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György Lukács: Astrology and Horoscope

Born:April 13, 1885, 12:00 PM (unknown)
in:Budapest (Hungary)
Sun: 23°40' Aries  
Moon:0°48' Aries  
Dominants: Aries, Taurus, Gemini
Mars, Sun, Jupiter
Fire, Earth / Cardinal
Numerology: Birthpath 3
Popularity: 3,714 clicks, 11,859th man, 18,418th celebrity

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Celebrities born the same day: Garry Kasparov, Thomas Jefferson, Samuel Beckett, Jacques Lacan, Catherine de' Medici, J. M. G. Le Clézio, Michčle Bernier, Ron Perlman, Jonathan Brandis, Christopher Hitchens, Reshad Feild, Paul Barril... List of all the celebrities born on April 13.

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Horoscope and chart of György Lukács

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Signs: Aries
 
"I am"
March 21 - April 20

1st Fire sign - 1st Cardinal sign (spring equinox) - Masculine

In analogy with Mars, his ruler, and the 1st House

Aries governs the head.

His colour is red, his stone is the heliotrope, his day is Tuesday, and his professions are businessman, policeman, sportsman, surgeon...

If your sign is Aries or your Ascendant is Aries: you are courageous, frank, enthusiastic, dynamic, fast, bold, expansive, warm, impulsive, adventurous, intrepid, warlike, competitive, but also naive, domineering, self-centred, impatient, rash, thoughtless, blundering, childish, quick-tempered, daring or primitive.

Some traditional associations with Aries: Countries: England, France, Germany, Denmark. Cities: Marseille, Florence, Naples, Birmingham, Wroclaw, Leicester, Capua, Verona. Animals: Rams and sheeps. Food: Leeks, hops, onions, shallots, spices. Herbs and aromatics: mustard, capers, Cayenne pepper, chilli peppers. Flowers and plants: thistles, mint, bryonies, honeysuckles. Trees: hawthorns, thorny trees and bushes. Stones, Metals and Salts: diamonds, iron, potassium phosphate.

Signs: Taurus
 
"I have"
April 21 - May 20

1st Earth sign - 1st Fixed sign - Feminine

In analogy with Venus, his ruler, and the 2nd House

Taurus governs the neck and the throat.

Her colour is green or brown, her stone is the emerald, her day is Friday, her professions are cook, artist, estate agent, banker, singer...

If your sign is Taurus or your Ascendant is Taurus: you are faithful, constant, sturdy, patient, tough, persevering, strong, focused, sensual, stable, concrete, realistic, steady, loyal, robust, constructive, tenacious. You need security, but you are also stubborn, rigid, possessive, spiteful, materialistic, fixed or slow.

Some traditional associations with Taurus: Countries: Switzerland, Greek islands, Ireland, Cyprus, Iran. Cities: Dublin, Palermo, Parma, Luzern, Mantua, Leipzig, Saint Louis, Ischia, Capri. Animals: bovines. Food: apples, pears, berries, corn and other cereals, grapes, artichokes, asparagus, beans. Herbs and aromatics: sorrels, spearmint, cloves. Flowers and plants: poppies, roses, digitales, violets, primroses, aquilegia, daisies. Trees: apple trees, pear trees, fig-trees, cypresses, ash trees. Stones, Metals and Salts: copper, calcium and potassium sulphate, emeralds.

Signs: Gemini
 
"I think"
May 21 - June 21

1st Air sign - 1st Mutable sign - Masculine

In analogy with Mercury, his ruler, and the 3rd House

Gemini governs the arms, the lungs and the thorax.

His colour is green or silver, his stone is the crystal, his day is Wednesday, his professions are journalist, lawyer, presenter, dancer, salesman, travel agent, teacher...

If your sign is Gemini or if your Ascendant is Gemini: you are expressive, lively, adaptable, quick-witted, humorous, sparkling, playful, sociable, clever, curious, whimsical, independent, polyvalent, brainy, flexible, ingenious, imaginative, charming, fanciful but also capricious, scattered, moody, shallow, inquisitive, opportunistic, unconcerned, selfish, fragile, ironical or changeable.

Some traditional associations with Gemini: Countries: Belgium, Wales, United-States, Lower Egypt, Sardinia, Armenia. Cities: London, Plymouth, Cardiff, Melbourne, San Francisco, Nuremberg, Bruges, Versailles. Animals: monkeys, butterflies, parrots, budgerigars. Food: dried fruits, chestnuts, ground-level vegetables: peas, broad beans, etc. Herbs and aromatics: aniseed, marjoram, lemon balm, cumin. Flowers and plants: lilies of the valley, lavenders, myrtle, ferns, Venus-hair-ferns, bittersweets. Trees: nut trees such as chestnut trees. Stones, Metals and Salts: agates, mercury, silicas and potashes.

Signs: Cancer
 
"I feel"
June 22 - July 22

1st Water sign - 2nd Cardinal sign (summer solstice) - Feminine

In analogy with the Moon, her ruler, and the 4th House

Cancer governs the stomach and the breast.

Her colour is white or black, her stone is the moonstone, her day is Monday, her professions are catering, the hotel trade, property, antique dealer, archaeologist...

If your sign is Cancer or your Ascendant is Cancer: you are emotional, sentimental, peaceful, imaginative, sensitive, faithful, resistant, protective, vulnerable, generous, romantic, nostalgic, tender, poetic-minded, motherly or fatherly, dreamy, indolent, greedy, devoted but also timorous, unrealistic, evasive, passive, anxious, dependent, stubborn, moody, passive, lazy, touchy, stay-at-home or inaccessible.

Some traditional associations with Cancer: Countries: Holland, Scotland, North and West Africa, New-Zealand, Paraguay, Algeria. Cities: Amsterdam, Manchester, Tokyo, New York, Istanbul, Stockholm, Milan, Venice, Genoa, Cadix, Alger, Tunis, Bern, Magdeburg. Animals: crabs, animals with shells. Food: milk, fishes, watery fruits and vegetables, turnips, white and red cabbages. Herbs and aromatics: tarragon, verbena, saxifrage. Flowers and plants: geraniums, white roses and white flowers in general, water lilies, morning glory, bear's breeches, and lilies. Trees: all trees full of sap. Stones, Metals and Salts: pearls, silver, lime and calcium phosphate.

Signs: Leo
 
"I love"
July 23 - August 22

2nd Fire sign - 2nd Fixed sign - Masculine

In analogy with the Sun, his ruler, and the 5th House

Leo governs the heart and the spine, and the eyes, according to some authors.

His colour is gold or orange, his stone is the diamond, his day is Sunday, his professions are actor, manager, jeweller, fashion and arts, and action (e.g. fireman)...

If your sign is Leo or your Ascendant is Leo: you are proud, determined, strong-willed, loyal, solemn, generous, ambitious, courageous, heroic, conquering, creative, confident, seductive, happy, daring, fiery, majestic, honest, magnanimous, charismatic, responsible, noble, dramatic but also domineering, vain, susceptible, bossy, stubborn, intolerant, self-centred, violent, quick-tempered, nonchalant.

Some traditional associations with Leo: Countries: Italy, Romania, Sicily, Czechoslovakia, Iraq, Lebanon, Southern France. Cities: Rome, Prague, Bombay, Madrid, Philadelphia, Chicago, Los Angeles, Bath, Bristol, Portsmouth, Syracuse, Damas. Animals: lions and felines in general. Food: meat and especially red meat, rice, honey, cereals, grapes, iron-rich vegetables: watercress, spinach etc. Herbs and aromatics: saffron, mint, rosemary, common rue (Ruta graveolens). Flowers and plants: marigolds, sunflowers, celandines, passion flowers. Trees: palm trees, laurel, walnuts, olive trees, lemon and orange trees. Stones, Metals and Salts: gold, rubies, magnesium and sodium phosphate.

Signs: Virgo
 
"I serve"
August 23 - September 22

2nd Earth sign - 2nd Mutable sign - Feminine

In analogy with Mercury, her ruler, and the 6th house

Virgo governs the intestine.

Her colour is green or yellow, her stone is the agate, her day is Wednesday, her professions are accountant, secretary, writer, computer scientist, nurse, doctor...

If your sign is Virgo or your Ascendant is Virgo: you are brainy, perspicacious, attentive to detail and numbers, analytical, serious, competent, scrupulous, sensible, modest, logical, tidy, well-organized, clean, hard-working, provident, honest, faithful, reserved, shy, helpful, a perfectionist, but also narrow-minded, calculating, irritating, petty, anxious, cold, repressed or caustic.

Some traditional associations with Virgo: Countries: Brazil, Greece, Turkey, West Indies, United-States (the same as Gemini), Yugoslavia, Crete, Mesopotamia, Lower Silesia, State of Virginia. Cities: Paris, Boston, Athens, Lyon, Corinthia, Heidelberg, spa towns in general. Animals: dogs, cats and all pets. Food: root vegetables: carrots, celeriac, kohlrabies, potatoes etc... Also dried fruits such as chestnuts. Herbs and aromatics: the same as Gemini whose ruler is Mercury too, lilies of the valley, lavenders, myrtles, ferns, Venus-hair-ferns, bittersweets, clovers. Flowers and plants: small bright-coloured flowers, especially blue and yellow, such as dandelions, buttercups, yellow dead-nettles, buglosses, forget-me-nots ; cardamoms, oak leaves, acorns. Trees: all nut trees, e.g. the hazelnut tree... Stones, Metals and Salts: sards (red agate), mercury, nickel, potassium sulphate and iron phosphate.

Signs: Libra
 
"we are"
September 23 - October 22

2nd Air sign - 3rd Cardinal sign (autumn equinox) - Masculine

In analogy with Venus, his ruler and the 7th House

Libra governs the kidneys and the bladder.

His colour is blue or red (not too bright), his stone is the opal, his day is Friday, his professions are in the beauty, luxury or fashion industry, musician, artistic creator, lawyer, mediator...

If your sign is Libra or your Ascendant is Libra: you are sentimental, charming, polite, refined, loyal, a pacifist, fair, distinguished, light-hearted, romantic, learned, ethereal, nice, well-groomed, a perfectionist, calm, sweet, tolerant, sociable, elegant, considerate, seductive, aesthetic, indulgent, but also hesitant, weak, indecisive, selfish, fragile, fearful, indolent, cool or even insensitive.

Some traditional associations with Libra: Countries: Japan, Canada, Indo-China, South Pacific Islands, Burma, Argentina, Upper Egypt, Tibet. Cities: Lisbon, Vienna, Frankfurt, Leeds, Nottingham, Johannesburg, Antwerp, Fribourg. Animals: lizards and small reptiles. Food: berries, apples, pears, grapes, artichokes, asparagus, beans, spices, corn and other cereals. Herbs and aromatics: mint, Cayenne pepper. Flowers and plants: hydrangea, big roses, blue flowers and those associated with Taurus also ruled by Venus, namely, poppies, digitales, violets, primroses, aquilegia, and daisies. Trees: ash trees, poplars, apple trees, pear trees, fig-trees, cypresses. Stones, Metals and Salts: sapphires, jade, copper, potassium and sodium phosphate.

Signs: Scorpio
 
"we have"
October 23 - November 21

2nd Water sign - 3rd Fixed sign - Feminine

In analogy with Pluto, her ruler with Mars, and the 8th House

Scorpio governs the sexual organs and the anus.

Her colour is black or dark red, her stone is the malachite, her day is Tuesday, her professions are gynaecologist, psychiatrist, detective, the military, army, stockbroker, asset managemer...

If your sign is Scorpio or your Ascendant is Scorpio: you are secretive, powerful, domineering, resistant, intuitive, asserted, charismatic, magnetic, strong-willed, perspicacious, passionate, creative, independent, vigorous, generous, loyal, hard-working, persevering, untameable, possessive, cunning, ambitious, sexual, proud, intense, competitive but also aggressive, destructive, stubborn, anxious, tyrannical, perverse, sadistic, violent, self-centred, complex, jealous.

Some traditional associations with Scorpio: Countries: Morocco, Norway, Algeria, Syria, Korea, Uruguay, Transvaal. Cities: Washington, New Orleans, Valencia, Liverpool, Milwaukee, Fes, Halifax, Hull, Cincinnati. Animals: insects and other invertebrates. Food: the same strong tasting food as for Aries: red meat, garlic, onions, leeks, spices. Herbs and aromatics: aloes, witch hazels, nepeta, mustard, capers, peppers. Flowers and plants: geraniums, rhododendrons, thistles, mint, honeysuckles. Trees: blackthorns, bushes. Stones, Metals and Salts: opals, steel and iron, calcium and sodium sulphate.

Signs: Sagittarius
 
"we think"
November 22 - December 20

3rd Fire sign - 3rd Mutable sign - Masculine

In analogy with Jupiter, his ruler, and the 9th House

Sagittarius governs the thighs and the liver.

His colour is indigo, orange or red, his stone is the carbuncle, his day is Thursday, his professions are explorer, commercial traveller, pilot, philosopher, writer, clergyman...

If your sign is Sagittarius or your Ascendant is Sagittarius: you are charismatic, fiery, energetic, likeable, benevolent, tidy, jovial, optimistic, extraverted, amusing, straightforward, demonstrative, charming, independent, adventurous, straightforward, bold, exuberant, freedom-loving.

Some traditional associations with Sagittarius: Countries: Spain, Australia, Hungary, South Africa, Arabia, Yugoslavia. Cities: Stuttgart, Toledo, Budapest, Cologne, Avignon, Sheffield, Naples, Toronto. Animals: fallow deers, hinds, and all games. Food: grapefruits, raisins, onions, leeks, bulb vegetables. Herbs and aromatics: aniseeds, sage, bilberries, cinnamon, borage, mosses, sage, blueberry, patience, balsam. Flowers and plants: dandelions, carnations, thistles. Trees: mulberry trees, chestnut trees, ash trees, lemon trees, oaks. Stones, Metals and Salts: topaz, tin, silica, potassium chloride.

Signs: Capricorn
 
"we achieve"
December 21 - January 19

3rd Earth sign - 4th Cardinal sign (winter solstice) - Feminine

In analogy with Saturn, her ruler, and the 10th House

Capricorn governs the knees, the bones and the skin.

Her colour is black, or grey, green or brown, her stone is the jade, her day is Saturday, her professions are politician, researcher, jurist, scientist, engineer, administrator...

