Astrology, Horoscope, Planets, Dominant planets, Natal Chart
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Giacomo Leopardi: Astrology and Horoscope

Born:June 29, 1798, 8:00 PM
In:Recanati (Italy)
Sun: 8°08' CancerAS: 13°34' Capricorn
Moon:26°21' CapricornMC: 10°33' Scorpio
Dominants: Cancer, Capricorn, Scorpio
Neptune, Saturn, Sun
Houses 4, 6, 7 / Water, Earth / Cardinal
Numerology: Birthpath 6
Popularity: 7,197 clicks, 4,194th man, 7,050th celebrity

Celebrities born the same day: Nicole Scherzinger, Antoine de Saint-Exupery, Gary Busey, Oriana Fallaci, Henri Proglio, Maria Conchita Alonso, Robert Schuman, Jacques Toubon, Lucie Aubrac, Nelson Eddy, Amanda Donohoe, Frédéric Dard... List of all the celebrities born on June 29.

Celebrities having the same aspect Sun trine Mars (orb 0°30'): Kurt Cobain, Tom Hanks, Johann Sebastian Bach, Mark Wahlberg, Andrea Bocelli, Michael Moore, Stevie Wonder, Alexandra Lamy, Elle MacPherson, Johann von Goethe, Roch Voisine, Liane Foly... Find all the celebrities having this aspect in the database.

Celebrities having the same aspect Moon trine Venus (orb 0°51'): Nicole Kidman, Russell Crowe, David Bowie, Heath Ledger, Woody Allen, Taylor Lautner, Elizabeth Hurley, Shannen Doherty, Alain Juppé, Chris Evans (actor), Muhammad, Andrea Casiraghi... Find all the celebrities having this aspect in the database.

Astrology DataBase updated Tuesday, 21 October 2014 at 4:49 pm, CEST
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Horoscope and chart of Giacomo Leopardi (Placidus system)

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Signs: Aries
 
"I am"
March 21 - April 20

1st Fire sign - 1st Cardinal sign (spring equinox) - Masculine

In analogy with Mars, his ruler, and the 1st House

Aries governs the head.

His colour is red, his stone is the heliotrope, his day is Tuesday, and his professions are businessman, policeman, sportsman, surgeon...

If your sign is Aries or your Ascendant is Aries: you are courageous, frank, enthusiastic, dynamic, fast, bold, expansive, warm, impulsive, adventurous, intrepid, warlike, competitive, but also naive, domineering, self-centred, impatient, rash, thoughtless, blundering, childish, quick-tempered, daring or primitive.

Some traditional associations with Aries: Countries: England, France, Germany, Denmark. Cities: Marseille, Florence, Naples, Birmingham, Wroclaw, Leicester, Capua, Verona. Animals: Rams and sheeps. Food: Leeks, hops, onions, shallots, spices. Herbs and aromatics: mustard, capers, Cayenne pepper, chilli peppers. Flowers and plants: thistles, mint, bryonies, honeysuckles. Trees: hawthorns, thorny trees and bushes. Stones, Metals and Salts: diamonds, iron, potassium phosphate.

Signs: Taurus
 
"I have"
April 21 - May 20

1st Earth sign - 1st Fixed sign - Feminine

In analogy with Venus, his ruler, and the 2nd House

Taurus governs the neck and the throat.

Her colour is green or brown, her stone is the emerald, her day is Friday, her professions are cook, artist, estate agent, banker, singer...

If your sign is Taurus or your Ascendant is Taurus: you are faithful, constant, sturdy, patient, tough, persevering, strong, focused, sensual, stable, concrete, realistic, steady, loyal, robust, constructive, tenacious. You need security, but you are also stubborn, rigid, possessive, spiteful, materialistic, fixed or slow.

Some traditional associations with Taurus: Countries: Switzerland, Greek islands, Ireland, Cyprus, Iran. Cities: Dublin, Palermo, Parma, Luzern, Mantua, Leipzig, Saint Louis, Ischia, Capri. Animals: bovines. Food: apples, pears, berries, corn and other cereals, grapes, artichokes, asparagus, beans. Herbs and aromatics: sorrels, spearmint, cloves. Flowers and plants: poppies, roses, digitales, violets, primroses, aquilegia, daisies. Trees: apple trees, pear trees, fig-trees, cypresses, ash trees. Stones, Metals and Salts: copper, calcium and potassium sulphate, emeralds.

Signs: Gemini
 
"I think"
May 21 - June 21

1st Air sign - 1st Mutable sign - Masculine

In analogy with Mercury, his ruler, and the 3rd House

Gemini governs the arms, the lungs and the thorax.

His colour is green or silver, his stone is the crystal, his day is Wednesday, his professions are journalist, lawyer, presenter, dancer, salesman, travel agent, teacher...

If your sign is Gemini or if your Ascendant is Gemini: you are expressive, lively, adaptable, quick-witted, humorous, sparkling, playful, sociable, clever, curious, whimsical, independent, polyvalent, brainy, flexible, ingenious, imaginative, charming, fanciful but also capricious, scattered, moody, shallow, inquisitive, opportunistic, unconcerned, selfish, fragile, ironical or changeable.

Some traditional associations with Gemini: Countries: Belgium, Wales, United-States, Lower Egypt, Sardinia, Armenia. Cities: London, Plymouth, Cardiff, Melbourne, San Francisco, Nuremberg, Bruges, Versailles. Animals: monkeys, butterflies, parrots, budgerigars. Food: dried fruits, chestnuts, ground-level vegetables: peas, broad beans, etc. Herbs and aromatics: aniseed, marjoram, lemon balm, cumin. Flowers and plants: lilies of the valley, lavenders, myrtle, ferns, Venus-hair-ferns, bittersweets. Trees: nut trees such as chestnut trees. Stones, Metals and Salts: agates, mercury, silicas and potashes.

Signs: Cancer
 
"I feel"
June 22 - July 22

1st Water sign - 2nd Cardinal sign (summer solstice) - Feminine

In analogy with the Moon, her ruler, and the 4th House

Cancer governs the stomach and the breast.

Her colour is white or black, her stone is the moonstone, her day is Monday, her professions are catering, the hotel trade, property, antique dealer, archaeologist...

If your sign is Cancer or your Ascendant is Cancer: you are emotional, sentimental, peaceful, imaginative, sensitive, faithful, resistant, protective, vulnerable, generous, romantic, nostalgic, tender, poetic-minded, motherly or fatherly, dreamy, indolent, greedy, devoted but also timorous, unrealistic, evasive, passive, anxious, dependent, stubborn, moody, passive, lazy, touchy, stay-at-home or inaccessible.

Some traditional associations with Cancer: Countries: Holland, Scotland, North and West Africa, New-Zealand, Paraguay, Algeria. Cities: Amsterdam, Manchester, Tokyo, New York, Istanbul, Stockholm, Milan, Venice, Genoa, Cadix, Alger, Tunis, Bern, Magdeburg. Animals: crabs, animals with shells. Food: milk, fishes, watery fruits and vegetables, turnips, white and red cabbages. Herbs and aromatics: tarragon, verbena, saxifrage. Flowers and plants: geraniums, white roses and white flowers in general, water lilies, morning glory, bear's breeches, and lilies. Trees: all trees full of sap. Stones, Metals and Salts: pearls, silver, lime and calcium phosphate.

Signs: Leo
 
"I love"
July 23 - August 22

2nd Fire sign - 2nd Fixed sign - Masculine

In analogy with the Sun, his ruler, and the 5th House

Leo governs the heart and the spine, and the eyes, according to some authors.

His colour is gold or orange, his stone is the diamond, his day is Sunday, his professions are actor, manager, jeweller, fashion and arts, and action (e.g. fireman)...

If your sign is Leo or your Ascendant is Leo: you are proud, determined, strong-willed, loyal, solemn, generous, ambitious, courageous, heroic, conquering, creative, confident, seductive, happy, daring, fiery, majestic, honest, magnanimous, charismatic, responsible, noble, dramatic but also domineering, vain, susceptible, bossy, stubborn, intolerant, self-centred, violent, quick-tempered, nonchalant.

Some traditional associations with Leo: Countries: Italy, Romania, Sicily, Czechoslovakia, Iraq, Lebanon, Southern France. Cities: Rome, Prague, Bombay, Madrid, Philadelphia, Chicago, Los Angeles, Bath, Bristol, Portsmouth, Syracuse, Damas. Animals: lions and felines in general. Food: meat and especially red meat, rice, honey, cereals, grapes, iron-rich vegetables: watercress, spinach etc. Herbs and aromatics: saffron, mint, rosemary, common rue (Ruta graveolens). Flowers and plants: marigolds, sunflowers, celandines, passion flowers. Trees: palm trees, laurel, walnuts, olive trees, lemon and orange trees. Stones, Metals and Salts: gold, rubies, magnesium and sodium phosphate.

Signs: Virgo
 
"I serve"
August 23 - September 22

2nd Earth sign - 2nd Mutable sign - Feminine

In analogy with Mercury, her ruler, and the 6th house

Virgo governs the intestine.

Her colour is green or yellow, her stone is the agate, her day is Wednesday, her professions are accountant, secretary, writer, computer scientist, nurse, doctor...

If your sign is Virgo or your Ascendant is Virgo: you are brainy, perspicacious, attentive to detail and numbers, analytical, serious, competent, scrupulous, sensible, modest, logical, tidy, well-organized, clean, hard-working, provident, honest, faithful, reserved, shy, helpful, a perfectionist, but also narrow-minded, calculating, irritating, petty, anxious, cold, repressed or caustic.

Some traditional associations with Virgo: Countries: Brazil, Greece, Turkey, West Indies, United-States (the same as Gemini), Yugoslavia, Crete, Mesopotamia, Lower Silesia, State of Virginia. Cities: Paris, Boston, Athens, Lyon, Corinthia, Heidelberg, spa towns in general. Animals: dogs, cats and all pets. Food: root vegetables: carrots, celeriac, kohlrabies, potatoes etc... Also dried fruits such as chestnuts. Herbs and aromatics: the same as Gemini whose ruler is Mercury too, lilies of the valley, lavenders, myrtles, ferns, Venus-hair-ferns, bittersweets, clovers. Flowers and plants: small bright-coloured flowers, especially blue and yellow, such as dandelions, buttercups, yellow dead-nettles, buglosses, forget-me-nots ; cardamoms, oak leaves, acorns. Trees: all nut trees, e.g. the hazelnut tree... Stones, Metals and Salts: sards (red agate), mercury, nickel, potassium sulphate and iron phosphate.

Signs: Libra
 
"we are"
September 23 - October 22

2nd Air sign - 3rd Cardinal sign (autumn equinox) - Masculine

In analogy with Venus, his ruler and the 7th House

Libra governs the kidneys and the bladder.

His colour is blue or red (not too bright), his stone is the opal, his day is Friday, his professions are in the beauty, luxury or fashion industry, musician, artistic creator, lawyer, mediator...

If your sign is Libra or your Ascendant is Libra: you are sentimental, charming, polite, refined, loyal, a pacifist, fair, distinguished, light-hearted, romantic, learned, ethereal, nice, well-groomed, a perfectionist, calm, sweet, tolerant, sociable, elegant, considerate, seductive, aesthetic, indulgent, but also hesitant, weak, indecisive, selfish, fragile, fearful, indolent, cool or even insensitive.

Some traditional associations with Libra: Countries: Japan, Canada, Indo-China, South Pacific Islands, Burma, Argentina, Upper Egypt, Tibet. Cities: Lisbon, Vienna, Frankfurt, Leeds, Nottingham, Johannesburg, Antwerp, Fribourg. Animals: lizards and small reptiles. Food: berries, apples, pears, grapes, artichokes, asparagus, beans, spices, corn and other cereals. Herbs and aromatics: mint, Cayenne pepper. Flowers and plants: hydrangea, big roses, blue flowers and those associated with Taurus also ruled by Venus, namely, poppies, digitales, violets, primroses, aquilegia, and daisies. Trees: ash trees, poplars, apple trees, pear trees, fig-trees, cypresses. Stones, Metals and Salts: sapphires, jade, copper, potassium and sodium phosphate.

Signs: Scorpio
 
"we have"
October 23 - November 21

2nd Water sign - 3rd Fixed sign - Feminine

In analogy with Pluto, her ruler with Mars, and the 8th House

Scorpio governs the sexual organs and the anus.

Her colour is black or dark red, her stone is the malachite, her day is Tuesday, her professions are gynaecologist, psychiatrist, detective, the military, army, stockbroker, asset managemer...

If your sign is Scorpio or your Ascendant is Scorpio: you are secretive, powerful, domineering, resistant, intuitive, asserted, charismatic, magnetic, strong-willed, perspicacious, passionate, creative, independent, vigorous, generous, loyal, hard-working, persevering, untameable, possessive, cunning, ambitious, sexual, proud, intense, competitive but also aggressive, destructive, stubborn, anxious, tyrannical, perverse, sadistic, violent, self-centred, complex, jealous.

Some traditional associations with Scorpio: Countries: Morocco, Norway, Algeria, Syria, Korea, Uruguay, Transvaal. Cities: Washington, New Orleans, Valencia, Liverpool, Milwaukee, Fes, Halifax, Hull, Cincinnati. Animals: insects and other invertebrates. Food: the same strong tasting food as for Aries: red meat, garlic, onions, leeks, spices. Herbs and aromatics: aloes, witch hazels, nepeta, mustard, capers, peppers. Flowers and plants: geraniums, rhododendrons, thistles, mint, honeysuckles. Trees: blackthorns, bushes. Stones, Metals and Salts: opals, steel and iron, calcium and sodium sulphate.

Signs: Sagittarius
 
"we think"
November 22 - December 20

3rd Fire sign - 3rd Mutable sign - Masculine

In analogy with Jupiter, his ruler, and the 9th House

Sagittarius governs the thighs and the liver.

His colour is indigo, orange or red, his stone is the carbuncle, his day is Thursday, his professions are explorer, commercial traveller, pilot, philosopher, writer, clergyman...

If your sign is Sagittarius or your Ascendant is Sagittarius: you are charismatic, fiery, energetic, likeable, benevolent, tidy, jovial, optimistic, extraverted, amusing, straightforward, demonstrative, charming, independent, adventurous, straightforward, bold, exuberant, freedom-loving.

Some traditional associations with Sagittarius: Countries: Spain, Australia, Hungary, South Africa, Arabia, Yugoslavia. Cities: Stuttgart, Toledo, Budapest, Cologne, Avignon, Sheffield, Naples, Toronto. Animals: fallow deers, hinds, and all games. Food: grapefruits, raisins, onions, leeks, bulb vegetables. Herbs and aromatics: aniseeds, sage, bilberries, cinnamon, borage, mosses, sage, blueberry, patience, balsam. Flowers and plants: dandelions, carnations, thistles. Trees: mulberry trees, chestnut trees, ash trees, lemon trees, oaks. Stones, Metals and Salts: topaz, tin, silica, potassium chloride.

Signs: Capricorn
 
"we achieve"
December 21 - January 19

3rd Earth sign - 4th Cardinal sign (winter solstice) - Feminine

In analogy with Saturn, her ruler, and the 10th House

Capricorn governs the knees, the bones and the skin.

Her colour is black, or grey, green or brown, her stone is the jade, her day is Saturday, her professions are politician, researcher, jurist, scientist, engineer, administrator...

If your sign is Capricorn or your Ascendant is Capricorn: you are serious, cold, disciplined, patient, focused, thoughtful, ambitious, indomitable, cautious, lucid, persistent, provident, steady, introverted, stern, wilful, hard-working, responsible, persevering, honest, realistic, loyal, reserved, resolute, moralistic, quiet, rigorous, attached and reliable. But you may also be curt, withdrawn, calculating, petty, cruel, unpleasant, ruthless, selfish, dull, rigid, slow or sceptical.

Some traditional associations with Capricorn: Countries: India, Mexico, Afghanistan, Macedonia, Thrace, the Yugoslavian coast, the Orkneys and Shetland Islands, Albania, Bulgaria, Saxony. Cities: Delhi, Oxford, Brussels, Mexico, Port-Saïd, Gent, Constance, Mecklenburg, all the administrative centres of capital cities. Animals: goats, pigs and animals with split hooves. Food: meat, potatoes, barley, beets, spinach, medlars, onions, quinces, flour and starchy food in general. Herbs and aromatics: indian hemp, comfreys, centaureas, hemlocks, henbanes. Flowers and plants: ivies, wild pansies, amaranths, pansies. Trees: pines, willows, flowering ashes, aspens, poplars, alders. Stones, Metals and Salts: turquoises, amethysts, silver, lead, calcium phosphate, calcium fluorine.

Signs: Aquarius
 
"we love"
January 20 - February 18

3rd Air sign - 4th Fixed sign - Masculine

In analogy with Uranus his ruler, with Saturn, and the 11th House

Aquarius governs the ankles and the legs.

His colour is navy blue or indigo, his stone is the sapphire, his day is Saturday, his professions are astrologer, high technologies, scientist, astronaut, psychiatrist, actor, electrician...

If your sign is Aquarius or your Ascendant is Aquarius: you are idealistic, altruistic, detached, independent, original, surprising, gifted, contradictory, innovative, humanistic, likeable, friendly, self-confident, impassive, quiet, intuitive, creative, charitable, elusive, disconcerting, generous, tolerant, paradoxical, and you cannot stand any kind of constraint. But you may also be marginal, resigned, distant, utopian, maladjusted, eccentric and cold.

Some traditional associations with Aquarius: Countries: Russia, Sweden, Poland, Israel, Iran, Abyssinia. Cities: Moscow, Salzburg, Bremen, Hamburg, Saint Petersburg. Animals: long distance big birds such as the albatross. Food: citrus fruits, apples, limes, dried fruits and easily preserved food. Herbs and aromatics: peppers, hot red peppers, star-fruits, and generally herbs that are spicy or with an unusual flavour. Flowers and plants: orchids, dancing ladies, polygonatum. Trees: fruit trees. Stones, Metals and Salts: aquamarines, aluminium, sodium chloride and magnesium phosphate.

Signs: Pisces
 
"we serve"
February 19 - March 20

3rd Water sign - 4th Mutable sign - Feminine

In analogy with Neptune her ruler with Jupiter, and the 12th House

Pisces governs the feet and the blood circulation.

Her colour is green or purple or turquoise blue, her stone is the amethyst, her day is Thursday, her professions are seamanship and and faraway travels, musician, social and emergency worker, doctor, writer and jobs in remote places...

If your sign is Pisces or your Ascendant is Pisces: you are emotional, sensitive, dedicated, adaptable, nice, wild, compassionate, romantic, imaginative, flexible, opportunist, intuitive, impossible to categorized, irrational, seductive, placid, secretive, introverted, pleasant, artistic, and charming. But you may also be indecisive, moody, confused, wavering, lazy, scatterbrained, vulnerable, unpredictable and gullible.

