise and steady bases: thus, we can take into account the parameters of a planet's activity (the number of active aspects a planet forms, the importance of each aspect according to its nature and its exactness), angularity parameters; (proximity to the four angles, Ascendant, Midheaven, Descendant and Imum Coeli or Nadir, all of them being evaluated numerically, according to the kind of angle and the planet-angle distance) and quality parameters (rulership, exaltation, exile and fall). Finally, other criteria such as the rulership of the Ascendant and the Midheaven etc. are important.

These different criteria allow a planet to be highlighted and lead to useful conclusions when interpreting the chart.

The overall chart analysis begins with the observation of three sorts of planetary distributions in the chart: Eastern or Western hemisphere, Northern or Southern hemisphere, and quadrants (North-eastern, North-western, South-eastern and South-western). These three distributions give a general tone in terms of introversion and extraversion, willpower, sociability, and behavioural predispositions.

Then, there are three additional distributions: elements (called triplicity since there are three groups of signs for each one) - Fire, Air, Earth and Water - corresponding to a character typology, modality (or quadruplicity with four groups of signs for each one) - Cardinal, Fixed and Mutable - and polarity (Yin and Yang).

There are three types of dominants: dominant planets, dominant signs and dominant houses. The novice thinks astrology means only "to be Aries" or sometimes, for example, "to be Aries Ascendant Virgo". It is actually far more complex. Although the Sun and the Ascendant alone may reveal a large part of the character - approximately a third or a half of your psychological signature, a person is neither "just the Sun" (called the sign) nor just "the first house" (the Ascendant). Thus, a particular planet's influence may be significantly increased; a particular sign or house may contain a group of planets that will bring nuances and sometimes weaken the role of the Ascendant, of the Sun sign etc.

Lastly, there are two other criteria: accentuations (angular, succedent and cadent) which are a classification of astrological houses and types of decanates that are occupied (each sign is divided into three decanates of ten degrees each). They provide some additional informations.

These general character traits must not be taken literally; they are, somehow, preparing for the chart reading. They allow to understand the second part of the analysis, which is more detailed and precise. It focuses on every area of the personality and provides a synthesis of all the above-mentioned parameters according to sound hierarchical rules.

Hemispheres and Quadrants for Henry James (writer)

The axis linking the 1st house's cuspide (the Ascendant) to the 7th house's cuspide - the Descendant - divides the zodiac into two bowls, a superior bowl, in the South, and an inferior bowl in the North. Quoting an expression by the famous American astrologer Rudhyar, the Southern part and the Northern part correspond to two functions: "being" and "doing". Other concepts are also associated with this North and South distribution, such as introversion - Northern hemisphere - and extraversion - Southern hemisphere - being or appearances, inner life or external life, reflection or action, dreaming one's life or living one's dreams, the abstract or the concrete, backstage or limelight.

This is not about determination but about personal inclination: thus, some people will be thrown into public life despite a prominent Northern hemisphere. If this happens, however, it will not be due to their will, their taste or their deep nature. Conversely, a prominent Southern hemisphere will not bring about a famous destiny to its owner, even if he tends to turn the spotlight on himself, or if he looks for a more active life. It is a matter of deep nature and natural inclination. Of course, none of the typologies is "superior" to another.

In your birth chart, Henry James (writer), the ten main planets are distributed as follows:

Henry James (writer), the predominance of planets in the Southern hemisphere prompts you to take action, to draw attention on yourself, and to make your actions and what you have in mind visible to everyone. Sometimes, without giving a single thought to, and to the detriment of, a richer inner life and a deeper and wiser reflection. Action and communication are inevitable in your opinion, and you tend to think that the only thing that matters is what is seen! This is not always true, and it is up to you to progress through the development of inner qualities such as meditation, solitude and imagination so as to become stronger.

The birth chart is divided into two other parts, Eastern and Western, by the axis linking the Midheaven to the Imum Coeli.

The Eastern part, on the Ascendant side, shows the person's ego, will, magnetism, and vitality, whereas the Western part, on the Descendant side, symbolizes other people, communication, relationships and their influence, as well as flexibility and adaptability.

The predominance of planets in the Western hemisphere of your chart means that you are quite flexible, capable of empathy, convivial and communicative. An excellent factor for many professional activities or for your social or sentimental life for example.

A definite asset... provided that you are not at the centre of the decisions you must take in your life: you may be tempted to listen to the last person who spoke, and your flexibility won't always get you out of the tight spot. You are therefore advised to learn to decide alone and to cope with the consequences of your actions with courage and without regrets. This attitude will allow you to combine flexibility and action, adaptability and absence of hesitation.