If your sign is Capricorn or your Ascendant is Capricorn: you are serious, cold, disciplined, patient, focused, thoughtful, ambitious, indomitable, cautious, lucid, persistent, provident, steady, introverted, stern, wilful, hard-working, responsible, persevering, honest, realistic, loyal, reserved, resolute, moralistic, quiet, rigorous, attached and reliable. But you may also be curt, withdrawn, calculating, petty, cruel, unpleasant, ruthless, selfish, dull, rigid, slow or sceptical.

Some traditional associations with Capricorn: Countries: India, Mexico, Afghanistan, Macedonia, Thrace, the Yugoslavian coast, the Orkneys and Shetland Islands, Albania, Bulgaria, Saxony. Cities: Delhi, Oxford, Brussels, Mexico, Port-Saïd, Gent, Constance, Mecklenburg, all the administrative centres of capital cities. Animals: goats, pigs and animals with split hooves. Food: meat, potatoes, barley, beets, spinach, medlars, onions, quinces, flour and starchy food in general. Herbs and aromatics: indian hemp, comfreys, centaureas, hemlocks, henbanes. Flowers and plants: ivies, wild pansies, amaranths, pansies. Trees: pines, willows, flowering ashes, aspens, poplars, alders. Stones, Metals and Salts: turquoises, amethysts, silver, lead, calcium phosphate, calcium fluorine.

Signs: Aquarius
 
"we love"
January 20 - February 18

3rd Air sign - 4th Fixed sign - Masculine

In analogy with Uranus his ruler, with Saturn, and the 11th House

Aquarius governs the ankles and the legs.

His colour is navy blue or indigo, his stone is the sapphire, his day is Saturday, his professions are astrologer, high technologies, scientist, astronaut, psychiatrist, actor, electrician...

If your sign is Aquarius or your Ascendant is Aquarius: you are idealistic, altruistic, detached, independent, original, surprising, gifted, contradictory, innovative, humanistic, likeable, friendly, self-confident, impassive, quiet, intuitive, creative, charitable, elusive, disconcerting, generous, tolerant, paradoxical, and you cannot stand any kind of constraint. But you may also be marginal, resigned, distant, utopian, maladjusted, eccentric and cold.

Some traditional associations with Aquarius: Countries: Russia, Sweden, Poland, Israel, Iran, Abyssinia. Cities: Moscow, Salzburg, Bremen, Hamburg, Saint Petersburg. Animals: long distance big birds such as the albatross. Food: citrus fruits, apples, limes, dried fruits and easily preserved food. Herbs and aromatics: peppers, hot red peppers, star-fruits, and generally herbs that are spicy or with an unusual flavour. Flowers and plants: orchids, dancing ladies, polygonatum. Trees: fruit trees. Stones, Metals and Salts: aquamarines, aluminium, sodium chloride and magnesium phosphate.

Signs: Pisces
 
"we serve"
February 19 - March 20

3rd Water sign - 4th Mutable sign - Feminine

In analogy with Neptune her ruler with Jupiter, and the 12th House

Pisces governs the feet and the blood circulation.

Her colour is green or purple or turquoise blue, her stone is the amethyst, her day is Thursday, her professions are seamanship and and faraway travels, musician, social and emergency worker, doctor, writer and jobs in remote places...

If your sign is Pisces or your Ascendant is Pisces: you are emotional, sensitive, dedicated, adaptable, nice, wild, compassionate, romantic, imaginative, flexible, opportunist, intuitive, impossible to categorized, irrational, seductive, placid, secretive, introverted, pleasant, artistic, and charming. But you may also be indecisive, moody, confused, wavering, lazy, scatterbrained, vulnerable, unpredictable and gullible.

Some traditional associations with Pisces: Countries: Portugal, Scandinavia, small Mediterranean islands, Gobi desert, Sahara. Cities: Jerusalem, Warsaw, Alexandria, Seville, Santiago de Compostela. Animals: fishes, aquatic mammals and all animals living in the water. Food: melons, cucumbers, lettuces, vegemite sugar, pumpkins. Herbs and aromatics: lemon, chicory, limes, mosses. Flowers and plants: water lilies, willows, aquatic plants. Trees: fig-trees, willows, aquatic trees. Stones, Metals and Salts: heliotropes, moonstone, platinum, tin, iron phosphate and potassium sulphate.

Sun 23°40' Aries

Sun Aspects
Sun trine Jupiter orb +2°17'
Sun conjunction Venus orb +5°34'
Sun sextile Saturn orb -3°39'
Sun semi-sextile Neptune orb -1°44'
Planets: Sun

The Sun represents vitality, individuality, will-power and creative energy and honours. For a woman, it also represents her father, and later her husband. The Sun is one of the most important symbols in the birth chart, as much as the Ascendant, then the Moon (a bit less for a man), the ruler of the Ascendant and the fast-moving planets.

It's element is fire; it is hot and dry, it governs Leo, is in exaltation in Aries and is in analogy with the heart. It represents the boss, authority, beside the father and the husband ; the age of the Sun goes from 20 years old to about 40, following the Venus age when one is aware of his seductive power.

Temperament : Bilious

Characterology : Emotive, Active, Secondary, passionate type.

Sun in Aries

Your entourage is amazed by your energy, your courage and your boldness. Your reactions are quick, even instantaneous. Your enthusiasm prompts you to follow your natural impulses, even though you are not aware of all the consequences of your actions. Above all, you want to live each moment intensely, without fearing the future. Your enterprising spirit is supported by an acute sense of confrontation. Present! This is Aries answering the call. Any call, provided that there is some degree of new-ness or some challenge. If Aries’ dynamism and enterprising spirit are underlined, it is because the sign is more inclined to commit itself in the present and to start from scratch. This ability to take action on the spot in response to any stimulation also applies to the area of your relationships: you say outloud what you deem necessary to say, even if it means foolishly upsetting several persons. It is black or white, yes or no… often without balance! Beginning and undertaking are situations where you feel that you are in your element. Your qualities can also be expressed when you are bogged down in inextricable and complicated relationships: you know how to simplify things but you should beware not to do so in a caricatured manner.

Sun Dominant

If the Sun is part of your natal chart's planetary dominants, in astrology, you are said to be a Solarian: you loathe pettiness and Machiavellian manoeuvre, and you are fond of natural nobleness as well as of direct and honest attitudes. You endeavour to get out of muddled or dark situations as quickly as possible. Your need for transparency may lead you to make cut-and-dried judgments such as yes or no, and black or white. However, your honesty commands your entourage's consideration. At times, you come across as authoritarian. It is true that you never want to be thought of the notable absentee, and that you manage to make people pay attention to you, as well as to your plans and your assessments. To this end, the Solarian sometimes develops a great talent for placing himself under the spotlight without missing a single opportunity to arouse interest. Some other Solarians, although more discreet, still manage to be the focus of any debate, even in situations of exclusion. It is your way of being present even though you are actually not there... More than other people, you appreciate the esteem extended to you. It is useless to cheat with you, since in all areas you consider establishing enduring relationships only with those who love you, admire you, respect you, or express some degree of affection to you. Your will to straighten out your inter-personal relationships is your strength and sometimes, your Achilles' heel. You cannot achieve anything behind the scenes. Therefore, your comportment is marked with heroism, and your stands are devoid of ambiguity, in the sense that your commitments are unfailing, and your rebuffs, final.

Interpretation of the 23° Aries symbolic degree

"A man lazily reclining on a carpet plays with shiny balls of different colours. A half-naked woman standing behind him stares at him with a scornful and domineering look." (Janduz version)

Cheerful, weak-willed and carefree character. One has no ambition other than indulging in meaningless activities, and one lets other people run the show, probably the spouse, a sibling, or a business partner. One does not mind their contempt because one is aware that outside the family and work circles, one is very much appreciated for one's talents when it comes to organising parties and fashionable gatherings. This degree indicates that one is endowed with intense sensuality, and that attraction to persons of the opposite gender is a source of troubles.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

If you wish, you can receive immediately in your mailbox your detailed astrological portrait, a nice gift for yourself or for your close friends and relatives, who will deeply appreciate it.

Moon 0°48' Aries

Moon Aspects
Moon opposite Uranus orb -0°52'
Moon sextile Pluto orb +0°00'
Moon conjunction Mars orb +9°56'
Moon bi-quintile Jupiter orb +1°08'
Planets: Moon

The Moon represents instinctive reaction, unconscious predestination, everyday mood, sensitivity, emotions, the feminine side of the personality, intuition, imagination. For a man, she represents his mother and later his wife, and his relationship with women in general. For a woman, the Moon is almost as important as the Sun and the Ascendant. Her element is water, she is cold and moist, she rules Cancer, is in exaltation in Taurus and is in analogy with the stomach.

She symbolizes the mother, wife, the crowd, the Moon is associated with birth and childhood. Tradition also matches her with the end of life, after Saturn the old age, it is thus customary to go back to one's place of birth to die: the end of life meets the very beginning.

Temperament : Lymphatic

Characterology : Emotive, non Active and Primary type or Non-Emotive, non Active and Primary, Nervous or Amorphous type.

Moon in Aries

On the day and at the time of your birth, the Moon was in the sign of Aries. Your imagination is lively and fantastic and brings about periods of enthusiasm during which you are driven by your sudden impulses. Your sensitivity lives on thrills that you want to experience in the instant… till exhaustion. Your spontaneity is coupled with some instability: mood swings and whimsical behaviours are the dangers to which your excitability exposes you. You often show demeanours full of contrasts, especially in your intimate life. One never gets bored with you, even on a daily basis. Isn’t real rest about being touched and stimulated, over and over again? Boredom is what you dread most. Therefore, it is easy for you to adjust to precarious life rhythms and to quickly achieve balance, as temporary as it may be, should unforeseen evolution emerge.

Moon Dominant

If the Moon is part of your natal chart's planetary dominants, in astrology, you are said to be a Lunarian: the driving force behind your actions is mainly the pursuit of well-being and tranquillity. Your sensitive and romantic self lives on those periods of rest during which you let your imagination wander at will. This is your way of finding inspiration and balance. Nothing is allowed to disturb your feeling of fulfilment and security within a harmonious cell, be it a family or a clan. More than other people, the Lunarian is attached to those moments during which one forgets one's worries and lets oneself cast adrift aimlessly, with no other goal than to be lulled into an ambiance, a situation, or a perfect moment. Many people do not understand such absences and their meaning, which is to regain strength. These people readily describe you with such unflattering terms as apathy and nonchalance. Never mind! Some inspirations require surrendering as well as striking a balance derived from alternate action and passivity. Your qualities are expressed to the fullest in situations which demand familiarity and privacy. Your capacities to respect and blend into your environment is at least as valuable as some other people's aggressive dispositions. However, you are well-advised to avoid indolence and renunciation out of laziness or indifference.

Interpretation of the 0° Aries symbolic degree

"A sturdy man wearing coarse animal skins or fabrics stands firmly on the ground with a cudgel in his hand. He seems prepared to respond to any danger." (Janduz version)

Aggressive, tough, and passionate character well-equipped for facing life struggles. One is able to use physical strength as well as intellectual weapons, according to one's social background. One is mainly interested in life's materialistic aspects and protects efficiently one's rights and assets. Nevertheless, there is a potential danger of loss and/or lawsuit related to inheritance matters. One must be careful not to let temptations, whether sex, gambling, or any other passion, prevail over one's major goals. Indeed, this degree is associated with Hercules, a man who can achieve amazing feats, but who can also fall into the traps of seduction.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

If you wish, you can receive immediately in your mailbox your detailed astrological portrait, a nice gift for yourself or for your close friends and relatives, who will deeply appreciate it.

Mercury 11°26' Taurus

Mercury Aspects
Mercury semi-sextile Mars orb +0°41'
Mercury conjunction Neptune orb +10°29
Planets: Mercury

Mercury represents communication, logical and rational mind, intellectual skills. Earth is its element, it is cold and dry, and it rules Virgo and Gemini, is in exaltation in Virgo and is in analogy with the arms, hands, nervous system.

It represents tradesmen, lawyers, messengers; the age of Mercury goes from 8 or10 years old to about 15..

Temperament : Nervous

Characterology : Emotive, non Active and Primary type or Non-Emotive, Active and Primary, Nervous or Sanguine type.

Mercury in Taurus

Mercury describes your relations, your communication skills and the way you relate to the external world. However, other astrological elements also influence these areas. The sign Mercury occupies is significant only if Mercury is part of your planetary dominantes. In your chart, Mercury is in Taurus. You need to ascertain the worth of whatever you want to assimilate. You display caution in the areas of relationship and the integration of knowledge. You do not let anything threaten what is already acquired and you never question your certainties. You strive to reinforce your positions with moderation and good sense. The bases of your relationship are solid, your friendships are lasting and your fields of interest, patiently investigated. You may have to show more flexibility.

Mercury Dominant

If Mercury is part of your natal chart's planetary dominants, in astrology, you are said to be a Mercurian: the tradition points out the importance of communication. From idle but enriching chatters to observation gift, such a dominant endows you with a wide range of expression. Human beings have one thousand facets and one thousand masks they wear according to circumstances and the fortunes of the game of life. You take the role of an observer who is avid for novelties, discoveries, and surprises. Everything catches your attention and becomes an opportunity for new encounters, relationships, and learning. The world amazes you, amuses you sometimes, and stimulates your curiosity. Because the most important thing is to discover, and because you consider that each new situation is packed with potentialities, you try to fill the gaps in your knowledge. Although your open-mindedness may scatter your centres of interest, it also enables you to carefully avoid sticking to only one immutable and rigid view. The slightest sign enables you to perceive the other side of the coin, as well as the infinite complexity of people and of situations. On the human plane, you seek the dialogue and the information without which you know that you are not able to fully grasp the nature of your interlocutor. This keen interest in the Unknown sharpens your inter-relational skills. All these qualities are traditionally associated with Mercury.

Interpretation of the 11° Taurus symbolic degree

"Two butterflies flutter their wings as they rest on a light orange flower beside two women holding hands." (Janduz version)

Benevolent, pleasant and devoted character. One is always prepared to help, and one seeks the company of like-minded people. The desire for peace and friendship prompts to establish associations with people who pursue the same ideals. Life unfolds happily and smoothly.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

If you wish, you can receive immediately in your mailbox your detailed astrological portrait, a nice gift for yourself or for your close friends and relatives, who will deeply appreciate it.