Some traditional associations with Pisces: Countries: Portugal, Scandinavia, small Mediterranean islands, Gobi desert, Sahara. Cities: Jerusalem, Warsaw, Alexandria, Seville, Santiago de Compostela. Animals: fishes, aquatic mammals and all animals living in the water. Food: melons, cucumbers, lettuces, vegemite sugar, pumpkins. Herbs and aromatics: lemon, chicory, limes, mosses. Flowers and plants: water lilies, willows, aquatic plants. Trees: fig-trees, willows, aquatic trees. Stones, Metals and Salts: heliotropes, moonstone, platinum, tin, iron phosphate and potassium sulphate.

Sun 8°08' Cancer, in House VI

Sun Aspects
Sun trine Mars orb +0°30'
Sun conjunction Saturn orb +6°33'
Sun trine Neptune orb +2°06'
Sun trine Pluto orb +6°27'
Sun sextile Uranus orb +5°57'
Planets: Sun

The Sun represents vitality, individuality, will-power and creative energy and honours. For a woman, it also represents her father, and later her husband. The Sun is one of the most important symbols in the birth chart, as much as the Ascendant, then the Moon (a bit less for a man), the ruler of the Ascendant and the fast-moving planets.

It's element is fire; it is hot and dry, it governs Leo, is in exaltation in Aries and is in analogy with the heart. It represents the boss, authority, beside the father and the husband ; the age of the Sun goes from 20 years old to about 40, following the Venus age when one is aware of his seductive power.

Temperament : Bilious

Characterology : Emotive, Active, Secondary, passionate type.

Sun in Cancer

Your nature is impressionable. Your sensitivity is very developed and allows you to feel the influences of your environment and to draw your sensations and your feelings from surrounding ambiances. You are very receptive to your family roots, to your past and sometimes, to history. Your imagination is the refuge where you enjoy diving, on your own. The subtleness of your emotions is difficult to render. It is impossible for a cell – family, social, professional - to function by itself without homogenous references, without a “family likeness”. You are able to convince your close friends to digest their differences and their specificities and to create an intimate relationship in which you can happily show your worth. Should an agent for cohesion be missing, and should everything seem too diverse or scattered, you are probably the most capable to unify the whole group: one after the other, you digest your surrounding characteristics and, as time goes by, you turn into the most perfect representative of your environment. You may need to handle hostility without shutting down the lines of dialogue. You must also learn to develop the fighting spirit that your sign lacks, so that your receptivity can be fully expressed.

Sun in House VI

In your natal chart, the Sun is in the 6th House. You strive to keep your life setting under control. Therefore, you prefer to limit your experiences to activities which you master, and which you know in their slightest details. Each thing has its place and its timing. You try to focus your efforts, and to gain in efficiency what you lose in fancy. What is your ideal? A professional life in which your qualities blossom: precision, logic, and sense of observation.

Sun Dominant

If the Sun is part of your natal chart's planetary dominants, in astrology, you are said to be a Solarian: you loathe pettiness and Machiavellian manoeuvre, and you are fond of natural nobleness as well as of direct and honest attitudes. You endeavour to get out of muddled or dark situations as quickly as possible. Your need for transparency may lead you to make cut-and-dried judgments such as yes or no, and black or white. However, your honesty commands your entourage's consideration. At times, you come across as authoritarian. It is true that you never want to be thought of the notable absentee, and that you manage to make people pay attention to you, as well as to your plans and your assessments. To this end, the Solarian sometimes develops a great talent for placing himself under the spotlight without missing a single opportunity to arouse interest. Some other Solarians, although more discreet, still manage to be the focus of any debate, even in situations of exclusion. It is your way of being present even though you are actually not there... More than other people, you appreciate the esteem extended to you. It is useless to cheat with you, since in all areas you consider establishing enduring relationships only with those who love you, admire you, respect you, or express some degree of affection to you. Your will to straighten out your inter-personal relationships is your strength and sometimes, your Achilles' heel. You cannot achieve anything behind the scenes. Therefore, your comportment is marked with heroism, and your stands are devoid of ambiguity, in the sense that your commitments are unfailing, and your rebuffs, final.

Interpretation of the 8° Cancer symbolic degree

"A young woman in her national costume spins wool in a field near a peaceful village." (Janduz version)

Humble, patient, and thrifty character. This degree brings about dexterity, fertility, and fulfilled life. One has the ability to bring one's work to a successful conclusion. Although one is unlikely to enjoy fame, one achieves successes which go beyond one's ambitions, and one earns the esteem of one's entourage. There is a danger of accidents caused by a weapon or a working tool.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

If you wish, you can receive immediately in your mailbox your detailed astrological portrait, a nice gift for yourself or for your close friends and relatives, who will deeply appreciate it.

Moon 26°21' Capricorn, in House I

Moon Aspects
Moon trine Venus orb -0°51'
Moon trine Jupiter orb -8°20'
Moon sesqui-quadrate Uranus orb -2°44'
Planets: Moon

The Moon represents instinctive reaction, unconscious predestination, everyday mood, sensitivity, emotions, the feminine side of the personality, intuition, imagination. For a man, she represents his mother and later his wife, and his relationship with women in general. For a woman, the Moon is almost as important as the Sun and the Ascendant. Her element is water, she is cold and moist, she rules Cancer, is in exaltation in Taurus and is in analogy with the stomach.

She symbolizes the mother, wife, the crowd, the Moon is associated with birth and childhood. Tradition also matches her with the end of life, after Saturn the old age, it is thus customary to go back to one's place of birth to die: the end of life meets the very beginning.

Temperament : Lymphatic

Characterology : Emotive, non Active and Primary type or Non-Emotive, non Active and Primary, Nervous or Amorphous type.

Moon in Capricorn

On the day and at the time of your birth, the Moon was in the sign of Capricorn. In your private sphere and your daily rhythms, you give precedence to moderation and reserve over the untimely excesses of your imagination. Your nature is more contemplative than excited and your deep sensitivity is controlled. It is probably the reason why you are sometimes criticized for your coldness. An ivory tower protects your fragile sensitivity. Your lunar sign belongs to a zodiacal axis (Cancer-Capricorn) that is particularly selective and self-protective: your close friends are handpicked and carefully chosen for their natural affinities with your personal realm. The external world is often disturbing. Therefore, you must create an enclosed environment where your fragile sensitivity can freely blossom. The only danger may be that you imprison your life rhythms in immutable rites and in a simplistic daily ceremonial. With more flexible intimate behaviours, your sensitivity can be fully expressed and the absolute harmony you dream of can be achieved.

Moon in House I

The Moon is in the 1st House. When you deal with a person whom you do not know, or when you are facing a new situation, you try above all to adjust. You absorb external parameters in order to blend into the environment and feel safe as if you were at home. Adaptation is mainly a matter of sensitivity. If the contact is good, everything is fine. But should outside issues disturb your tranquillity and your need for well-being, then, you cut off your lines of communication.

Moon Dominant

If the Moon is part of your natal chart's planetary dominants, in astrology, you are said to be a Lunarian: the driving force behind your actions is mainly the pursuit of well-being and tranquillity. Your sensitive and romantic self lives on those periods of rest during which you let your imagination wander at will. This is your way of finding inspiration and balance. Nothing is allowed to disturb your feeling of fulfilment and security within a harmonious cell, be it a family or a clan. More than other people, the Lunarian is attached to those moments during which one forgets one's worries and lets oneself cast adrift aimlessly, with no other goal than to be lulled into an ambiance, a situation, or a perfect moment. Many people do not understand such absences and their meaning, which is to regain strength. These people readily describe you with such unflattering terms as apathy and nonchalance. Never mind! Some inspirations require surrendering as well as striking a balance derived from alternate action and passivity. Your qualities are expressed to the fullest in situations which demand familiarity and privacy. Your capacities to respect and blend into your environment is at least as valuable as some other people's aggressive dispositions. However, you are well-advised to avoid indolence and renunciation out of laziness or indifference.

Interpretation of the 26° Capricorn symbolic degree

"A man walks at the edge of the forest towards a modest house surrounded by a vine stock." (Janduz version)

Withdrawn, enduring, and honest character. One revels in solitude and quiet activities such as reading and writing. Although one is very skilful in one's field of competence, one is unwilling to compete with others and contents oneself with a simple life devoid of conflicts.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

If you wish, you can receive immediately in your mailbox your detailed astrological portrait, a nice gift for yourself or for your close friends and relatives, who will deeply appreciate it.

Mercury 18°00' Gemini, in House V

Mercury Aspects
Mercury square Uranus orb -3°54'
Mercury semi-sextile Jupiter orb +0°00'
Planets: Mercury

Mercury represents communication, logical and rational mind, intellectual skills. Earth is its element, it is cold and dry, and it rules Virgo and Gemini, is in exaltation in Virgo and is in analogy with the arms, hands, nervous system.

It represents tradesmen, lawyers, messengers; the age of Mercury goes from 8 or10 years old to about 15..

Temperament : Nervous

Characterology : Emotive, non Active and Primary type or Non-Emotive, Active and Primary, Nervous or Sanguine type.

Mercury in Gemini

Mercury describes your relations, your communication skills and the way you relate to the external world. However, other astrological elements also influence these areas. The sign Mercury occupies is significant only if Mercury is part of your planetary dominantes. In your chart, Mercury is in Gemini. You need to know everything about the world around you and you probably want to share the results of your observations with everybody. You have a real gift – or desire – to pass on acquisitions and knowledge. Your inquiring mind is the drive behind your frequent discussions and your exchanges. You prefer to increase the number of your centres of interest rather than to lock yourself up in an exaggerate specialization. But don’t lose sight of the essential thing: your thirst for knowledge may scatter your capacities. Diversification also has its dangers… However, your open-mindedness spares you the traps of cultural discrimination: everything is worth your interest, in principle. Rejecting a foreigner may deprive you of enriching discoveries or assessments. Your strength lies in your ability to broaden your horizon and to know.

Mercury in House V

With Mercury in the 5th House, your communication capacities blossom when you have to pass on your knowledge and your experience. This planetary configuration predisposes you to teaching. Language is the best mean to give and to devote yourself. You dream that you are able to be as eloquent as the brilliant speakers whose speeches are quite a show. Life is but a game, and love, a verbal joust. You are fond of dramatic and amusing repartees.

Mercury Dominant

If Mercury is part of your natal chart's planetary dominants, in astrology, you are said to be a Mercurian: the tradition points out the importance of communication. From idle but enriching chatters to observation gift, such a dominant endows you with a wide range of expression. Human beings have one thousand facets and one thousand masks they wear according to circumstances and the fortunes of the game of life. You take the role of an observer who is avid for novelties, discoveries, and surprises. Everything catches your attention and becomes an opportunity for new encounters, relationships, and learning. The world amazes you, amuses you sometimes, and stimulates your curiosity. Because the most important thing is to discover, and because you consider that each new situation is packed with potentialities, you try to fill the gaps in your knowledge. Although your open-mindedness may scatter your centres of interest, it also enables you to carefully avoid sticking to only one immutable and rigid view. The slightest sign enables you to perceive the other side of the coin, as well as the infinite complexity of people and of situations. On the human plane, you seek the dialogue and the information without which you know that you are not able to fully grasp the nature of your interlocutor. This keen interest in the Unknown sharpens your inter-relational skills. All these qualities are traditionally associated with Mercury.

Interpretation of the 18° Gemini symbolic degree

"A wretched man courageously leaves his beautiful mansion behind him. His wife, in a lavish dress, follows him with deep regret and looks back at their former abode." (Janduz version)

Unless the natal chart strongly indicates otherwise, this degree heralds that years of prosperity are followed by ruin and destitution.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

If you wish, you can receive immediately in your mailbox your detailed astrological portrait, a nice gift for yourself or for your close friends and relatives, who will deeply appreciate it.

Venus 25°30' Taurus, in House IV

Venus Aspects
Moon trine Venus orb -0°51'
Venus conjunction Jupiter orb +7°29'
Venus square Pluto orb -6°11'
Planets: Venus

Venus represents the way one loves, relationships, sharing, affectivity, seductive ability. For men, she also corresponds to the kind of woman he's attracted to (but not especially in marriage which is more symbolized by the Moon, Venus is the lover and not the wife). Her element is the Air, she is moist, rules Taurus and Libra, is in exaltation in Pisces and is in analogy with the kidneys, the venous system, the bladder, the neck.

She represents the artists, tradesmen, occupations linked to beauty and charm; the age of Venus goes from 15 to about 25 years old.

Temperament : Sanguine and Lymphatic

Characterology : Emotive, non Active and Primary type or Emotive, non Active and Secondary type.

Venus in Taurus

Venus describes your affective life. On the day of your birth, she is found in Taurus. The most important thing for you is to retain sensations and feelings. You taste them, you savour them with sensuality and often, with greed. You respond to all palpable and tangible things. Your amorous life, like your artistic sensitivity, constantly involves your demanding and selective sensuality. There can be no balance without love. Passion is wild, imperious and final. Your strongly developed sensuality is demanding. Sensual pleasure is as important, more important in some cases, than cerebral connivance. You are not content with short-lived unions… You want to take the time to enjoy your love, to savour its happiness and its spices. Your ideal is to couple the comfort of a lasting relationship with sensual fulfilment. Appetite is fine but it may tend to become bulimia! A demanding sensuality may be tyrannical. The sign of Taurus in its “pure essence” becomes the victim and the slave of its passions. Of course, you are not the manifestation of this ‘Taurus in its pure essence”. But it is likely that you have to handle the necessities of your mighty and complex affectivity. Your memory for feelings is very strong… You never forget loyalty and similarly, you never forget your grudges.

Venus in House IV

Venus expresses her characteristics through the 4th House values. It is within the intimacy of your family world that your affectivity reveals itself and blossoms. Your sentimental attitudes are very selective. It is impossible for you to love just anybody, anywhere. You keep your affective surges for those who belong to your clan, whether this clan is made of the members of your family, or your closed friends. Therefore, you exclude a priori persons who are too different, and you limit your love to a reassuring home.

Venus Dominant

If Venus is part of your natal chart's planetary dominants, in astrology, you are said to be a Venusian: you are a sensual and emotional person particularly receptive to the natural likes and dislikes aroused by your contact with people. You are prone to frequent instinctive aversions and true passions which are exclusively driven by the feeling of love. The heart has its reasons which Reason knows nothing of... Your balance is based on the richness of your affective life. Without love, the Venusian is resourceless, lost, and deprived of any reason for living. You have an obvious and strong will to charm and to arouse the attachments without which you cannot properly function. Every area of your life is thus marked by your affectivity. The danger is that you may "be taken in" by charm. In such cases, you would prefer to keep your emotions under better control. Thus, hyper-sensitivity has its own inconveniences. Nevertheless, better than anyone else, you know how to play with feelings and attractions. Although you are sometimes caught in the traps of an over sensitive emotionalism, feelings remain your best assets in many circumstances. There is another aspect to the Venusian dominant. According to the Tradition, this planet rules the Arts, and you are endowed with some degree of artistic dispositions, ranging from good to excellent.

Interpretation of the 25° Taurus symbolic degree

"A fair-haired woman holds a child by the hand and picks flowers in the countryside. A benevolent man lends a hand to help them cross a ford." (Janduz version)

Affectionate, peaceful and pleasant character. One is very good at smoothing out rough edges and at helping people settle their disputes in a peaceful way. One finds happiness in accomplishing ordinary duties, appreciates peace at home, and shows tolerance in all fields.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

If you wish, you can receive immediately in your mailbox your detailed astrological portrait, a nice gift for yourself or for your close friends and relatives, who will deeply appreciate it.

Mars 7°38' Pisces, in House II

Mars Aspects
Sun trine Mars orb +0°30'
Mars conjunction Pluto orb +5°56'
Mars trine Neptune orb -2°36'
Mars opposite Uranus orb -6°27'
Mars trine Saturn orb +7°03'
Planets: Mars

Mars represents the desire for action and physical energy, sexuality, strength. For a woman, Mars corresponds to the kind of man she's attracted to (but not especially in marriage which is rather symbolized by the Sun, Mars is the lover, not the husband). Fire is its element, it is hot and dry, and it rules Aries and Scorpio (along with Pluto), is in exaltation with Capricorn and is in analogy with the muscles and the spleen.

It represents the soldiers, sportsmen, warriors, surgeons, blacksmiths... ; the age of Mars goes from 42 to 50 years old.

Temperament : Bilious

Characterology : Emotive, Active, Primary type. It is a Choleric.

Mars in Pisces

The planet Mars indicates how you react to life concrete stimulations. It also describes your fighting spirit, your abilities to stand for yourself and to take action. With Mars in Pisces, your reactions are often unexpected and original. You have your own way to assert yourself. You do not react according to norms. You have a subtle, indirect, sometimes concealed way to influence the world. A world that moves you deep down and where you are alternately a pawn and the main player. You readily play with paradoxes, you take strange attitudes and you find disconcerting answers to life’s concrete problems. You may not tackle common issues rationally, but better than anyone, you skilfully handle exceptional situations. The only danger is that, with your ambiguous attitudes, people may think that you are impenetrable.

Mars in House II

With Mars in the 2nd House, you fight for your interests with fierce energy. One must deserve a capital and work to acquire it. Acquisition is a unique field of experience for developing and highlighting your personal dynamism. To own an object means to make a move towards it and to conquer it. If you are involved in business, your attitudes are marked by the principle of challenge, which is the sign of an aggressive commercial policy. More often than not, the way you manage your assets is risky.

Mars Dominant

If Mars is part of your natal chart's planetary dominants, in astrology, you are said to be a Marsian: in your hand-to-hand struggle for life, you demonstrate an acute and active sense of confrontation with the world, with other people, and with your own destiny. You need to take action and to fight for your projects and your desires. You perceive all situations with deep intensity, and you react to the here and now without bothering to step back in order to ensure that events are under your control. You take up challenges with excessive foolhardiness as a consequence of your impulsiveness. However, better than anyone else, you know how to mobilise your resources in case of crisis. You take action whenever it is necessary to do so, and you are present in a timely manner. With Mars, your attitudes are dictated by the realities of the moment, by your emotions, and by everything which proved to have worked in the past. When this dominant is not well integrated, it may bring about an aggressive or impulsive behaviour. Therefore, you must learn to control your hyper-sensitivity and your fits of temper. You are also endowed with Marsian qualities: the fighting spirit and the taste for duel without which one may find oneself overwhelmed by events. When this willpower is well channelled, its precious energy enables to cope with all sorts of contingencies. There are a thousand ways to win, and a thousand challenges to take up with the enthusiasm and the dynamism which make life so worthy. A certain idea of life which is wild, passionate, and in tune with events.