Each quadrant is a combination of the four hemispheres of your birth chart and relates to a character typology. The Southern hemisphere – the top of your chart, around the Midheaven – is associated with extraversion, action, and public life, whereas the Northern hemisphere prompts to introversion, reflexion, and private life. The Eastern hemisphere – the left part, around the Ascendant – is linked to your ego and your willpower, whereas the Western hemisphere indicates how other people influence you, and how flexible you are when you make a decision.

Henry James (writer), the diurnal South-western quadrant, consisting of the 7th, 8th and 9th houses, prevails in your chart: this sector brings about a thirst for communication and sometimes a need to take risks in your dealings with others. Relations are a factor of your evolution and your transformation, which you accept serenely. Indeed, what matters to you is the movement and the energy that link you to others and that make you gain more awareness. A kind of rebellion or a desire to get away from it all is rooted in you.

Elements, Modalities and Polarities for Henry James (writer)

Henry James (writer), here are the graphs of your Elements and Modalities, based on planets' position and angles in the twelve signs:

Henry James (writer), Fire is dominant in your natal chart and endows you with intuition, energy, courage, self-confidence, and enthusiasm! You are inclined to be passionate, you assert your willpower, you move forward, and come hell or high water, you achieve your dreams and your goals. The relative weakness of this element is the difficulty to step back or a kind of boldness that may prompt you to do foolish things.

Like the majority of Earth signs, Henry James (writer), you are efficient, concrete and not too emotional. What matters to you is what you see: you judge the tree by its fruits. Your ideas keep changing, words disappear, but actions and their consequences are visible and remain. Express your sensitivity, even if it means revealing your vulnerability. Emotions, energy and communication must not be neglected; concrete action is meaningless if it is not justified by your heart, your intellect or your enthusiasm.

The twelve zodiacal signs are split up into three groups or modes, called quadruplicities, a learned word meaning only that these three groups include four signs. The Cardinal, Fixed and Mutable modes are more or less represented in your natal chart, depending on planets' positions and importance, and on angles in the twelve signs.

The Mutable mode is the most emphasized one in your natal chart, Henry James (writer), which indicates a mobile character that is curious and thirsty for new experiences and evolution. You are lively and flexible, and you like to react quickly to solicitations, but don't confuse mobility with agitation, since this is the danger with this configuration - and with you, stagnation is out of the question. Security doesn't matter as long as you are not bored. You optimize, you change things, you change yourself... all this in a speedy way.

The twelve signs are divided into two polarities, called active or passive, or sometimes masculine and feminine, positive and negative, Yang and Yin. This classification corresponds to two quite distinct tonalities, the first one bringing extraversion, action, self-confidence and dynamism, the second one, introversion, reactivity, reflection and caution. None is superior to the other, each group has its own assets and shortcomings. Odd signs - Aries, Gemini, Leo, Libra, Sagittarius and Aquarius - belong to the first group, whereas even signs - Taurus, Cancer, Virgo, Scorpio, Capricorn and Pisces - belong to the second group.

N.B.: this dominant is a minor one. It is not essential that you read its meaning in the beginning. You can get back to them later on, once you have read more important interpretations.

According to the disposition and qualities of your planets and angles, you are rather influenced by Yang energy, the active polarity, Henry James (writer): more concerned about actions than reflection, you sometimes rush without standing back and without the deepness that is needed. However, your spontaneity prompts you to take fresh starts, even after repeated failures caused by your rashness.

Houses are split up into three groups: angular, succedent and cadent.

The first ones are the most important ones, the most "noticeable" and energetic houses. They are the 1st, 4th, 7th and 10th houses. Their cuspides correspond to four famous angles: Ascendant for the 1st house, Imum Coeli for the 4th house, Descendant, opposite the Ascendant, for the 7th house and Midheaven for the 10th house, opposite the Imum Coeli.

Planets are evaluated according to a whole set of criteria that includes comprehensive Western astrology rules. At their turn, planets emphasize specific types of houses, signs, repartitions etc., as previously explained.

N.B.: this dominant is a minor one. It is not essential that you read its meaning in the beginning. You can get back to them later on, once you have read more important interpretations.

Cadent houses, namely the 3rd, 6th, 9th and 12th houses, are very emphasized in your chart, Henry James (writer). They indicate important potential for communication, adaptability and flexibility. These houses are symbolically linked to the mind and intellect. The relative weakness implied by these characteristics indicates your tendency to hesitate or to be indecisive, but also your remarkable ability to start off again, which is a nice quality, finally: you can easily get yourself out of a tight spot thanks to your mobility and casualness, in the best sense of the term. This group of houses corresponds to evolutionary characteristics of your personality. However, they are only indications and you must include them in the rest of your chart in order to see whether they are validated or not!