Venus 18°05' Aries

Venus Aspects
Sun conjunction Venus orb +5°34'
Venus conjunction Mars orb +7°20'
Venus sextile Saturn orb +1°54'
Venus trine Jupiter orb +7°51'
Planets: Venus

Venus represents the way one loves, relationships, sharing, affectivity, seductive ability. For men, she also corresponds to the kind of woman he's attracted to (but not especially in marriage which is more symbolized by the Moon, Venus is the lover and not the wife). Her element is the Air, she is moist, rules Taurus and Libra, is in exaltation in Pisces and is in analogy with the kidneys, the venous system, the bladder, the neck.

She represents the artists, tradesmen, occupations linked to beauty and charm; the age of Venus goes from 15 to about 25 years old.

Temperament : Sanguine and Lymphatic

Characterology : Emotive, non Active and Primary type or Emotive, non Active and Secondary type.

Venus in Aries

Venus describes your affective life. On the day of your birth, she is found in Aries. This configuration endows your affectivity with spring freshness: sensuality constantly on the alert and emotionalism all on edge. In the amorous sphere, you experience frequent, lively and burning excitements. You do not like half-measures and your feelings are marked with sustained exclusive passion and affective fieriness. Love is a conquest and an ongoing renewed charm offensive. The indispensable passion can emerge only when your amorous relationships include clashes, rivalries and challenges. Your affective ideal? Chivalry, with your heart triumphing over obstacles. Your feelings are as filled with spring as the sign of Aries. They are exalted when you find and when you are amazed by the person you long for. Love is a process of constant renewal. Your problem is to maintain the intensity of your feelings, the freshness of first times, of new encounters and new experiences. The fire of passion must be fuelled, over and over again. Routine and security are the enemies of love. Life together is something that must be earned and deserved: you must be as charming as on the first day. Beware of irresistible love at first sight, when passion is opposed to reason.

Venus Dominant

If Venus is part of your natal chart's planetary dominants, in astrology, you are said to be a Venusian: you are a sensual and emotional person particularly receptive to the natural likes and dislikes aroused by your contact with people. You are prone to frequent instinctive aversions and true passions which are exclusively driven by the feeling of love. The heart has its reasons which Reason knows nothing of... Your balance is based on the richness of your affective life. Without love, the Venusian is resourceless, lost, and deprived of any reason for living. You have an obvious and strong will to charm and to arouse the attachments without which you cannot properly function. Every area of your life is thus marked by your affectivity. The danger is that you may "be taken in" by charm. In such cases, you would prefer to keep your emotions under better control. Thus, hyper-sensitivity has its own inconveniences. Nevertheless, better than anyone else, you know how to play with feelings and attractions. Although you are sometimes caught in the traps of an over sensitive emotionalism, feelings remain your best assets in many circumstances. There is another aspect to the Venusian dominant. According to the Tradition, this planet rules the Arts, and you are endowed with some degree of artistic dispositions, ranging from good to excellent.

Interpretation of the 18° Aries symbolic degree

"In a poor house, an old man in a worn out robe fearfully holds two bags of gold against his chest." (Janduz version)

Stingy, misanthropic, and greedy character. One is only interested in increasing one's wealth, through honest or less honest means, and one displays an obsessive attachment to gold. One prefers to live in solitude, estranged from relatives and friends, for fear that they might borrow money. One would be well-advised to change one's behaviour, to indulge in a more comfortable life, and to learn the value of sharing. Otherwise, sooner or later, one will lose one's riches through a natural disaster, war or revolution, or robbery. Indeed, this degree warns against gold hoarding.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

If you wish, you can receive immediately in your mailbox your detailed astrological portrait, a nice gift for yourself or for your close friends and relatives, who will deeply appreciate it.

Mars 10°45' Aries

Mars Aspects
Venus conjunction Mars orb +7°20'
Mars sesqui-quadrate Jupiter orb +0°11'
Mercury semi-sextile Mars orb +0°41'
Moon conjunction Mars orb +9°56'
Planets: Mars

Mars represents the desire for action and physical energy, sexuality, strength. For a woman, Mars corresponds to the kind of man she's attracted to (but not especially in marriage which is rather symbolized by the Sun, Mars is the lover, not the husband). Fire is its element, it is hot and dry, and it rules Aries and Scorpio (along with Pluto), is in exaltation with Capricorn and is in analogy with the muscles and the spleen.

It represents the soldiers, sportsmen, warriors, surgeons, blacksmiths... ; the age of Mars goes from 42 to 50 years old.

Temperament : Bilious

Characterology : Emotive, Active, Primary type. It is a Choleric.

Mars in Aries

The planet Mars indicates how you react to life concrete stimulations. It also describes your fighting spirit, your abilities to stand for yourself and to take action. With Mars in Aries, boldness and energy bring about successes and setbacks. Success in all enterprises requiring swift reactions and decisions, quick-mindedness. Setbacks in your relationships when emotionalism is stronger than reason. You react promptly when you face adversity. You need to live intensely and to take action in the here and the now, “on the spot”. Your offensive mind works wonders when the context requires fighting spirit. The danger is that your hasty actions may harm your long-terms interests. This configuration is double-edged, indeed…

Mars Dominant

If Mars is part of your natal chart's planetary dominants, in astrology, you are said to be a Marsian: in your hand-to-hand struggle for life, you demonstrate an acute and active sense of confrontation with the world, with other people, and with your own destiny. You need to take action and to fight for your projects and your desires. You perceive all situations with deep intensity, and you react to the here and now without bothering to step back in order to ensure that events are under your control. You take up challenges with excessive foolhardiness as a consequence of your impulsiveness. However, better than anyone else, you know how to mobilise your resources in case of crisis. You take action whenever it is necessary to do so, and you are present in a timely manner. With Mars, your attitudes are dictated by the realities of the moment, by your emotions, and by everything which proved to have worked in the past. When this dominant is not well integrated, it may bring about an aggressive or impulsive behaviour. Therefore, you must learn to control your hyper-sensitivity and your fits of temper. You are also endowed with Marsian qualities: the fighting spirit and the taste for duel without which one may find oneself overwhelmed by events. When this willpower is well channelled, its precious energy enables to cope with all sorts of contingencies. There are a thousand ways to win, and a thousand challenges to take up with the enthusiasm and the dynamism which make life so worthy. A certain idea of life which is wild, passionate, and in tune with events.

Interpretation of the 10° Aries symbolic degree

"A good-looking woman reclining on a sofa wears a negligee which seems ready to drop from her shoulder." (Janduz version)

Gentle, pleasant, and hospitable character. One is devoted to nice deeds and charity work, but one has no willpower. One is so selfless that one may get involved in a romance just out of one's inability to say no. Therefore, there is a danger to get lost in one's desire to please others. This degree indicates that happiness comes from concealed love affairs and changes, rather than from marriage. If in the natal chart, Mercury is dominant, the intellect may prevail over sensuality and may prompt to establish some sort of literary or artistic circle which offers a nice opportunity to both genders to get together and flirt.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

If you wish, you can receive immediately in your mailbox your detailed astrological portrait, a nice gift for yourself or for your close friends and relatives, who will deeply appreciate it.

Jupiter 25°57' Я Leo

Jupiter Aspects
Sun trine Jupiter orb +2°17'
Mars sesqui-quadrate Jupiter orb +0°11'
Jupiter square Neptune orb +4°01'
Jupiter square Pluto orb -4°51'
Moon bi-quintile Jupiter orb +1°08'
Venus trine Jupiter orb +7°51'
Jupiter sextile Saturn orb +5°57'
Planets: Jupiter

Jupiter represents expansion and power, benevolence, large vision and generosity. Its element is Air, it is hot and moist, and it rules Sagittarius and Pisces (along with Neptune), is in exaltation with Cancer and is in analogy with the hips and endocrinal system.

It represents the governors, magistrates, professors, religious men too; the age of Jupiter goes from 50 to 55 or even 70 years old.

Temperament : Sanguine

Characterology : Emotive, Active, Primary type; it is an extrovert Choleric. Actually the humid version of Mars, inclined to action like him.

Jupiter in Leo

The planet Jupiter symbolizes expansion, broadness and generosity. Jupiter is associated with the functions of synthesis, enthusiasm and optimism. In your natal chart, his house position is more important than his sign position because, like Saturn, Uranus, Neptune and Pluto, he is a slow planet. Many people born in the same period have Jupiter in the same sign. This is the reason why the sign occupied here is less meaningful than when it is occupied by the so-called fast planets, i.e. the Sun, the Moon, Mercury, Venus and Mars. Therefore, some caution is to be exercised as you read what follows. Jupiter in Leo gives you a strong inclination for luxury, arts, parties and shows: your nature is fond of leisure, preferably in noble, proud, even dramatic ways. You feel comfortable in the field of entertainment. You love children, laughters and splendour… Your creativity is often remarkable.

Jupiter Dominant

If Jupiter is part of your natal chart's planetary dominants, in astrology, you are said to be a Jupiterian: because this planet brings about a keen interest in social and professional success, the Tradition considers it to be beneficial. Indeed, you know how to adjust to events and to jump at the chance when it arises. The members of you entourage gladly entrust you with high responsibilities because they are often impressed by your learning skills and your adaptation abilities as you deal with new structures and new languages. What is the secret of your good star? It is your self-confidence which wins public support. Now, what is the secret of your charm? Definitely, enthusiasm, euphoria, and exaltation. Exaggeration also. When this dominant is well integrated, it is a factor of affluence and optimism, and a certain degree of joviality enables you to easily fit into various spheres. It constitutes your main asset to manage your life. However, you must at times curb your desire for integration, lest your sense of opportunity turns into extreme opportunism. Here also, the key to success lies in a correct estimate of everyone's chances and possibilities. Although management is one of your forte, and you can adjust your objectives to current realities better than other people, you lack the hindsight which enables you to avoid short-term vagaries and daily fluctuations. If you strive too much to adapt, you run a risk of betraying yourself. This is the other traditional side of the coin with "The Greater Benefic"!

Interpretation of the 25° Leo symbolic degree

"A man swims courageously across rough seas towards the shore, on which a triangle is planted with one tip down." (Janduz version)

Passionate, emotive, and rebellious character endowed with artistic gifts. Hidden forces of all sorts, such as clans, secret societies, or espionage are the sources of numerous torments and hurdles. This degree portends a danger of psychological or financial sinking, as well as physical drowning or asphyxiation. However, should the natal chart concur, one is driven by strong willpower and triumphs over obstacles and dangers coming from water. One steadily and slowly builds a fortune in seafaring activities.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

If you wish, you can receive immediately in your mailbox your detailed astrological portrait, a nice gift for yourself or for your close friends and relatives, who will deeply appreciate it.

Saturn 20°00' Gemini

Saturn Aspects
Sun sextile Saturn orb -3°39'
Venus sextile Saturn orb +1°54'
Jupiter sextile Saturn orb +5°57'
Planets: Saturn

Saturn represents concentration, effort, perseverance, time, the hard reality, inevitable consequences. Earth is its element, it is cold and dry, and it rules Capricorn and Aquarius (along with Uranus), is in exaltation in Libra and is in analogy with the bones (skeleton) and the skin.

It represents the grandparents, old people, scientists, knowledgeable men, Saturn corresponds to old age; it goes from 70 years old until death.

Temperament : Nervous

Characterology : Non-Emotive, Active and Secondary type or Emotive, non Active and Secondary type or sometimes Non-Emotive, non Active and Secondary type; it is a Phlegmatic, a Sentimental or an Empathic type

Saturn in Gemini

The planet Saturn symbolizes contraction, effort, time, limitation and concentration. Saturn eliminates anything that is not authentic, sooner or later. It is impossible to cheat him as he gives an irresistible desire to form a coherent whole with oneself, in responsible and wise ways. He is the great purifier. He represents our limitations but also our truth. In your natal chart, the house position where Saturn is posited is more important than his sign position because, like Jupiter, Uranus, Neptune and Pluto, he is a slow planet. Many people born in the same period have Saturn in the same sign. This is the reason why the sign occupied here is less meaningful than when it is occupied by the so-called fast planets, i.e. the Sun, the Moon, Mercury, Venus and Mars. Therefore, some caution is to be exercised as you read what follows. Saturn in Gemini decreases your lightness, your frivolousness and your heedless. You become more thoughtful, more concentrate and you learn to deeply funnel your ideals; your practical sense is increased, your concern for punctuality and your thirst for precision are reinforced.

Saturn Dominant

If Saturn is part of your natal chart's planetary dominants, in astrology, you are said to be a Saturnian: you gladly leave to other people the decision to take life as it comes. As far as you are concerned, you prefer to take advantage of your experiences in order to discover, to grow, and to question yourself.

Interpretation of the 20° Gemini symbolic degree

"A man nonchalantly seated on a horse holds a bowl towards another man, carefree, and wealthy, who cleverly throws coins at him." (Janduz version)

Superficial, anxious, and adventurous character. Should the natal chart concur, one can achieve fame and wealth in politics thanks to the support of powerful and devoted friends.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

If you wish, you can receive immediately in your mailbox your detailed astrological portrait, a nice gift for yourself or for your close friends and relatives, who will deeply appreciate it.

Uranus 29°56' Я Virgo

Uranus Aspects
Moon opposite Uranus orb -0°52'
Uranus trine Pluto orb -0°51'
Uranus trine Neptune orb +8°00'
Planets: Uranus

Uranus represents individual freedom, originality, independence, marginality, avant guard inspiration, ultra modernism. Fire is its element, it is dry, and it rules Aquarius, is in exaltation with Scorpio and is in analogy with the brain and the nerves.

It represents inventors, odd characters, revolutionaries.

Temperament : Nervous to the extreme

Characterology : Emotive, Active, Secondary type; it is a Passionate type.