Interpretation of the 7° Pisces symbolic degree

"A man and a woman on their horses progress at a quiet pace, side by side. Behind them are two concentric circles." (Janduz version)

Obliging, passive, and gentle character endowed with magnetism or gifts for occultism. The decision-making process requires quite some time, as if one revolved endlessly around the same centre, as suggested by the image. This degree promises long-lasting happiness in love and perhaps an early marriage. One prefers to enjoy the pleasures of life in one-to-one contexts, be it in the affective, friendly, or professional areas.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

If you wish, you can receive immediately in your mailbox your detailed astrological portrait, a nice gift for yourself or for your close friends and relatives, who will deeply appreciate it.

Jupiter 18°00' Taurus, in House IV

Jupiter Aspects
Venus conjunction Jupiter orb +7°29'
Mercury semi-sextile Jupiter orb +0°00'
Jupiter trine Uranus orb -3°54'
Jupiter sextile Saturn orb -3°18'
Jupiter opposite Neptune orb -7°45'
Moon trine Jupiter orb -8°20'
Planets: Jupiter

Jupiter represents expansion and power, benevolence, large vision and generosity. Its element is Air, it is hot and moist, and it rules Sagittarius and Pisces (along with Neptune), is in exaltation with Cancer and is in analogy with the hips and endocrinal system.

It represents the governors, magistrates, professors, religious men too; the age of Jupiter goes from 50 to 55 or even 70 years old.

Temperament : Sanguine

Characterology : Emotive, Active, Primary type; it is an extrovert Choleric. Actually the humid version of Mars, inclined to action like him.

Jupiter in Taurus

The planet Jupiter symbolizes expansion, broadness and generosity. Jupiter is associated with the functions of synthesis, enthusiasm and optimism. In your natal chart, his house position is more important than his sign position because, like Saturn, Uranus, Neptune and Pluto, he is a slow planet. Many people born in the same period have Jupiter in the same sign. This is the reason why the sign occupied here is less meaningful than when it is occupied by the so-called fast planets, i.e. the Sun, the Moon, Mercury, Venus and Mars. Therefore, some caution is to be exercised as you read what follows. Jupiter in Taurus amplifies your practical sense and your capacity to improve your material life. You can experience a long-lasting fulfilment. You are often a bon viveur who likes life’s good things. You manage and develop your patrimony with a lot of luck and generosity. Your taste is very good and your loyalty is genuine.

Jupiter in House IV

With Jupiter in the 4th House, the world is a big family! You get easily integrated within the most diverse social structures, and you know how to establish a climate of confidence and intimacy even though you are not familiar with the situation. Life is made of encounters and integrations. Sometimes, in order that the other person becomes an integral part of your personal world, and that you feel you both belong to the same clan, all you need to do is to get to understand the other one, and to find a common language.

Jupiter Dominant

If Jupiter is part of your natal chart's planetary dominants, in astrology, you are said to be a Jupiterian: because this planet brings about a keen interest in social and professional success, the Tradition considers it to be beneficial. Indeed, you know how to adjust to events and to jump at the chance when it arises. The members of you entourage gladly entrust you with high responsibilities because they are often impressed by your learning skills and your adaptation abilities as you deal with new structures and new languages. What is the secret of your good star? It is your self-confidence which wins public support. Now, what is the secret of your charm? Definitely, enthusiasm, euphoria, and exaltation. Exaggeration also. When this dominant is well integrated, it is a factor of affluence and optimism, and a certain degree of joviality enables you to easily fit into various spheres. It constitutes your main asset to manage your life. However, you must at times curb your desire for integration, lest your sense of opportunity turns into extreme opportunism. Here also, the key to success lies in a correct estimate of everyone's chances and possibilities. Although management is one of your forte, and you can adjust your objectives to current realities better than other people, you lack the hindsight which enables you to avoid short-term vagaries and daily fluctuations. If you strive too much to adapt, you run a risk of betraying yourself. This is the other traditional side of the coin with "The Greater Benefic"!

Interpretation of the 18° Taurus symbolic degree

"A woman dressed in light clothes is lying in a flowery field not very far from her friend who plays by the bank of a river and pours water from one amphora to another." (Janduz version)

Dreamy, passive, and indolent character. Although events are favourable and success is within reach, one is unwilling to make the effort to grasp golden opportunities. Sometimes, this degree indicates that one is forced to take up a career which is contrary to one's wishes, or that the desire to live in the countryside is unfulfilled.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

If you wish, you can receive immediately in your mailbox your detailed astrological portrait, a nice gift for yourself or for your close friends and relatives, who will deeply appreciate it.

Saturn 14°42' Cancer, in House VII

Saturn Aspects
Sun conjunction Saturn orb +6°33'
Saturn sextile Uranus orb -0°35'
Saturn trine Neptune orb -4°27'
Jupiter sextile Saturn orb -3°18'
Mars trine Saturn orb +7°03'
Saturn sesqui-quadrate Pluto orb -1°59'
Planets: Saturn

Saturn represents concentration, effort, perseverance, time, the hard reality, inevitable consequences. Earth is its element, it is cold and dry, and it rules Capricorn and Aquarius (along with Uranus), is in exaltation in Libra and is in analogy with the bones (skeleton) and the skin.

It represents the grandparents, old people, scientists, knowledgeable men, Saturn corresponds to old age; it goes from 70 years old until death.

Temperament : Nervous

Characterology : Non-Emotive, Active and Secondary type or Emotive, non Active and Secondary type or sometimes Non-Emotive, non Active and Secondary type; it is a Phlegmatic, a Sentimental or an Empathic type

Saturn in Cancer

The planet Saturn symbolizes contraction, effort, time, limitation and concentration. Saturn eliminates anything that is not authentic, sooner or later. It is impossible to cheat him as he gives an irresistible desire to form a coherent whole with oneself, in responsible and wise ways. He is the great purifier. He represents our limitations but also our truth. In your natal chart, the house position where Saturn is posited is more important than his sign position because, like Jupiter, Uranus, Neptune and Pluto, he is a slow planet. Many people born in the same period have Saturn in the same sign. This is the reason why the sign occupied here is less meaningful than when it is occupied by the so-called fast planets, i.e. the Sun, the Moon, Mercury, Venus and Mars. Therefore, some caution is to be exercised as you read what follows. Saturn in Cancer decreases your emotionalism. You are less vulnerable as you build a protective carapace, with all the good and the bad consequences that may be implied. You are provident and wise in the family and real estate areas, may be a bit too much.

Saturn in House VII

In your natal chart, Saturn is in the 7th House. This configuration predisposes to some degree of rigour in human relations, associations, or within the couple. To link up to the world is not an easy task, and to blend into it is even more difficult. Your doubts and your questionings do not facilitate your social integration. However, your steady honesty works wonders once mutual confidence has dispelled reluctances and the sense of modesty you may have. Nevertheless, people should beware and never cheat on you!

Saturn Dominant

If Saturn is part of your natal chart's planetary dominants, in astrology, you are said to be a Saturnian: you gladly leave to other people the decision to take life as it comes. As far as you are concerned, you prefer to take advantage of your experiences in order to discover, to grow, and to question yourself.

Interpretation of the 14° Cancer symbolic degree

"Under a canopy, a dog asleep and a rat on the alert lie on a throne." (Janduz version)

Lazy, petty, and nasty character loathing effort. Despite a complete lack of skills, important positions are obtained through low cunning, manipulations, and palace intrigues. This degree often describes a charlatan who conceals his slyness and his meanness under apparent indifference and quietness.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

If you wish, you can receive immediately in your mailbox your detailed astrological portrait, a nice gift for yourself or for your close friends and relatives, who will deeply appreciate it.

Uranus 14°06' Virgo, in House VIII

Uranus Aspects
Saturn sextile Uranus orb -0°35'
Mercury square Uranus orb -3°54'
Jupiter trine Uranus orb -3°54'
Mars opposite Uranus orb -6°27'
Uranus sextile Neptune orb -3°51'
Sun sextile Uranus orb +5°57'
Moon sesqui-quadrate Uranus orb -2°44'
Planets: Uranus

Uranus represents individual freedom, originality, independence, marginality, avant guard inspiration, ultra modernism. Fire is its element, it is dry, and it rules Aquarius, is in exaltation with Scorpio and is in analogy with the brain and the nerves.

It represents inventors, odd characters, revolutionaries.

Temperament : Nervous to the extreme

Characterology : Emotive, Active, Secondary type; it is a Passionate type.

Uranus in Virgo

The planet Uranus symbolizes originality, independence and cerebral energy bursting suddenly. Uranus triggers the irresistible need for freedom that we have in ourselves. Uranus tends to break the constraints that have become unbearable and gives us the courage and the will to get rid of what has become a burden; when he is well aspected, he also indicates genius. In your natal chart, Uranus’ house position is more important than his sign position because, like Jupiter, Saturn, Neptune and Pluto, he is a slow planet. Many people born in the same period have Uranus in the same sign. This is the reason why the sign occupied here is less meaningful than when it is occupied by the so-called fast planets, i.e. the Sun, the Moon, Mercury, Venus and Mars. Therefore, some caution is to be exercised as you read what follows. The sign positions of Uranus, Neptune and Pluto have a collective meaning. They do not influence your personality, unless they are involved in numerous aspects or when they emphasize a personal point of your natal chart such as your Ascendant’s ruler, an angular planet, i.e. a planet near the Ascendant, the Midheaven, the Nadir or the Descendant. In such cases, the activity of the slow planet is very highlighted. Uranus in Virgo makes you nervous to the extent that you become doubtful. Indeed, your mental activity is intense and questions pop up in such great numbers that you become overwhelmed and worried. But your ingenuity is often remarkable, particularly in the scientific area.

Uranus in House VIII

With Uranus is in the 8th House, the planet of revolutions is in the sector of transformations, which predisposes to all sorts of reforms and regenerations. You feel that you are capable of radically changing the nature of your life setting, of accepted models and current norms. Reconstruction, whether of a society, a couple, or a relationship, justifies the collapse of old values. You show a keen interest in occultism and in all mysterious matters.

Uranus Dominant

If Uranus is part of your natal chart's planetary dominants, in astrology, you are said to be a Uranian: personal values are prevailing. Inner certainties fuel an inflexible will and a desire to call attention on yourself as well as to follow your beliefs through. This planet prompts you to behave with determination, to put forward your own truth, and to start your personal revolution. More than other people, you are willing to keep some degree of autonomy in all circumstances, and you often display an individualistic nature. In order to achieve your ideal of freedom and independence, you may act like a despot as you try to convince and to impose your views, whether smoothly or forcefully. Regardless of the flexibility of your comportment, some situations demand an absolute firmness as well as uncompromising, frank and straightforward attitudes. People may criticise you for your intransigence and say that you are a hardliner. Outsider's opinions don't matter! The most important thing is that you act in all conscience and reach your primary objectives. More than anyone else, you know how to use your willpower and to focus your energy on a precise aim, relentlessly, whatever the consequences might be. In the chapter of qualities, let's mention a definite sense of responsibility, an innovative mind open to techniques and modern ideas, as well as a natural self-discipline which overcomes many an obstacle. Therefore, people are well-advised not to hound you into a corner.

Interpretation of the 14° Virgo symbolic degree

"A good-looking woman holds two doves against her chest and watches two adolescents embracing one another in what seems to be a Temple of Love." (Janduz version)

Gentle, humane, and devoted character. One is always willing to lend a helpful hand to other people, even in the smallest things. Life is happy but, owing to one's shyness, one's qualities may not be appreciated the way they ought to. This degree describes spontaneous demonstrations of tenderness and reminds that love requires more than insipid soft feelings, and that its flame needs to be rekindled on a daily basis. This degree also warns against romance with a married person.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

If you wish, you can receive immediately in your mailbox your detailed astrological portrait, a nice gift for yourself or for your close friends and relatives, who will deeply appreciate it.

Neptune 10°15' Я Scorpio, in House X

Neptune Aspects
Sun trine Neptune orb +2°06'
Mars trine Neptune orb -2°36'
Saturn trine Neptune orb -4°27'
Jupiter opposite Neptune orb -7°45'
Uranus sextile Neptune orb -3°51'
Planets: Neptune

Neptune represents escapism, impressionability, daydreaming, delusions, carelessness, deception or intuition, dishonesty or inspiration, telepathy. Water is its element, it is moist, it rules Pisces, is in exaltation in Cancer, though some authors say it is Leo, and is in analogy with the vegetative system.

It represents dreamers, mediums, magicians, merchants of illusion, drug addicts.

Temperament : rather Lymphatic

Characterology : Emotive, non Active, Primary or Secondary type; it is a Sentimental, or sometimes Amorphous type.

Neptune in Scorpio

The planet Neptune symbolizes extreme receptivity, intense emotional sharpness, impressionability and inspiration; it is the planet of mediums, mystics and religious faith. In an astrological chart, it indicates dilution, vagueness, understanding one’s environment through emotions and the absence of clear and determined limits and structures. In your natal chart, Neptune’s house position is more important than his sign position because, like Jupiter, Saturn, Uranus and Pluto, he is a slow planet. Many people born in the same period have Neptune in the same sign. This is the reason why the sign occupied here is less meaningful than when it is occupied by the so-called fast planets, i.e. the Sun, the Moon, Mercury, Venus and Mars. Therefore, some caution is to be exercised as you read what follows. The sign positions of Uranus, Neptune and Pluto have a collective meaning. They do not influence your personality, unless they are involved in numerous aspects or when they emphasize a personal point of your natal chart such as your Ascendant’s ruler, an angular planet, i.e. a planet near the Ascendant, the Midheaven, the Nadir or the Descendant. In such cases, the activity of the slow planet is very highlighted. Neptune in Scorpio amplifies your emotions and adds more affectivity into your sexuality. Your fantasies have no limit and you revel in mysteries…

Neptune in House X

With Neptune in the 10th House, your vocation involves the discovery of everything which is unknown to you. According to the Tradition, it includes travels by sea and explorations of strange or foreign areas. More frequently, this configuration predisposes to psychological activities. The discovery of the human soul is a path which is as captivating as the discovery of faraway lands. Whether it is a dormant talent or a profession, the gift to sense your interlocutor constitutes one of your assets. However, vocation may take time to reveal itself.

N.B.: When a planet is posited near the cusp of the next astrological house (less than 2 degrees for the Ascendant or the Midheaven, and less than 1 degree for all the other houses), it is considered to be posited in the following house. This rule is used in the texts of this interactive chart and in all our astrological softwares.

Neptune Dominant

If Neptune is part of your natal chart's planetary dominants, in astrology, you are said to be a Neptunian: your intuition is highly developed. You are of a contemplative nature, and you are particularly receptive to ambiances, places, and people. You gladly cultivate the art of letting-go, and you allow the natural unfolding of events to construct your world. You follow your inspirations, for better or for worse. At times, you display an extraordinary clairvoyance gift. You seem to be able to read your subconscious like a book, and you track down subtle underlying mechanisms, flaws, or open breaches. This innate intuition might explain the strokes of good luck which the Neptunian is sometimes credited with. However, you may also be the victim of illusions and misleading intuitions. You are an idealist, and you let your deepest aspirations prevail over the realities of the moment. Then, you set off in quest of some quixotic objective, living like a Don Quixote who relentlessly pursues an impossible dream. You have a great talent for psychology and the mysteries of the human soul. Since you instinctively perceive people's intents and motivations, as you swim in the complexity of human nature, you feel in your element. The subtlety of your perceptiveness is the source of both special affections and irrevocable rejections. What is the danger of such a dominant? If it is not offset by other influences in your natal chart, you may not have an iron will. Your trump card is your instinct, which may be developed to the extent that it becomes clairvoyance.

Interpretation of the 10° Scorpio symbolic degree

"A hare watches a bright star in the sky and does not see the gun is pointed at it." (Janduz version)

Vigilant, astute, and timid character. One is so deeply engrossed in one's research, in occultism, astrology and the mysteries of life that one overlooks the danger lurking. Therefore, one is caught off guard when troubles and ordeals crop up. One must exercise more caution and clear-sightedness if one is to obtain the success and fame promised by this degree.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

If you wish, you can receive immediately in your mailbox your detailed astrological portrait, a nice gift for yourself or for your close friends and relatives, who will deeply appreciate it.

Pluto 1°41' Я Pisces, in House II

Pluto Aspects
Mars conjunction Pluto orb +5°56'
Sun trine Pluto orb +6°27'
Venus square Pluto orb -6°11'
Saturn sesqui-quadrate Pluto orb -1°59'
Planets: Pluto

Pluto represents deep transformations, mutations and eliminations, sexuality and magnetism, power and secrets, destruction with a view to regeneration, the phoenix rising from the ashes. Its element is indefinite; burning (like lava in fusion ?), it rules Scorpio, is in exaltation in Pisces and is in analogy with the sexual organs and excretion.

It represents dictators, sadistic people, violent characters, is instinctive and powerful but also mysterious with hidden strengths.

Temperament : rather Bilious

Characterology : Emotive or non-Emotive, Active, Primary type; it is a Passionate Choleri typec.

Pluto in Pisces

The planet Pluto symbolizes deep disruptions and upheavals, domination and sexual instincts, and the inner power we have in ourselves. Pluto destroys in order to reconstruct and he provokes painful crises that are needed in metamorphosis. Pluto is our deepest instincts’ brutal force. It is the hidden and unconscious violence that can explode in us with incredible intensity before being projected in our actions; in itself, the planet is not negative: the might and the intensity of its energy are beyond the conceivable but it can be funnelled. Pluto is the only possibility we have at our disposal to overcome our inner blocks and to eliminate outgrown situations that have become inextricable. Pluto’s energy is valuable because of its usefulness for the irreversible destruction of what constitutes a problem and not because of its negative side and its perversity. Pluto allows to reconstruct and to regenerate parts of our personality or whole stretches of our life, provided that we manage to funnel his wild energy and to step back. It is impossible to tame this energy, given its essence. However, it is possible to take advantage of it for a precise aim, through a temporary identification of some parts of us with this energy. In such a case, the outcome is our final evolution and even, our transformation. In your natal chart, Pluto’s house position is more important than his sign position because, like Jupiter, Saturn, Uranus and Neptune, Pluto is a slow planet. Many people born in the same period have Pluto in the same sign. This is the reason why the sign occupied here is less meaningful than when it is occupied by the so-called fast planets, i.e. the Sun, the Moon, Mercury, Venus and Mars. Therefore, some caution is to be exercised as you read what follows. The sign positions of Uranus, Neptune and Pluto have a collective meaning. They do not influence your personality and they are not to be really taken into account, unless they are involved in numerous aspects or when they emphasize a personal point of your natal chart such as your Ascendant’s ruler, an angular planet, i.e. a planet near the Ascendant, the Midheaven, the Nadir or the Descendant. In such cases, the activity of the slow planet is very highlighted. Pluto in Pisces intensifies your emotions and gives a propensity for irrational passion; you do not want to practice your self-control because your inner impressions and sensations are so deep, your instinct is so strong that your are prompted to take action in order to become more powerful, more conquering and more manipulative.