Each sign contains 30 degrees and can be divided into three equal parts: the decanates. The Tradition indicates that specific meanings can be associated to each of the three decanates. Their sphere of activity is usually limited to the Sun sign, however, it is even more interesting to observe the distribution of all the planets in the chart to get an idea of the respective importance of the three decanates, which can complement the description of the personality.

These meanings must be considered with the greatest caution. Indeed, they are minor characteristics that can only underline other outstanding traits of character.

Traditionally, the first decanate highlights the characteristics of the sign where a planet is located. The two other decanates correspond to sub-dominant planets, depending on the nature of each sign. This system leads to a multiplication of meanings and it is impossible to have a clear understanding: here, we prefer to give only the meaning of one decanate in comparison with the other two, within the birth chart as a whole. Again, the greatest caution is needed with regard to this minor indication as it is not always reliable: it is not essential that you read these texts in the beginning. You can get back to them later on, once you have read more important interpretations

The third decanate, which means the part between 20° and 30° of any zodiacal sign, prevails in your natal chart, Henry James (writer). It contains the degrees of spirituality, traditionally more delicate to deal with, since they incline towards evolution and therefore, destabilizations. Individuals with an emphasised third decanate may have deeper sensitivity than most people, which often brings ordeals but also spiritual rewards.

Dominants: Planets, Signs and Houses for Henry James (writer)

The issue of dominant planets has existed since the mists of time in astrology: how nice it would be if a person could be described with a few words and one or several planets that would represent their character, without having to analyse such elements as rulerships, angularities, houses, etc!

The ten planets - the Sun throughout Pluto - are a bit like ten characters in a role-play, each one has its own personality, its own way of acting, its own strengths and weaknesses. They actually represent a classification into ten distinct personalities, and astrologers have always tried to associate one or several dominant planets to a natal chart as well as dominant signs and houses.

Indeed, it is quite the same situation with signs and houses. If planets symbolize characters, signs represent hues - the mental, emotional and physical structures of an individual. The sign in which a planet is posited is like a character whose features are modified according to the place where he lives. In a chart, there are usually one, two or three highlighted signs that allow to rapidly describe its owner.

Regarding astrological houses, the principle is even simpler: the twelve houses correspond to twelve fields of life, and planets tenanting any given house increase that house's importance and highlight all relevant life departments: it may be marriage, work, friendship etc.

In your natal chart, Henry James (writer), the ten main planets are distributed as follows:

The three most important planets in your chart are Venus, Mercury and Jupiter.

With Venus among your dominant planets, one of your first reflexes is... to please! Your look, your charm, and your seduction are omnipresent elements in your behaviour.

Your approach to things is connected to your heart, and for you, no real communication can flow if your interlocutors exude no sympathy or warmth. Cold and logical reasoning, clear thoughts and good sense are not important to you: if there is no affective bond with your environment, no connection can be established with the Venusian that you are, and nothing happens.

You have a strong artistic side, and you never neglect subjective but clear concepts such as pleasure, beauty, and also sensuality. However, sometimes to the detriment of efficiency, durability, logic, and... detachment.

With Mercury among your dominant planets, you are certainly cerebral, nervous, swift, curious, quick-witted, and you love to communicate. Your psychological pattern is intellectual, all the more so since Mercury is important, with its whole set of assets but also of weaknesses, obviously.

Your sensitivity, emotions, and heart's impulses give precedence to thinking, which can lead people to believe that you are a playful and witty but heartless person, intellectualizing situations and juggling with words and numbers whilst ignoring human aspects of things. Of course, it is said that cats always land on their feet - this is your Mercurian strength and your trump card!

Your weakness lies in your nervousness, and you may miss your goal because of your "over-intellectualization" that may be detrimental to other kind of energies such as instinct, spontaneity, heart, sensitivity, etc.

Jupiter, the planet of expansion, organization, power and benevolence, is quite emphasized in your chart. Like any Jupiterian, you are warm, open, sociable, consensual, active and optimistic. You can use your self-confidence to erase differences of opinion, and you leave the task of analyzing and perfecting things to specialists. Your role, and you know it since you were young, is to gather, to demonstrate your synthesizing and conciliatory mind, and to naturally reap its fruits - power.

You appreciate legality, social order but also order in general. With you as a leader, every plan or human entity can be organized and structured. You excel at supervising. The Jupiterian type is indeed the politician par excellence, and a positive Jupiter in your chart is synonymous with good integration into society, whatever the chosen path.