Uranus in Virgo

The planet Uranus symbolizes originality, independence and cerebral energy bursting suddenly. Uranus triggers the irresistible need for freedom that we have in ourselves. Uranus tends to break the constraints that have become unbearable and gives us the courage and the will to get rid of what has become a burden; when he is well aspected, he also indicates genius. In your natal chart, Uranus’ house position is more important than his sign position because, like Jupiter, Saturn, Neptune and Pluto, he is a slow planet. Many people born in the same period have Uranus in the same sign. This is the reason why the sign occupied here is less meaningful than when it is occupied by the so-called fast planets, i.e. the Sun, the Moon, Mercury, Venus and Mars. Therefore, some caution is to be exercised as you read what follows. The sign positions of Uranus, Neptune and Pluto have a collective meaning. They do not influence your personality, unless they are involved in numerous aspects or when they emphasize a personal point of your natal chart such as your Ascendant’s ruler, an angular planet, i.e. a planet near the Ascendant, the Midheaven, the Nadir or the Descendant. In such cases, the activity of the slow planet is very highlighted. Uranus in Virgo makes you nervous to the extent that you become doubtful. Indeed, your mental activity is intense and questions pop up in such great numbers that you become overwhelmed and worried. But your ingenuity is often remarkable, particularly in the scientific area.

Uranus Dominant

If Uranus is part of your natal chart's planetary dominants, in astrology, you are said to be a Uranian: personal values are prevailing. Inner certainties fuel an inflexible will and a desire to call attention on yourself as well as to follow your beliefs through. This planet prompts you to behave with determination, to put forward your own truth, and to start your personal revolution. More than other people, you are willing to keep some degree of autonomy in all circumstances, and you often display an individualistic nature. In order to achieve your ideal of freedom and independence, you may act like a despot as you try to convince and to impose your views, whether smoothly or forcefully. Regardless of the flexibility of your comportment, some situations demand an absolute firmness as well as uncompromising, frank and straightforward attitudes. People may criticise you for your intransigence and say that you are a hardliner. Outsider's opinions don't matter! The most important thing is that you act in all conscience and reach your primary objectives. More than anyone else, you know how to use your willpower and to focus your energy on a precise aim, relentlessly, whatever the consequences might be. In the chapter of qualities, let's mention a definite sense of responsibility, an innovative mind open to techniques and modern ideas, as well as a natural self-discipline which overcomes many an obstacle. Therefore, people are well-advised not to hound you into a corner.

Interpretation of the 29° Virgo symbolic degree

"A man stands by a window with his head covered with a veil which prevents him from seeing the daylight. Another man expresses himself with his fingers in the deaf and dumb language." (Janduz version)

Melancholic, eccentric, and secretive character. One is attracted to occultism, and mysteries in general, and enjoys studying in the solitude of the night. One may be affected by a mental disease or a head injury. Unless one is very careful in one's studies, one may end up in a state of mental chaos and confusion.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

If you wish, you can receive immediately in your mailbox your detailed astrological portrait, a nice gift for yourself or for your close friends and relatives, who will deeply appreciate it.

Neptune 21°55' Taurus

Neptune Aspects
Jupiter square Neptune orb +4°01'
Neptune conjunction Pluto orb +8°52'
Uranus trine Neptune orb +8°00'
Sun semi-sextile Neptune orb -1°44'
Mercury conjunction Neptune orb +10°29
Planets: Neptune

Neptune represents escapism, impressionability, daydreaming, delusions, carelessness, deception or intuition, dishonesty or inspiration, telepathy. Water is its element, it is moist, it rules Pisces, is in exaltation in Cancer, though some authors say it is Leo, and is in analogy with the vegetative system.

It represents dreamers, mediums, magicians, merchants of illusion, drug addicts.

Temperament : rather Lymphatic

Characterology : Emotive, non Active, Primary or Secondary type; it is a Sentimental, or sometimes Amorphous type.

Neptune in Taurus

The planet Neptune symbolizes extreme receptivity, intense emotional sharpness, impressionability and inspiration; it is the planet of mediums, mystics and religious faith. In an astrological chart, it indicates dilution, vagueness, understanding one’s environment through emotions and the absence of clear and determined limits and structures. In your natal chart, Neptune’s house position is more important than his sign position because, like Jupiter, Saturn, Uranus and Pluto, he is a slow planet. Many people born in the same period have Neptune in the same sign. This is the reason why the sign occupied here is less meaningful than when it is occupied by the so-called fast planets, i.e. the Sun, the Moon, Mercury, Venus and Mars. Therefore, some caution is to be exercised as you read what follows. The sign positions of Uranus, Neptune and Pluto have a collective meaning. They do not influence your personality, unless they are involved in numerous aspects or when they emphasize a personal point of your natal chart such as your Ascendant’s ruler, an angular planet, i.e. a planet near the Ascendant, the Midheaven, the Nadir or the Descendant. In such cases, the activity of the slow planet is very highlighted. Neptune in Taurus brings a sentimental and romantic touch into all material areas; imaginative and exquisite interior decoration, art objects, extraordinary gardens… Your materialistic, practical and sensual sides take a romantic and endearing dimension.

Neptune Dominant

If Neptune is part of your natal chart's planetary dominants, in astrology, you are said to be a Neptunian: your intuition is highly developed. You are of a contemplative nature, and you are particularly receptive to ambiances, places, and people. You gladly cultivate the art of letting-go, and you allow the natural unfolding of events to construct your world. You follow your inspirations, for better or for worse. At times, you display an extraordinary clairvoyance gift. You seem to be able to read your subconscious like a book, and you track down subtle underlying mechanisms, flaws, or open breaches. This innate intuition might explain the strokes of good luck which the Neptunian is sometimes credited with. However, you may also be the victim of illusions and misleading intuitions. You are an idealist, and you let your deepest aspirations prevail over the realities of the moment. Then, you set off in quest of some quixotic objective, living like a Don Quixote who relentlessly pursues an impossible dream. You have a great talent for psychology and the mysteries of the human soul. Since you instinctively perceive people's intents and motivations, as you swim in the complexity of human nature, you feel in your element. The subtlety of your perceptiveness is the source of both special affections and irrevocable rejections. What is the danger of such a dominant? If it is not offset by other influences in your natal chart, you may not have an iron will. Your trump card is your instinct, which may be developed to the extent that it becomes clairvoyance.

Interpretation of the 21° Taurus symbolic degree

"In the middle of a grassy field, a beautiful tree is the shelter of a swarm of bees. Under the tree, two men exchange a hearty shakehand." (Janduz version)

Indecisive, clever, and withdrawn character. One must avoid loneliness because one needs to be encouraged in order to implement one's projects. Furthermore, the influence of a providential friend is instrumental in one's career. Efforts and seriousness are rewarded by success and bring about financial gains and new friends. One must rely on one's personal work instead of waiting for luck because the protection of the tree and the honey of the bees, symbol of affluence and well-being, must be deserved.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

If you wish, you can receive immediately in your mailbox your detailed astrological portrait, a nice gift for yourself or for your close friends and relatives, who will deeply appreciate it.

Pluto 0°48' Gemini

Pluto Aspects
Moon sextile Pluto orb +0°00'
Uranus trine Pluto orb -0°51'
Jupiter square Pluto orb -4°51'
Neptune conjunction Pluto orb +8°52'
Planets: Pluto

Pluto represents deep transformations, mutations and eliminations, sexuality and magnetism, power and secrets, destruction with a view to regeneration, the phoenix rising from the ashes. Its element is indefinite; burning (like lava in fusion ?), it rules Scorpio, is in exaltation in Pisces and is in analogy with the sexual organs and excretion.

It represents dictators, sadistic people, violent characters, is instinctive and powerful but also mysterious with hidden strengths.

Temperament : rather Bilious

Characterology : Emotive or non-Emotive, Active, Primary type; it is a Passionate Choleri typec.

Pluto in Gemini

The planet Pluto symbolizes deep disruptions and upheavals, domination and sexual instincts, and the inner power we have in ourselves. Pluto destroys in order to reconstruct and he provokes painful crises that are needed in metamorphosis. Pluto is our deepest instincts’ brutal force. It is the hidden and unconscious violence that can explode in us with incredible intensity before being projected in our actions; in itself, the planet is not negative: the might and the intensity of its energy are beyond the conceivable but it can be funnelled. Pluto is the only possibility we have at our disposal to overcome our inner blocks and to eliminate outgrown situations that have become inextricable. Pluto’s energy is valuable because of its usefulness for the irreversible destruction of what constitutes a problem and not because of its negative side and its perversity. Pluto allows to reconstruct and to regenerate parts of our personality or whole stretches of our life, provided that we manage to funnel his wild energy and to step back. It is impossible to tame this energy, given its essence. However, it is possible to take advantage of it for a precise aim, through a temporary identification of some parts of us with this energy. In such a case, the outcome is our final evolution and even, our transformation. In your natal chart, Pluto’s house position is more important than his sign position because, like Jupiter, Saturn, Uranus and Neptune, Pluto is a slow planet. Many people born in the same period have Pluto in the same sign. This is the reason why the sign occupied here is less meaningful than when it is occupied by the so-called fast planets, i.e. the Sun, the Moon, Mercury, Venus and Mars. Therefore, some caution is to be exercised as you read what follows. The sign positions of Uranus, Neptune and Pluto have a collective meaning. They do not influence your personality and they are not to be really taken into account, unless they are involved in numerous aspects or when they emphasize a personal point of your natal chart such as your Ascendant’s ruler, an angular planet, i.e. a planet near the Ascendant, the Midheaven, the Nadir or the Descendant. In such cases, the activity of the slow planet is very highlighted. Pluto in Gemini may give your communication a caustic and domineering style.

Pluto Dominant

If Pluto is part of your natal chart's planetary dominants, in astrology, you are said to be a Plutonian: you sometimes feel like a foreigner who does not belong to the world, to its laws, and its concerns. The rules of life in society are not necessarily yours. You are interested in what is unknown and in the subtle laws of a hidden order. So, you take malicious pleasure in ridiculing the patterns you find too simplistic or too rigid. You also revel in underlining the limits of explanations you deem too common. There is something unconventional about the way you are, the way you think, and the way you act. What is your specificity made of? Is it an extraordinary partner? A life off the beaten path? Or do you only distance yourself from conventional morals? In any case, you have the feeling, sometimes quite vague, that you come from nowhere, and that you do not belong to any definite group... In short, it means that you cannot be simplified in order to conform to existing models. The gap between you and ordinary mortals is also an element of your strength. Your deep clear-sightedness, firstly, enables you to put things into perspective and to grant them only the attention they deserve. Your other remarkable asset is your capacity to intervene from behind the scenes, to secretly organise events, and to bring about the desirable outcome without seeming to impose or to dictate anything. However, you must still overcome one of the major difficulties of this dominant, which is to get people to accept your difference and to smoothly fit into your environment.

Interpretation of the 0° Gemini symbolic degree

"Two children walk hand in hand towards two yellow lilies growing under a thick-foliaged tree." (Janduz version)

Observant, patient, and loyal character. Relationships with siblings are harmonious. Success is achieved in education and all careers related to children and youths. Owing to one's personal qualities and professional merits, one attracts many genuine friends and powerful protectors. Life unfolds in happiness and prosperity. This degree symbolises "twinness" and the possibility to be a twin or to have twins.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

If you wish, you can receive immediately in your mailbox your detailed astrological portrait, a nice gift for yourself or for your close friends and relatives, who will deeply appreciate it.

Chiron 6°33' Gemini
Asteroids: Chiron

Chiron is almost renowned and used everywhere. Most astrologers consider it as a kind of "mediator" between Saturn and outer planets. Consequently, Chiron is of Saturn's nature and at the same time is influenced by Uranus, the first slow-moving planet. Astrologically, it symbolizes wisdom, patience and the faculty to reduce others' sufferings: it is said to be the "great healer" of the zodiac. Like all the secondary bodies, it must be in close conjunction with planets or angles in order to fully express its action.

Interpretation of the 6° Gemini symbolic degree

"At the edge of a lake surrounded by mountains, two young women holding hands watch a swan swimming towards them." (Janduz version)

Contemplative, pleasant, and generous character. Even though the horizon is quite limited, life is stable, quiet, and devoid of uncertainties. One is blessed with numerous loyal friends, a nice entourage, and a happy marriage. In a female chart, this degree may indicate special loving ties with a sister or a twin, or the birth of twins.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

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Asteroids: Ceres

Ceres, the biggest of the four minor asteroids used besides Chiron, is associated with the mythological goddess of growing plants and harvest and also symbolizes physical constitution, vitality and fertility. She's also known as Demeter, according to the astrologer Zipporah Dobyns, linked to the symbolism of the mother but in a less emotive and more physical way than the Moon. Ceres is thought to be the ruler of Virgo, in exaltation in Gemini, in exile in Pisces and in fall in Sagittarius. Keywords associated with Ceres could be order, practical sense, worry, precision, modesty, method, sobriety, motherhood, fertility, the Earth: a kind of a more cerebral Moon...

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Asteroids: Pallas

Pallas is sometimes used in modern Astrology: she represents intelligence, abstract and global thinking talents. It is usually considered to be a determining element in political strategy.

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Asteroids: Juno

Juno is the asteroid corresponding to the adaptation to the marital partner and to the defence of individual rights; it is thus used in the field of marriage.

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Asteroids: Vesta

Vesta is rarely used and brings the ability to efficiently devote oneself to a cause.

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True North Node 4°40' Libra
North Node

The North Node (True Node here) represents the goals that must be achieved during life, in the karmic sense according to some traditions. Its position in house indicates in what field an effort is necessary in order to evolve. The North Node is often called the Dragon's head, it is usually considered beneficial, a bit like Jupiter with the planets. The Lunar nodes are fictional points and not actual heavenly bodies: they are the intersections of the Moon with the Ecliptic (the path made by the Sun in its orbit as seen from the Earth). The axis of the Lunar nodes moves 19 degrees each year, namely a bit more than three minutes each day.

The South Node is diametrically opposed to the North Node, therefore it faces it (it's not drawn here, it's the same symbol but upside down). It symbolizes what has already been achieved or acquired, in a karmic sense: it's the past from which it's advised to move on in order to progress. The South Node is rather negative, of a Saturnian nature: the experience through suffering.