Pluto in House II

With Pluto in the 2nd House, what are your most precious possessions? It's a secret! In any case, you are not quite sure to know what is really valuable. Your capital is hidden. You do not flaunt your money, if you have any, and you do not reveal your dearest feelings. You are not interested in possessing, which does not prevent you from working behind the scenes in order to make your assets yield profit. Some day, you may be rich. However, you will always look poor.

Pluto Dominant

If Pluto is part of your natal chart's planetary dominants, in astrology, you are said to be a Plutonian: you sometimes feel like a foreigner who does not belong to the world, to its laws, and its concerns. The rules of life in society are not necessarily yours. You are interested in what is unknown and in the subtle laws of a hidden order. So, you take malicious pleasure in ridiculing the patterns you find too simplistic or too rigid. You also revel in underlining the limits of explanations you deem too common. There is something unconventional about the way you are, the way you think, and the way you act. What is your specificity made of? Is it an extraordinary partner? A life off the beaten path? Or do you only distance yourself from conventional morals? In any case, you have the feeling, sometimes quite vague, that you come from nowhere, and that you do not belong to any definite group... In short, it means that you cannot be simplified in order to conform to existing models. The gap between you and ordinary mortals is also an element of your strength. Your deep clear-sightedness, firstly, enables you to put things into perspective and to grant them only the attention they deserve. Your other remarkable asset is your capacity to intervene from behind the scenes, to secretly organise events, and to bring about the desirable outcome without seeming to impose or to dictate anything. However, you must still overcome one of the major difficulties of this dominant, which is to get people to accept your difference and to smoothly fit into your environment.

Interpretation of the 1° Pisces symbolic degree

"On a glassy sea, a treasure chest drifts towards an idle man on the shore who plays with the sand and lets it flow through his fingers." (Janduz version)

Carefree, lazy, and selfish character. One believes in the principle of the least effort, and one prefers to leave things to chance, thus wasting many nice opportunities. If one does not decide to adopt a more active behaviour and take advantage of one's capacities, one must be prepared to undergo a life fraught with hurdles, ordeals, and disappointments.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

If you wish, you can receive immediately in your mailbox your detailed astrological portrait, a nice gift for yourself or for your close friends and relatives, who will deeply appreciate it.

Chiron 15°50' Libra, in House IX
Asteroids: Chiron

Chiron is almost renowned and used everywhere. Most astrologers consider it as a kind of "mediator" between Saturn and outer planets. Consequently, Chiron is of Saturn's nature and at the same time is influenced by Uranus, the first slow-moving planet. Astrologically, it symbolizes wisdom, patience and the faculty to reduce others' sufferings: it is said to be the "great healer" of the zodiac. Like all the secondary bodies, it must be in close conjunction with planets or angles in order to fully express its action.

Interpretation of the 15° Libra symbolic degree

"A man walks between two women with arms entwined." (Janduz version)

Cheerful, caring, but frivolous character prone to self-leniency and fickleness. Romance and marriage are most likely to be the sources of setbacks and misfortunes. However, should the natal chart concur, this degree may describe a loving heart and a long-lasting happiness shared with one's soul mate.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

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Asteroids: Ceres

Ceres, the biggest of the four minor asteroids used besides Chiron, is associated with the mythological goddess of growing plants and harvest and also symbolizes physical constitution, vitality and fertility. She's also known as Demeter, according to the astrologer Zipporah Dobyns, linked to the symbolism of the mother but in a less emotive and more physical way than the Moon. Ceres is thought to be the ruler of Virgo, in exaltation in Gemini, in exile in Pisces and in fall in Sagittarius. Keywords associated with Ceres could be order, practical sense, worry, precision, modesty, method, sobriety, motherhood, fertility, the Earth: a kind of a more cerebral Moon...

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Asteroids: Pallas

Pallas is sometimes used in modern Astrology: she represents intelligence, abstract and global thinking talents. It is usually considered to be a determining element in political strategy.

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Asteroids: Juno

Juno is the asteroid corresponding to the adaptation to the marital partner and to the defence of individual rights; it is thus used in the field of marriage.

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Asteroids: Vesta

Vesta is rarely used and brings the ability to efficiently devote oneself to a cause.

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True North Node 3°48' Я Gemini, in House V
North Node

The North Node (True Node here) represents the goals that must be achieved during life, in the karmic sense according to some traditions. Its position in house indicates in what field an effort is necessary in order to evolve. The North Node is often called the Dragon's head, it is usually considered beneficial, a bit like Jupiter with the planets. The Lunar nodes are fictional points and not actual heavenly bodies: they are the intersections of the Moon with the Ecliptic (the path made by the Sun in its orbit as seen from the Earth). The axis of the Lunar nodes moves 19 degrees each year, namely a bit more than three minutes each day.

The South Node is diametrically opposed to the North Node, therefore it faces it (it's not drawn here, it's the same symbol but upside down). It symbolizes what has already been achieved or acquired, in a karmic sense: it's the past from which it's advised to move on in order to progress. The South Node is rather negative, of a Saturnian nature: the experience through suffering.

Interpretation of the 3° Gemini symbolic degree

"As two men fight over the sharing of their loot, a third thief who gets hold of it." (Janduz version)

Greedy, quarrelsome, and crafty character. Intellectual capacities are good, but instead of working honestly, one prefers to covet people's goods and use underhanded malpractices to dispossess one's victims. However, sooner or later, one falls prey to a smarter swindler. This degree often indicates weeping, bad luck, and deprivation of liberty.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

True Lilith 21°34' Я Pisces, in House II
Lilith

Lilith or the Dark Moon (True Lilith here) represents the uncrossable threshold, taboos, the individual's provocative and fascinating side, including on a sexual level. She symbolizes violence and "untameability", the radical and deep-seated refusal to submit. The keywords for Lilith can be sterility, sadism, perversity, castration, sadomasochism, eroticism, orgasm, forbidden fantasies, marginality, cruelty; redemption, illumination, rebelliousness... Lilith's opposite point is called Priapus; it is the Lunar perigee, the position where the Moon is closest to the Earth. It symbolizes man's primitive nature, the horror hidden in our deepest self; masochism, extreme sensuality, impulsiveness, irrationality and excess. Physically speaking, the Dark Moon is the focal point unoccupied by the Earth: it is not a concrete body but a mathematical point.

Interpretation of the 21° Pisces symbolic degree

"In a lavishly furnished room, a beautiful and scantily dressed woman bends over a sofa on which a man is lying asleep." (Janduz version)

Depraved, sensual, and greedy character. Worldly assets are perishable goods. If one is only pursuing a life of pleasures and insouciance, one ends up finding that physical beauty is ephemeral, and that opulence can melt as fast as ice in the sun. Money and love affairs lead to debauchery and ruin. One must keep base instincts tightly reined in and absolutely avoid getting involved in activities linked to espionage, prostitution or procuring, and illegal drugs trade. This degree is dangerous for males and females alike.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

Fortune 25°21' Gemini, in House VI
Part of Fortune

The Part of Fortune is an ancient concept, used by Ptolemy and other astrologers before him. Firstly, it has nothing to do with fortune! In modern astrology, it is actually used to enhance a planet or angle when in close conjunction with it: it thus amplifies the meaning associated to the point affected by its presence. It is calculated in the following way:

Part of Fortune = AS + Moon - Sun (it is the Moons position when the Sun rises)

The classical Part of Fortune, of which the calculus method is unchanged whether in a diurnal or nocturnal chart, is usually distinguished from the diurnal/nocturnal Part of Fortune which is calculated by the formula AS + Sun - Moon for a nocturnal chart, and AS + Moon - Sun in a diurnal chart.

We currently use the latter formula for our astrological programmes.

Interpretation of the 25° Gemini symbolic degree

"On the marketplace, vendors and buyers are equally nervous. Dogs are bite each other, and men quarrel." (Janduz version)

Jealous, irascible, and aggressive character revelling in fault-finding. Violence, brawls, and stubbornness are at the root of many a misfortune. One would be well-advised to keep one's passions under control so that the generosity and loyalty promised by this degree can be fully expressed.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

Ascendant 13°34' Capricorn
Ascendant or House I

The First House or Ascendant represents one's behaviour in the eyes of others, and also one's health. It corresponds to the way the individual acts in the world. It is the image of the personality seen by others and the person's visible behaviour expressed outwardly. The 1st House is in analogy with Aries and thus Mars too, and then the Sun. It is an angular house, the most important one with the Midheaven, maybe even more so due to its link with the body and health.

Ascendant in Capricorn

Your psychological nature is introverted and cold, totally controlled and phlegmatic, at least regarding the image you project invariably. You seem unemotional and austere. Actually, your secondarity chews over the strategies or responses that you create as a recation to the environment. You are slow but very thoughtful, solid and balanced. You are as curt as you are cold and you put the strength of your character at the service of your huge and long-term ambition. Or you may be detached from the earthly riches and you focus on spiritual values.

Like all the people born under an apparently reserved and tough sign, your inner personality is often charming and gentle, as if the thick armour, forged throughout childhood, had entirely preserved the purity and the warmth of the soul imprisoned within.

With this Ascendant, you come across as serious, cold, disciplined, patient, focused, thoughtful, ambitious, indomitable, cautious, lucid, persistent, provident, steady, introverted, stern, wilful, hard-working, responsible, persevering, honest, realistic, loyal, reserved, resolute, moralistic, quiet, rigorous, attached and reliable. But you may also be curt, withdrawn, calculating, petty, cruel, unpleasant, ruthless, selfish, dull, rigid, slow or sceptical.

Interpretation of the 13° Capricorn symbolic degree

"On a carpet of flowers, a man with a falcon head plays the harpsichord." (Janduz version)

Refined, devoted, and calculating character endowed with great artistic gifts. In the first part of life, one is driven by envy and selfish objectives and therefore, in order to reach one's artistic goals, one shows much dedication and respect to one's mentors. Once success, fame, and wealth are achieved, probably in music, the cinema, or philosophy, one becomes gentle and benevolent. If in the natal chart, the Moon is in conjunction with this degree, it heralds honours and unexpected riches which are far above one's original social status.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

Midheaven 10°33' Scorpio
Midheaven or House X

The Tenth House still called the Midheaven, is the highest point amidst the houses, at the top of the chart, in the South, and relates to destiny in general and career (and not daily work as meant by the Sixth House). The Midheaven represents our achievements and goals in the social sphere, our social position in society, and becomes more and more important as we get older. It is in analogy with Capricorn and Saturn. The Tenth House is the most important angular house along with the Ascendant.

Midheaven in Scorpio

Your destiny is not simple, to say the least, and very often marked with reversals of fortune. You transform other people and yourself alike! You are patient and clear-sighted, and you are on the lookout for the right time to unleash all your powers and your enormous might with a view to reaching the goal you set for yourself, and which you have every chance to achieve. You are not only persevering and resilient, but the worst tragedies and crises have a stimulating effect on you. Nothing can stop you as far as domination and business are concerned. Your urge to wield power continuously fuels your energy.

Since your energy, your power of action, and your creativity are intense, you can be successful in the following areas: any occupation in the police and the military, miner, volcanologist, engineer, atomic scientist, scientific researcher, computer designer, surgeon, gynaecologist, sexologist, psychiatrist, psychoanalyst, dowser, astrologer, occultist, medium, clairvoyant, mystic, corporate manager, banker, financial counsellor specialised in stock exchanges or investments, funeral director, as well as politician leader.

Interpretation of the 10° Scorpio symbolic degree

"A hare watches a bright star in the sky and does not see the gun is pointed at it." (Janduz version)

Vigilant, astute, and timid character. One is so deeply engrossed in one's research, in occultism, astrology and the mysteries of life that one overlooks the danger lurking. Therefore, one is caught off guard when troubles and ordeals crop up. One must exercise more caution and clear-sightedness if one is to obtain the success and fame promised by this degree.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

Ascendant 13°34' Capricorn
House I (AC)

The First House or Ascendant represents one's behaviour in the eyes of others and also one's health. It corresponds to the way the individual acts in the world. It is the image of the personality as seen by others and the person's visible behaviour expressed outwardly. The 1st House is in analogy with Aries and thus Mars too and then the Sun. It is an angular house, the most important one with the Midheaven, maybe even more so due to its link with the body and health; the Ascendant is as important as the Sun in a natal chart.

Interpretation of the 13° Capricorn symbolic degree

"On a carpet of flowers, a man with a falcon head plays the harpsichord." (Janduz version)

Refined, devoted, and calculating character endowed with great artistic gifts. In the first part of life, one is driven by envy and selfish objectives and therefore, in order to reach one's artistic goals, one shows much dedication and respect to one's mentors. Once success, fame, and wealth are achieved, probably in music, the cinema, or philosophy, one becomes gentle and benevolent. If in the natal chart, the Moon is in conjunction with this degree, it heralds honours and unexpected riches which are far above one's original social status.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

House II 28°08' Aquarius
House II

The Second House is the sphere of material security, the money we earn, our possessions, also in a symbolic meaning (close people etc). It is in analogy with Taurus and Venus. It is a succedent house, quite important.

House III 10°14' Aries
House III

The Third House is the sphere of social and intellectual apprenticeship, studies, relationships with close people and surroundings, short trips, light-hearted and quick contacts, correspondences. It is in analogy with Gemini and Mercury. It's a cadent house, less important than the angular and succedent ones.

House IV 10°33' Taurus
House IV (IC)

The Fourth House also called Immum Coeli is the sphere of inner emotions, family, the father, home and roots, but also the home one creates. It's Home Sweet Home, security and cocoon. It is in analogy with Cancer and the Moon. It's an angular and important house.

Interpretation of the 10° Taurus symbolic degree

"A crowned man is seated on a throne with a sceptre in his hand. Tokens of his wealth are scattered around him. Perched on a candelabra, a crow watches the man with envy." (Janduz version)

Shrewd, greedy, and stingy character. If one is born rich, the initial wealth is increased through one's work, most probably the exploitation of raw materials or ore. If one is born poor, wealth and celebrity are obtained through cunning. In both cases, one is hated for one's cupidity and stinginess.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

House V 3°09' Gemini
House V

The Fifth House is the sphere of pleasures and love affairs (but not commitment or marriage), creations and entertainments, children, arts and game. It is in analogy with Leo and the Sun. It's a succedent and quite important house.

House VI 22°46' Gemini
House VI

The Sixth House is the sphere of apprenticeship and effort in the work environment, daily life, health on a daily basis and not operations or long-term diseases, relationships with co-workers or subordinates, desire for improvement, analysis and detail. It is in analogy with Virgo and Mercury. It is a cadent house, less important than the angular and succedent ones.

House VII 13°34' Cancer
House VII (DS)

The Seventh House also called the Descendant (in front of the Ascendant) is the sphere of partnership, marriage, contracts, relationships with others, the outer world. It is in analogy with Libra and Venus, and Saturn to a lesser extent. It is an angular and important house.

Interpretation of the 13° Cancer symbolic degree

"A star shines brightly over a bed of flowers and a lamb wearing a crown adorned with a star." (Janduz version)

Intelligent, serious, and determined character. One has a keen interest in plants, precious gems and metal, and in all matters related to astronomy and space, including rockets and spaceships. If the family belongs to a high social layer, one perpetuates the tradition and increases the inherited wealth. If of modest origins, one distinguishes oneself through one's work and earns a brilliant reputation. In both cases, one achieves wealth and success, probably owing to a precocious marriage. Travels and education are very favoured. If in the natal chart, the Midheaven is in conjunction with this degree, all the good omens are strengthened. With the Imum Coeli, it heralds dangers linked to water.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

House VIII 28°08' Leo
House VIII

The Eighth House is the sphere of emotional security, the depths of the self, secrets and paranormal, transcendence, sexuality, mysteries, upheavals, surgical operations, others' money (investments, inheritances), crises, transformation after evolution, death. It is in analogy with Scorpio and Pluto, and Mars to a lesser extent. It is a succedent and quite important house.

House IX 10°14' Libra
House IX

The Ninth House is the sphere of high studies, both physical and mental journeys (philosophy, spirituality), rebelliousness, changes of scenery, desire for dealing with the unknown. It is in analogy with Sagittarius and Jupiter. It is a cadent house, less important than the angular and succedent ones.

Midheaven 10°33' Scorpio
House X (MC)

The Tenth House still called the Midheaven, is the highest point amidst the houses, at the top of the chart, in the South, and relates to destiny in general and career (and not daily work as meant by the Sixth House). The Midheaven represents our achievements and goals in the social sphere, our social position in society, and becomes more and more important as we get older. It is in analogy with Capricorn and Saturn. The Tenth House is the most important angular house along with the Ascendant.

Interpretation of the 10° Scorpio symbolic degree

"A hare watches a bright star in the sky and does not see the gun is pointed at it." (Janduz version)

Vigilant, astute, and timid character. One is so deeply engrossed in one's research, in occultism, astrology and the mysteries of life that one overlooks the danger lurking. Therefore, one is caught off guard when troubles and ordeals crop up. One must exercise more caution and clear-sightedness if one is to obtain the success and fame promised by this degree.

N.B.: symbolic degrees belong to a branch of fatalistic astrology. Their interpretation must be regarded with the utmost caution, especially given the fact that different authors give different meanings to symbolic degrees. This is the reason why they are not included in our Astrotheme reports.

House XI 3°09' Sagittarius
House XI

The Eleventh House is the sphere of friendship and protection, projects, search for social acceptance and security, collective and humanitarian actions. It is in analogy with Aquarius and Uranus, and Saturn to a lesser extent. It's a succedent and quite important house.

House XII 22°46' Sagittarius
House XII

The Twelfth House is the sphere of hidden things, enemies, closed or remote places (hospital, prison, convent etc.), ordeals, secrecy, solitude, long-term illnesses but also sincere devotion and genuine compassion. It is in analogy with Pisces and Neptune.


Caption
Légende des aspects
Conjunctions
Opposites and Squares
Trines and Sextiles
Semi-Squares and Sesqui-Quadrates
Semi-Sextiles, Quintiles and Bi-Quintiles
Inconjunctions
 
Display and Calculation Parameters
 
  
 
 
 
 
Printing and Sharing Options
 
URL
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* A planet less than 1° from the next House cusp is considered to be posited in the said House. 2° when the AS and the MC are involved

Biography of Giacomo Leopardi

Giacomo Taldegardo Francesco di Sales Saverio Pietro Leopardi, Conte (June 29, 1798 – June 14, 1837) was an Italian poet, essayist, philosopher, and philologist. He was considered, along with Dante, to be one of Italy's two greatest poets and one of its greatest thinkers.