Is this idyllic picture really perfect? Certainly not: each planet's typology has its own weaknesses. One of yours is pride, like the Solarian, but your will of expansion at all costs may generate a form of exaggeration in everything, endless pleasure, inappropriate self-confidence that could lead you to rough materialism and the thirst for absurd material comfort - in the worst cases, of course.

In your natal chart, the three most important signs - according to criteria mentioned above - are in decreasing order of strength Aries, Virgo and Pisces. In general, these signs are important because your Ascendant or your Sun is located there. But this is not always the case: there may be a cluster of planets, or a planet may be near an angle other than the Midheaven or Ascendant. It may also be because two or three planets are considered to be very active because they form numerous aspects from these signs.

Thus, you display some of the three signs' characteristics, a bit like a superposition of features on the rest of your chart, and it is all the more so if the sign is emphasized.

Arian blood runs through your veins! You have that enthusiasm, frankness, courage, and fastness which usually make you so likeable in spite of your somewhat rough, naive, or violent side. As a bonus, Aries' gushing fire always gives you the impetus to make a fresh start, should you stumble or undergo life hardship!

Virgo, associated with perfectionism, numbers and reason, is among your dominant signs: you inherit its sense of responsibility and tidiness, a clear mind, an unfailing logic, as well as a need to be useful and to fulfil your task to the best of your abilities. Obviously, people may think that you are too modest or reserved, suspicious or pessimistic because of your exceedingly critical mind, but aren't logic and wisdom great qualities? Of course, they are. Moreover, you keep your feet on the ground, you never behave irrationally and you are helpful and hardworking - what more can you ask for?!

Pisces is among your dominant signs and endows your personality with unlimited sources of emotions, dreams, imagination, and sensitivity, to the extent that you literally swim in a cloudy ocean of delightful impressions. These impressions are so intense and overwhelming that you don't really need to take action concretely, to show your dynamism or your willpower, since you already live so intensely with your feelings - you are as keen as a radar, always on the alert! That is why some people may not like your carelessness, and the lack of clarity in your opinions or actions; however they quickly notice your artistic talents, your poetic or artistic side, and your total lack of wickedness. Besides, you feel compassion for people in pain - empathy is one of your great qualities. Thanks to your flexibility, your intuition, and your generosity, you may spend an important part of your life helping others. And if you are creative or if you have well-known artistic talents, everybody will forgive your little flaws: absent-mindedness, lack of energy or of will, too dreamy temperament...

The 9th, 8th and 6th houses are the most prominent ones in your birth chart. From the analysis of the most tenanted houses, the astrologer identifies your most significant fields or spheres of activity. They deal with what you are experiencing - or what you will be brought to experience one day - or they deal with your inner motivations.

Your 9th house being one of your most tenanted house, or at least emphasized, travels and faraway places play a major role for you: travels may take place in a symbolic sense, namely mind speculations or conceptions about political matters, philosophy, religion or spirituality, or in the literal sense, such as real long distance travels by plane. It may also be that you spend a part of your life far from home, etc. You are driven by some kind of rebelliousness, which urges you to explore the Unknown; it may also be the call of the adventure. Besides, if the rest of your chart concurs, you may be considered as a real draught, often up hill and down dale, constantly on the lookout for exciting discoveries and new, enchanting horizons.

Your 8th house is very highlighted: it is the most complex house of the Zodiac. It symbolizes above all passion and transformation, which often go hand in hand. Indeed, you have a tendency to experience everything to the bitter end, and you overstep propriety borders because you want to understand everything, even what is... forbidden. This house relates to complex spheres such as sexuality, possessions and dispossessions that don't depend on you (inheritances, donations, sudden financial losses), death too - not yours in particular, so, don't worry! - and understanding of hidden or occult things: here are the fields that affect you generally, because you are naturally interested in them or because life gets you involved in spite of yourself.

Your 6th house is quite emphasized and indicates interest in work and daily occupations that take up a lot of your time: in analogy with Virgo, this house inclines towards perfectionism and training; somehow, you may be fulfilled through the process of being useful and investing your energy in your work. An environment appealing to you may be involved - your colleagues, for example - or a passion for one of these daily occupations. Medical positions or pets may play a role in your life; or ancillary love affairs too... These are a few possibilities indicated by an important 6th house.

After this paragraph about dominant planets, of Henry James (writer), here are the character traits that you must read more carefully than the previous texts since they are very specific: the texts about dominant planets only give background information about the personality and remain quite general: they emphasize or, on the contrary, mitigate different particularities or facets of a personality. A human being is a complex whole and only bodies of texts can attempt to successfully figure out all the finer points.