Interpretation of the 4° Libra symbolic degree

"As he tries to help a young woman climb a mountainous path, a man falls from the top of a rock into the lake which is further down." (Janduz version)

Reckless and undiscerning character lacking practical good sense. Relationships are not selected carefully enough, and confidence is granted too easily. The top of the rock symbolises a high social status, and the question is whether one is able to retain it or not. Females encountered in both the private and the professional spheres are most likely to be the cause of recurrent failures. Several marriages, including an illegal one, are possible. This degree warns against water and accidents in the mountain.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

True Lilith 21°04' Я Sagittarius
Lilith

Lilith or the Dark Moon (True Lilith here) represents the uncrossable threshold, taboos, the individual's provocative and fascinating side, including on a sexual level. She symbolizes violence and "untameability", the radical and deep-seated refusal to submit. The keywords for Lilith can be sterility, sadism, perversity, castration, sadomasochism, eroticism, orgasm, forbidden fantasies, marginality, cruelty; redemption, illumination, rebelliousness... Lilith's opposite point is called Priapus; it is the Lunar perigee, the position where the Moon is closest to the Earth. It symbolizes man's primitive nature, the horror hidden in our deepest self; masochism, extreme sensuality, impulsiveness, irrationality and excess. Physically speaking, the Dark Moon is the focal point unoccupied by the Earth: it is not a concrete body but a mathematical point.

Interpretation of the 21° Sagittarius symbolic degree

"Two men fight one another with daggers. In the background, a Book of Law featuring a weighing scales and a gibbet is open." (Janduz version)

Aggressive, quarrelsome, and nasty character. It is absolutely necessary to keep violent instincts tightly reined in, lest the most terrible disasters happen.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

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Part of Fortune

The Part of Fortune is an ancient concept, used by Ptolemy and other astrologers before him. Firstly, it has nothing to do with fortune! In modern astrology, it is actually used to enhance a planet or angle when in close conjunction with it: it thus amplifies the meaning associated to the point affected by its presence. It is calculated in the following way:

Part of Fortune = AS + Moon - Sun (it is the Moons position when the Sun rises)

The classical Part of Fortune, of which the calculus method is unchanged whether in a diurnal or nocturnal chart, is usually distinguished from the diurnal/nocturnal Part of Fortune which is calculated by the formula AS + Sun - Moon for a nocturnal chart, and AS + Moon - Sun in a diurnal chart.

We currently use the latter formula for our astrological programmes.

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Ascendant or House I

The First House or Ascendant represents one's behaviour in the eyes of others, and also one's health. It corresponds to the way the individual acts in the world. It is the image of the personality seen by others and the person's visible behaviour expressed outwardly. The 1st House is in analogy with Aries and thus Mars too, and then the Sun. It is an angular house, the most important one with the Midheaven, maybe even more so due to its link with the body and health.

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Midheaven or House X

The Tenth House still called the Midheaven, is the highest point amidst the houses, at the top of the chart, in the South, and relates to destiny in general and career (and not daily work as meant by the Sixth House). The Midheaven represents our achievements and goals in the social sphere, our social position in society, and becomes more and more important as we get older. It is in analogy with Capricorn and Saturn. The Tenth House is the most important angular house along with the Ascendant.

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House I (AC)

The First House or Ascendant represents one's behaviour in the eyes of others and also one's health. It corresponds to the way the individual acts in the world. It is the image of the personality as seen by others and the person's visible behaviour expressed outwardly. The 1st House is in analogy with Aries and thus Mars too and then the Sun. It is an angular house, the most important one with the Midheaven, maybe even more so due to its link with the body and health; the Ascendant is as important as the Sun in a natal chart.

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House II

The Second House is the sphere of material security, the money we earn, our possessions, also in a symbolic meaning (close people etc). It is in analogy with Taurus and Venus. It is a succedent house, quite important.

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House III

The Third House is the sphere of social and intellectual apprenticeship, studies, relationships with close people and surroundings, short trips, light-hearted and quick contacts, correspondences. It is in analogy with Gemini and Mercury. It's a cadent house, less important than the angular and succedent ones.

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House IV (IC)

The Fourth House also called Immum Coeli is the sphere of inner emotions, family, the father, home and roots, but also the home one creates. It's Home Sweet Home, security and cocoon. It is in analogy with Cancer and the Moon. It's an angular and important house.

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House V

The Fifth House is the sphere of pleasures and love affairs (but not commitment or marriage), creations and entertainments, children, arts and game. It is in analogy with Leo and the Sun. It's a succedent and quite important house.

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House VI

The Sixth House is the sphere of apprenticeship and effort in the work environment, daily life, health on a daily basis and not operations or long-term diseases, relationships with co-workers or subordinates, desire for improvement, analysis and detail. It is in analogy with Virgo and Mercury. It is a cadent house, less important than the angular and succedent ones.

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House VII (DS)

The Seventh House also called the Descendant (in front of the Ascendant) is the sphere of partnership, marriage, contracts, relationships with others, the outer world. It is in analogy with Libra and Venus, and Saturn to a lesser extent. It is an angular and important house.

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House VIII

The Eighth House is the sphere of emotional security, the depths of the self, secrets and paranormal, transcendence, sexuality, mysteries, upheavals, surgical operations, others' money (investments, inheritances), crises, transformation after evolution, death. It is in analogy with Scorpio and Pluto, and Mars to a lesser extent. It is a succedent and quite important house.

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House IX

The Ninth House is the sphere of high studies, both physical and mental journeys (philosophy, spirituality), rebelliousness, changes of scenery, desire for dealing with the unknown. It is in analogy with Sagittarius and Jupiter. It is a cadent house, less important than the angular and succedent ones.

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House X (MC)

The Tenth House still called the Midheaven, is the highest point amidst the houses, at the top of the chart, in the South, and relates to destiny in general and career (and not daily work as meant by the Sixth House). The Midheaven represents our achievements and goals in the social sphere, our social position in society, and becomes more and more important as we get older. It is in analogy with Capricorn and Saturn. The Tenth House is the most important angular house along with the Ascendant.

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House XI

The Eleventh House is the sphere of friendship and protection, projects, search for social acceptance and security, collective and humanitarian actions. It is in analogy with Aquarius and Uranus, and Saturn to a lesser extent. It's a succedent and quite important house.

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House XII

The Twelfth House is the sphere of hidden things, enemies, closed or remote places (hospital, prison, convent etc.), ordeals, secrecy, solitude, long-term illnesses but also sincere devotion and genuine compassion. It is in analogy with Pisces and Neptune.


Caption
Légende des aspects
Conjunctions
Opposites and Squares
Trines and Sextiles
Semi-Squares and Sesqui-Quadrates
Semi-Sextiles, Quintiles and Bi-Quintiles
Inconjunctions
 
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Biography of György Lukács

György Lukács (Hungarian pronunciation: ; April 13, 1885 – June 4, 1971) was a Hungarian Marxist philosopher and literary critic. He is a founder of the tradition of Western Marxism. He contributed the ideas of reification and class consciousness to Marxist philosophy and theory, and his literary criticism was influential in thinking about realism and about the novel as a literary genre. He served briefly as Hungary's Minister of Culture following the 1956 Hungarian Revolution.

Life and politics

Lukács's full name, in German, was Georg Bernhard Lukács von Szegedin, and in Hungarian was Szegedi Lukács György Bernát; he published under the names Georg or György Lukács. (Lukács is pronounced /ˈluːkɑːtʃ/ by most English speakers, the original pronunciation being IPA: .)

He was born Löwinger György Bernát to a wealthy Jewish family in Budapest. His father was József Löwinger (later Szegedi Lukács József; 1855, Szeged – 1928), an investment banker, his mother was Adele Wertheimer (Wertheimer Adél; 1860, Budapest – 1917). Lukács studied at the universities of Budapest and Berlin, receiving his Ph.D. in 1906.
Pre-Marxist period

While attending grammar school and university in Budapest, Lukács's membership of various socialist circles brought him into contact with the anarcho-syndicalist Ervin Szabó, who in turn introduced him to the works of Georges Sorel. Lukács's outlook during this period was modernist and anti-positivist. From 1904 to 1908, he was involved in a theatrical group that produced plays by dramatists such as Henrik Ibsen, August Strindberg and Gerhart Hauptmann.

Lukács spent much time in Germany: he studied in Berlin in 1906 and again in 1909-10, where he made the acquaintance of Georg Simmel, and in Heidelberg in 1913, where he became friends with Max Weber, Ernst Bloch and Stefan George. The idealist system Lukács subscribed to at the time was indebted to the Kantianism that dominated in German universities, but also to Plato, Hegel, Kierkegaard, Dilthey and Dostoyevsky. His works Soul and Form and The Theory of the Novel were published in 1910 and 1916 respectively.

Lukács returned to Budapest in 1915 and led an intellectual circle, the Sunday Circle, or the Lukács Circle, as it was called, which was preoccupied above all with cultural themes arising out of a shared interest in the writings of Dostoyevsky, along the lines of Lukács's interests in his last Heidelberg years, and which sponsored events that gained the participation of such eventually famous figures as Karl Mannheim, Béla Bartók, Béla Balázs and Karl Polanyi amongst others, some of whom also took part in its weekly meetings. In the last year of the war, the participants divided in their political loyalties, although several of the leaders joined Lukács in his abrupt shift to the Communist Party.
Communist leader

In light of the First World War and the Russian Revolution of 1917, Lukács rethought his ideas. He became a committed Marxist in this period and joined the fledgling Communist Party of Hungary in 1918. As part of the government of the short-lived Hungarian Soviet Republic, Lukács was made People's Commissar for Education and Culture (he was deputy to the Commissar for Education Zsigmond Kunfi).

During the period of the Hungarian Soviet Republic Lukács was a major party worker and a political commissar of the Fifth Division of the Hungarian Red Army. In this capacity he ordered the execution of eight persons in Poroszlo in May 1919, after his division was worsted.

After the Soviet Republic was defeated, Lukács fled from Hungary to Vienna. He was arrested but was saved from extradition thanks to the efforts of a group of writers which included Thomas and Heinrich Mann, the former of whom would later base the character Naphta on Lukács in his novel The Magic Mountain. During his time in Vienna in the 1920s, Lukács befriended other Left Communists who were working or in exile there, including Victor Serge, Adolf Joffe and Antonio Gramsci.

Lukács turned his attentions to developing Leninist ideas in the field of philosophy. His major works in this period were the essays collected in his magnum opus "History and Class Consciousness", first published in 1923. Although these essays display signs of what Lenin referred to as "ultra-leftism", they arguably carry through his effort of providing Leninism with a better philosophical basis than did Lenin himself. Along with the work of Karl Korsch, the book was attacked at the Fifth Comintern Congress in July 1924 by Grigory Zinoviev. In 1924, shortly after Lenin's death, Lukács also published the short study Lenin: A Study in the Unity of His Thought. In 1925, he published a critical review of Nikolai Bukharin's manual of historical materialism.

As a Hungarian exile, he remained active on the left wing of Hungarian Communist Party, and was opposed to the Moscow-backed programme of Béla Kun. His 'Blum theses' of 1928 called for the overthrow of the counterrevolutionary regime of Admiral Horthy by means of a strategy similar to the Popular Fronts of the 1930s. He advocated a 'democratic dictatorship' of the proletariat and peasantry as a transitional stage leading to the dictatorship of the proletariat. Lukács's strategy was condemned by the Comintern and thereafter he retreated from active politics into theoretical work.
Questions of moral culpability under Rákosism / Stalinism

Lukács lived in Berlin from 1931-1933, but moved to Moscow following the rise of Nazism, remaining there until the end of the Second World War. Though many pro-Stalin foreign communists including his Hungarian colleague Kun were killed during the Great Purges of the late 1930s, Lukács survived.

After the war Lukács was involved in the establishment of the new Hungarian government as a member of the Hungarian Communist Party. From 1945 Lukács was a member of the Hungarian Academy of Sciences. Between 1945 and 1946 he explosively criticised non-communist philosophers and writers. Lukács has been accused of playing an "administrative" (legal-bureaucratic) role in the removal of independent and non-communist intellectuals like Béla Hamvas, István Bibó and Lajos Prohászka, Károly Kerényi from Hungarian academic life. Non-communist intellectuals like Bibó were often imprisoned, forced into menial and low waged mental labour (like translation work) or forced into manual labour during the 1946–1953 period.

Lukács's personal aesthetic and political position on culture was always that Socialist culture would eventually triumph in terms of quality, but that this conflict would be fought as one of competing cultures, not by "administrative" measures. In 1948–49 Lukács's position for cultural tolerance within the party and intellectual life was smashed in a "Lukács purge" when Mátyás Rákosi turned his famous salami tactics on the Hungarian Communist Party itself. Lukács was reintegrated into party life in the mid 1950s, and was used by the party during the purges of the writers association in 1955-56 (See Aczel, Meray Revolt of the Mind). However, Aczel and Meray both believe that Lukács was only present at the purge begrudgingly, and cite Lukács leaving the presidium and the meeting at the first break as evidence of this reluctance.
De-Stalinisation

In 1956 Lukács became a minister of the brief communist revolutionary government led by Imre Nagy which opposed the Soviet Union. At this time Lukács's daughter led a short-lived party of communist revolutionary youth. Lukács's position on the 1956 revolution was that the Hungarian Communist Party would need to retreat into a coalition government of socialists, and slowly rebuild its credibility with the Hungarian people. As such, while a minister in Imre Nagy's revolutionary government, Lukács also participated in the refoundation of the Hungarian Communist Party on a new basis. This party was rapidly coopted by János Kádár after 4 November 1956.(Woroszylski, 1957).

During the 1956 Hungarian Revolution Lukács was present at debates of the anti-party and revolutionary communist Petőfi society, while remaining part of the party apparatus. During the revolution itself, as mentioned in "Budapest Diary," Lukács argued for a new Soviet aligned communist party. In Lukács's view the new party could only win social leadership by persuasion instead of force. Lukács envisioned an alliance between the dissident communist Party of Youth, the revolutionary Hungarian Social Democratic Party and Lukács's own Soviet aligned party as a very junior partner. After 1956 Lukács narrowly avoided execution, and was not trusted by the party apparatus due to his role in the revolutionary Nagy government. Lukács's followers were indicted for political crimes throughout the 1960s and 70s, and a number fled to the West. Lukács's books The Young Hegel and The Destruction of Reason have been used to argue that Lukács was covertly critical of Stalinism as an irrational distortion of Hegelian-Marxism Lukacs/Hungary.