Giacomo Leopardi was born in Recanati, in the Marches, at the time ruled by the papacy, of a local noble family. His father was the count Monaldo Leopardi and his mother was the marquise Adelaide Antici Mattei.

Leopardi's father was a good-hearted man, fond of literature but weak and reactionary, who remained bound to antiquated ideas and prejudices; his mother was a cold and authoritarian woman, obsessed over rebuilding the family's financial fortunes which had been destroyed by Monaldo's gambling addiction. At home, a rigorous discipline of religion and savings reigned supreme. Giacomo's childhood, which he passed with his younger brother Carlo Orazio and sister Paolina, left its mark on the poet, who recorded his experiences in the poem Le Ricordanze.

Leopardi, following a family tradition, began his studies under the tutelage of two priests, but his innate thirst for knowledge found its satisfaction primarily in his father's extraordinary library. Initially guided by Father Sebastiano Sanchini, Leopardi quickly liberated himself by immersing his mind in vast and profound reading. He committed himself so deeply to his "mad and most desperate" studies that, within a short time, he had acquired an extraordinary knowledge of classical and philological culture, but he suffered from the lack of an open and stimulating formal instruction.

Between the ages of twelve and nineteen, he studied constantly, driven by a need to learn as much as possible, as well as to escape, at least spiritually, from the rigid environment of the paternal palazzo. His continuous study undermined an already fragile physical constitution, and his illness denied him even youth's simplest pleasures. Leopardi buried himself in the anguish which engulfed his soul, meditating on the tragic condition of all of existence.

In 1817 Pietro Giordani, a classicist, arrived at the Leopardi estate. Giacomo became his lifelong friend and he derived from this friendship a sense of hope for the future. Meanwhile, his life at Recanati weighed on him increasingly, to the point that he attempted finally to escape in 1818, but was caught by his father and returned home. From then on, relations between father and son continued to deteriorate and Giacomo was constantly monitored in his own home by the rest of the family.

When, in 1822, he was briefly able to stay in Rome with his uncle, he was deeply disappointed by the atmosphere of corruption and decadence and by the hypocrisy of the Church. He was extremely impressed by the tomb of Torquato Tasso, to whom he felt naturally bonded by a common sense of unhappiness. While Foscolo lived tumultuously between adventures, amorous relations, and books, Leopardi was barely able to escape from his domestic oppression. To Leopardi, Rome seemed squalid and modest when compared to the idealized image that he had created of it while fantasizing over the "sweaty papers" of the classics. Already before leaving home to establish himself, he had experienced a burning amorous disillusionment caused by his falling in love with his cousin Geltrude Cassi. His physical ailments, which continued to worsen, contributed to the collapse of any last, residual traces of illusions and hopes. Virtue, Love, Justice and Heroism appeared to be nothing but empty words to the poet.

In 1824, the bookstore owner Stella called him to Milan, asking him to write several works, among which a Crestomazia della prosa e della poesia italiane. During this period, the poet had lived at various points in Milan, Bologna, Florence and Pisa.

In 1824, at Milan, Leopardi met Alessandro Manzoni, but they did not quite see things eye to eye. In Florence, he made some solid and lasting friendships, paid a visit to Giordani and met the poet Pietro Colletta.

In 1828, physically infirm and worn out by work, Leopardi had to refuse the offer of a professorship at Bonn or Berlin which was made by the ambassador of Prussia in Rome and, in the same year, he had to abandon his work with Stella and return to Recanati.


In 1830, Colletta offered him, thanks to the financial contribution of the "friends of Tuscany", the opportunity to return to Florence. The subsequent printing of the Canti allowed the poet to live far away from Recanati until 1832.

Later, he moved to Napoli near his friend Antonio Ranieri, where he hoped to benefit physically from the climate. He died during the cholera epidemic of 1837. Thanks to Antonio Ranieri's intervention with the authorities, Leopardi's remains were prevented from being ignominiously tossed into a common ditch - as the strict hygienic regulations of the time required - and he was buried in the atrium of the church of San Vitale at Fuorigrotta. In 1939 his tomb, moved to the Parco Virgiliano, was declared a national monument.


Works

The first erudite writings (1813-1817)
These were rough years for Leopardi, who developed a conception of nature dominated by a destructive mechanicism. His pessimism, in both an "historical and a "cosmic" sense would characterize all of his work.

Up until 1815, Leopardi was essentially an erudite philologist. After this period he began to dedicate himself to literature and the search for beauty, as he affirms in a famous letter to Giordani of 1817.

Pompeo in Egitto ("Pompey in Egypt", 1812 ), written at the age of fourteen, is an anti-Caesarean manifesto. Pompey is represented as the defender of republican liberties. Storia dell'Astronomia ("History of Astronomy", 1813) is a compilation of all of the knowledge accumulated in this field up to the time of Leopardi. From the same year is Saggio sopra gli errori popolari degli antichi ("Essay on the popular errors of the ancients"), an essay in which the ancient myths are brought back to life. The errors are the fantastic and vague imaginings of the ancients. Antiquity, in Leopardi's vision, is the infancy of the human species, which sees the personifications of its myths and dreams in the stars. Orazione agli Italiani in Occasione della Liberazione del Piceno ("Oration to the Italians on the liberation of Piceno", 1815) is a paean to the liberation achieved by Italy after the intervention of the Austrians against Murat, while the coeve translation of the Batracomiomachia (the war between the frogs and mice in which Zeus eventually sends in the crabs to exterminate them all), an ironic rhapsody which pokes fun at Homer's Iliad and was once attributed to him.

In 1816 Leopardi published Discorso sopra la vita e le opere di Frontone ("Discorse on the life and Works of Fronto"). In the same year he however fell into a period of crisis, during which he threw into doubt all of his childhood formation. In this year, he wrote L'appressamento della morte, a poem in terza rima in which the poet experiences death, which he believes to be imminent, as a comfort. In this year also, there would begin other physical sufferings and a serious degeneration of his eyesight. He was becoming acutely aware, at this point, of the lacerating contrast between the interior life of man and his incapacity of manifesting it in his relations with others.

Leopardi abandoned his philological studies and moved increasingly closer to poetry through the reading of Italian authors of the 14th, 16th and 17th centuries, as well as of some of his Italian and French contemporaries.

Even his vision of the world underwent a radical change: he ceased to seek comfort in religion, which permeated all of his childhood, and became increasingly inclined toward an empirical and mechanistic vision of the universe inspired by John Locke among others.

Thanks to his friendship with Giordani, with whom, in 1817, he had begun a prolific correspondence, his distancing from the conservatism of his father became even sharper. It was in the following year that he wrote All'Italia ("To Italy") and Sopra il Monumento di Dante ("Above the Monument of Dante"), two very polemical and classical patriotic hymns in which Leopardi expressed his adhesion to liberal and strongly secular ideas.

In the same period, he participated in the debate, which engulfed the literary Europe of the time, between the classicists and the romanticists, affirming his position in favour of the first in the Discorso di un Italiano attorno alla poesia romantica ("Discourse of an Italian concerning romantic poetry").

In 1816 the idyll Le rimembranze and Inno a Nettuno ("Hymn to Neptune") were published. The second, written in ancient Greek, was taken by many critics as an authentic Greek classic. He also translated the second book of the Aeneid and the first book of the Odyssey. In the same year, in a letter to the compilers of the Biblioteca Nazionale (Monti, Acerbi, Giordani), Leopardi argued against the famous article of Madame de Staël, who invited Italians to stop looking to their past and to study the works of foreigners in order to reinvigorate their literature.

Leopardi maintained that "knowing", which is acceptable, is not the same thing as "imitating", which is what Madame de Stael was demanding, and that Italian literature should not allow itself to be contaminated by the modern forms of literature but look to the Greeks and Latin classics. The poet must be original, not suffocated by study and imitation: only the first poet in the history of humanity could have been truly original since he had had no one to influence him. It is therefore necessary to get as close to the originals as possible by drawing inspiration from one's own sentiments without imitating anyone.

In 1817 he fell in love with Gertrude Cassi Lazzari and wrote Memorie del primo amore ("Memories of first love"). In 1818 he issued Il primo amore and began writing a diary which he would continue for fifteen years (1817-1832), the Zilbaldone.


The Zibaldone
The Zibaldone di pensieri is a collection of personal impressions, aphorisms, profound philosophical observations, philological analyses, literary criticism and various types of notes which was published posthumously in seven volumes in 1898 with the original title of Pensieri di varia filosofia e bella letteratura ("Various thoughts on philosophy and literature").

The publication took place thanks to a special governmental commission presided over by Giosuè Carducci in occasion of the centennial anniversary of the poet's birth. It was only in 1937, after the republication of the original text enriched with notes and indexes by the literary critic Francesco Flora, that the work definitively took on the name by which it is known today.

In the Zibaldone, Leopardi compares the innocent and happy state of nature with the condition of modern man, corrupted by an excessively developed faculty of reason which, rejecting the necessary illusions of myth and religion in favor of a dark reality of annihilation and emptiness, can only generate unhappiness. The Zibaldone contains the poetic and existential itinerary of Leopardi himself; it is a miscellaneous of philosophical annotations, schemes, entire compositions, moral reflections, judgements, small idylls, erudite discussions and impressions. Leopardi, even while remaining outside of the circles of philosophical debate of the 19th Century, was able to elaborate an extremely innovative and provocative vision of the world. It is not much of a stretch to define Leopardi as the father of what would eventually come to be called nihilism.

Schopenhauer, in mentioning the great minds of all ages who opposed optimism and expressed their knowledge of the world's misery, wrote:

But no one has treated this subject so thoroughly and exhaustively as Leopardi in our own day. He is entirely imbued and penetrated with it; everywhere his theme is the mockery and wretchedness of this existence. He presents it on every page of his works, yet in such a multiplicity of forms and applications, with such a wealth of imagery, that he never wearies us, but, on the contrary, has a diverting and stimulating effect.

– The World as Will and Representation, Vol. II, Ch. XLVI


First Cantos (1818)
All'Italia and Sopra il monumento di Dante marked the beginning of the series of major works. In the two cantos, the concept of "excessive" or “over"-civilization which is deleterious for life and beauty first makes it appearance. In the poem All'Italia, Leopardi laments the fallen at the Battle of Thermopylae (480 BC, fought between the Greeks under Leonidas and the Persians under Xerxes), and reevokes the greatness of the past. In the second canto, he turns to Dante and asks him pity for the pathetic state of his fatherland. In the great cantos which follow (forty-one, including fragments), there is a gradual abandonment of the reminiscences, of literary allusions and of conventionalisms.

In 1819, the poet attempted to escape from his oppressive domestic situation, travelling to Rome. But he was caught by his father. In this period, his personal pessimism evolves into the peculiar intellectual pessimism of Leopardi.

Le Rimembranze and L'appressamento alla morte also belong to this early period of the art of Leopardi.


First idylls (1819-1821)
The first idylls Il Sogno, L'Infinito, La sera del dì di festa, Alla Luna, La vita solitaria and Lo spavento notturno ("The Dream", "The Infinite", "The Evening Before the Feast”, "To the Moon", "The Solitary Life" and "Nighttime Terror" respectively) followed hard upon the first cantos. The Dream is still Petrarchesque, while the others which followed are the fruit of a more mature and independent art. Leopardi establishes with nature a sort of accord which attenuates the pain and discomfort. The highest expression of poetry is reached in Leopardi in The Infinite, which is, at once, philosophy and art, since in the brief harmony of the verses are concentrated the conclusions of long philosophical meditations.

In all of the idylls, the initial sparks, offered by memory or by the sweetness of nature, transmute their colors into the intuition of universal pain, of the transience of things, of the oppressive weight of eternity, of the inexorable passing of time, of the blind power of nature.


The Infinite
The theme is a concept, which mind can only with extreme difficulty conceive. The poet narrates an experience he often has when he sits in a secluded place on a hill. His eyes cannot reach the horizon, because of a hedge surrounding the site; his thought, instead, is able to imagine spaces without limits. The silence is deep; when a breath of wind comes, this voice sounds like the voice of present time, and by contrast it evokes all times past, and eternity. Thus, the poet's thought is overwhelmed by new and unknown suggestions, but "il naufragar m'è dolce in questo mare" (shipwreck / seems sweet to me in this sea.;English translation by A.S. Kline).


The Canzoni (1820-1823)
Leopardi returns to the evocation of ancient eras and exhorts his contemporaries to seek in the writings of the classics the noble ancient virtues.


Ad Angelo Mai
In occasion of the discovery of the De Repubblica of Cicero on the part of Mai, Leopardi wrote the poem To Angelo Mai in which he invokes the figure of Tasso to which he felt so attached.


Nelle nozze della sorella Paolina
In the lyrical Nelle nozze ("On the marriage of my sister Paolina"), which were never celebrated, in the course of wishing happiness for his sister, the poet uses the opportunity to exalt the strength and the virtue of the women of antiquity and to denigrate his own time because it did not allow one to be virtuous and happy, since only after death are those who have lived a morally good life praised.


Ad un vincitor di pallone
The canto Ad un vincitor di pallone ("To the winner of a game of football") expresses disdain for the tedium of a life that is nothing but a monotonous repetition of human affairs and to which only danger can restore value: only he who has been near the gates of death is able to find sweetness in life.


Bruto minore
In Bruto minore ("Brutus the Younger"), Brutus the assassin of Caesar is depicted as a man who has always believed in honor, virtue and liberty and who has ultimately sacrificed everything for these ideals. He has come to the realization, too late to change things, that everything was done in vain. That everything has been pointless and that he will even die dishonoured and disgraced for his well-intentioned actions.

His meditations bring him to the conclusion that morality is meaningless; Jove rewards only the selfish and plays arbitrary games with hapless mankind. Man is more unhappy than the rest of the animal kingdom because the latter do not know that they are unhappy and therefore do not meditate on the question of suicide and, even if they could, nothing would prevent them from carrying out the act without hesitation.


Ultimo canto di Saffo
Saffo (Sappho) is also a tragic figure. In fact, she is a great and generous spirit, an exceptional mind and a sublime character trapped in a miserable body. Saffo loved the light (Faone) but her life was made of shadow; she loved nature and beauty, but nature has been like an evil stepmother to her and she, who is sensitive, cultured and refined, is closed in the prison of a deformed body. Nor can the greatness of her genius help to release her from this horror.

In Saffo, Leopardi sees himself retarded, but in reality the poetess of Lesbos was neither deformed nor unhappy as she is depicted by Leopardi, who based his depiction on a false traditional belief of the time. Saffo knew, tasted, and sang of beauty and love more than was possible for Leopardi. But the resignation to unhappiness, to pain and to solitude, and the renunciation of the joys of life, sounds in the verses of Leopardi like the sincere sigh of a feminine soul.

The canto is a sweet apostrophe to the placid nights, once dear to the serene poetess, but the words turn rapidly to a violent evocation of nature in tempest which echoes her inner turmoil. The anguishing and accusative questions which Leopardi poses to a destiny which has denied beauty to the miserable Saffo are cut short by the thought of death. After having wished to the man she has loved in vain that little bit of happiness which is possible to attain on this earth, Saffo concludes by affirming that of all the hopes for joy, of all the illusions, there remains to await her only Tartarus.


Alla primavera and Al conte Carlo Pepoli
The cantos Alla primavera ("To Spring") and Al conte Carlo Pepoli emerge out of the same spiritual situation. The first laments the fall of the great illusions ("gli ameni inganni") and the imaginary mythological worlds of the past, which embellished and enriched the fantasy of man. The second decries the loss of happiness that has resulted.

In the Primavera, Leopardi praises the ancient times when the nymphs populated the fields, the woods, the springs, the flowers and the trees.

Although the lyrical style is apparently classical, it is also pervaded by the characteristic dissatisfaction with the present of the romantics. Leopardi, here, romanticizes the pure intentions of the Greeks, since he was actually romantic in his sentiments and classical in his imagination and intellect.

In the Epistolario a Carlo Pepoli, Leopardi attempts to prove to his friend the quasi-Buddhist thesis according to which, since life has no other aim but happiness and since happiness is unattainable, all of life is nothing but an interminable struggle. But he who refuses to work is oppressed by the tedium of life and must seek distraction in useless pastimes. Moreover, those who dedicate themselves to poetry, if they have no fatherland, are tormented more than those who do by a lack of freedom because they fully appreciate the value of the idea of nationhood.

At this point, a disillusioned Leopardi considers abandoning poetry for philosophy, but without any hope of glory. He has resigned himself to the certainty of pain and of boredom to which mankind is condemned and he therefore believes it necessary to abandon the illusions and poetry in order to speculate on the laws and destiny of the universe.


Operette Morali

New Cantos (1823-1832)
After 1823, Leopardi abandoned the myths and illustrious figures of the past, which he now considered to be transformed into meaningless symbols and turned to writing about suffering in a more "cosmic" sense.


Alla sua donna
In 1823, he wrote the canto Alla sua donna ("To his woman"), in which he expresses his ardent aspiration for a feminine ideal which, with love, might render life beautiful and desirable. During his youth, he had dreamed in vain of encountering a woman who embodied such a feminine ideal: a platonic idea, perfect, untouchable, pure, incorporeal, evanescent, and illusory. Between the years 1823 and 1828, Leopardi set aside lyric poetry in order to compose the Operette Morali.


Risorgimento
In 1828, Leopardi returned to lyric poetry with Risorgimento. The poem is essentially a history of the spiritual development of the poet from the day in which he came to believe that every pulse of life had died out in his soul to the moment in which the lyrical and the sentimental were reawakened in him. A strange torpor had rendered him apathetic, indifferent to suffering, to love, to desire, and to hope. Life had seemed desolate to him until the ice began to melt and the soul, reawakening, finally felt the revivification of the ancient illusions.

Having reconquered the gift of sentiment, the poet accepts life as it is because it is revived by the feeling of suffering which torments his heart and, so long as he lives he will not rebel against those who condemn him to live. This recovered serenity consists in the contemplation of ones' own conscience of one's own sentiments, even when desolation and despair envelops the soul.

Leopardi rejoices to have rediscovered in himself the capacity to be moved and to experience pain, after a long period of impassibility and boredom. With the Risorgimento, lyricism is reawakened in the poet, who composes cantos, generally brief, in which a small spark or a scene is expanded, extending itself into an eternal vision of existence. He reevokes images, memories and moments of past happiness.