Your sensitivity

Your sensitivity is intuitive and clear-sighted Henry James (writer). Your exacerbated affectivity and your emotions are secretive, intense, deep and sensual. Your magnetic nature seduces. You are aware of the strange fascination you exert and you gladly cultivate this mysterious aura. Your feelings are so powerful that you may feel you should repress them sometimes. But the more you try to control them, the stronger they grow. Therefore, your jealousy may reach such levels that it may hurt. Without half-measure, you become aggressive and you can harm because your inner radar instinctively detects other people's weaknesses. Your emotions are often filled with eroticism and you are an explosive blend of lucidity, amorous intensity and constant provocation but... you are so charming! Your nature is attractive, even bewitching. After all, the only persons you offend are the middle course followers...

Lively, even restless sometimes, Henry James (writer), your thoughts are roaming, prolific, fluctuating: you are interested in many things and your “Jack of all trades” side is part of your charm, even if you have difficulties in concentrating and completing what you start. Your emotions are particularly active during your contacts and your frequent travels. You almost chat too much sometimes, mixing practical and affective matters, often changing your mind. However, you are very intuitive when it comes to instantly grasp the personality of the person you are dealing with. If you are a journalist or a writer, you probably have chosen the best direction for you! Relations with females are usually favoured, or at least, they are numerous and intense.

Your intellect and your social life

You enjoy discussing and exchanging ideas. You know how to put forward sharp and provoking comments in order to keep the debate moving ahead. You tend to use words to put yourself in the forefront and you may become a leader. Your exact and swift, dazzling understanding favours a direct approach to problems and helpful decisions. You are inventive, intuitive and you are in a hurry to bring your projects to a successful conclusion. You do not pay attention to details and you prefer to go to the essentials. However, your decision-making process may be too impulsive and may throw you into unconsidered actions; this is the reason why it may be good that you listen to other people's advice, that you do not walk headlong, and later, be forced to reverse back as a result, a situation you do not appreciate too much.

You need to understand, to explore the unknown, to shed light on mysteries and to immerse yourself into the hidden fields of the unconscious or the afterlife, actually, into whatever escapes you, Henry James (writer). You are not content with what seems obvious because you are on Earth to evolve and not to stagnate or remain in a mindless state and a lack of understanding. Interestingly enough, astrology connects the spheres of death, after-life and mysteries with the spheres of other people's possessions, investments, inheritances etc. This analogy probably comes from the fact that in those two fields, everything remains inaccessible right away. It might be the reason why such mysterious topics are so attractive to you. Your investigative mind enables you to easily express your feelings and to explain the inner mechanisms of your whole being, almost as if your own self was a specimen to study, without modesty and with the only motivation to go as far and as deeply as possible.

Your affectivity and your seductiveness

In your chart, the Sun is in Aries and Venus, in Pisces. Paradoxical association: the enthusiasm and the spring freshness of the Aries Sun echo the subtlety and the distance of a Piscean Venus. Your aspirations (solar), prompt you to be carried away by your heart impulses and to exchange with spontaneity … but your desires (Venusian) obey different rules that are elusive, and sometimes, irrational. Between the beginning and the end, the frontier is often tenuous and the balance is fragile. Your affective behaviour may seem disconcerting because you can abruptly shift from enthusiasm to renunciation. This is because your senses do not follow your ideals, because your desires do not match the patterns that appeal to you, as sincere as they may be. Your loved one does not necessarily resemble the conceptualized ideal you dream of. Attraction – or repulsion – is based on ineffable impressions that short-lived and sudden impulses cannot erase nor construct. Although you may show a certain naivety, your senses quickly discriminate between the one-night-stand illusory enthusiasm and the essential harmony without which two persons drift apart, sooner or later. Love is not simple! And if it were, indifference would rapidly triumph over the wildest feelings.

Compassion and self-sacrifice: you are fond of this romantic mode and you are willing to express your feelings, the intensity of which is unlimited, Henry James (writer). With excitement and imagination, you dream your amorous relationships as much as you actually live through them. The line between the concrete world and your huge hopes is so tenuous that you don't know anymore where it is, although your particularly rich sensuality prompts you to experience your feelings concretely. You want to share communion and passion with your partner. The lyrical flights of your feelings break from your heart as waves that you do not attempt to control because they give you a real, almost voluptuous and carnal joy. You give a lot – sometimes too much - without reservation, almost without propriety, totally revealing your vulnerability during your amorous exchanges because you are sure of the quality and the might of your feelings: they are so powerful and overwhelming that you are aware that nothing can resist them.