Following the defeat of the Revolution, Lukács was deported to Romania with the rest of Nagy's government but unlike Nagy, he survived the purges of 1956. He returned to Budapest in 1957. Lukács publicly abandoned his positions of 1956 and engaged in self-criticism. Having abandoned his earlier positions, Lukács was to remain loyal to the Communist Party until his death in 1971. Lukács became more publicly critical of the Soviet Union and Hungarian Communist Party in his last years following the uprisings in France and Czechoslovakia in 1968.

In an interview undertaken just before his death Lukács remarked: "Without a genuine general theory of society and its movement, one does not get away from Stalinism. Stalin was a great tactician...But Stalin, unfortunately, was not a Marxist...The essence of Stalinism lies in placing tactics before strategy, practice above theory...The bureaucracy generated by Stalinism is a tremendous evil. Society is suffocated by it. Everything becomes unreal, nominalistic. People see no design, no strategic aim, and do not move...". Thus Lukács concludes "e must learn to connect the great decisions of popular political power with personal needs, those of individuals." (Marcus & Zoltan 1989: 215-16)
Work

History and Class Consciousness
Further information: Class consciousness
Further information: Political consciousness

Written between 1919 and 1922 and first published in 1923, History and Class Consciousness initiated the current of thought that came to be known as Western Marxism. Lukács's work elaborates and expands upon Marxist theories such as ideology, false consciousness, reification and class consciousness.

In the first chapter, "What is Orthodox Marxism?", Lukács defined orthodoxy as the fidelity to the "Marxist method", and not to the "dogmas":

"Orthodox Marxism, therefore, does not imply the uncritical acceptance of the results of Marx’s investigations. It is not the ‘belief’ in this or that thesis, nor the exegesis of a ‘sacred’ book. On the contrary, orthodoxy refers exclusively to method. It is the scientific conviction that dialectical materialism is the road to truth and that its methods can be developed, expanded and deepened only along the lines laid down by its founders." (§1)

He criticized revisionist attempts by calling to the return to this Marxist method, which is fundamentally dialectical materialism. Lukács conceives "revisionism" as inherent to the Marxist theory, insofar as dialectical materialism is, according to him, the product of class struggle:

"For this reason the task of orthodox Marxism, its victory over Revisionism and utopianism can never mean the defeat, once and for all, of false tendencies. It is an ever-renewed struggle against the insidious effects of bourgeois ideology on the thought of the proletariat. Marxist orthodoxy is no guardian of traditions, it is the eternally vigilant prophet proclaiming the relation between the tasks of the immediate present and the totality of the historical process." (end of §5)

According to him, "The premise of dialectical materialism is, we recall: 'It is not men’s consciousness that determines their existence, but on the contrary, their social existence that determines their consciousness.'... Only when the core of existence stands revealed as a social process can existence be seen as the product, albeit the hitherto unconscious product, of human activity." (§5). In line with Marx's thought, he thus criticized the individualist bourgeois philosophy of the subject, which founds itself on the voluntary and conscious subject. Against this ideology, he asserts the primacy of social relations. Existence — and thus the world — is the product of human activity; but this can be seen only if the primacy of social process on individual consciousness, which is but the effect of ideological mystification, is accepted. This doesn't entail that Lukács restrain human liberty on behalf of some kind of sociological determinism: to the contrary, this production of existence is the possibility of praxis.

Henceforth, the problem consists in the relationship between theory and practice. Lukács quotes Marx's words: "It is not enough that thought should seek to realise itself; reality must also strive towards thought." How does the thought of intellectuals be related to class struggle, if theory is not simply to lag behind history, as it is in Hegel's philosophy of history ("Minerva always comes at the dusk of night...")? Lukács criticizes Engels' Anti-Dühring, charging that he "does not even mention the most vital interaction, namely the dialectical relation between subject and object in the historical process, let alone give it the prominence it deserves." This dialectical relation between subject and object gives the basis for Lukács's critique of Kant's epistemology, according to which the subject is the exterior, universal and contemplating subject, separated from the object.

For Lukács, "ideology" is really a projection of the class consciousness of the bourgeoisie, which functions to prevent the proletariat from attaining a real consciousness of its revolutionary position. Ideology determines the "form of objectivity", thus the structure of knowledge itself. Real science must attain, according to Lukács, the "concrete totality" through which only it is possible to think the current form of objectivity as a historical period. Thus, the so-called eternal "laws" of economics are dismissed as the ideological illusion projected by the current form of objectivity ("What is Orthodoxical Marxism?", §3). He also writes: "It is only when the core of being has showed itself as social becoming, that the being itself can appear as a product, so far unconscious, of human activity, and this activity, in turn, as the decisive element of the transformation of being." ("What is Orthodoxical Marxism?",§5) Finally, "orthodoxical marxism" is not defined as interpretation of Capital as if it were the Bible or as embracement of certain "marxist thesis", but as fidelity to the "marxist method", dialectics.

Lukács presents the category of reification whereby, due to the commodity nature of capitalist society, social relations become objectified, precluding the ability for a spontaneous emergence of class consciousness. It is in this context that the need for a party in the Leninist sense emerges, the subjective aspect of the re-invigorated Marxian dialectic.

In his later career, Lukács repudiated the ideas of History and Class Consciousness, in particular the belief in the proletariat as a subject-object of history" (1960 Postface to French translation), but he wrote a defence of them as late as 1925 or 1926. This unfinished manuscript, which he called Tailism and the Dialectic, was only published in Hungarian in 1996 and English in 2000 under the title A Defence of History and Class Consciousness. It is perhaps the most important "unknown" Marxist text of the twentieth century.
Literary and aesthetic work

In addition to his standing as a Marxist political thinker, Lukács was an influential literary critic of the twentieth century. His important work in literary criticism began early in his career, with The Theory of the Novel, a seminal work in literary theory and the theory of genre. The book is a history of the novel as a form, and an investigation into its distinct characteristics.

Lukács later repudiated The Theory of the Novel, writing a lengthy introduction that described it as erroneous, but nonetheless containing a "romantic anti-capitalism" which would later develop into Marxism. (This introduction also contains his famous dismissal of Theodor Adorno and others in Western Marxism as having taken up residence in the "Grand Hotel Abyss".)

Lukács's later literary criticism includes the well-known essay "Kafka or Thomas Mann?", in which Lukács argues for the work of Thomas Mann as a superior attempt to deal with the condition of modernity, while he criticizes Franz Kafka's brand of modernism. Lukács was steadfastly opposed to the formal innovations of modernist writers like Kafka, James Joyce, and Samuel Beckett, preferring the traditional aesthetic of realism. He famously argued for the revolutionary character of the novels of Sir Walter Scott and Honoré de Balzac. Lukács felt that both authors' nostalgic, pro-aristocratic politics allowed them accurate and critical stances because of their opposition to the rising bourgeoisie (albeit reactionary opposition). This view was expressed in his later book The Historical Novel, as well as in his 1938 essay Realism in the Balance.
“Realism in the Balance” (1938)—Lukács’ defense of literary realism

The initial intent of “Realism in the Balance”, stated at its outset, is debunking the claims of those defending Expressionism as a valuable literary movement. Lukács addresses the discordance in the community of modernist critics, whom he regarded as incapable of deciding which writers were Expressionist and which were not, arguing that “perhaps there is no such thing as an Expressionist writer.”

But although his aim is ostensibly to criticize what he perceived as the over-valuation of modernist schools of writing at the time the article was published, Lukács uses the essay as an opportunity to advance his formulation of the desirable alternative to these schools. He rejects the notion that modern art must necessarily manifest itself as a litany of sequential movements, beginning with Naturalism, and proceeding through Impressionism and Expressionism to culminate in Surrealism. For Lukács, the important issue at stake was not the conflict that results from the modernists’ evolving oppositions to classical forms, but rather the ability of art to confront an objective reality that exists in the world, an ability he found almost entirely lacking in modernism.

Lukács believed that desirable alternative to such modernism must therefore take the form of Realism, and he enlists the realist authors Maxim Gorky, Thomas and Heinrich Mann, and Romain Rolland to champion his cause. To frame the debate, Lukács introduces the arguments of critic Ernst Bloch, a defender of Expressionism, and the author to whom Lukács was chiefly responding. He maintains that modernists such as Bloch are too willing to ignore the realist tradition, an ignorance that he believes derives from a modernist rejection of a crucial tenet of Marxist theory, a rejection which he quotes Bloch as propounding. This tenet is the belief that the system of capitalism is “an objective totality of social relations,” and it is fundamental to Lukács’ arguments in favor of realism.

He explains that the pervasiveness of capitalism, the unity in its economic and ideological theory, and its profound influence on social relations comprise a “closed integration” or “totality,” an objective whole that functions independent of human consciousness. Lukács cites Marx to bolster this historical materialist worldview: “The relations of production in every society form a whole.” He further relies on Marx to argue that the bourgeoisie’s unabated development of the world’s markets are so far-reaching as to create a unified totality, and explains that because the increasing autonomy of elements of the capitalist system (such as the autonomy of currency) is perceived by society as “crisis,” there must be an underlying unity that binds these seemingly autonomous elements of the capitalist system together, and makes their separation appear as crisis.

Returning to modernist forms, Lukács stipulates that such theories disregard the relationship of literature to objective reality, in favor of the portrayal of subjective experience and immediacy that do little to evince the underlying capitalist totality of existence. It is clear that Lukács regards the representation of reality as art’s chief purpose—in this he is perhaps not in disagreement with the modernists—but he maintains that “If a writer strives to represent reality as it truly is, i.e. if he is an authentic realist, then the question of totality plays a decisive role.” “True realists” demonstrate the importance of the social context, and since the unmasking of this objective totality is a crucial element in Lukács’ Marxist ideology, he privileges their authorial approach.

Lukács then sets up a dialectical opposition between two elements he believes inherent to human experience. He maintains that this dialectical relation exists between the “appearance” of events as subjective, unfettered experiences and their “essence” as provoked by the objective totality of capitalism. Lukács explains that good realists, such as Thomas Mann, create a contrast between the consciousnesses of their characters (appearance) and a reality independent of them (essence). According to Lukács, Mann succeeds because he creates this contrast, conversely, modernist writers fail because they portray reality only as it appears to themselves and their characters—subjectively—and “fail to pierce the surface” of these immediate, subjective experiences “to discover the underlying essence, i.e. the real factors that relate their experiences to the hidden social forces that produce them.” The pitfalls of relying on immediacy are manifold, according to Lukács. Because the prejudices inculcated by the capitalist system are so insidious, they cannot be escaped without the abandonment of subjective experience and immediacy in the literary sphere. They can only be superseded by realist authors who “abandon and transcend the limits of immediacy, by scrutinizing all subjective experiences and measuring them against social reality;” this is no easy task. Lukács relies on Hegelian dialectics to explain how the relationship between this immediacy and abstraction effects a subtle indoctrination on the part of capitalist totality. The circulation of money, he explains, as well as other elements of capitalism, is entirely abstracted away from its place in the broader capitalist system, and therefore appears as a subjective immediacy, which elides its position as a crucial element of objective totality.

Although abstraction can lead to the concealment of objective reality, it is necessary for art, and Lukács believes that realist authors can successfully employ it “to penetrate the laws governing objective reality, and to uncover the deeper, hidden, mediated, not immediately perceptible of relationships that go to make up society.” After a great deal of intellectual effort, Lukács claims a successful realist can discover these objective relationships and give them artistic shape in the form of a character's subjective experience. Then, by employing the technique of abstraction, the author can portray the character’s experience of objective reality as the same kind of subjective, immediate experience that characterize totality’s influence on non-fictional individuals. The best realists, he claims, “depict the vital, but not immediately obvious forces at work in objective reality. They do so with such profundity and truth that the products of their imagination can potentially receive confirmation from subsequent historical events. The true masterpieces of realism can be appreciated as “wholes” which depict a wide-ranging and exhaustive objective reality like the one that exists in the non-fictional world.

After advancing his formulation of a desirable literary school, a realism that depicts objective reality, Lukács turns once again to the proponents of modernism. Citing Nietzsche, who argues that “the mark of every form of literary decadence…is that life no longer dwells in the totality,” Lukács strives to debunk modernist portrayals, claiming they reflect not on objective reality, but instead proceed from subjectivity to create a “home-made model of the contemporary world.” The abstraction (and immediacy) inherent in modernism portrays “essences” of capitalist domination divorced from their context, in a way that takes each essence in “isolation,” rather than taking into account the objective totality that is the foundation for all of them. Lukács believes that the “social mission of literature” is to clarify the experience of the masses, and in turn show these masses that their experiences are influenced by the objective totality of capitalism, and his chief criticism of modernist schools of literature is that they fail to live up to this goal, instead proceeding inexorably towards more immediate, more subjective, more abstracted versions of fictional reality that ignore the objective reality of the capitalist system. Realism, because it creates apparently subjective experiences that demonstrate the essential social realities that provoke them, is for Lukács the only defensible or valuable literary school of the early twentieth century.
Ontology of Social Being

Later in life Lukács undertook a major exposition on the ontology of social being, which has been partly published in English in three volumes. The work is a systematic treatment of dialectical philosophy in its materialist form.
Bibliography

The following is a partial bibliography of the writings of Georg Lukács. Many of his works are compilations of essays written and published separately at an earlier date than that listed below.