A Silvia
In 1828, Leopardi composed perhaps his most famous poem, A Silvia ("To Silvia"). The young lady of the title is the image of the hopes and illusions of the young poet, destined to succumb far too early in the struggle against reality, just as the youth of Silvia is destroyed by tuberculosis, the "chiuso morbo". It is often asked whether Leopardi was actually in love with this young woman. But this is to miss the point. A Silvia is the expression of a profound and tragic love of life itself, which Leopardi, despite all the suffering, the psychological torments and the negative philosophizing, could not suppress in his spirit. It is in this poem that Leopardi demonstrates why his so-called "nihilism" does not run deep enough to touch the well-spring of his poetry: his love of man, of nature, and of beauty. However, the accusation Leopardi makes against Nature is very strong, as being responsible for the sweet dreams of youth and for the subsequent suffering, after the appearance of truth (l'apparir del vero) has shattered them.


Il passero solitario
The canto Il passero solitario ("The Lonely Sparrow") is of a classical perfection for the structure of the verses and for the sharpness of the images. Leopardi contemplates the bounty of nature and the world which smiles at him invitingly, but the poet has become misanthropic and disconsolate with the declining of his health and youth and the deprivation of all joy. He senses the feast which nature puts forth to him, but is unable to take part in it and foresees the remorse which will assail him in the years to come when he will regret the youthful life that he never lived. In this sense, he is alone just like, or worse than, the sparrow, since the latter lives alone by instinct, while the poet is endowed with reason and free will.


Le Ricordanze
In 1829, at Recanati, where he was constrained to return, against his wishes, because of increasing infirmity and financial difficulties, the poet wrote Le Ricordanze ("Memories"), perhaps the poem where autobiographical elements are more evident. Le ricordanze narrates the story of the painful joy of the man who feels his sentiments to be stirred by seeing again places full of childhood and adolescence memories. These sentiments now confront a horrible and merciless reality and deep regret for lost youth. The ephemeral happiness is embodied in Nerina (a character perhaps based on the same inspiration as Silvia, Teresa Fattorini).

Nerina and Silvia are both dreams, evanescent phantasms; life for Leopardi is an illusion, the only reality being death. The woman, Silvia, Nerina, or "la sua donna" are always only the reflection of the poet himself, since life itself is, for him, an elusive and deceptive phantasm.


La quiete dopo la tempesta
In 1829, Leopardi wrote La quiete dopo la tempesta ("The Calm After the Storm"), in which the light and reassuring verses at the beginning evolve into the dark desperation of the concluding strophe, where pleasure and joy are conceived of as only momentary cessations of suffering and the highest pleasure is provided only by death.


Il sabato del villaggio
Il sabato del villaggio (1829, "Saturday in the village"), like La quiete dopo la tempesta, opens with the brief depiction of a calm and reassuring scene. Later, just as in the other poem, it expands into deep poetic-philosophical considerations on the emptiness of life: The joy and illusion of expectation must come to an unsatisfactory end in the Saturday feast.


Canto notturno di un pastore errante dell'Asia
Around the end of 1829 or the first months of 1830, Leopardi composed the canto Canto notturno di un pastore errante dell'Asia ("The night-time chant of a wandering Asian sheep-herder"). In writing this piece, Leopardi drew inspiration from the reading of "Voyage d'Orenbourg à Boukhara fait en 1820" of the Russian baron Meyendorff, in which the baron tells of how certain sheep-herders of central Asia, belonging to the Kirghiz population, practiced a sort of ritual chant consisting of long and sweet strophes directed at the full moon. The canto, which is divided into five strophes of equal length, takes the form of a dialogue between a sheep-herder and the moon. Nevertheless, the canto begins with the words "Che fai tu Luna in ciel? Dimmi, che fai,/silenziosa Luna?" ("What do you do Moon in the sky? Tell me, what do you do,/silent Moon?"). Throughout the entire poem, in fact, the moon remains silent, and the dialogue is transformed therefore into a long and urgent existential monologue of the sheep-herder, in desperate search of explanations to provide a sense to the pointlessness of existence. The two characters are immersed in an indeterminate space and time, accentuating the universal and symbolic nature of their encounter: the sheep-herder represents the human species as a whole and his doubts are not contingent, anchored to a here and now, but are rather characteristic of man at all times; the moon, on the other hand, represents Nature, the "beautiful and terrible" force that fascinates and, at the same time, terrifies the poet.

The sheep-herder, a man of humble condition, directs his words to the moon in a polite but insistent tone, seething with melancholy. It is precisely the absence of response on the part of the celestial orb which provokes him to continue to investigate, ever more profoundly, into the role of the moon, and therefore into that of humanity, with respect to life and the world, defining ever more sharply the "arid truth" so dear to the poetry of Leopardi. In the first strophe, in fact, the sheep-herder, even while defining the moon as silent, actually expects a response from it and discoveries many analogies between his own condition and that of the moon: both of them arise in the morning, follow their always self-identical paths and finally stop to rest. The life of the moon, as much as that of the sheep-herder, seems completely senseless. There appears, however, in the middle of this strophe, a very important distinction: the course of human life is finite and its passage, similar to that of a "veccheriel bianco" (cfr. Petrarch, canzoniera XVI), terminates tragically in the "horrid abyss" of death. Such a condition, which is defined in the second strophe as a condition of profound suffering ("se la vita è sventura, perché da noi si dura?") is extremely different from that of the Moon, which seems instead to be eternal, "virgin", "and intact.".

In the third strophe, the sheep-herder turns again to the moon with renewed vigor and hope, believing that the orb, precisely because of this privileged extra-worldly condition, can provide him the answers to his most urgent questions: what is life? What could possibly be its purpose since it is necessarily finite? What is the first cause of all being? But the moon, as the sheep-herder learns quickly, cannot provide the answers to these questions even if it knew them, since such is nature: distant, incomprehensible, mute if not indifferent to the concerns of man. The sheep-herder's search for sense and happiness continues all the way to the final two strophes. In the fourth, the sheep-herder turns to his flock, observing how the lack of self-awareness that each sheep has allows it to live out, in apparent tranquillity, its brief existence, without suffering or boredom. But this idea is ultimately rejected by the sheep-herder himself in the final strophe, in which he admits that, probably, in whatever form life is born and manifests itself, whether moon, sheep or man, whatever it is capable of doing, life is equally bleak and tragic.

In this period, Leopardi's relations with his family are reduced to a minimum and Leopardi is constrained to maintain himself on his own financially. The next year he was asked by the publisher Stella to write a "Crestomazia" (an anthology).


Last cantos (1832-1837)
In the last cantos, philosophical investigation predominates, with the exception of Tramonto della Luna ("Decline of the Moon") which is a decisive return to idyllic lyricism.


Il pensiero dominante
In 1831, Leopardi wrote Il pensiero dominante ("The Dominating Thought"). This poem exalts love as a living or vitalizing force in itself, even when it is unrequited. The poem, however, features only the desire for love without the joy and the vitalizing spirit and, therefore, it remains thought, illusion. Leopardi destroys everything, condemns everything, but wishes to save love from the universal miasma and protect it at least within the profundity of his own soul. The more desolate is the solitude which surrounds him, the more tightly he grasps onto love as the faith in his idealized, illusory, eternal woman ("sua donna") who placates suffering, disillusion and bitterness.

The poet of universal suffering sings of a good which surpasses the ills of life and, for an instant, seems to become the singer of a possible happiness. But the idea of death as the only hope for man returns, since the world offers only two beautiful things: love and death.

Il pensiero dominante represents the first ecstatic moment of love, which almost nullifies the awareness of human unhappiness. It is worth the price of tolerating the suffering of a long life in order to experience the joy of such beauty. Il pensiero dominante and Il risorgimento are the only poems of joy written by Leopardi, though even in those two poems there always reappears, inextinguishable, the pessimism which sees in the object of joy a vain image created by the imagination.


Amore e Morte
The concept of the love-death duality is taken up again in the 1832 canto Amore e Morte ("Love and Death").

Amore e morte is a meditation on the torment and annihilation which accompanies love. Love and death, in fact, are twins. The one is the generator of all things beautiful and the other puts an end to all ills. Love makes strong and cancels the fear of death and when it dominates the soul, it makes it desire death. Some, who are won over by passion, will die for it happily. Others kill themselves because of the wounds of love. But happiness consists in dying in the drunkenness of passion. Of the two twins, Leopardi dares to invoke only death, which is no longer symbolized by the horrid Ade of Saffo, but by a young virgin who grants peace for eternity. Death is the sister of love and is the great consoler who, along with her brother, is the best that the world can offer.


Consalvo
Also in 1832, inspired by a 17th century poem by Graziani (La conquista di Granada, "The Capture of Granada"), Leopardi wrote Consalvo. Consalvo obtains a kiss from the woman he has long loved unrequitedly only when, gravely injured, he is at the point of death. Consalvo is different from the other cantos in that it has the form of a novella in verse or of a dramatic scene. It is the fruit of the sentimental and languid literature which characterized much of the romanticism outside of Italy.


Aspasia
Aspasia (1834) emerges, like Consalvo, from the painful experience of desperate and unrequited love for Fanny Targioni Tozzetti. Aspasia-Fanny is the only real woman represented in the poetry of Leopardi. Aspasia is the able manipulator whose perfect body hides a corrupt and prosaic soul. She is the demonstration that beauty is dishonest.

The poet, vainly searching for love, takes his revenge on destiny and the woman who have rejected him, above all Targioni, whose memory continues to disturb the poet after more than a year away from her. The memory of the woman loved in vain constantly returns, but the canto, inspired by disdain for the provocative and, simultaneously, distancing behavior of the woman also expresses resignation to one's fate and the pride of having been able to recover one's own independence. Aspasia, in her limitedness as a woman cannot grasp the profundity of masculine thought.


Sopra un bassorilievo antico sepolcrale
In this canto (the title means "Over an Ancient Sepulchre Bas-relief"), a young woman has died and is represented in the act of saying goodbye to her loved ones. The poet weighs the pros and cons of death, remaining in doubt about whether the young woman's destiny is good or bad.

Leopardi, even while being highly conscious of the indifference of nature, never ceased entirely to love it. In these verses, the poet poses challenging and pointed questions to nature, enumerating the ills and sufferings which, because of death, are inflicted on humanity. Under the influence of love, the poet had apparently found happiness at least in death (il pensiero dominante, amore e la morte). Now, instead, even this last illusion has fallen and he sees nothing but unhappiness everywhere.


Sopra il ritratto di una bella donna scolpito nel monumento sepolcrale della medesima
This canto is basically an extension of the above. In English, the title means "On the portrait of a beautiful woman sculpted in her sepulchral monument".

The poet, drawing his inspiration from a funerary sculpture, evokes the image of a beautiful woman and compares her breathtaking beauty to the heart-rendingly sad image that she has become; one that is no more than mud, dust and skeleton. As well as being centred on the transience of beauty and of human things, the poem points to the specular antinomy between human ideals and natural truth. Leopardi does not deny - if anything, he emphasizes - the beauty of the human species in general, and by the end of the poem extends his point to all possible forms of beauty, intellectual as well as aesthetic. However, this universal beauty remains unattainable to a human nature that is nothing but "polvere e ombra" ("dust and shadow"), and that may touch - but never possess - the ideals that it perceives, remaining rooted to the natural world in which it was born, as well as to its demands.


La ginestra
In 1836, Leopardi wrote his moral testament as a poet, La Ginestra, also known as Il Fiore del Deserto ("The flower of the desert"). It is the longest of all the cantos and has an unusual beginning. In fact, among all the Leopardian cantos only this one begins with a scene of desolation, to be followed by an alternation between the enchantment of the panorama and of the starry night sky.

Leopardi, after having described the nothingness of the world and of man with respect to the universe; after having lamented the precariousness of the human condition threatened by the capriciousness of nature, not as exceptional evils but as continuous and constant; and after having satirized the arrogance and the credulity of man, who propounds ideas of progress and hopes, even while knowing he is mortal, to render himself eternal, concluded with the observation that reciprocal solidarity is the only defence against the common enemy which is nature (see Plotinus and Porphyry).

Vesuvius, the great mountain which brings destruction, dominates the entire poem. The only attainable truth is death, toward which man must inexorably advance, abandoning every illusion and becoming conscious of his own miserable condition. Such awareness will placate the mutual hatreds.

La Ginestra, which was composed near Torre del Greco in a villa on the hillside of Vesuvius itself, consists of 317 verses and uses free strophes of hendecasyllables and septuplets as its meter.

An essential change occurs with the Ginestra, which closes the poetic career of Leopardi along with Il Tramonto della Luna, which takes up the old themes of the fall of youthful illusions. The poem reiterates and reaffirms the sharp anti-optimistic and anti-religious polemic, but in a new and democratic register. Here, Leopardi no longer denies the possibility of civic progress: he seeks to construct an idea of progress founded precisely on his pessimism.

On the literary level, it is the maximum realization of that anti-idyllic "new poetic" with which Leopardi had already experimented from the 1830's.

It is a vast poem, symphonically constructed with brilliant alternations of tone, from the grandiose and tragic painting of the volcano threatening destruction and of extensions of infertile lava, to the sharp ideological argumentation, to the cosmic sparks which project the nothingness of the earth and of man in the immensity of the universe, to the vision of the infinite passage of centuries of human history on which the immutable threat of nature has always weighed, to the gentle notes dedicated to the "flower in the desert", in which are compressed complex symbolic meanings: pity toward the sufferings of man and the dignity which should be characteristic of man when confronted with the invincible force of a nature which crushes him.


Il tramonto della Luna
Il tramonto della Luna, the last canto of Leopardi, was composed in Naples, shortly before his death. The moon wanes, leaving nature in total darkness, just as youth passes away leaving life dark and derelict. The poet seems to presage the imminence of his own death.

In 1845, Ranieri published the definitive edition of the Cantos according to the will of the author.


Pensieri
In March of 1837, shortly before his death, Leopardi announced that he would gather into one volume some "thoughts" on man and society. Such a collection was supposed to be part of a French edition of the complete works of Leopardi. A few months later (on June 14) the poet died, leaving the work incomplete and the fragments were published by his friend Ranieri, who also provided the title.

The bulk of the contents of "Pensieri" are derived from the Zibaldone. The tone is sharply argumentative with respect to humanity, which Leopardi judges to be malevolent and it almost seems as if the poet wants to take his final revenge on the world. The "Pensieri" constitute the driest part of Leopardi's work and testify to a moment of gelid desperation and total disdain for man and his vanities.





Correspondence
Main article: Leopardi's letters

Other poems

Palinodia al marchese Gino Capponi
In the Palinodia al marchese Gino Capponi (1835, Leopardi fakes a retraction ("Palinodia")) of his pessimism. The work was intended to be satirical (he first believes that man is unhappy and miserable, but now progress has made him reconsider his position), but the thought of the inevitable destruction to which nature condemns everything leads him to express bitter conclusions in spite of himself. Regarding this work, the marchese Gino Capponi wrote in a letter to Leopardi that he shared, at least in part, many of his ideas and thanked him for the "noble verses". However, in a letter addressed to Viesseux, he expressed himself in rather different terms: "that damned hunchback who has put it into his head to bust my balls."

Paralipomeni alla Batracomiomachìa
The satiric tone adopted by Leopardi through much of the Operette Morali is also evinced in some of his late poetic texts, such as the Palinodia and I nuovi credenti. But the clearest demonstration of his mastery of this art form is probably the Paralipomeni alla Batracomiomachia, a brief comic-heroic poem of eight stanzas of eight lines each. Leopardi wrote it between 1831 and 1835, beginning it during his last stay in Florence and finishing it in Naples. The publication took place, posthumously, in Paris in 1842, provoking a universal reaction of outrage and condemnation, as much for the cutting and anti-heroic representation of the events of the Risorgimento as for the numerous materialistic philosophical digressions.

The term Paralipòmeni is Greek for "things left undone or unsaid". Batracomiomachìa means "war between the frogs and the mice." Batracomiomachia was also the title of a pseudo-Homeric poem which was actually written in the forth or fifth century BC and translated by Leopardi between 1815 and 1826. The title therefore alludes to an integration of the original work, which is taken up again where it left off and the narrative progresses. The subject is a fable regarding the conflict between the mice that inhabit the nation of Topaia and the invading crabs. But behind the plot, there is hidden a robust sarcastic and polemical motivation. The animals and their doings have an allegorical value. In the crabs, portrayed unsympathetically and with monstrous characteristics, it is easy to recognize the Austrians; in the mice, sometimes generous but mostly ingenuous and cowardly, the liberal Italians. The poem represents the historical events that took place between 1815 and 1821: the oppressive climate of the Restoration desired by the Holy Alliance and the fruitless attempts at insurrection of 1820-21. Even the revolutionary movements of 1831 are included by Leopardi, who was able to follow them by way of the moderate Tuscan circles which he frequented and who perhaps provided him with the inspiration for the work. The adoption of the poetic genre required the abandonment of the lyric style and the adoption of a narrative pace marked by a constant critical-satirical tension toward the ideological and philosophical myths of contemporary culture: Christian spiritualism, faith in progress, and anthropocentrism. Even the slogans of the political struggle of the liberals are derided, both in their expression of expectation of foreign intervention and in their faith in the model of a constitutional monarchy. In this fashion, the Paralipomeni represent another part of Leopardi's polemical war with the present, and above all an exceptional sally into the territory of historical/political commentary, generally not confronted by Leopardi in a direct form. Of the Italian Risorgimento, he delineates the fundamental limits here with an extraordinary tempestivity: the tendency to compromise with ancient interests and constituted powers, the vanity, the opportunism, the ideological ingenuousness, the lack of an opportune pragmatic awareness. The style generally renounces the expressive concentration of the lyric texts and extends itself in a wide and relaxed discursive pace, with alterations between adventurous moments and ferociously caricatural and polemical points, of description and philosophical digressions.

Leopardian poetics
Main article: Leopardian poetics

References
Origo, Iris (1953). Leopardi: A Study in Solitude. London: Hamish Hamilton.
Leopardi, Giacomo (1998). in trans. J.G. Nichols: The Canti, with a selection of his prose. Manchester: Carcanet Press.
Leopardi, Giacomo (1982). in trans. Giovanni Cecchetti: Operette Morali. University of California Press.
Felici, Lucio; Emanuele Trevi (1997). Leopardi. Tutte le Prose e tutte le Poesie. Rome: Newton & Compton.

Astrological portrait of Giacomo Leopardi (excerpt)

Disclaimer: these short excerpts of astrological charts are computer processed. They are, by no means, of a personal nature. This principle is valid for the 47,982 celebrities included in our database. These texts provide the meanings of planets, or combination of planets, in signs and in houses, as well as the interpretations of planetary dominants in line with modern Western astrology rules. Moreover, since Astrotheme is not a polemic website, no negative aspect which may damage the good reputation of a celebrity is posted here, unlike in the comprehensive astrological portrait.