Henry James (writer), your warmth and your attractiveness are at the service of your future or current marriage! In the 7th house, Venus colours the expression of your feelings with commitment, a request for reciprocation and for something concrete. Venus gives way, to a great extent, to your desire to be loved as much as to love: in the romantic field, your entire being aims at harmony, diplomacy, mind-openness so as to find, at any cost, a common ground where you can achieve your aim, that is to say a sweet idyll and, why not if it is possible, a nice marriage as an ending. Are problems arising? A disagreement? A lack of understanding? Immediately, you undertake to soothe your partner and to highlight what brings you together, while skilfully omitting anything that might harm the so much sought after harmony. Of course, this merely complacent attitude seems to allow you to progress with conviction towards your goals but there is a price to be paid. The dependency upon your couple becomes tangible. Paradoxically, anyway, you care little about that because it is just the way you are and that, worst comes to worst, you prefer to continue this constant game consisting in a kind of self-sacrifice with its fruitful benefits, rather than to push yourself to the forefront and to take the risk of being less attractive… Actually, you are never happier than when you formalize your union and there is no doubt that, once you are married, you will be a charming spouse and you will strive to make your conjugal life a pleasant one in a spirit of sharing and warmth.

Your behaviour

Psychologically speaking, your nature is nervous and secondary. Before you take action, you cautiously ponder over things and you review any possible alternative and reaction. You strive systematically to find the best possible response to any given problem. You are a perfectionist above all and you have no rest until you optimize a situation, in each and every area, be it professional, pragmatic, aesthetic or in pleasure. You do not accept spontaneity and, to fully enjoy life and go further, you consider that demanding the best is the least you can do, even though it is detrimental to the rough force associated with your instinct. The intellectual element intervenes before both the physical ones and your feelings: it is one of the essential clues to understanding your personality.

As you are born under this sign, you are cerebral, clear-sighted, focused on details and on numbers, analytic, serious, competent, reasonable, modest, tidy, organized, spruce, industrious, provident, honest, loyal, reserved, shy, helpful, willing to progress, talkative, perfectionist, logical, hardworking, tactful, patient, precise, concrete, spiritual. You can also be narrow-minded, calculating, irritating, petty, pernickety, hung up, anxious, cold, repressed or sarcastic.

In love, Sir, your inner self is different from what you seem to be: you are sensual and affectionate and you find it hard to show it because your nature is to be cautious, reserved and analytical. You think too much, which gives you a cold and distant look. However, it is a mask that you wear and take around with you. As soon as you feel in confidence, you become able to take off the mask and to reveal your true face. You are critical and perfectionist and you must be cautious enough to keep your comments to yourself, especially in this particular area.

In the fields of sex and affection, real confidence is an imperative pre-requisite. Otherwise, it is impossible for you to show your true self and to remove the mental screen that proves so efficient in other areas, but that is very burdensome and inhibiting in the private sphere.

When you manage to do so, you become a charming, sensual and endearing partner and you communicate easily thanks to Mercury who rules your sign.

You are loyal, organized, conformist, more suited for celibacy. But once you take your decision, you are quiet and tidy and you will bring up your children according to the best traditional principles.

Because Virgo is a dual sign, there may be two marriages, or there may be a love affair in parallel.

Your will and your inner motivations

Your natural energy is cut-and-dried. It may prompt you to take the driver’s seat wherever you are. Were it not for the strange feeling of sympathy you arouse, you would seem to be arrogant. Charging ahead is not devoid of drawbacks. Your courage and your restlessness may hurt you and cause you to doubt, all of a sudden. As a consequence, your courage, your honesty, your enthusiasm and your straightforwardness may turn into aggressiveness, rebellion and vulnerability that were never suspected. Fortunately, the level of your dynamism is very high and your instinctive and pugnacious side, your particularly profuse energy will not leave you helpless for too long. The fire in your blood will put you back on the saddle towards new stampedes and conquests, as ambitious and glorious as they are perilous.

Because you are born under this sign, you are courageous, honest, enthusiastic, dynamic, swift, extroverted, straightforward, effusive, warm, impulsive, adventurous, bold, martial, competitive, but you may also be gullible, domineering, self-centered, impatient, foolish, thoughtless, childish, irascible, reckless, primary and a blunderer.

In love, Sir, more often than not, your passions are strong and varied. Far from being roadblocks, obstacles have a stimulating effect. You like quick victories and your love life is a series of conquests and of break-ups, as boredom often puts an end to the initial love that made you move mountains.

Your sexuality is powerful and prevails over feelings. You may marry early or on impulse, but it does not prevent you from having a rich and varied love life. Usually, you have few children.