* Soul and Form, 1910
* Theory of the Novel, 1920
* History and Class Consciousness, 1923
* Lenin: A Study on the Unity of His Thought, 1924
* The Historical Novel, 1937
* The Young Hegel, 1938
* Realism in the Balance, 1938
* Goethe and His Age, 1946
* Studies in European Realism, 1948
* German Realists in the Nineteenth Century, 1951
* The Destruction of Reason, 1954
* Essays on Thomas Mann, 1955
* The Meaning of Contemporary Realism, 1957
* Solzhenitsyn, 1970
* “The Old Culture and the New Culture”. Telos 5 (Spring 1970). New York: Telos Press.
* Writer and Critic, 1971
* Conversations with Lukács, 1974
* The Ontology of Social Being, 1978
* A Defence of History and Class Consciousness: Tailism and the Dialectic, 2000

Translations

* The Historical Novel, Georg Lukács, University of Nebraska Press, 1983. Translated into English by Hannah Mitchell and Stanley Mitchell. (ISBN 0-8032-7910-8)

References

1. Lenin: A Study in the Unity of His Thought. ISBN 1-85984-174-0.
2. History and Class Consciousness. ISBN 0-262-62020-0.
3. The Theory of the Novel. ISBN 0-262-62027-8.
4. A Defense of History and Class Consciousness. ISBN 1-85984-747-1.
5. Woroszylski, Wiktor, 1957. Diary of a revolt: Budapest through Polish eyes. Trans. Michael Segal. . Pamphlet.
6. Aczel, Tamas, and Meray, Tibor, 1975. Revolt of the Mind: a case history of intellectual resistance behind the iron curtain. Greenwood Press Reprint.
7. Granville, Johanna. "Imre Nagy aka 'Volodya' - A Dent in the Martyr's Halo?", "Cold War International History Project Bulletin", no. 5 (Woodrow Wilson Center for International Scholars, Washington, DC), Spring, 1995, pp. 28, and 34-37.
8. Granville, Johanna, "The First Domino: International Decision Making During the Hungarian Crisis of 1956", Texas A & M University Press, 2004. ISBN 1-58544-298-4
9. Kadvany, John, 2001. Imre Lakatos and the Guises of Reason. Duke University Press. ISBN 0-8223-2659-0.
10. KGB Chief Kryuchkov to CC CPSU, 16 June 1989 (trans. Johanna Granville). Cold War International History Project Bulletin 5 (1995): 36 .
11. Arato, Andrew, and Breines, Paul, 1979. The Young Lukacs and the Origins of Western Marxism. New York: Seabury Press.
12. Baldacchino, John, 1996. Post-Marxist Marxism: Questioning the Answer: Difference and Realism after Lukacs and Adorno. Brookfield, VT: Avebury.
13. Corredor, Eva L., 1987. György Lukács and the Literary Pretext. New York: P. Lang.
14. Heller, Agnes, 1983. Lukacs Revalued. Blackwell.
15. Kettler, David, 1970. "Marxism and Culture: Lukacs in the Hungarian Revolutions of 1918/19," Telos, No. 10, Winter 1971, pp. 35–92
16. Lichtheim, George, 1970. George Lukacs. Viking Press.
17. Lowy, Michael, 1979. Georg Lukacs—From Romanticism to Bolshevism. Trans. Patrick Chandler. London: NLB.
18. Marcus, Judith and Zoltan Tarr 1989. Georg Lukacs: Theory, Culture and Politics. New Jersey: Transaction Inc.
19. Meszaros, Istvan, 1972. Lukacs' Concept of Dialectic. London: The Merlin Press.
20. Muller, Jerry Z., 2002. The Mind and the Market: Capitalism in Western Thought. Anchor Books.
21. Shafai, Fariborz, 1996. The Ontology of Georg Lukács : Studies in Materialist Dialectics. Brookfield, USA: Avebury.
22. Sharma, Sunil, 1999. The Structuralist Philosophy of the Novel: a Marxist Perspective: a Critique of Georg Luckács , Lucien Goldmann, Alan Swingewood & Michel Zéraffa. Delhi: S.S. Publishers.
23. Snedeker, George, 2004. The Politics of Critical Theory: Language, Discourse, Society. Lanham, MD: University Press of America.
24. Thompson, Michael J. (ed.), 2010. Georg Lukacs Reconsidered: Essays on Politics, Philosophy, and Aesthetics. Continuum Books.

Astrological portrait of György Lukács (excerpt)

Disclaimer: these short excerpts of astrological charts are computer processed. They are, by no means, of a personal nature. This principle is valid for the 47,756 celebrities included in our database. These texts provide the meanings of planets, or combination of planets, in signs and in houses, as well as the interpretations of planetary dominants in line with modern Western astrology rules. Moreover, since Astrotheme is not a polemic website, no negative aspect which may damage the good reputation of a celebrity is posted here, unlike in the comprehensive astrological portrait.

Introduction

Your Comprehensive Astrological Portrait

Here are some character traits from György Lukács's birth chart. This description is far from being comprehensive but it can shed light on his/her personality, which is still interesting for professional astrologers or astrology lovers.

In a matter of minutes, you can get at your email address your astrological portrait (approximately 32 pages), a much more comprehensive report than this portrait of György Lukács.

N.B.: As this celebrity's birth time is unknown, the chart is drawn for 12:00 PM - the legal time for his/her place of birth; since astrological houses are not taken into account, this astrological profile excerpt is less detailed than those for which the birth time is known.

The dominant planets of György Lukács

When interpreting a natal chart, the best method is to start gradually from general features to specific ones. Thus, there is usually a plan to be followed, from the overall analysis of the chart and its structure, to the description of its different character traits.

In the first part, an overall analysis of the chart enables us to figure out the personality's main features and to emphasize several points that are confirmed or not in the detailed analysis: in any case, those general traits are taken into account. Human personality is an infinitely intricate entity and describing it is a complex task. Claiming to rapidly summarize it is illusory, although it does not mean that it is an impossible challenge. It is essential to read a natal chart several times in order to absorb all its different meanings and to grasp all this complexity. But the exercise is worthwhile.

In brief, a natal chart is composed of ten planets: two luminaries, the Sun and the Moon, three fast-moving or individual planets, Mercury, Venus and Mars, two slow-moving planets, Jupiter and Saturn, and three very slow-moving planets, Uranus, Neptune and Pluto. Additional secondary elements are: the Lunar Nodes, the Dark Moon or Lilith, Chiron and other minor objects. They are all posited on the Zodiac wheel consisting of twelve signs, from Aries to Pisces, and divided into twelve astrological houses.

The first step is to evaluate the importance of each planet. This is what we call identifying the dominant planets. This process obeys rules that depend on the astrologer's sensitivity and experience but it also has precise and steady bases: thus, we can take into account the parameters of a planet's activity (the number of active aspects a planet forms, the importance of each aspect according to its nature and its exactness), angularity parameters; (proximity to the four angles, Ascendant, Midheaven, Descendant and Imum Coeli or Nadir, all of them being evaluated numerically, according to the kind of angle and the planet-angle distance) and quality parameters (rulership, exaltation, exile and fall). Finally, other criteria such as the rulership of the Ascendant and the Midheaven etc. are important.

These different criteria allow a planet to be highlighted and lead to useful conclusions when interpreting the chart.

The overall chart analysis begins with the observation of three sorts of planetary distributions in the chart: Eastern or Western hemisphere, Northern or Southern hemisphere, and quadrants (North-eastern, North-western, South-eastern and South-western). These three distributions give a general tone in terms of introversion and extraversion, willpower, sociability, and behavioural predispositions.

Then, there are three additional distributions: elements (called triplicity since there are three groups of signs for each one) - Fire, Air, Earth and Water - corresponding to a character typology, modality (or quadruplicity with four groups of signs for each one) - Cardinal, Fixed and Mutable - and polarity (Yin and Yang).

There are three types of dominants: dominant planets, dominant signs and dominant houses. The novice thinks astrology means only "to be Aries" or sometimes, for example, "to be Aries Ascendant Virgo". It is actually far more complex. Although the Sun and the Ascendant alone may reveal a large part of the character - approximately a third or a half of your psychological signature, a person is neither "just the Sun" (called the sign) nor just "the first house" (the Ascendant). Thus, a particular planet's influence may be significantly increased; a particular sign or house may contain a group of planets that will bring nuances and sometimes weaken the role of the Ascendant, of the Sun sign etc.

Lastly, there are two other criteria: accentuations (angular, succedent and cadent) which are a classification of astrological houses and types of decanates that are occupied (each sign is divided into three decanates of ten degrees each). They provide some additional informations.

These general character traits must not be taken literally; they are, somehow, preparing for the chart reading. They allow to understand the second part of the analysis, which is more detailed and precise. It focuses on every area of the personality and provides a synthesis of all the above-mentioned parameters according to sound hierarchical rules.

Warning: when the birth time is unknown, which is the case for György Lukács, a few paragraphs become irrelevant; distributions in hemispheres and quadrants are meaningless, so are dominant houses and houses' accentuations. Therefore, some chapters are removed from this part.

For all paragraphs, the criteria for valuation are calculated without taking into account angles and rulerships of the Ascendant and of the Midheaven. The methodology retains its validity, but it is less precise without a time of birth.

Elements, Modalities and Polarities for György Lukács

György Lukács, Fire is dominant in your natal chart and endows you with intuition, energy, courage, self-confidence, and enthusiasm! You are inclined to be passionate, you assert your willpower, you move forward, and come hell or high water, you achieve your dreams and your goals. The relative weakness of this element is the difficulty to step back or a kind of boldness that may prompt you to do foolish things.

Like the majority of Earth signs, György Lukács, you are efficient, concrete and not too emotional. What matters to you is what you see: you judge the tree by its fruits. Your ideas keep changing, words disappear, but actions and their consequences are visible and remain. Express your sensitivity, even if it means revealing your vulnerability. Emotions, energy and communication must not be neglected; concrete action is meaningless if it is not justified by your heart, your intellect or your enthusiasm.

Your natal chart shows a lack of the Water element, with only 0.00% instead of the average 25%. Whether you are aware of it or not, affective values bring about problems, for you or your close friends. In general, a lack of Water does not necessarily mean that you are unable to love as much as others do. However, you may find it difficult to express the deepness of your heart and of your feelings. In the best cases, you come to terms with it, you adjust, you manage to show more affection or, why not, you pretend to be really affected! In the worst cases, you get into the terrible habit of repressing these essential values and you tend to forget that they are the basis of the richest and strongest bonds between human beings.

The twelve zodiacal signs are split up into three groups or modes, called quadruplicities, a learned word meaning only that these three groups include four signs. The Cardinal, Fixed and Mutable modes are more or less represented in your natal chart, depending on planets' positions and importance, and on angles in the twelve signs.

György Lukács, the Cardinal mode is dominant here and indicates a predisposition to action, and more exactly, to impulsion and to undertake: you are very keen to implement the plans you have in mind, to get things going and to create them. This is the most important aspect that inspires enthusiasm and adrenalin in you, without which you can grow weary rapidly. You are individualistic (maybe too much?) and assertive. You let others strengthen and improve the constructions which you built with fervour.

The twelve signs are divided into two polarities, called active or passive, or sometimes masculine and feminine, positive and negative, Yang and Yin. This classification corresponds to two quite distinct tonalities, the first one bringing extraversion, action, self-confidence and dynamism, the second one, introversion, reactivity, reflection and caution. None is superior to the other, each group has its own assets and shortcomings. Odd signs - Aries, Gemini, Leo, Libra, Sagittarius and Aquarius - belong to the first group, whereas even signs - Taurus, Cancer, Virgo, Scorpio, Capricorn and Pisces - belong to the second group.

N.B.: this dominant is a minor one. It is not essential that you read its meaning in the beginning. You can get back to them later on, once you have read more important interpretations.

According to the disposition and qualities of your planets and angles, you are rather influenced by Yang energy, the active polarity, György Lukács: more concerned about actions than reflection, you sometimes rush without standing back and without the deepness that is needed. However, your spontaneity prompts you to take fresh starts, even after repeated failures caused by your rashness.

Each sign contains 30 degrees and can be divided into three equal parts: the decanates. The Tradition indicates that specific meanings can be associated to each of the three decanates. Their sphere of activity is usually limited to the Sun sign, however, it is even more interesting to observe the distribution of all the planets in the chart to get an idea of the respective importance of the three decanates, which can complement the description of the personality.

These meanings must be considered with the greatest caution. Indeed, they are minor characteristics that can only underline other outstanding traits of character.

Traditionally, the first decanate highlights the characteristics of the sign where a planet is located. The two other decanates correspond to sub-dominant planets, depending on the nature of each sign. This system leads to a multiplication of meanings and it is impossible to have a clear understanding: here, we prefer to give only the meaning of one decanate in comparison with the other two, within the birth chart as a whole. Again, the greatest caution is needed with regard to this minor indication as it is not always reliable: it is not essential that you read these texts in the beginning. You can get back to them later on, once you have read more important interpretations

The third decanate, which means the part between 20° and 30° of any zodiacal sign, prevails in your natal chart, György Lukács. It contains the degrees of spirituality, traditionally more delicate to deal with, since they incline towards evolution and therefore, destabilizations. Individuals with an emphasised third decanate may have deeper sensitivity than most people, which often brings ordeals but also spiritual rewards.

Dominants: Planets, Signs and Houses for György Lukács

The issue of dominant planets has existed since the mists of time in astrology: how nice it would be if a person could be described with a few words and one or several planets that would represent their character, without having to analyse such elements as rulerships, angularities, houses, etc!

The ten planets - the Sun throughout Pluto - are a bit like ten characters in a role-play, each one has its own personality, its own way of acting, its own strengths and weaknesses. They actually represent a classification into ten distinct personalities, and astrologers have always tried to associate one or several dominant planets to a natal chart as well as dominant signs and houses.

Indeed, it is quite the same situation with signs and houses. If planets symbolize characters, signs represent hues - the mental, emotional and physical structures of an individual. The sign in which a planet is posited is like a character whose features are modified according to the place where he lives. In a chart, there are usually one, two or three highlighted signs that allow to rapidly describe its owner.

Regarding astrological houses, the principle is even simpler: the twelve houses correspond to twelve fields of life, and planets tenanting any given house increase that house's importance and highlight all relevant life departments: it may be marriage, work, friendship etc.

In your natal chart, György Lukács, the ten main planets are distributed as follows:

The three most important planets in your chart are Mars, Sun and Jupiter.

Mars is one of your dominant planets and provides you with its efficient energy and enthusiasm: with a powerful Mars in your chart, action - but also will and ability to undertake - is not an empty word for you. You are active, dynamic, willing to fight, courageous, and you are never afraid to move mountains, even though risks are part of the adventures that you start with determination.

However, your patience is not always up to your boldness and a kind of feverishness, or even anger, can tarnish the quality of your achievements. That would be a pity since the Marsian is a champion in matters of efficiency! Mars symbolizes display of action, conquering spirit that favours discipline and order - beware of not being fussy - and lies at the frontier between action and brutality, between conquest and potential aggressiveness.

One of the dominant planets in your natal chart is the Sun. He symbolizes will, magnetism, sense of honour and dignity. You are a Solar being, and you often display charismatic and leadership qualities. Your warmth and your persuasive power lead you far away from pettiness. You enjoy thinking big and, consequently, you move forward according to what you decide.