Introduction

Your Comprehensive Astrological Portrait

Here are some character traits from Giacomo Leopardi's birth chart. This description is far from being comprehensive but it can shed light on his/her personality, which is still interesting for professional astrologers or astrology lovers.

In a matter of minutes, you can get at your email address your astrological portrait (approximately 32 pages), a much more comprehensive report than this portrait of Giacomo Leopardi.

The dominant planets of Giacomo Leopardi

When interpreting a natal chart, the best method is to start gradually from general features to specific ones. Thus, there is usually a plan to be followed, from the overall analysis of the chart and its structure, to the description of its different character traits.

In the first part, an overall analysis of the chart enables us to figure out the personality's main features and to emphasize several points that are confirmed or not in the detailed analysis: in any case, those general traits are taken into account. Human personality is an infinitely intricate entity and describing it is a complex task. Claiming to rapidly summarize it is illusory, although it does not mean that it is an impossible challenge. It is essential to read a natal chart several times in order to absorb all its different meanings and to grasp all this complexity. But the exercise is worthwhile.

In brief, a natal chart is composed of ten planets: two luminaries, the Sun and the Moon, three fast-moving or individual planets, Mercury, Venus and Mars, two slow-moving planets, Jupiter and Saturn, and three very slow-moving planets, Uranus, Neptune and Pluto. Additional secondary elements are: the Lunar Nodes, the Dark Moon or Lilith, Chiron and other minor objects. They are all posited on the Zodiac wheel consisting of twelve signs, from Aries to Pisces, and divided into twelve astrological houses.

The first step is to evaluate the importance of each planet. This is what we call identifying the dominant planets. This process obeys rules that depend on the astrologer's sensitivity and experience but it also has precise and steady bases: thus, we can take into account the parameters of a planet's activity (the number of active aspects a planet forms, the importance of each aspect according to its nature and its exactness), angularity parameters; (proximity to the four angles, Ascendant, Midheaven, Descendant and Imum Coeli or Nadir, all of them being evaluated numerically, according to the kind of angle and the planet-angle distance) and quality parameters (rulership, exaltation, exile and fall). Finally, other criteria such as the rulership of the Ascendant and the Midheaven etc. are important.

These different criteria allow a planet to be highlighted and lead to useful conclusions when interpreting the chart.

The overall chart analysis begins with the observation of three sorts of planetary distributions in the chart: Eastern or Western hemisphere, Northern or Southern hemisphere, and quadrants (North-eastern, North-western, South-eastern and South-western). These three distributions give a general tone in terms of introversion and extraversion, willpower, sociability, and behavioural predispositions.

Then, there are three additional distributions: elements (called triplicity since there are three groups of signs for each one) - Fire, Air, Earth and Water - corresponding to a character typology, modality (or quadruplicity with four groups of signs for each one) - Cardinal, Fixed and Mutable - and polarity (Yin and Yang).

There are three types of dominants: dominant planets, dominant signs and dominant houses. The novice thinks astrology means only "to be Aries" or sometimes, for example, "to be Aries Ascendant Virgo". It is actually far more complex. Although the Sun and the Ascendant alone may reveal a large part of the character - approximately a third or a half of your psychological signature, a person is neither "just the Sun" (called the sign) nor just "the first house" (the Ascendant). Thus, a particular planet's influence may be significantly increased; a particular sign or house may contain a group of planets that will bring nuances and sometimes weaken the role of the Ascendant, of the Sun sign etc.

Lastly, there are two other criteria: accentuations (angular, succedent and cadent) which are a classification of astrological houses and types of decanates that are occupied (each sign is divided into three decanates of ten degrees each). They provide some additional informations.

These general character traits must not be taken literally; they are, somehow, preparing for the chart reading. They allow to understand the second part of the analysis, which is more detailed and precise. It focuses on every area of the personality and provides a synthesis of all the above-mentioned parameters according to sound hierarchical rules.

Hemispheres and Quadrants for Giacomo Leopardi

The axis linking the 1st house's cuspide (the Ascendant) to the 7th house's cuspide - the Descendant - divides the zodiac into two bowls, a superior bowl, in the South, and an inferior bowl in the North. Quoting an expression by the famous American astrologer Rudhyar, the Southern part and the Northern part correspond to two functions: "being" and "doing". Other concepts are also associated with this North and South distribution, such as introversion - Northern hemisphere - and extraversion - Southern hemisphere - being or appearances, inner life or external life, reflection or action, dreaming one's life or living one's dreams, the abstract or the concrete, backstage or limelight.

This is not about determination but about personal inclination: thus, some people will be thrown into public life despite a prominent Northern hemisphere. If this happens, however, it will not be due to their will, their taste or their deep nature. Conversely, a prominent Southern hemisphere will not bring about a famous destiny to its owner, even if he tends to turn the spotlight on himself, or if he looks for a more active life. It is a matter of deep nature and natural inclination. Of course, none of the typologies is "superior" to another.

In your birth chart, Giacomo Leopardi, the ten main planets are distributed as follows:

Giacomo Leopardi, the predominance of planets in the Northern hemisphere prompts you to reflect and imagine rather than to exteriorize your actions and to be at the forefront of the stage. So, should you wish to remedy this situation, it is up to you to force your nature to take action in broad daylight, to communicate, and to assert yourself... then, you can move forward in this concrete life and enjoy your newly won situation.

The birth chart is divided into two other parts, Eastern and Western, by the axis linking the Midheaven to the Imum Coeli.

The Eastern part, on the Ascendant side, shows the person's ego, will, magnetism, and vitality, whereas the Western part, on the Descendant side, symbolizes other people, communication, relationships and their influence, as well as flexibility and adaptability.

The predominance of planets in the Western hemisphere of your chart means that you are quite flexible, capable of empathy, convivial and communicative. An excellent factor for many professional activities or for your social or sentimental life for example.

A definite asset... provided that you are not at the centre of the decisions you must take in your life: you may be tempted to listen to the last person who spoke, and your flexibility won't always get you out of the tight spot. You are therefore advised to learn to decide alone and to cope with the consequences of your actions with courage and without regrets. This attitude will allow you to combine flexibility and action, adaptability and absence of hesitation.

Each quadrant is a combination of the four hemispheres of your birth chart and relates to a character typology. The Southern hemisphere – the top of your chart, around the Midheaven – is associated with extraversion, action, and public life, whereas the Northern hemisphere prompts to introversion, reflexion, and private life. The Eastern hemisphere – the left part, around the Ascendant – is linked to your ego and your willpower, whereas the Western hemisphere indicates how other people influence you, and how flexible you are when you make a decision.

Giacomo Leopardi, the nocturnal North-western quadrant, consisting of the 4th, 5th and 6th houses, prevails in your chart: this sector favours creativity, conception and some sort of specialization or training, with helpfulness and relations as strong components. You need others' cooperation in order to work properly, although you are not very expansive: creating, innovating and thinking are what matter most to you because this self-expression enriches you and totally satisfies you.

Elements, Modalities and Polarities for Giacomo Leopardi

Giacomo Leopardi, here are the graphs of your Elements and Modalities, based on planets' position and angles in the twelve signs:

The predominance of Water signs indicates high sensitivity and elevation through feelings, Giacomo Leopardi. Your heart and your emotions are your driving forces, and you can't do anything on Earth if you don't feel a strong affective charge (as a matter of fact, the word "feeling" is essential in your psychology). You need to love in order to understand, and to feel in order to take action, which causes a certain vulnerability which you should fight against.

Like the majority of Earth signs, Giacomo Leopardi, you are efficient, concrete and not too emotional. What matters to you is what you see: you judge the tree by its fruits. Your ideas keep changing, words disappear, but actions and their consequences are visible and remain. Express your sensitivity, even if it means revealing your vulnerability. Emotions, energy and communication must not be neglected; concrete action is meaningless if it is not justified by your heart, your intellect or your enthusiasm.

Fire's qualities are not very present in your chart, with only 0.00% instead of the average 25%, which means that you may lack warmth, enthusiasm, conquering spirit, or energy. You may look indifferent to others, with almost no desire, no joy of life or no enterprising ability. Actually, it is not true, but you should let go, force yourself to be more daring, and show your amazement as well as your vitality. You certainly have as much energy as others, you just need to release it, and it is up to you to display more of it, since it will be all to your benefit: shout, sing, pull faces, dance! That's the right mean for you... In the end, you'll never be accused of being sad, phlegmatic or a killjoy!

Air is under-represented in your natal chart, with only 7.16% instead of the average 25%. Air symbolizes the values of communication, exchanges with others, but also adaptability and flexibility abilities: if you don't get out of your cocoon to talk, to show interest in others, and to socialize, you may have problems understanding others. Because of your lack of flexibility or of your refusal to adapt yourself, you may be suddenly overwhelmed by events. You should get into the habit of talking, of phoning, and of thinking in terms of "mobility, flexibility, adaptability, change" in every circumstance. It will spare you so many troubles!

The twelve zodiacal signs are split up into three groups or modes, called quadruplicities, a learned word meaning only that these three groups include four signs. The Cardinal, Fixed and Mutable modes are more or less represented in your natal chart, depending on planets' positions and importance, and on angles in the twelve signs.

Giacomo Leopardi, the Cardinal mode is dominant here and indicates a predisposition to action, and more exactly, to impulsion and to undertake: you are very keen to implement the plans you have in mind, to get things going and to create them. This is the most important aspect that inspires enthusiasm and adrenalin in you, without which you can grow weary rapidly. You are individualistic (maybe too much?) and assertive. You let others strengthen and improve the constructions which you built with fervour.

The twelve signs are divided into two polarities, called active or passive, or sometimes masculine and feminine, positive and negative, Yang and Yin. This classification corresponds to two quite distinct tonalities, the first one bringing extraversion, action, self-confidence and dynamism, the second one, introversion, reactivity, reflection and caution. None is superior to the other, each group has its own assets and shortcomings. Odd signs - Aries, Gemini, Leo, Libra, Sagittarius and Aquarius - belong to the first group, whereas even signs - Taurus, Cancer, Virgo, Scorpio, Capricorn and Pisces - belong to the second group.

N.B.: this dominant is a minor one. It is not essential that you read its meaning in the beginning. You can get back to them later on, once you have read more important interpretations.

According to the disposition and qualities of your planets and angles, you are rather influenced by Yin energy, the passive polarity, Giacomo Leopardi: you are quite introverted, imaginative and sometimes discreet, but you are a deep and wise person who is not content with just noisy and flashy things. At times, you doubt but you think that those who don't are a bit... thoughtless. Allow yourself to take more laid-back attitudes and put your reserve aside, because good equilibrium is always healthier.

Houses are split up into three groups: angular, succedent and cadent.

The first ones are the most important ones, the most "noticeable" and energetic houses. They are the 1st, 4th, 7th and 10th houses. Their cuspides correspond to four famous angles: Ascendant for the 1st house, Imum Coeli for the 4th house, Descendant, opposite the Ascendant, for the 7th house and Midheaven for the 10th house, opposite the Imum Coeli.

Planets are evaluated according to a whole set of criteria that includes comprehensive Western astrology rules. At their turn, planets emphasize specific types of houses, signs, repartitions etc., as previously explained.

N.B.: this dominant is a minor one. It is not essential that you read its meaning in the beginning. You can get back to them later on, once you have read more important interpretations.

Your angular houses, namely, the 1st, 4th, 7th and 10th houses, are very emphasized in your chart, Giacomo Leopardi: according to the Tradition, they are the strongest and most dynamic houses. Should the rest of your chart concur, angular houses suggest that you are an enterprising, energetic and assertive man. Indeed, angular houses are said to generate impulsions and to give a powerful and domineering personality.

Unusual fates are often linked to a predominance of angular houses, but this is only a partial indication...

Each sign contains 30 degrees and can be divided into three equal parts: the decanates. The Tradition indicates that specific meanings can be associated to each of the three decanates. Their sphere of activity is usually limited to the Sun sign, however, it is even more interesting to observe the distribution of all the planets in the chart to get an idea of the respective importance of the three decanates, which can complement the description of the personality.

These meanings must be considered with the greatest caution. Indeed, they are minor characteristics that can only underline other outstanding traits of character.

Traditionally, the first decanate highlights the characteristics of the sign where a planet is located. The two other decanates correspond to sub-dominant planets, depending on the nature of each sign. This system leads to a multiplication of meanings and it is impossible to have a clear understanding: here, we prefer to give only the meaning of one decanate in comparison with the other two, within the birth chart as a whole. Again, the greatest caution is needed with regard to this minor indication as it is not always reliable: it is not essential that you read these texts in the beginning. You can get back to them later on, once you have read more important interpretations

The second decanate, which means the part between 10° and 20° of any zodiacal sign, prevails in your natal chart, Giacomo Leopardi: these 10 zodiacal degrees emphasize logical thought and mental values. Therefore, you may be drawn to some kind of scientific activities, research, writing or any sort of expression where you have to... think a lot.

Dominants: Planets, Signs and Houses for Giacomo Leopardi

The issue of dominant planets has existed since the mists of time in astrology: how nice it would be if a person could be described with a few words and one or several planets that would represent their character, without having to analyse such elements as rulerships, angularities, houses, etc!

The ten planets - the Sun throughout Pluto - are a bit like ten characters in a role-play, each one has its own personality, its own way of acting, its own strengths and weaknesses. They actually represent a classification into ten distinct personalities, and astrologers have always tried to associate one or several dominant planets to a natal chart as well as dominant signs and houses.

Indeed, it is quite the same situation with signs and houses. If planets symbolize characters, signs represent hues - the mental, emotional and physical structures of an individual. The sign in which a planet is posited is like a character whose features are modified according to the place where he lives. In a chart, there are usually one, two or three highlighted signs that allow to rapidly describe its owner.

Regarding astrological houses, the principle is even simpler: the twelve houses correspond to twelve fields of life, and planets tenanting any given house increase that house's importance and highlight all relevant life departments: it may be marriage, work, friendship etc.

In your natal chart, Giacomo Leopardi, the ten main planets are distributed as follows:

The three most important planets in your chart are Neptune, Saturn and Sun.

With Neptune as one of your three dominant planets, you are a secretive and ambiguous person, often confused or unclear about your own motivations! Indeed, you are endowed with unlimited imagination and inspiration, as well as with an extreme sensibility that may turn you into a psychic or a clairvoyant. On the other hand, your impressionability is such that you may have difficulties in separating what is concrete and solid from illusions or dreams.

A mystic, a visionary or a poet, you daydream, like any Neptunian, and you see what few people only can see, all of this being shrouded in aesthetic mists when you are fired with enthusiasm.

A boundless, infinity-loving man like you is inevitably likely to be more vulnerable and easily hurt because of your acute perception of events. In such cases, you are hit full in the face, and you may sink into gloomy daydreamings and dark melancholy.

That said, this mysterious aura definitely gives you an indefinable charm in the eyes of your close friends who are often fascinated by your unique ability to feel and to see what ordinary people can never see!

Saturn is part of your dominant planets: among the facets of your character, you have a grave and serious side, wise and somewhat severe, since your concentration can be powerful, to the detriment of carelessness and friendliness.

You often look austere, but it is only an appearance, a kind of modesty or reserve; however, it is true that the Saturnian, who is fond of time, effort, asceticism, rigour and sobriety, may have popularity issues. Nevertheless, honesty and straightforwardness, reliability, as well as slow, wise and deep mental process, although not very popular and visible qualities, eventually become noticed and appreciated. Saturnians' second part of life is usually easier and more fulfilling.

Like the Jupiterian, your Saturnian facet prompts you to seek the essential, security, and longevity. However, the difference with the former is that you will never give priority to wealth or "the bigger, the better" philosophy for the sake of power. Saturn, like Jupiter, symbolizes social integration, and it is usually considered positive to have a harmonic Jupiter and Saturn in one's chart because of their social adaptation capacities.

Your vulnerability lies in your too serious and austere side, which may lead to unwanted loneliness and affective frustration. This generally does not last because Saturnians often hide deep down a golden heart that ends up revealing itself...

One of the dominant planets in your natal chart is the Sun. He symbolizes will, magnetism, sense of honour and dignity. You are a Solar being, and you often display charismatic and leadership qualities. Your warmth and your persuasive power lead you far away from pettiness. You enjoy thinking big and, consequently, you move forward according to what you decide.

Your Solarian weakness may be related to the sin of pride or to excessive authority. The frontier between pride and vanity is tenuous: be careful not to overstep it and to keep the nobleness of heart that is part of your charm.

In your natal chart, the three most important signs - according to criteria mentioned above - are in decreasing order of strength Cancer, Capricorn and Scorpio. In general, these signs are important because your Ascendant or your Sun is located there. But this is not always the case: there may be a cluster of planets, or a planet may be near an angle other than the Midheaven or Ascendant. It may also be because two or three planets are considered to be very active because they form numerous aspects from these signs.

Thus, you display some of the three signs' characteristics, a bit like a superposition of features on the rest of your chart, and it is all the more so if the sign is emphasized.

Cancer is one of your dominant signs and endows you with imagination and exceptionally shrewd sensitivity. Although suspicious at first sight - and even at second...- as soon as you get familiar with people and let them win your confidence, your golden heart eventually shows up, despite your discretion and your desire for security that make you return into your shell at the slightest alert! Actually, you are a poet and if you are sometimes blamed for your nostalgia and your laziness, it is because your intense inner life is at full throttle...

Capricorn is one of your dominant signs and endows you with a grave and serious style that seems to stick to you constantly. But if you have that reserved and cold side - as some extrovert people may think - on the other hand, you possess sturdy qualities: you are strong-willed and tough. Your long-term vision, your sense of duty, and your ambition are not affected by the derisory and erratic motions that seem to upset most mortals less steady than you. Besides, you are like a good wine, you age well and your natural solemnity or serious side paradoxically turns into an almost cheerful appearance, as you grow older. You are actually very sensitive when it comes to love. Faithful, caring, sweet, and sensitive, your behaviour is very different in your everyday, sentimental life. A golden heart beats under your tough and austere appearance...

With Scorpio as a dominant sign, you are a strong and astute person, complicated and passionate, sometimes destructive and intolerant, but strong-willed, tough and daring, sometimes bordering on aggressive. So many qualities and dangers combined in one person! Obviously, this often results in a natural selection of people around you: those who stand up to you or admire you and those who can't bear you anymore! But that is precisely what you want. You are what you are and you are not going to transform yourself just to please. You are too proud and you never dread confrontations, although your way of fighting is secret, like your nature that, mysteriously enough, you are so reluctant to reveal even to your close friends who will never understand you. That said... what a hellish charm you have!

The 4th, 6th and 7th houses are the most prominent ones in your birth chart. From the analysis of the most tenanted houses, the astrologer identifies your most significant fields or spheres of activity. They deal with what you are experiencing - or what you will be brought to experience one day - or they deal with your inner motivations.