Henry James (writer), early in life, you apply to yourself the saying "No man is a prophet in his own country". Since you were a little boy, you had the impression that something in you was different and could not be understood by your close friends. Your natal environment prompts you to venture into unknown territories and remote lands, where you hope your real talents and qualities will be acknowledged.

You are more comfortable when you are away from home because of your rebellious mind, because you feel different or because of an awareness which stems from your good sense: what attracts you is far too original, compared to what your family or your roots may offer or may apprehend. This peculiarity may take various forms, depending on your destiny and your personality: an inclination or a strong aspiration for distant trips, higher and abstract studies, higher knowledge, spirituality, philosophy, religion, moral or culture. You are also interested in occupations allowing you to meet your need to be elsewhere, physically or intellectually, such as for instance, the positions of ambassador, judge, exporter, philosopher, researcher, university teacher, reporter or in any job with the clergy. It is clear that your social status can be improved in places located far from your home. Your ambitions are not hampered because you are favoured and predisposed for international contacts, or for contacts that are different from your natal environment. You have no problem learning foreign languages and you study this area with the certainty that you are forging valuable assets for the rest of your life. Your self-assertion and your success go through experiences abroad or connected with foreigners. As you mature, there is a spiritual, moral or intellectual brilliance linked to higher knowledge that radiates from you. It may also be due to the fact that you are dedicated to a noble cause for which you sincerely spare no effort. When great planetary configurations of tension are formed in very few moments of your life, you may be affected by illnesses or fevers contracted abroad; or in your profession, where foreign matters are involved, you may have to bear the consequences of conflicts that tarnish your prestige or your honour. What constitutes your strength does not exclude cautiousness. Too much ease may lead to unforeseen situations: even though this applies obviously to all life areas, it is certain that, when exotic trips are involved, or figuratively, when you take intellectual, moral or spiritual stands, you must cautiously step back and show restraint.

Your ability to take action

Henry James (writer), you are a real Goliath and you often excel in sport; your thirst for conquests prompts you to constantly launch new challenges. The enthusiasm you put in your undertakings is perfectly well supported by your moral concepts and an idealism compatible with the values of the society you live in. You are pragmatic, enterprising and sometimes, naive. You do not pay attention to details and you launch various great adventurous projects that are all doomed to success. In a few rare cases, you can funnel your huge energy into more philosophical, even spiritual or religious enterprises, where your entire fieriness works wonders. On the sexual plane, your ardour and your spontaneity are your main assets. The danger is that you may spread yourself too thin in the sense that you may forget about faithfulness, particularly during the extensive faraway travels you are so fond of.

It is in the private sphere that your capacities for action are felt, Henry James (writer). When you are outside, at work or elsewhere, you do not like to show your true self. But as soon as you are at home, no doubt, you almost shift identity. You become active and full of energy. You enhance your family environment, you upgrade your personal projects, and you want to take the driver’s seat! If not, you move about, and you show your authority, sometimes a bit forcefully. You are as conciliating and gentle outside as you are inflexible and authoritarian at home. Things had better be moving, or else!

Conclusion

This text is only an excerpt from of Henry James (writer)'s portrait. We hope that it will arouse your curiosity, and that it will prompt you to deepen your knowledge of astrology, as well as to visit and use the wide range of free applications at www.astrotheme.com.

Astrological studies describe many of the character traits and they sometimes go deeper into the understanding of a personality. Please, always keep in mind that human beings are continuously evolving and that many parts of our psychological structures are likely to be expressed later, after having undergone significant life's experiences. It is advised to read a portrait with hindsight in order to appreciate its astrological content. Under this condition, you will be able to take full advantage of this type of study.

The analysis of an astrological portrait consists in understanding four types of elements which interact with one another: ten planets, twelve zodiacal signs, twelve houses, and what are called aspects between planets (the 11 aspects most commonly used are: conjunction, opposition, square, trine, sextile, quincunx, semi-sextile, sesqui-quadrate, quintile and bi-quintile. The first 5 aspects enumerated are called major aspects).