Your Solarian weakness may be related to the sin of pride or to excessive authority. The frontier between pride and vanity is tenuous: be careful not to overstep it and to keep the nobleness of heart that is part of your charm.

Jupiter, the planet of expansion, organization, power and benevolence, is quite emphasized in your chart. Like any Jupiterian, you are warm, open, sociable, consensual, active and optimistic. You can use your self-confidence to erase differences of opinion, and you leave the task of analyzing and perfecting things to specialists. Your role, and you know it since you were young, is to gather, to demonstrate your synthesizing and conciliatory mind, and to naturally reap its fruits - power.

You appreciate legality, social order but also order in general. With you as a leader, every plan or human entity can be organized and structured. You excel at supervising. The Jupiterian type is indeed the politician par excellence, and a positive Jupiter in your chart is synonymous with good integration into society, whatever the chosen path.

Is this idyllic picture really perfect? Certainly not: each planet's typology has its own weaknesses. One of yours is pride, like the Solarian, but your will of expansion at all costs may generate a form of exaggeration in everything, endless pleasure, inappropriate self-confidence that could lead you to rough materialism and the thirst for absurd material comfort - in the worst cases, of course.

In your natal chart, the three most important signs - according to criteria mentioned above - are in decreasing order of strength Aries, Taurus and Gemini. In general, these signs are important because your Ascendant or your Sun is located there. But this is not always the case: there may be a cluster of planets, or a planet may be near an angle other than the Midheaven or Ascendant. It may also be because two or three planets are considered to be very active because they form numerous aspects from these signs.

Thus, you display some of the three signs' characteristics, a bit like a superposition of features on the rest of your chart, and it is all the more so if the sign is emphasized.

Arian blood runs through your veins! You have that enthusiasm, frankness, courage, and fastness which usually make you so likeable in spite of your somewhat rough, naive, or violent side. As a bonus, Aries' gushing fire always gives you the impetus to make a fresh start, should you stumble or undergo life hardship!

With the Taurus sign so important in your chart, you are constructive, stable, and sensual. Good taste, sense of beauty, manners, and unfailing good sense - all these qualities contribute to your charm and seductive power. Furthermore, if some people criticize your slow pace and your stubbornness, you rightly reply that this is the price for your security, and that you like the way it is - slow and steady....

With Gemini as a dominant sign, your qualities include being lively, curious, mobile, clever, and flexible: you often make others dizzy, and you may come across as a dilettante - a bit inquisitive, shallow, and insensitive because you may be too intellectualizing. However, your natural curiosity, a nice quality, and your quick humour, allow you to demonstrate to everyone how much they may gain from your company, and that your apparent flightiness hides an appetite (particularly mental) for life, which itself conceals a terrific charm!

After this paragraph about dominant planets, of György Lukács, here are the character traits that you must read more carefully than the previous texts since they are very specific: the texts about dominant planets only give background information about the personality and remain quite general: they emphasize or, on the contrary, mitigate different particularities or facets of a personality. A human being is a complex whole and only bodies of texts can attempt to successfully figure out all the finer points.

Your sensitivity

Your temperament is impulsive, György Lukács, you are fond of instant thrills and you do not like to wait because you grow weary quickly. With you, things must keep moving fast! Your vivid imagination triggers enthusiasm, audacity and independence because you need to undertake and to achieve. You do not fear to be defeated and, far from slowing you down, rivalry and struggle have a stimulating effect. Because of your sensitivity all on edge, you are irascible and unpredictable: it is easy to unwillingly get you started and this makes your life a bit difficult with the family and with friends. You are perceived as an impatient person, short-tempered, whimsical, unstable and even, aggressive, and people think that you don't take your entourage's needs into account. However, you may also be warm, ready to help and to comfort whenever you are able to control your impulsiveness. You must not be worried about losing your identity when you listen more to your close friends...

Your intellect and your social life

Your mind is calm and balanced; even though you assimilate slowly, your memory is remarkable. Your judgment is based on reflection and reason and draws on past experiences. György Lukács, you are a good adviser, a reliable person whom people can confide in discreetly. You are full of good sense, cautious, methodical and disciplined and you are able to carry many good projects to a successful conclusion. You are very opinionated and determined in your actions. However, your tendency for intolerance and prejudices may offend your entourage. They wish that you exercised more flexibility instead of systematically refusing what cannot be immediately checked. You usually express yourself with a lot of charm and this is what allows you to get people to better accept your well-established habits.

Your affectivity and your seductiveness

In your chart, the Sun and Venus are both in Aries. Love is a process of constant renewal… You are an Aries to your fingertips and you respond to new impulses, to the freshness of first times, to encounters and to new situations. Even when your couple has reached some degree of longevity! Better than anyone else, you revive amorous feelings and you reinvent the passion of the first moments. You need to regularly create or re-create an atmosphere full of fieriness, discoveries and excitement. The danger may be that you come up against the unavoidable inertia of a life together and that you are at odds with its daily vicissitudes. Indeed, you cannot accept that love wears out, slowly and inexorably… However, you do not let erosion overwhelm you and to that end, you provoke as many storms and tumults as necessary! Your spontaneity attracts as much as it may exhaust. It is hard to quench the thirst for emotions that your affectivity lives on! Obviously, your sentimental life cannot be dull: exciting or inexistent, strong or absent, love must retain the unyielding and so exciting nature of first times. The keys to a lasting relationship lie in the ability to find with your partner the means to reinvent the initial shock, the thunderbolt that made you fall in love on the first day.

Love at first sight, flash in the pan, amorous impulsiveness? All these are part of your way of loving or to fall in love, György Lukács. Throughout your relationship, you maintain this kind of jerky and lively style, that may seem childish or naďve, but that is so generous and cheerful! You are undeniably possessive and you are not concerned with your partner's opinion but, fortunately, you readily forgive because of your spontaneity and your authenticity. When your relationship is intense, everything is fine. There is no romanticism, no complications with you. You love with ardour and, except for a few crazes and opportunities for new pastures here and there, the only danger may be that boredom settles in. In that case, you leave without regret and you quickly forget what consumed you, not so long ago.

Your will and your inner motivations

Your natural energy is cut-and-dried. It may prompt you to take the driver’s seat wherever you are. Were it not for the strange feeling of sympathy you arouse, you would seem to be arrogant. Charging ahead is not devoid of drawbacks. Your courage and your restlessness may hurt you and cause you to doubt, all of a sudden. As a consequence, your courage, your honesty, your enthusiasm and your straightforwardness may turn into aggressiveness, rebellion and vulnerability that were never suspected. Fortunately, the level of your dynamism is very high and your instinctive and pugnacious side, your particularly profuse energy will not leave you helpless for too long. The fire in your blood will put you back on the saddle towards new stampedes and conquests, as ambitious and glorious as they are perilous.

Because you are born under this sign, you are courageous, honest, enthusiastic, dynamic, swift, extroverted, straightforward, effusive, warm, impulsive, adventurous, bold, martial, competitive, but you may also be gullible, domineering, self-centered, impatient, foolish, thoughtless, childish, irascible, reckless, primary and a blunderer.

In love, Sir, more often than not, your passions are strong and varied. Far from being roadblocks, obstacles have a stimulating effect. You like quick victories and your love life is a series of conquests and of break-ups, as boredom often puts an end to the initial love that made you move mountains.

Your sexuality is powerful and prevails over feelings. You may marry early or on impulse, but it does not prevent you from having a rich and varied love life. Usually, you have few children.

Your ability to take action

Impulsive, impatient, quick and energetic? You? Yes of course, György Lukács. You are courageous and able to make intense and huge efforts for a short while; and what a terrific rhythm! In sport, of course, or in your sexuality, you are not the type who ponders, you take action instinctively, “in a rough and ready way”. You are outspoken, you do not worry about other people's opinion and you do not allow them to slow you down or to judge you. You must succeed or fall apart. You cannot be bothered with diplomacy or with compromises. You are too straightforward and unyielding to waste time with finesse or shrewdness. This is what makes you charming because, with you, one always knows where one stands.

Conclusion

This text is only an excerpt from of György Lukács's portrait. We hope that it will arouse your curiosity, and that it will prompt you to deepen your knowledge of astrology, as well as to visit and use the wide range of free applications at www.astrotheme.com.

Astrological studies describe many of the character traits and they sometimes go deeper into the understanding of a personality. Please, always keep in mind that human beings are continuously evolving and that many parts of our psychological structures are likely to be expressed later, after having undergone significant life's experiences. It is advised to read a portrait with hindsight in order to appreciate its astrological content. Under this condition, you will be able to take full advantage of this type of study.

The analysis of an astrological portrait consists in understanding four types of elements which interact with one another: ten planets, twelve zodiacal signs, twelve houses, and what are called aspects between planets (the 11 aspects most commonly used are: conjunction, opposition, square, trine, sextile, quincunx, semi-sextile, sesqui-quadrate, quintile and bi-quintile. The first 5 aspects enumerated are called major aspects).

Planets represent typologies of our human psychology: sensitivity, affectivity, ability to undertake, will-power, mental process, aptitude, and taste for communication etc., all independent character facets are divided here for practical reasons. The twelve signs forming the space where planets move will "colour", so to speak, these typologies with each planet being located in its particular sign. They will then enrich the quality of these typologies, as expressed by the planets. The Zodiac is also divided into twelve astrological houses. This makes sense only if the birth time is known because within a few minutes, the twelve houses (including the 1st one, the Ascendant) change significantly. They correspond to twelve specific spheres of life: external behaviour, material, social and family life, relationship, home, love life, daily work, partnership, etc. Each planet located in any given house will then act according to the meaning of its house, and a second colouration again enriches those active forces that the planets symbolize. Finally, relations will settle among planets, creating a third structure, which completes the planets' basic meanings. A set of ancient rules, which has stood the test of experience over hundreds of years (although astrology is in evolution, only reliable elements are integrated into classical studies), are applied to organize the whole chart into a hierarchy and to allow your personality to be interpreted by texts. The planets usually analysed are the Sun, the Moon, Mercury, Venus, Jupiter, Saturn, Uranus, Neptune and Pluto, which means two luminaries (the Sun and the Moon) and 8 planets, a total of 10 planets. Additional secondary elements may be taken into account, such as asteroids Chiron, Vesta, Pallas, Ceres (especially Chiron, more well-known), the Lunar nodes, the Dark Moon or Lilith, and even other bodies: astrology is a discipline on the move. Astrological studies, including astrological portrait, compatibility of couples, predictive work, and horoscopes evolve and become more accurate or deeper, as time goes by.

Precision: concerning the horoscopes with a known time of birth, according to the Tradition, we consider that a planet near the beginning (called cuspide) of the next house (less than 2 degrees for the Ascendant and the Midheaven, and less than 1 degree for all other houses) belongs to this house: our texts and dominants take this rule into account. You can also choose not to take this shift into account in the form, and also tick the option Koch or Equal houses system instead of Placidus, the default houses system.

Warning: In order to avoid any confusion and any possible controversy, we want to draw your attention upon the fact that this sample of celebrities is very complete and therefore, it also includes undesirable people, since every category is represented: beside artists, musicians, politicians, lawyers, professional soldiers, poets, writers, singers, explorers, scientists, academics, religious figures, saints, philosophers, sages, astrologers, mediums, sportsmen, chess champions, famous victims, historical characters, members of royal families, models, painters, sculptors, and comics authors or other actual celebrities, there are also famous murderers, tyrants and dictators, serial-killers, or other characters whose image is very negative, often rightly so.

Regarding the latter, it must be remembered that even a monster or at least a person who perpetrated odious crimes, has some human qualities, often noticed by his/her close entourage: these excerpts come from computer programmes devoid of polemical intentions and may seem too soft or lenient. The positive side of each personality is deliberately stressed. Negative sides have been erased here - it is not the same in our comprehensive reports on sale - because it could hurt the families of such people. We are hoping that it will not rebound on the victims' side.

Numerology: Birth Path of György Lukács

Testimonies to numerology are found in the most ancient civilizations and show that numerology pre-dates astrology. This discipline considers the name, the surname, and the date of birth, and ascribes a meaning to alphabetic letters according to the numbers which symbolise them.

The path of life, based on the date of birth, provides indications on the kind of destiny which one is meant to experience. It is one of the elements that must reckoned with, along with the expression number, the active number, the intimacy number, the achievement number, the hereditary number, the dominant numbers or the lacking numbers, or also the area of expression, etc.

Your Birth Path:

Your Life Path is influenced by the number 3, which highlights communication and creativity, and indicates that ideas and personal realisations are the important features of your destiny. This number is related to altruism, harmony, the capacity to take initiatives, and the gift for passing on all kinds of knowledge and information. So, you are a person of communication, and your concern is to disseminate your ideas and your beliefs, as well as to discover other approaches and schools of thoughts. In a word, you are open to the world! You express yourself better when you are in situations which allow a great deal of personal initiatives. Then, your inventiveness works wonders. On the other hand, you find it hard to fulfil repetitive tasks and to accept the monotony of a life devoid of surprise. Your creativity is as strong as your need for freedom, and people often envy you because, even though you may encounter a few hurdles, your ingenuity enables you to merrily grow on your path.

N. B.: when the birth time is unknown, (12:00 PM (unknown)), these portrait excerpts do not take into account the parameters derived from the time, which means, the domification (Ascendant, astrological houses, etc.). Nonetheless, these analyses remain accurate in any case. Regarding the sources of the birth data in our possession, kindly note that the pages we publish constitute a starting point for more detailed research, even though they seem useful to us. When the sources are contradictory, which occurs rarely, after having analysed them, we choose the most reliable one. Sometimes, we publish a birth date just because it is made available, but we do not claim that is it the best one, by no means.

Detailed Quarterly Forecast
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initialiser(); function basculerBiographie() { var basculeBiographie = document.getElementById('basculeBiographie'); if (biographie.style.overflow == 'visible') { biographie.innerHTML = complet.substr(0, 1250) + '...'; biographie.style.overflow = 'hidden'; basculeBiographie.innerHTML = 'Display the full biography...'; } else { biographie.innerHTML = complet; biographie.style.height = 'auto'; biographie.style.overflow = 'visible'; basculeBiographie.innerHTML = 'Reduce the biography'; } } //]]>