With an important 4th house in your chart, your private life, your intimacy, as well as your family and home, play a fundamental role. Your security and your family unit, the one you come from, but also the one you set up when you get married and start a family - or even as a bachelor living alone in your sweet home - are necessary for you to blossom. According to the Tradition, your father may play an important role in your life.

Your 6th house is quite emphasized and indicates interest in work and daily occupations that take up a lot of your time: in analogy with Virgo, this house inclines towards perfectionism and training; somehow, you may be fulfilled through the process of being useful and investing your energy in your work. An environment appealing to you may be involved - your colleagues, for example - or a passion for one of these daily occupations. Medical positions or pets may play a role in your life; or ancillary love affairs too... These are a few possibilities indicated by an important 6th house.

Your 7th house is one of your dominant houses: it symbolizes other people, marriages, associations, contracts, and partnerships. Your personal achievement and maybe your problems - depending on the rest of your chart - are mainly influenced by your rapports with others, the area in which you tend to commit yourself a lot. You appreciate communication, and you give importance to others' opinions. Success requires the support of others, which seems obvious and natural to you. Your marriage generally contributes to your fulfilment.

After this paragraph about dominant planets, of Giacomo Leopardi, here are the character traits that you must read more carefully than the previous texts since they are very specific: the texts about dominant planets only give background information about the personality and remain quite general: they emphasize or, on the contrary, mitigate different particularities or facets of a personality. A human being is a complex whole and only bodies of texts can attempt to successfully figure out all the finer points.

Your sensitivity

Your sensitivity is withdrawn, Giacomo Leopardi: more than anyone, you tend to lock yourself in your ivory tower, as you are aware of a kind of superiority that may be real, though overrated. Your moods are not perceptible because you control them with a tight fist. It is difficult to know if you are happy or upset because you show nothing. You avoid situations which compel you to reveal your emotions because you are not demonstrative. Please, be aware that it is not your amorous behaviour that is being analyzed, but the daily expression of your sensitivity. You dread the crowd and you need calm, and even solitude, to feel comfortable. You are well-equipped to remain balanced in all circumstances, but it may prove beneficial if you progressively take a relaxed attitude and show more dedication, as you are worth it; it is easier for you to exteriorize your feelings when your projects or your ambitions justify that you do so. You do not practice gratuitous outpourings, particularly when your are with a group, because you are afraid to open up, as if you were on the defensive, without any reason most of the times.

You are very sensitive, emotional and intuitive, Giacomo Leopardi. You actually perceive what is said about you with shrewd acuteness, which is convenient, but it also makes you especially vulnerable. People’s opinion is important to you, even though their influence may be unconsciously perceived. You are concerned about your public image, you are nevertheless whimsical, even capricious and moody: you switch from laughter to tears so easily. You have a special relationship with crowds, probably because you can easily become popular owing to your lovable and moving personality. Your imagination is so strong that it may become tricky: it is preferable that you be straightforward because the slightest insinuations can create beautiful - or unfortunate - stories that may take you very far away from reality, in spite of your flair and well-developed intuition!

Your intellect and your social life

Giacomo Leopardi, an enquiring intelligence, an instant understanding and a wide range of interests prompt you to go towards other people in all circumstances with a view to exchanging ideas and to show your talent for repartee. Ideas and actions must be quick and you are likely to be impatient, even critical and sarcastic with people who cannot match your frantic rhythm. You are very adaptable, you can do several different things at the same time and also think of a future action because you constantly need to be on the move. You may be criticized for your superficiality, for spreading yourself too thin and for your propensity to conceal the truth, but you always get out of tricky situations incredibly well because you are very astute, shrewd and charming.

Your thoughts, Giacomo Leopardi, are irresistibly attracted to hobbies and entertainments, or you may be particularly oriented towards creation if you are dealing with something amusing. Your way of communicating is often pleasant, charming, you are the type who blends humour and charm in your speeches and who can spend many hours telling about your hobbies and detailing them with fire. This state of mind is favourable for love affairs or children's education. Your playful spirit often amazes children.

Your affectivity and your seductiveness

In your chart, the Sun is in Cancer and Venus, in Taurus. Selectiveness is the obvious element shared by these two signs, complementary in many regards. Not everyone may be part of your sentimental realm! Protection (Sun in Cancer) and resistance (Venus in Taurus) are the major characteristics of your affectivity. This configuration may alter your spontaneity but it deepens your affections. Your apparent desire for quietness may be misleading: your emotions are intense and your sensuality, demanding. All the more so, because you seldom exteriorize your affects which may reach an unusual intensity. This zodiacal couple is sometimes criticized for its relative inertia: it is true that habits are deep-rooted, that affectivity is built up through shared experiences and that you are far from challenging yourself on a daily basis. You must thoroughly understand the way in which you function: the will to build a protected realm (Cancer) is added to the desire to fully enjoy the savour of a love affair (Taurus). Hence the idea that, for a relationship to fully blossom, time, patience, tenderness and gradually understanding your partner are indispensable conditions.

There is so much voluptuousness and so much charm in your personality, Giacomo Leopardi! You are what is called a “nature” and when confidence is established, slowly but steadily, you become deeply attached to your partner and you can be filled with passion. It may take months, even years, but you are so generous and affectionate that, in most cases, your relationship has many chances to blossom, with time. You are very physical and sensual and you are very keen to delight in your intimate moments. This aspect of your amorous relationship usually contributes to its sustainability. Everything seems idyllic, Giacomo Leopardi. It would be so if your jealousy and your possessiveness did not get started simultaneously with your powerful feelings. But you have so many assets, so be content!

Giacomo Leopardi, for a fulfilling sentimental life, you need a stable and securing family basis from where you can eventually look at the outside world and give free rein to your love agitations: even though your have had a loving and caring family environment during your childhood, and you now want the same secure and warm feeling to endure, at any cost, or if, on the contrary, fate had turned your childhood into a painful period with lots of emotional loneliness and you now want to obtain, at any cost, what you had been deprived of in the past, for the rest of your entire life, the harmony of your family structures will remain an absolute necessity for you, lest you feel unable to do your utmost. As a matter of rule, you also need security in the literal sense before you can be at your best and, as you start a serious relationship, one of your first preoccupations is to purchase or to beautify the necessarily cosy and opulent-looking nest for your new couple. You value interior decoration as much as security and you will spend lots of time hunting refined artistic works that will match your inner feelings: secrete, warm, reassuring but not extravagant.

Your behaviour

Psychologically speaking, your nature is introverted and cold, totally controlled and phlegmatic, at least regarding the image you project invariably. You seem unemotional and austere. Actually, due to your secondarity, you chew over your strategies or your reactions required by your environment. You are slow but very thoughtful, solid and balanced. You are as curt as you are cold and you put the entire strength of your character at the service of your huge and long-term ambition or of your detachment from earthly riches and you focus on spiritual values.

Like all the persons born under an apparently reserved and tough sign, your inner personality is often charming and gentle, as if the thick armour, forged throughout childhood, had entirely preserved the purity and the warmth of the soul imprisoned within.

As you are born under this sign, you are serious, cold, disciplined, patient, focused, thoughtful, ambitious, indomitable, cautious, lucid, persistent, provident, steady, introverted, stern, wilful, hard-working, responsible, persevering, honest, realistic, loyal, reserved, resolute, moralistic, quiet, rigorous, attached and reliable. But you may also be curt, withdrawn, calculating, petty, cruel, unpleasant, ruthless, selfish, dull, rigid, slow or sceptical.

Sir, in love, you may feel less interested than the other Zodiacal signs because you repress your feelings and you practice so much self-control. You want to keep situations under full control, in all circumstances, although love is the only area where progress requires a laid-back attitude, where it is necessary to give in order to receive, all things which are difficult for you.

Therefore, you are alone for a long part of your life until you meet with the love of your life, to whom you will be faithful and attached, beyond reproach. Capricorn has very few but intense and lasting love affairs.

Daily life within your couple is responsible and serious. It may not be too bubbling, but your feelings’ sustainability and solidity make for your lack of spontaneity and extravagance. You may not be very available, as all your time is taken up by your work and the pursuit of success. You are very keen to marry a person who can share your professional interests, which does not lessen the quality of your attachment at all.

Your home is sound, with an atmosphere of seriousness. The effort-oriented education, which you give your children, is respectful of the best traditions.

Your will and your inner motivations

Psychologically speaking, your nature is dreamy, oriented towards nostalgia for things past. You are very instinctive and you protect yourself against the outside world. Your inner life is rich, with fertile and even unlimited imagination, a propensity to avoid unnecessary risks and to pursue security. You show your true face only to persons you can trust, when there is a kind of well being triggered by the nostalgia for the past.

As you are born under this sign, you are emotional, sentimental, restful, imaginative, sensitive, loyal, enduring, protective, vulnerable, generous, romantic, tender, poetic, maternal, dreamy, indolent, greedy and dedicated. You may also be fearful, unrealistic, evasive, passive, touchy, anxious, dependent, stubborn, lunatic, backward-looking, lazy, burdensome, impenetrable and a homebody.

Love in the masculine mode: for you, Sir, in love, you are tender, sensitive and quite loyal. You are influenced by a mother-figure and you unconsciously look for a partner who will offer as much attention and affection as you used to receive as a child. You are a homebody and a dreamer and you blossom in the family cocoon you create, dreaming of adventures and extraordinary trips… that you most often take in your head.

Tenderness is more important than sexuality, even though it is also an agent for security and for stability. You tremendously appreciate to be again the spoiled child that you used to be, as you savour tasty little dishes or as you receive the frequent praises you need in order to feel reassured.

You are sheltered from tragedies and life complications because at the very moment when a difficult situation emerges, you nip it in the bud either by ignoring it or by withdrawing into your shell quietly, until the storm subsides.

Your home is happy and rich, quiet and harmonious, throughout your life.

You are a perfectionist, Giacomo Leopardi. Your constant concern is to improve yourself in every regard, to amass knowledge, to become helpful and to be at the top of your performances and your competencies. Work is an important area and, contrarily to many others, you are comfortable in this field where you can expend a lot of efforts and progress.

You are obsessive about organization and tidiness. Your varied interests - service to others is their common aspect - are less important than the harmonious and quiet ways you display when you carry out your responsibilities. Being helpful is one of the important motivations that make you feel alive. You can't help it, you are very keen, not only to use your work capacity in a lasting and well-organized way, but also to feel the gratitude of your superiors or of the persons you commit yourself to with loyalty and with the constant concern to demonstrate that you improve yourself. According to the Tradition, you are naturally interested in health, dietetics and all medicines dealing with well being and fitness. You may work happily in medical fields because they suit your tendency to do favours, to be helpful and to continuously improve your efficiency. Your strong predisposition to be helpful is in contradiction with the taste for commandment. To become a leader or to accept too many responsibilities is not your cup of tea. You prefer to be the accomplished number 2 and to make yourself indispensable, rather than to take on the burden of authority struggles and to embark upon unsafe territories. For this reason, with this configuration, you may be somehow over-competent for the position you hold, contrarily to the well known Peter's principle stipulating that one reaches one's highest level... of incompetence at the end of one's career. You are a good specialist, a trustworthy person, an irreplaceable aid and that's more than enough for you. Going further into the description of your deep motivations, in the least favourable cases, you may repress your legitimate ambitions. You are among the persons who need to be encouraged to free themselves from their inhibitions and to not fear the Unknown. You may worry over the fact that you are not up to it or over your health condition: the cure? Charge ahead, go for it, handle your career without fear and beware of ever becoming a hypochondriac...

Your ability to take action

You express your energy in a vague and random manner, Giacomo Leopardi. This is not a handicap, but it prevents you from reasonably planning your long-term actions. You are a bit whimsical and scattered, sometimes hyperactive and willing to devour obstacles with your big shark teeth, but often, you take the easy way out because of your desire for tranquillity. You loathe conflicts and your cleverness and your flexibility allow you to achieve your goals while shrewdly worming your way through difficulties. Your intuition and your imagination are the assets that compensate your lack of efficiency and discipline. You are much more successful when you work for a noble cause, usually a collective one, sometimes political or spiritual ones. On the sexual plane, you are whimsical and impossible to categorize. You are so changing and malleable that you can shift from one extreme to another, according to your partner's personality, because your adaptability and your flexibility are really strong.

Giacomo Leopardi, your capacity for action perfectly matches your personal enrichment and enhances your earning abilities! It is easy for you to engage into fights aiming at ensuring your material security, as it is the best outlet for your energy: it must serve a purpose, otherwise why bother? Consciously or not, your ardour is going full steam ahead for the success of your business and the protection of your interests. This energy may also be understood in a figurative sense, and in that case, it involves your affective, family or professional security and has no direct link to money. You may be possessive, and you defeat those who intend to come too near to what belongs to you. In any case, you are well-equipped and you usually get what you want. This is a valuable asset throughout your life because, indirectly, it turns you into a more independent person who does not need any protection.

Conclusion

This text is only an excerpt from of Giacomo Leopardi's portrait. We hope that it will arouse your curiosity, and that it will prompt you to deepen your knowledge of astrology, as well as to visit and use the wide range of free applications at www.astrotheme.com.

Astrological studies describe many of the character traits and they sometimes go deeper into the understanding of a personality. Please, always keep in mind that human beings are continuously evolving and that many parts of our psychological structures are likely to be expressed later, after having undergone significant life's experiences. It is advised to read a portrait with hindsight in order to appreciate its astrological content. Under this condition, you will be able to take full advantage of this type of study.

The analysis of an astrological portrait consists in understanding four types of elements which interact with one another: ten planets, twelve zodiacal signs, twelve houses, and what are called aspects between planets (the 11 aspects most commonly used are: conjunction, opposition, square, trine, sextile, quincunx, semi-sextile, sesqui-quadrate, quintile and bi-quintile. The first 5 aspects enumerated are called major aspects).

Planets represent typologies of our human psychology: sensitivity, affectivity, ability to undertake, will-power, mental process, aptitude, and taste for communication etc., all independent character facets are divided here for practical reasons. The twelve signs forming the space where planets move will "colour", so to speak, these typologies with each planet being located in its particular sign. They will then enrich the quality of these typologies, as expressed by the planets. The Zodiac is also divided into twelve astrological houses. This makes sense only if the birth time is known because within a few minutes, the twelve houses (including the 1st one, the Ascendant) change significantly. They correspond to twelve specific spheres of life: external behaviour, material, social and family life, relationship, home, love life, daily work, partnership, etc. Each planet located in any given house will then act according to the meaning of its house, and a second colouration again enriches those active forces that the planets symbolize. Finally, relations will settle among planets, creating a third structure, which completes the planets' basic meanings. A set of ancient rules, which has stood the test of experience over hundreds of years (although astrology is in evolution, only reliable elements are integrated into classical studies), are applied to organize the whole chart into a hierarchy and to allow your personality to be interpreted by texts. The planets usually analysed are the Sun, the Moon, Mercury, Venus, Jupiter, Saturn, Uranus, Neptune and Pluto, which means two luminaries (the Sun and the Moon) and 8 planets, a total of 10 planets. Additional secondary elements may be taken into account, such as asteroids Chiron, Vesta, Pallas, Ceres (especially Chiron, more well-known), the Lunar nodes, the Dark Moon or Lilith, and even other bodies: astrology is a discipline on the move. Astrological studies, including astrological portrait, compatibility of couples, predictive work, and horoscopes evolve and become more accurate or deeper, as time goes by.

Precision: concerning the horoscopes with a known time of birth, according to the Tradition, we consider that a planet near the beginning (called cuspide) of the next house (less than 2 degrees for the Ascendant and the Midheaven, and less than 1 degree for all other houses) belongs to this house: our texts and dominants take this rule into account. You can also choose not to take this shift into account in the form, and also tick the option Koch or Equal houses system instead of Placidus, the default houses system.

Warning: In order to avoid any confusion and any possible controversy, we want to draw your attention upon the fact that this sample of celebrities is very complete and therefore, it also includes undesirable people, since every category is represented: beside artists, musicians, politicians, lawyers, professional soldiers, poets, writers, singers, explorers, scientists, academics, religious figures, saints, philosophers, sages, astrologers, mediums, sportsmen, chess champions, famous victims, historical characters, members of royal families, models, painters, sculptors, and comics authors or other actual celebrities, there are also famous murderers, tyrants and dictators, serial-killers, or other characters whose image is very negative, often rightly so.

Regarding the latter, it must be remembered that even a monster or at least a person who perpetrated odious crimes, has some human qualities, often noticed by his/her close entourage: these excerpts come from computer programmes devoid of polemical intentions and may seem too soft or lenient. The positive side of each personality is deliberately stressed. Negative sides have been erased here - it is not the same in our comprehensive reports on sale - because it could hurt the families of such people. We are hoping that it will not rebound on the victims' side.

Numerology: Birth Path of Giacomo Leopardi

Testimonies to numerology are found in the most ancient civilizations and show that numerology pre-dates astrology. This discipline considers the name, the surname, and the date of birth, and ascribes a meaning to alphabetic letters according to the numbers which symbolise them.

The path of life, based on the date of birth, provides indications on the kind of destiny which one is meant to experience. It is one of the elements that must reckoned with, along with the expression number, the active number, the intimacy number, the achievement number, the hereditary number, the dominant numbers or the lacking numbers, or also the area of expression, etc.

Your Birth Path:

Your Life Path is influenced by the number 6, Giacomo, and indicates a destiny marked with an intense desire for love, conciliation, and harmony. You feel driven by an ideal of perfection which brings about responsible behaviour and devotion to a group, a family, or a homeland... At times, your thirst for balance prompts you to adopt intransigent, even tyrannical attitudes, which is the other side of the coin for your constant concern for equity and justice which is sometimes disappointed by the blunt reality. You undeniably demonstrate devotion to your parents or your spouse, which is a sign that your family life is harmonious. In this field, owing to your sense of duty, you are a reliable person. Your balance depends on a harmonious life and on your capacity to make the good choices. It is on these conditions that your qualities can fully bloom: creativity, altruism, personal radiance...

N. B.: when the birth time is unknown, (12:00 PM (unknown)), these portrait excerpts do not take into account the parameters derived from the time, which means, the domification (Ascendant, astrological houses, etc.). Nonetheless, these analyses remain accurate in any case. Regarding the sources of the birth data in our possession, kindly note that the pages we publish constitute a starting point for more detailed research, even though they seem useful to us. When the sources are contradictory, which occurs rarely, after having analysed them, we choose the most reliable one. Sometimes, we publish a birth date just because it is made available, but we do not claim that is it the best one, by no means.

Compatibility Report
Aries · Taurus · Gemini · Cancer · Leo · Virgo · Libra · Scorpio · Sagittarius · Capricorn · Aquarius · Pisces

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