Planets represent typologies of our human psychology: sensitivity, affectivity, ability to undertake, will-power, mental process, aptitude, and taste for communication etc., all independent character facets are divided here for practical reasons. The twelve signs forming the space where planets move will "colour", so to speak, these typologies with each planet being located in its particular sign. They will then enrich the quality of these typologies, as expressed by the planets. The Zodiac is also divided into twelve astrological houses. This makes sense only if the birth time is known because within a few minutes, the twelve houses (including the 1st one, the Ascendant) change significantly. They correspond to twelve specific spheres of life: external behaviour, material, social and family life, relationship, home, love life, daily work, partnership, etc. Each planet located in any given house will then act according to the meaning of its house, and a second colouration again enriches those active forces that the planets symbolize. Finally, relations will settle among planets, creating a third structure, which completes the planets' basic meanings. A set of ancient rules, which has stood the test of experience over hundreds of years (although astrology is in evolution, only reliable elements are integrated into classical studies), are applied to organize the whole chart into a hierarchy and to allow your personality to be interpreted by texts. The planets usually analysed are the Sun, the Moon, Mercury, Venus, Jupiter, Saturn, Uranus, Neptune and Pluto, which means two luminaries (the Sun and the Moon) and 8 planets, a total of 10 planets. Additional secondary elements may be taken into account, such as asteroids Chiron, Vesta, Pallas, Ceres (especially Chiron, more well-known), the Lunar nodes, the Dark Moon or Lilith, and even other bodies: astrology is a discipline on the move. Astrological studies, including astrological portrait, compatibility of couples, predictive work, and horoscopes evolve and become more accurate or deeper, as time goes by.

Precision: concerning the horoscopes with a known time of birth, according to the Tradition, we consider that a planet near the beginning (called cuspide) of the next house (less than 2 degrees for the Ascendant and the Midheaven, and less than 1 degree for all other houses) belongs to this house: our texts and dominants take this rule into account. You can also choose not to take this shift into account in the form, and also tick the option Koch or Equal houses system instead of Placidus, the default houses system.

Warning: In order to avoid any confusion and any possible controversy, we want to draw your attention upon the fact that this sample of celebrities is very complete and therefore, it also includes undesirable people, since every category is represented: beside artists, musicians, politicians, lawyers, professional soldiers, poets, writers, singers, explorers, scientists, academics, religious figures, saints, philosophers, sages, astrologers, mediums, sportsmen, chess champions, famous victims, historical characters, members of royal families, models, painters, sculptors, and comics authors or other actual celebrities, there are also famous murderers, tyrants and dictators, serial-killers, or other characters whose image is very negative, often rightly so.

Regarding the latter, it must be remembered that even a monster or at least a person who perpetrated odious crimes, has some human qualities, often noticed by his/her close entourage: these excerpts come from computer programmes devoid of polemical intentions and may seem too soft or lenient. The positive side of each personality is deliberately stressed. Negative sides have been erased here - it is not the same in our comprehensive reports on sale - because it could hurt the families of such people. We are hoping that it will not rebound on the victims' side.

Numerology: Birth Path of Henry James (writer)

Testimonies to numerology are found in the most ancient civilizations and show that numerology pre-dates astrology. This discipline considers the name, the surname, and the date of birth, and ascribes a meaning to alphabetic letters according to the numbers which symbolise them.

The path of life, based on the date of birth, provides indications on the kind of destiny which one is meant to experience. It is one of the elements that must reckoned with, along with the expression number, the active number, the intimacy number, the achievement number, the hereditary number, the dominant numbers or the lacking numbers, or also the area of expression, etc.

Your Birth Path:

Your Life Path is influenced by the number 8, Henry, which indicates that your destiny hinges on financial successes, material undertakings, and power seizing. It is a path full of successes and failures, fortune and reversals of fortune. You must strive to control your thirst for material goods, and try to practice tolerance. Great achievements are possible if you choose a career in any sort of trade or business. This is how your qualities are likely to be best expressed: management abilities and above-average commercial sense. Traditionally, the number 8 is believed to favour material and financial matters such as asset management, investments, commercial negotiations, as well as social power. All these elements are most likely to be found at the centre of your life. Your thirst for power, added to some degree of bad luck, constitutes one of the major hurdles blocking your way. However, your determination, added to a deep spirit of conciliation, turns the number 8 into a very fulfilling one, that of extraordinary successes.

N. B.: when the birth time is unknown, (12:00 PM (unknown)), these portrait excerpts do not take into account the parameters derived from the time, which means, the domification (Ascendant, astrological houses, etc.). Nonetheless, these analyses remain accurate in any case. Regarding the sources of the birth data in our possession, kindly note that the pages we publish constitute a starting point for more detailed research, even though they seem useful to us. When the sources are contradictory, which occurs rarely, after having analysed them, we choose the most reliable one. Sometimes, we publish a birth date just because it is made available, but we do not claim that is it the best one, by no means.

Compatibility Report
Aries · Taurus · Gemini · Cancer · Leo · Virgo · Libra · Scorpio · Sagittarius · Capricorn · Aquarius · Pisces

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